Search Results (104)

Radegund of Poitiers (520–587) was a princess of the Thuringian kingdom, wife to the Merovingian king Clothar I, and ultimately domina of the abbey of Sainte-Croix in Poitiers. The literary persona of Saint Radegund, as constructed by the poet-hagiographer Venantius Fortunatus and, a few years later, by the nun Baudonivia, underpins the historical figure. The saint exerted a significant cultural influence across Frankish territories, and over the ages her image has been continuously received, reinterpreted, and expanded. The purpose of this study is to provide a survey of the critical reception of Radegund’s character, in order to explore how modern scholarship has interpreted and reimagined her persona over time. Full article

This study introduces the Real-To-Fictional Ontology (RTFO), a structured framework designed to analyze the dynamic relationship between reality and fiction in literary works, with a focus on preparatory materials and their influence on narrative construction. While traditional Italian philology and genetic criticism have distinct theoretical and editorial approaches to avant-text, this ontology addresses their limitations by integrating fine-grained textual analysis with contextual biographical avant-text to enhance character interpretation. Modeled in OWL2, RTFO harmonizes established frameworks such as LRMoo and CIDOC-CRM, enabling systematic representation of narrative elements. The ontology is applied to the case study of Cesare Pavese’s La luna e i falò, with a particular focus on the biographical avant-text of Pinolo Scaglione, the real-life friend who inspired key aspects of the novel. The fragmented and unstable nature of avant-text is addressed through a factoid-based model, which captures character-related traits, states and events as interconnected entities. SWRL rules are employed to infer implicit connections, such as direct influences between real-life contexts and fictional constructs. Application of the ontology to case studies demonstrates its effectiveness in tracing the evolution of characters from preparatory drafts to final texts, revealing how biographical and contextual factors shape narrative choices. Full article

Dvora Baron’s “Ogmat Nefesh” exemplifies the complexities of early 20th-century Jewish multilingualism, offering distinct Hebrew and Yiddish versions of the story to explore intersections of gender, ideology, and identity. This paper draws on theoretical frameworks from Harshav’s concept of the “language of power”, Miron’s notion of “amphibianism”, Even-Zohar’s polysystem theory, and Brenner’s “lingering bilingualism” to examine how Baron’s bilingual authorship shapes her narrative strategies and critiques systemic inequities. Through close readings of key passages, it analyzes how her linguistic choices influence character portrayal, narrative tone, and thematic emphasis across the two versions. Situating “Ogmat Nefesh” within the historical contexts of Eastern European and Palestinian Jewish communities, the study also considers Baron’s engagement with Zionist and diasporic frameworks and her feminist critique of patriarchal structures. Finally, Baron’s personal experiences of exile and literary seclusion further illuminate the interplay between individual circumstances and cultural production in her work. By engaging with secondary scholarship and feminist perspectives, this study highlights Baron’s contributions to early 20th-century feminist writing and her enduring relevance to debates on multilingualism and cultural identity in Jewish literature. Full article

This research contributes to the studies on the origins and transformations of Tchaikovsky’s Children’s Album, Op. 39 using the linguistic methods of discourse, metaphor, and comparative analysis to explore a number of connected questions and their impact on how the audiences and scholars perceive and understand the compositions. These methods are supported by the technology provided by computational linguistics, such as large language models along with music analysis algorithms based on signature pattern elicitation. This article examines how artificial intelligence technologies can shed light on the differing views on the Children’s Album. The meanings and implications of the published reordering of the pieces are explored. The influence of Schumann’s Album for the Young and the broader pedagogical and cultural significance of editorial transformations is investigated. Through this interdisciplinary approach, this study offers new insights into the compositional intent and interpretive possibilities of Tchaikovsky’s work. The presented results of the musicology, literary, computational, and linguistic analyses complement the few scholarly studies aimed at unveiling the intriguing metaphors and connections of the Children’s Album, which tend to remain in the shadows of his larger-scale piano and symphonic works. Full article

Turfgrass has evolved from a fundamental element of natural landscapes to a key component of ornamental, recreational, and ecological systems. This review examines its historical trajectory, from ancient civilizations and medieval monastic gardens to modern urban green spaces, highlighting cultural, technological, and environmental influences. The study integrates historical analysis with agronomic and ecological research to assess turfgrass’s role in soil conservation, carbon sequestration, water management, and biodiversity enhancement. The methodological approach combines a historical–literary review with an analysis of scientific advancements in turfgrass management, focusing on low-input species, precision irrigation, and climate-adaptive strategies. The findings indicate that while turfgrass contributes to urban resilience and ecosystem services, conventional high-maintenance practices pose sustainability challenges. The review underscores the need for multifunctional turfgrass systems that balance aesthetics with ecological benefits. A shift toward eco-friendly management practices will be essential for the long-term sustainability of turfgrass in modern landscapes. Full article

This article compares the similar texts in historiography, legend, poetry, and law between the Hebrew Bible and Chinese classic works, emphasizing the mutual reflection and illumination of the two in terms of culture. This article holds that a literary work, just like an object, will release a certain form of energy, which will have an impact on other works and, at the same time, be influenced by other works. This article examines Chinese classic works from the perspective of the Hebrew Bible to gain new insights. By discussing the traditional comparative methods in biblical studies, the article emphasizes the possibility of comparison between different cultures. It is believed that, for similar stories and texts, it is important to analyze their specific cultural backgrounds and writing environments and to reveal the deep-seated reasons in terms of philosophy, history, society, culture, personal life experiences, etc., behind the phenomena of similarities and differences. Using this method, the article deeply analyzes the similarities and differences between the two kinds of texts in specific literary genres such as historiography, poetry, and law and gives examples to illustrate the similarities and differences between these two types of literary works. The study of these narratives within a comparative framework enables people to have a deeper understanding of these texts and the societies that produced them, while also respecting the unique backgrounds and meanings of each work. The article underlines the significance of cross-cultural comparison in the studies of the Bible and Chinese classic works. This research approach, as proposed, enriches the comprehension of these two literary traditions and their profound influence on the shaping of human history and culture. Full article

This study provides an analysis, text, and translation of satire III.1 from Thomas Naogeorgus’s Satyrarum libri quinque priores (1555), which offers a vivid neo-Latin poetic depiction of the fall of Satan and his followers. It situates Naogeorgus’s work within the tradition of early modern satire and epic, exploring its alignment with theological discourse and its engagement with classical and Biblical motifs. Through a close reading of the text, this article identifies significant thematic and stylistic parallels with John Milton’s Paradise Lost. While acknowledging the limitations of asserting direct literary influence, it highlights Naogeorgus’s unique contributions to the broader literary tradition of Christian epic poetry. The paper calls for greater scholarly attention to Naogeorgus’s oeuvre, emphasizing its value beyond mere comparative analyses, as a distinctive voice in Reformation humanist verse. By providing a translation and commentary, this work aims to promote further studies of neo-Latin literature and its complex interplay with theological and literary traditions. Full article

In the mid-to-late Ming Dynasty, Yunqi Zhuhong 雲栖祩宏 and Ouyi Zhixu 蕅益智旭 integrated Zen thought and Pure Land Buddhism based on the fusion of various Buddhist sects, which facilitated the transition to Chan Jing He Yi (integration of Zen and Pure Land Buddhism 禪淨合一). In this context, Journey to the West 西遊記, published in the late Ming Dynasty, reflects the characteristic of Chan Jing He Yi (integration of Zen and Pure Land Buddhism 禪淨合一). Based on the historical fact that the monk Xuanzang 玄奘 journeyed to India to seek Buddhist scriptures during the Tang Dynasty’s Zhenguan period, four relatively complete literary works that recount the stories of this westward journey were published over nearly a thousand years, from the Tang Dynasty to the Ming Dynasty: Da Ci En Si San Zang Fa Shi Zhuan 大慈恩寺三藏法師傳, Da Tang San Zang Qu Jing Shi Hua 大唐三藏取經詩話, the Journey to the West drama 西遊記雜劇, and Journey to the West. The Buddhist ideas in these four works went through a transformation from advocating yoga theory 瑜伽論 to advocating belief in Vaisravana 毗沙門天王信仰 and then to focusing on the “mind nature 心性” theory of Zen Buddhism. Finally, in Journey to the West, Buddhist thought is aimed at achieving rebirth in the Western Pure Land and supplemented with Chan Buddhist practices, which are aligned with the trend of Chan Jing He Yi (integration of Zen and Pure Land Buddhism 禪淨合一). In Journey to the West, the concepts of Ming Xin Jian Xing (find one’s true self 明心見性) and Ji Xin Ji Fo (the mind is the Buddha 即心即佛) differ from the Zen Buddhism concept of seeing one’s own nature. Instead, it requires seeking other Buddhas and ascending to the Western Pure Land to meet Amitabha Buddha in order to achieve complete spiritual cultivation. This had changed from the Wei Xin Jing Tu (mind-only Pure Land 唯心淨土) theory advocated by Zen Buddhism to the Xi Fang Jing Tu (Western Pure Land 西方淨土) theory advocated by the Pure Land School. The numerous depictions of Pure Land cultivation methods, such as Cheng Ming Nian Fo (chanting the name of Amitabha Buddha 稱名念佛), Chi Jie (commandment keeping 持戒), and the Pure Land reincarnation-type Guanyin faith 淨土往生型觀音信仰, also appear in Journey to the West, reflecting the profound influence of Chan Jing He Yi 禪淨合一 in the mid-to-late Ming Dynasty on Journey to the West. Full article

The interdisciplinary study of Daoism and literature can be broadly categorized into three main approaches: analyzing literary works as sources of Daoist material, examining Daoist scriptures as literary texts, and exploring the influence of Daoist beliefs on writers. This paper proposes a new perspective that complements these existing frameworks: by examining Daoist scriptures, we can better assess whether certain literary expressions or rhetorical devices were innovative or simply widespread conventions among writers of a particular period. Using the works of Lu Xiujing 陸修靜 (406–477 CE) as a case study, this paper builds on Haun Saussy’s argument that the use of “fragrance” as a rhetorical device to modify virtue—often surprising to modern scholars—was, in fact, a familiar trope for ancient Chinese writers. However, the paper critiques Saussy’s reliance on the works of the famous poet Qu Yuan 屈原 (c. 342–278 BCE) as evidence. Unlike Qu Yuan, who was primarily a literary figure, Lu Xiujing, as a Daoist scholar, frequently employed metaphors related to smell and taste to express abstract moral or doctrinal concepts. For Lu and his contemporaries, such expressions were not regarded as remarkable literary techniques but rather as conventional modes of discourse. This suggests that, at least in early medieval China, such rhetorical usage among writers was not seen as novel but as commonplace. Full article

From the early centuries of Muslim history, one of the most popular pilgrimage routes for the Andalusian and Maghribī pilgrims involved traveling through Alexandria to Cairo, then onward to Upper Egypt, followed by a sea journey to Jidda and finally reaching Makka. In the thirteenth and fourteenth centuries, several Maghribī scholars followed this route, combining the pilgrimage journey with scholarly pursuits. Among them, al-Qāsim b. Yūsuf al-Tujībī (d. 730/1329) compiled a travelogue titled Mustafād al-Riḥla wa-l-Ightirāb (The Benefits of Travel and Being Abroad), in which he blended the literary genres of riḥla (travelogue) and muʿjam al-shuyūkh (biographical dictionary of one’s teachers). This article spatializes al-Tujībī’s journey, as depicted in Mustafād al-Riḥla, by employing geographical information systems software to map the locations and routes described in his travelogue. Additionally, the paper examines the structure and style of the travelogue, which blends the riḥla and muʿjam genres, highlighting the combination and hybridization of literary forms. This analysis considers al-Tujībī’s engagement with encyclopedic compilations in Mamluk Cairo and the influence of this intellectual environment on his work. Finally, by highlighting the scholarly network that al-Tujībī established in Egypt and Ḥijāẓ, the paper explores the role of pilgrimage journeys in merging religious duty with scholarly pursuits. Full article

The concept of intertextuality often remains a catchphrase for many different phenomena, but it is really a crucially important concept involving all narrative processes from the past to the present. What writer would not borrow from a plethora of sources, whether s/he does it deliberately or unconsciously? In fact, we could identify literature as an infinite fabric of narrative threads, and the more closely we examine a literary work, and the denser its composition, the more we can recognize the essential weave it is composed of. This can be powerfully illustrated in the case of the many different narratives involving the water nixie Undine (or Melusine), who was already popular in the Middle Ages, then was discussed in the sixteenth century, subsequently entered the fantasy of Romantic writers, and has most recently become the subject of a major modern movie. The cultural-historical arc from the past to the present powerfully demonstrates the fundamental working of intertextuality on both the vertical and horizontal axes. Writing, whether creative or factual, constantly operates within a web of narrative exchanges. On this basis, we are on firm ground when we claim that ancient or medieval literature is just as important for us today as nineteenth- or twentieth-century literature as a source of inspiration and influence, shaping both our worldview and value system and this through an intertextual chain of narratives. Of course, we move (hopefully) forward in our own time, but many of the analytic tools available to us are historically grounded. Full article

Dunhuang murals are an important part of human cultural heritage with extraordinary literary and historical value. However, with the influences of time and the environment, many murals have suffered large defects and require complete reconstructions of their historical information, which is difficult. Moreover, the manual restoration of murals is complicated and slow. We attempted to use deep learning techniques to restore two types of damaged murals, including central regular defects and random irregular defects. First, we created a dataset of 26,240 Dunhuang murals for model training. Second, we built an image restoration model based on U-net to automatically restore murals. We show that mapping global information to defective areas can effectively restore murals with random irregular defects. Compared to manual restoration, the proposed model significantly reduces the time and cost of restoration work. In addition, we propose a method for constructing and preserving the contour maps of mural images and present the model’s training process. Using the deep learning model, professional restorers can provide visual feedback on the restoration process to directly compare the restoration patterns of different rounds. This method implements observations of the filling-in process in the defective areas. Finally, we built a Dunhuang mural restoration system for professional restorers to restore, select, and share murals on an online platform. Full article

The interdisciplinary nature of theatre studies often results in research that places greater emphasis on literary analysis than on architectural considerations. Consequently, theatrical literature tends to focus more on the relationship between text, author, and context, rather than on the interaction between the text and the spatiality shaped by the architecture of the performance space of the building. This research introduces and applies a mixed methodology to examine the use of theatrical space in dramatic works, concentrating on the architectural study of paratexts, which shows the influence of literature on the architectural design process of the theater building. This study focuses on the works of Luigi Pirandello, particularly Henry IV and Six Characters in Search of an Author, exploring their influence on the Odescalchi Theatre in Rome, and vice versa. This combined approach, alongside the theatrical qualities of the texts, allows for a detailed analysis of how architecture and spatiality are represented in Pirandellian metaproductions. The findings and their architectural modelling highlight the relationship between literature and theatrical spatiality, providing a quantifiable connection in each of the works examined. Full article

Using Hebrews as a test case, we investigate how an author’s participation in his literary network influences his writing habits. Our theoretical framework is that no author writes in a vacuum: all authors recycle stylistic habits from their literary contemporaries. We develop and implement a statistical procedure to trace stylistic influences, both in terms of which texts in an author’s literary network are influential and also in terms of which text-features are suggestive of influence. Stylistic units of analysis in this study are two-word sequences (N-Grams), 40 of which recur in Hebrews as a function of influence from the author’s literary network. We find that the author of Hebrews shares stylistic micro-patterns particularly with his co-religionists, which indicates that, already in New Testament times, the literature of emerging Christianity was developing a distinctive stylistic fingerprint, the features of which were transferred from one author to another. Full article

The article explores the unique friendship and creative synergy between two towering figures of late Soviet underground culture, the avant-garde jazz musician Sergei Kuriokhin and the poet Arkady Dragomoshchenko. Both outsiders in Leningrad, they shaped its literary and musical landscapes without aligning with any movements. Dragomoshchenko, a seminal poet, defied categorization, while Kuriokhin, a polymath, challenged conventions across music, performance, and politics. Their collaboration epitomized innovation, blending Dragomoshchenko’s cerebral poetry with Kuriokhin’s avant-garde music. Despite linguistic barriers, their connection transcended verbal communication, rooted in shared modes of nonlinear thinking and creative experimentation. Kuriokhin’s revolutionary Pop Mekhanika, a chaotic fusion of genres and sensory experiences, mirrored Dragomoshchenko’s relentless poetic evolution. Their friendship catalyzed pivotal encounters, such as with the American poet Lyn Hejinian, expanding their artistic horizons. Dragomoshchenko’s poetic vision, centred on perception’s fleeting nature and the boundaries of possibility, echoed Kuriokhin’s multisensory assaults on audience expectations. Through their unconventional artistry, Kuriokhin and Dragomoshchenko navigated the shifting cultural landscape of late Soviet society, embodying a spirit of defiance and exploration. Their enduring influence transcends their untimely deaths, leaving an indelible mark on Russian avant-garde culture. Full article