Search Results (37)

Contemporary studies of religious modernity tend to view faith systems as static traditions that resist secularization. Although it has recently been acknowledged that local religions may be resilient, scholars often overlook the internal creativity of action that enables such faiths to actively navigate secular constraints. To address this gap, this study investigates a shamanistic folk religion, the Moed faith, to answer a critical question: How can a marginalized religious system innovate to survive within a strict secular order without compromising its spiritual principles? This paper proposes Performative Adaptation as a mechanism of religious creativity by combining historical analysis and ethnographic data through the lens of Actor-Network Theory. It argues that the Moed faith reassembles itself as a dynamic ritual-art continuum rather than remaining a fixed entity. The findings reveal that practitioners actively separate ritual form from function, transforming sacred exorcism chants into the secular performing art of Modlaenz to secure Intangible Cultural Heritage status. Furthermore, this adaptation fosters a transnational Pan-Tai spiritual community, turning rigid geopolitical borders into zones of cultural contact. Ultimately, this research challenges the view of religion as merely a repository of tradition, demonstrating that faith systems can actively engage in institutional innovation and identity construction. Full article

This study applies Pierre Bourdieu’s field theory as an analytical framework to examine the development of Peking opera along the Beijing Central Axis during the Qing Dynasty. It explores how the interaction between the court and folk fields contributed to the formation of its artistic form. From this perspective, social space is understood as a structured network of objective relations, shaped by the distribution of different forms of capital and the habitus of social actors. In the Qing Dynasty, as the core of political and cultural activities, the Peking opera field along the Beijing Central Axis was divided into two major sub-fields: the court field, centered around imperial power and subject to political discipline, and the folk field, market-oriented and following secular logic. By analyzing the differences between the two fields in terms of core power, spatial characteristics, capital distribution, and the habits of actors, this study reveals their two-way interaction achieved through the movement of artists, adaptation of repertoires, and capital conversion. The interaction between the two fields was not symmetrical: while the folk field contributed performative vitality and responsiveness to audience demand, the court provided institutional authority and symbolic legitimacy. Ultimately, in the dynamic balance between power and the market, the unique form of Peking opera, characterized by the integration of elegance and vulgarity, is refined. This study deepens our understanding of the interaction between spatial organization and artistic form, while further elucidating how power, culture, and art were structurally interconnected in the Qing Dynasty through the framework of field, capital, and habitus. In doing so, it offers both theoretical insights and empirical evidence for interdisciplinary research on the social and cultural functions of traditional art. Full article

This study examines the hypothetical issue of the impact of ancient Egyptian beliefs on Africa as a whole. Several focal points are explored. These include (1). The situation of the discipline of folklore within allied academic specializations. (2). Culture diffusion within Africa, and (3). Spoken folk stories as the only field that integrates, in the space and time continuum, culture on the one hand, with its bearers/(society), on the other. (4). [Beside the] colonial past, the problem, is a result of a number of academic factors that include: (a). The establishment at universities of African studies departments that confine the continent to the sub-Saharan tier excluding Africa of the North; thus, folklore is isolated without a proper stage for studying it academically (see Dorson 1972); (b). The stereotyping concerning the capacity of scholars with unfamiliar names or recognized departmental membership as capable of dealing with theory or innovation, though some of their ideas are adopted by the famous without accrediting the source; (c). Ignoring the unfamiliarity for the family (especially under conditions of secrecy; cf. bias, ethnocentrism); and (d). Inadequacy of academic classroom pedagogy on the basics of verbal lore. Folklore in its original, mainly verbal branches, as represented by Stith Thompson’s monumental works on motif (1955–1958), and its predecessor by Antti Aarne on Type, (1910, 1928, 1961/1964), whose coverage, especially on Africa of the North, is seriously lacking in both the Type and Motif Indexes. The tracking of this line begins with recent calls for need for morphological studies of a South African tale (Dseagu [2001] 2021). An association among various regions of Africa with ancient Egypt concerning mythological contacts merits this investigation. Full article

Under the dual pressures of urbanization and tourism development, the Historic Centre of Macao, as a World Cultural Heritage site, faces challenges including the inadequate transmission of cultural elements and the excessive commercialisation of tourism development. To systematically identify and safeguard its cultural characteristics, this study introduces the theory of cultural genes, constructing a dual-strand identification model encompassing both tangible and intangible cultural genes. This model integrates architectural function, structure, and ornamentation, alongside indigenous religions, arts, and folklore, thereby achieving a comprehensive extraction of cultural elements. Building upon this foundation, the study employed the AHP-fuzzy comprehensive evaluation method to quantitatively assess the degree of identification with various cultural elements, integrating perspectives from three distinct groups: tourists, residents, and third-party experts. The findings revealed significant disparities in cultural identification across these groups. For instance, residents demonstrated the highest level of identification with beliefs and folk customs, whilst tourists favoured more tangible aspects such as decorative elements and cuisine, exhibiting generally weaker identification with architectural structures. The findings demonstrate that this study, through the establishment of a systematic framework for identifying cultural genes and a multi-stakeholder evaluation system, has accurately discerned the characteristics of various cultural genes and the public’s level of identification with them. This provides a scientific basis for evidence-based, differentiated, and precise governance of the Historic Centre of Macao, offering significant reference value for the conservation and revitalisation of similar cultural heritage sites. Full article

During the mid-to-late Qing Dynasty, the folk-belief text Yuli constructed a systematic “underworld legal code” via its image–text system, distinct from traditional religious karma and religious law. This study focuses on Yuli’s core image system, exploring its unique legal characteristics and social governance functions through an interdisciplinary approach integrating religious studies, art history, and legal history. Yuli transforms real judicial symbols, such as government offices and prison gates, into underworld visual elements, establishing the core legal principles of “correspondence between crime and punishment” and “universal equality” while reflecting contemporary legal thought. The formation of this “underworld legal code” is closely linked to the creative practices of Qing Confucian scholars, who utilized folk beliefs as a vehicle to disseminate secular legal concepts and respond to social demands for behavioral norms. The Yuli thus became the primary behavioral norm for its grassroots audience, who, due to low literacy, could not understand the formal laws of the Qing Dynasty, and guided them to refrain from criminal acts. Yuli’s “underworld legal code” not only supplemented the national legal system but also reflected the pluralistic pattern of social governance in late imperial China, providing crucial empirical support for the theory of legal pluralism. This study deepens the understanding of the interactive relationship between folk beliefs and legal order in traditional China, and further clarifies the unique mode of grassroots social governance in the Qing Dynasty. Full article

Amidst rapid urbanization and modernization, numerous traditional villages in China face severe challenges, including landscape homogenization and the erosion of their distinctive characteristics. Addressing this issue requires a method capable of systematically identifying, analyzing, and reconstructing both the landscape and its underlying cultural features. This study proposes a digital analytical approach that integrates multimodal artificial intelligence with landscape language theory to address the homogenization of cultural landscapes in traditional Chinese villages. Taking Xinye Village in Zhejiang Province as a case study, the research systematically decodes its landscape spatial narratives and underlying cultural genes. This framework systematically deconstructs village landscapes across four levels: “vocabulary, context, grammar, and semantics”. The village image database is first automatically recognized and statistically analyzed by computer vision technology, which extracts 31 core landscape vocabulary items from three main categories and nine subcategories. Second, Retrieval-augmented Generation technology is employed to synthesize from the constructed domain-specific corpus, a natural context structured around Yuhua Mountain and Daofeng Mountain, as well as a cultural context based on ancestral hall order, connected through folk activities, and idealized by farming and reading passed down through generations. Building on this framework, a multimodal model was used to examine the spatial composition and combinatorial laws of landscape features. Six essential dimensions—spatial layout, visual order, element combination, functional relationships, circulation layout, and scale correlations—revealed the spatial grammar of shuikou landscape. Lastly, the semantic values conveyed by the landscape vocabulary were thoroughly analyzed across three dimensions—form, function, and culture—by integrating a knowledge base. This work creates a landscape language atlas of Xinye Village by combining these studies and using a linguistic model of “character-word-sentence-paragraph”. By methodically deciphering the clan’s cultural code of “farming and reading passed down through generations”, this clearly reconstructs the spatial narrative logic from micro-elements to macro-patterns. This research not only advances the study of landscape language in traditional villages from qualitative description toward a systematic, digital, and interpretable paradigm but also provides an operational theoretical and methodological foundation for the in-depth interpretation, conservation, and transmission of traditional village cultural landscapes. Full article

The purpose of this research was to investigate whether music empirically associated with therapeutic effects contains intrinsic informational structures that differentiate it from other sound sequences. Drawing on ontology, phenomenology, nonlinear dynamics, and complex systems theory, we hypothesize that therapeutic relevance may be linked to persistent structural patterns embedded in musical signals rather than to stylistic or genre-related attributes. This paper introduces the Discriminating Music Sequences (DiMuSes) method, an unsupervised, structure-oriented analytical framework designed to detect such patterns. The method applies 24 scalar evaluators derived from statistics, fractal geometry, nonlinear physics, and complex systems, transforming sound sequences into multidimensional vectors that characterize their global temporal organization. Principal Component Analysis (PCA) reduces this feature space to three dominant components (PC1–PC3), enabling visualization and comparison in a reduced informational space. Unsupervised k-Means clustering is subsequently applied in the PCA space to identify groups of structurally similar sound sequences, with cluster quality evaluated using Silhouette and Davies–Bouldin indices. Beyond clustering, DiMuSe implements ranking procedures based on relative positions in the PCA space, including distance to cluster centroids, inter-item proximity, and stability across clustering configurations, allowing melodies to be ordered according to their structural proximity to the therapeutic cluster. The method was first validated using synthetically generated nonlinear signals with known properties, confirming its capacity to discriminate structured time series. It was then applied to a dataset of 39 music and sound sequences spanning therapeutic, classical, folk, religious, vocal, natural, and noise categories. The results show that therapeutic music consistently forms a compact and well-separated cluster and ranks highly in structural proximity measures, suggesting shared informational characteristics. Notably, pink noise and ocean sounds also cluster near therapeutic music, aligning with independent evidence of their regulatory and relaxation effects. DiMuSe-derived rankings were consistent with two independent studies that identified the same musical pieces as highly therapeutic.The present research remains at a theoretical stage. Our method has not yet been tested in clinical or experimental therapeutic settings and does not account for individual preference, cultural background, or personal music history, all of which strongly influence therapeutic outcomes. Consequently, DiMuSe does not claim to predict individual efficacy but rather to identify structural potential at the signal level. Future work will focus on clinical validation, integration of biometric feedback, and the development of personalized extensions that combine intrinsic informational structure with listener-specific response data. Full article

The prevailing challenges of fading characteristics and identity crises in historical and cultural districts of small and medium-sized cities have been identified. Traditional analytical methods have been found to be deficient in systematically capturing the unique forms and urban memory of these districts. The present study thus adopts the Shangcheng Historical and Cultural District of Huangling County as a case study, proposing a comprehensive analytical framework that integrates urban memory and multi-dimensional methods such as space syntax, grounded-theory-inspired coding, and urban image analysis. The district is subject to a systematic assessment of its spatial form, structural design, and the mechanisms by which urban memory is conveyed. The proposal sets out targeted renewal strategies for four aspects: paths, edges, nodes and landmarks, and districts. The research findings are as follows: (1) Paths with high integration and connection degrees simultaneously serve as both sacrificial axes and carriers of folk narratives. (2) Edges are composed of the city wall ruins, Loess Plateau landform, and street spaces. The fishbone-like street structure leads to significant differences in the connection degrees of main and secondary roads. (3) Nodes such as Guanyv Temple-Confucian Temple, the South Gate, and the North City Wall Ruins Square have high visual control, while the visual integration and visual control of the Qiaoshan Middle School and Gongsun Road historical nodes are relatively low, and their spatial accessibility is insufficient. (4) Based on the “memory–space” coupling relationship, the district is divided into the Academy Life Area, the Historical and Cultural Core Experience Area, and the Comprehensive Service Area, providing an effective path to alleviate the problem of functional homogenization. The present study proffers a novel perspective on the revitalization mechanisms of historical districts in small and medium-sized cities, encompassing both theoretical integration and practical strategy levels. It further contributes methodological inspirations and localized planning experiences for addressing the cultural disconnection and spatial inactivity problems of historical urban areas on a global scale. Full article

This essay reads Grant Allen’s “Pallinghurst Barrow” as folk horror about the late-Victorian spiritualist debates. We read Allen’s story as not only sympathetic to spiritualism, but also as critical of the gendered and genred politics of fin-de-siècle scientific materialism which would preclude such occult experiences—or what we frame as feminine ways of knowing. In both form and content, “Pallinghurst Barrow” challenges masculine science by foregrounding the powerful influence (on Rudolph, the protagonist) of the Gothic ghost story (“gipsy” Rachel’s cautionary tale, repeated by young Joyce). Allen’s interest in the folkloric origins of religion can be traced back to Herbert Spencer’s “Ghost Theory,” a proto-sociological explanation for the cultural construction and transmission of myth (or spirits). A lifelong friend and devotee of Spencer, Allen employs his mentor’s sociology as a way to make sense of non-material forces, including the ghost story circle and its production of Gothic awe or wonder (the wonder tale). Ultimately, then, Allen’s infamous folk horror reads as an allegory of late-Victorian spiritualist debates and, more importantly, as a defence of feminine modes of knowledge and myth-making through collective story-telling. Full article

The acceleration of global urbanization has caused severe damage to, and even the disappearance of, traditional villages, significantly reducing the diversity of cultural landscapes. To effectively preserve and transmit the cultural landscape characteristics of traditional villages, this study adopts the “landscape gene” theory and proposes a traditional village landscape gene perception evaluation method combining game theory-based weight assignment and the cloud model. Using Huangtutang Village in Wuxi, China, as a case study, the study follows the framework and paradigm of “identification-translation-perception evaluation-preservation inheritance” to identify, translate, map, and comprehensively evaluate its landscape genes. Finally, targeted strategies for the preservation and development of Huangtutang Village are proposed based on the evaluation results. The results indicate that residents and tourists generally perceive the landscape genes of Huangtutang Village as “Satisfied,” with perception levels ranking from high to low as follows: environmental pattern, cultural characteristics, architectural character, and spatial layout characteristics. Perceptions of traffic location, street texture, building form, roof form, facade features, folk tales, and historical and cultural context were relatively low, showing lower “expectation values.” The findings provide valuable references for the preservation and development of Huangtutang Village and other traditional villages. The proposed traditional village landscape gene perception evaluation model advances the development of landscape gene theory, effectively supplements existing methods for traditional village preservation and sustainable development, and demonstrates broad applicability. Full article

Designing fair and sustainable pricing mechanisms for health insurance requires accurate risk assessment and the formulation of incentive-compatible strategies among stakeholders. This study proposes a hybrid framework that integrates machine learning with game theory to determine optimal, risk-based premium rates. Using a comprehensive dataset of insured individuals, the XGBoost algorithm is employed to predict medical claim costs and calculate corresponding premiums. To enhance transparency and explainability, SHAP analysis is conducted across four risk-based groups, revealing key drivers, including healthcare utilization and demographic features. The strategic interactions among the insurer, insured, and employer are modeled as a repeated game. Using the Folk Theorem, the conditions under which long-term cooperation becomes a sustainable Nash equilibrium are explored. The results demonstrate that XGBoost achieves high predictive accuracy (R² ≈ 0.787) along with strong performance in error measures (RMSE ≈ 1.64 × 10⁷ IRR, MAE ≈ 1.08 × 10⁶ IRR), while SHAP analysis offers interpretable insights into the most influential predictors. Game-theoretic analysis further reveals that under appropriate discount rates, stable cooperation between stakeholders is achievable. These findings support the development of equitable, transparent, and data-driven health insurance systems that effectively align the incentives of all stakeholders. Full article

This article closely examines the Georgian folk tale Master and Pupil, focusing on the intermedial transformation of its sequential narrative structure as an instance of oral storytelling. The tale is analyzed within the broader discourses of performativity, voice, and narrative subjectivity through the lenses of performance theory, media formalism, and the Aarne–Thompson–Uther (ATU) classification system (Type 325). The study reveals a transition in the tale from silence to vocal authority; here, voice functions not only as a means of communication but also as a vehicle for resistance, transformation, and the negotiation of identity. Master and Pupil emerges, beyond a magical apprenticeship narrative, as a multilayered performance of disembodiment and symbolic transmission through an intermedial perspective; in this context, musicality and vocality operate as liminal forces. The pupil’s acquisition of voice signifies both a narrative rupture and a restructuring of hierarchical relations. Furthermore, the article situates the tale within the broader matrix of the Georgian oral storytelling tradition, demonstrating how recurring motifs surrounding the transformation of voice reflect culturally embedded patterns of media convergence and embodied knowledge. By foregrounding the tale’s intermedial dynamics, this study reframes folk tales as a fluid site of aesthetic, cultural, and epistemic negotiations. Full article

Choosing a rural destination today often comes down to one thing: how authentic it feels. In countries like Romania, where tradition is still woven into daily life, travelers are looking for something real and sustainable—but what exactly does that mean? And how can we measure it? This study takes a different approach. We created an Authenticity Index using fuzzy logic, a method that makes space for in-between answers and soft boundaries. It helped us capture how people actually perceive things like local food, architecture, and natural scenery—without forcing their opinions into rigid categories. We tested the index with real guest feedback from rural accommodation. The results showed that guests consistently valued sensory experiences—like nature and food—more than activities that required deeper cultural involvement, such as workshops or folk demonstrations. Instead of just producing a number, the index turned out to be a guide. It gives hosts a better idea of what really matters to their guests—even when those preferences are not always easy to define. More than that, it brings together what theory says with what visitors actually feel, supporting more sustainable tourism practices. And in rural tourism, that connection can make all the difference. Full article

Kumbapattu is a folk song of the indigenous Kurichiya community sung during Thira, a religious festival celebrated during the month of Kumbham (February). It narrates the mythical life and actions of Malakkari, an embodiment of Lord Shiva and the chief deity of the Kurichiya. A critical study of this 1051-line folk song, its ritual performance, and its ecological fountainheads can contribute to our understanding of the cultural and ritualistic energies and functions of indigenous art forms. This paper examines the role played by religious folk songs in reiterating Kurichiya identity and community integration, and the relevance of such narratives in addressing ecological challenges while sustaining cultural heritage. The method of close textual analysis of Kumbapattu is employed to decode the religious concepts and philosophies of the community, supplemented by observations of ritual performances during fieldwork. This study draws on both primary and secondary materials for the analysis. The study employs Bronisław Malinowski’s myth–ritual theory to examine the relationship between myth and ritual and their role in shaping the Kurichiya identity. Further, William R. Bascom’s four functional categories are applied to identify the ecological functions expressed through the song, since the community is traditionally agrarian and still largely depends on forest and environment for a significant part of their community life. To provide a culturally grounded interpretation that reflects Kurichiya worldviews, the study also incorporates indigenous epistemology to make the analysis more relevant and comprehensive. Full article

This paper elucidates the cognitive and cultural underpinnings that facilitate the coexistence of multiple—occasionally contradictory—interpretive frameworks of magico-religious beliefs and practices within a single sociocultural context. Religious beliefs and practices frequently transcend the boundaries established by a tradition’s official doctrines and normative frameworks. From the perspective of religious authorities and theological elites, such transgressions may constitute sites of tension and doctrinal concern. However, individuals, as the primary agents of lived religion, rarely conceptualize these situations as crises of faith or legitimacy. Instead, they develop improvisational strategies to negotiate these apparent contradictions within their sociocultural milieus. At the cultural level, religious beliefs and practices are not rigidly constrained by dominant official doctrines and normative prescriptions; rather, they accommodate a diverse range of interpretive possibilities. Focusing on a specific rainmaking ritual known as “Tiger Head Sinking” from the Joseon Dynasty—a period marked by the hegemony of Neo-Confucian doctrinal and normative structures—this study investigates how the dynamic interplay between cognitive constraints and cultural schemas facilitates the coexistence of seemingly incompatible interpretations and folk theories of the ritual. Full article