Search Results (85)

Biofouling is the accumulation of marine organisms on submerged surfaces and has negatively impacted several industries while aiding in the spread of invasive species. Traditional antifouling paints, such as tributyltin and copper-based paints, have proven toxic to marine environments, necessitating the use of novel, less toxic alternatives. Previous research has shown that antifouling paints made from essential oil-rich superfruits and medicinal herbs have been effective in preventing precipitation accumulation, including bacterial and mineral accumulation. This study examined the antifouling potential of spirulina and fucus, two algae rich in antioxidants and essential oils. Extracts were analyzed for antioxidant and essential oil content before being subjected to a three-week-long antifouling test. A post-test surface analysis was then performed, and the precipitation count per mm of slide was calculated, followed by a comparison with previous extracts from superfruits and medicinal herbs. After testing, fucus has a minimum bacterial count of 41.4 ± 2.0 per mm in freshwater and 14.0 ± 0.7 per mm in saltwater. Spirulina had a minimum precipitation count of 13.9 ± 2.8 per mm for freshwater and 6.6 ± 1.3 per mm for saltwater. As such, spirulina performed better than fucus, superfruits, and medicinal herbs in both saltwater and freshwater, except for when compared to results from ginger extracts in saltwater. Full article

Two folding screens by futurist artist Giacomo Balla (1871–1958) in the collection of the Kröller-Müller Museum (the Netherlands) were investigated: Paravento con linea di velocità (1916–1917) and Paravento (1916/1917–1958). The screens are painted on both sides, the first on four canvases, stretched onto two wooden strainers and framed with painted wooden strips, and the second on wooden panels set into four painted stiles. In the past, damages on Paravento con linea di velocità were restored by conservators, while Paravento was probably first reworked by the artist himself and later restored by conservators. Yellowed varnish and discolored retouches on both screens led to a wish for treatment. The aim of this research was to gain insight into the painting techniques, layer buildup, pigments, binders, and varnishes of the two artworks. This information supported the decision making for treatment, and it broadens the knowledge on the materials used by Balla. Up to now, only a few published studies deal with the technical examination of paintings by this artist. Both folding screens were subjected to technical photography (UV, IR photography, and X-ray) and were examined with portable point X-ray fluorescence (pXRF) and Raman spectroscopy. Moreover, samples were taken. Cross-sections were studied with optical microscopy, scanning electron microscopy with energy-dispersive X-ray spectroscopy (SEM-EDX), attenuated total reflection Fourier-transform infrared (ATR-FTIR) imaging, and micro-Raman spectroscopy. Loose samples were examined with SEM-EDX, FTIR and micro-Raman spectroscopy, and pyrolysis gas chromatography mass spectrometry (Py-GC/MS). For Paravento con linea di velocità, all pigments and fillers of the painted canvases are compatible with the dating of the screen (1916–1917), but they differ from those on the frame. Here, rutile, in combination with various pigments, among which are blue copper phthalocyanine (PB15) and other synthetic organic pigments, was found. This indicates that the frame has been painted later, likely after the Second World War. The composition of the binders differs as well. Drying oil and pine resin have been used on the canvases, explaining the smooth and glossy appearance and solvent-sensitivity of the paint. On the frame, oil with some alkyd resin was identified. The provenance of the screen before 1972 is not clear, nor when the frame was made and painted and by whom. The results for Paravento indicate that the palettes of the two sides—painted in different styles—are comparable. Mainly inorganic pigments were found, except for the dark red areas, where toluidine red (PR3) is present. pXRF showed high amounts of zinc; cross-sections revealed that zinc white is present in the lower layers. These pigments are compatible with the dating of the screen (1916–1917). In many of the upper paint layers though, except for some green, dark red, and black areas, rutile has been identified. This indicates that these layers were applied later, likely after the Second World War. Since this folding screen was used by the artist and his family until his death in 1958, it seems likely that Balla himself reworked the screen. Full article

The study and preservation of illuminated manuscripts, particularly miniatures on parchment, are crucial for understanding the artistic, cultural, and technological history of the past. This research investigates the materials used in a 16th-century illuminated scroll, analyzing both the miniatures and the written text through non-invasive techniques. A multi-analytical approach was applied, including optical microscopy, Hypercolorimetric Multispectral Imaging (HMI), infrared reflectography in the 950–1700 nm range, Fiber Optics Reflectance Spectroscopy (FORS), macro X-ray fluorescence (MA-XRF) spectroscopy, Raman spectroscopy, and External Reflection Fourier Transform Infrared (ER-FTIR) spectroscopy. These methods provided a comprehensive characterization of the painting materials’ chemical composition and the artistic techniques utilized, revealing new information on Renaissance materials and practices. The detected mineral pigments primarily include smalt, vermilion, lead white, and minium, which are consistent with materials commonly found in illuminated manuscripts. Aluminosilicate and calcite were identified as fillers or substrates utilized for organic dyes, particularly those generating pink hues. An uncommon finding was the green pigment, which was identified as copper hydroxynitrate. Furthermore, gold and silver were extensively employed in the decorative elements, both as metal foils and in shell pigment form. Finally, the capital letters were executed using smalt and vermilion, while the black text ink was characterized as iron gall ink, a composition typically employed on parchment supports. Full article

Parabolic trough collectors (PTCs) are effective solar thermal systems, but their performance can be significantly enhanced through surface treatments. This research investigates the enhancement of thermal performance in parabolic trough collectors (PTCs) by experimentally evaluating the results of surface coating on the absorber tube surface. To achieve this objective, a closed-loop PTC system was fabricated to conduct an experimental comparison between a conventional simple copper tube and a black-painted copper tube. The experimental setup was placed in Islamabad, Pakistan, operated under both laminar and turbulent flow conditions to measure key performance metrics, of temperature difference (ΔT) between the inlet and outlet. The results demonstrate a significant performance advantage for the black-painted tube. In laminar flow, the black-painted tube achieved an average ΔT of 3.54 °C, compared to 2.11 °C for the simple copper tube. Similarly, in turbulent flow, the black-painted tube’s ΔT was 2.1 °C, surpassing the simple copper tube’s 1.57 °C. This superior performance is primarily attributed to the black surface’s high solar absorptivity, which more effectively captures and converts solar radiation into thermal energy. The findings highlight the critical role of surface treatment in optimizing PTC efficiency and provide a practical method for improving solar thermal energy systems. Full article

Copper-based nanoparticles (as Cu₂O) are a key component in marine antifouling paints and, as coatings degrade, release nanoparticles that can affect a wide range of non-target organisms. This study investigates the impact of Cu₂O nanoparticles on the early development of urchins Arbacia lixula, Paracentrotus lividus and Sphaerechinus granularis, and benchmarks their toxicity against similarly sized Cu and CuO nanoparticles and ionic copper. Concentration-dependent toxicity was noted for all forms of copper at concentrations in the 1 to 5000 µg L⁻¹ range. EC₅₀ values after Cu₂O exposure indicated that A. lixula (99 µg L⁻¹) was generally more sensitive than the other two species, with EC₅₀ values of 371 µg L⁻¹ and 606 µg L⁻¹ noted for S. granularis and P. lividus, respectively. The same trend across species was noted for both Cu and CuO, although these nanoparticles generally showed higher EC₅₀ values, indicating lower toxicity compared to Cu₂O. LC₅₀ values qualitatively parallel the corresponding EC₅₀ values, with Cu₂O consistently the most toxic, while Cu was less harmful, and CuO did not reach LC₅₀ at any concentration. Again, greatest lethality was noted in A. lixula. While copper ion release from Cu was much greater than from CuO and Cu₂O, the latter showed similar or greater toxicity to developing embryos compared to Cu. This indicates that copper ions are not the sole driver of toxicity of Cu₂O, but there may also be a contribution derived from Cu₂O redox activity within cells or at membranes that negatively impact oxidative stress defence mechanisms and metabolic pathways. Full article

The application techniques and composition of green and blue-green pigments in the Maijishan Grottoes were explored by utilizing microscopic observation, Raman spectroscopy, and SEM-EDX analysis. For the first time, lavendulan and high-purity botallackite were identified in these grottoes, in addition to the commonly found malachite and atacamite. These discoveries suggest that several caves in the Maijishan Grottoes were originally painted in blue-green tones, which have since altered to the current green or dark green hues. It was also revealed that the application of green mixed pigments involved layering malachite over basic copper chloride, rather than blending them together. Moreover, variations in the composition and placement of white ash layers indicate that the use of mixed pigments was likely due to repainting rather than initial decorative purposes. These findings significantly enhance our understanding of ancient painting techniques and provide crucial data for the conservation and restoration of cultural heritage in the Maijishan Grottoes. Full article

Fused deposition modeling (FDM) printing has become increasingly popular for exploring advanced material matrices with a polymeric base. This study uses a low-energy method to investigate the metallization process on a surface created by 3D printing. This involves using an acrylic-paint-based solution to disperse the copper (Cu) powder on a polylactic acid (PLA) substrate, allowing for an evaluation of the fabricated samples’ mechanical, morphological, absorbance, and capacitance properties. The study findings indicate a gradual increase in tensile strength as the content of Cu in the acrylic paint layer on the PLA substrate increases. There was a clear and consistent increase in the tensile strength of the specimen, ranging from 13.5 MPa (sample 1) to 15.6 MPa (sample 5). Similarly, the percentage of strain at failure also showed a noticeable increase, ranging from 4.2% (sample 1) to 8.6% (sample 5). The scanning electron microscopy (SEM) investigation revealed the presence of completely enveloped Cu particles in acrylic paint on the FDM-printed surface of the PLA. The Ultraviolet–Visible Diffuse Reflectance Spectroscopy (UV–Vis DRS) indicated a significant change in the absorbance pattern as the copper content in the layer increased. The augmented absorbance values serve as an advantage because they demonstrate enhanced UV light interaction, which correlates with the increase in capacitance measurements of 6 to 8 pF. This result suggests that the fabricated sample potentially leads to favorable alterations in material characteristics for applications that demand stable capacitance alongside improved mechanical properties. The SEM analysis supported the observed trends. Full article

Printed electronics (PEs) are rapidly attracting interest, especially in wearable sensors, smart textiles, and IoT devices. Conductive inks, essential for the fabrication of PE, must be highly conductive, cost-effective, biocompatible, easy to prepare, and less viscous. Conductive inks comprise a conducting material (metals like silver, gold, copper, or carbon-based alternatives like graphite, graphene, and carbon nanotubes), a binder, and a solvent. In this work, a water-based graphite conductive ink is developed using graphite as a conductive material, corn starch powder (non-toxic and biodegradable) as a binder, and distilled water as a solvent. Firstly, corn starch powder is added to distilled water, which is heated up to 100 °C and stirred continuously until a homogeneous gel-like mixture is formed. After cooling the mixture, graphite powder is added to it, and it is stirred for an hour at 450 rpm to obtain the ink. To check the conductivity, the ink is brush-painted on a paper substrate with a dimension of 20 mm × 10 mm and the result shows a low ohmic resistance of ~560 Ω, confirming the highly conductive nature of the ink. Additionally, thermogravimetric analysis (TGA) is performed on the prepared ink to evaluate its thermal stability, and a very strong X-ray diffraction (XRD) peak obtained at 2θ° = 26.5426° and a small peak at 2θ° = 54.6145°, along with a few other small peaks, confirms the presence of graphite with corn starch. Thus, this conductive ink can be used for PEs owing to its affordability, biocompatibility, and ease of preparation. Full article

The effectiveness of copper-based composites, specifically cupric ion (Cu²⁺)-modified phyllosilicate minerals, was evaluated in reducing the concentration of infectious agents in the environment while minimizing metal ion release. The phyllosilicate minerals, vermiculite, exfoliated and unexfoliated, and sepiolite, all modified with Cu²⁺, were compared with copper oxide for their antiviral activity against non-enveloped porcine parvovirus (PPV) and enveloped human coronavirus 229E (HCoV). Sepiolite effectively removed PPV and HCoV from the solution, regardless of Cu²⁺ presence, while vermiculite showed substantial viral clearance only when Cu²⁺ was present. The kinetics of viral clearance was fast, with complete clearance within one hour in many cases. To better understand the mechanism of virus clearance, EDTA was added at different times during the clearance study for PPV. EDTA prevented virus clearance in all vermiculite samples, whereas sepiolite containing copper still demonstrated substantial virus clearance. The addition of BSA before the virus binding was able to block binding in all cases. It was determined that binding is the key mechanism, and PPV can be eluted from the minerals with EDTA and still be infectious. This study provides the potent antiviral mechanisms of Cu²⁺-modified phyllosilicate minerals, offering insights for designing paints and plastics for high-touch surfaces to reduce viral transmission and enhance public health significantly. Full article

Hangzhou was the political and economic center of the Southern Song Dynasty (1127–1279 AD) and also the southern end of the Beijing-Hangzhou Grand Canal during the Ming and Qing Dynasties (1368–1644 AD). This historical position allowed the city’s economy to develop rapidly and influenced the form of its polychrome paintings with the imperial official style of the north China. However, due to the high temperature and rainy natural preservation conditions, southern polychrome paintings have always been a weak link in Chinese architectural polychrome painting craftsmanship. This study focuses on two well-preserved official-style architectural polychrome paintings in the grand halls from the late Qing period in Hangzhou. Through multi-techniques such as optical microscopy (OM), scanning electron microprobe with energy dispersive X-ray spectroscopy analysis (SEM-EDX), micro-Raman spectroscopy, micro-Fourier Transform Infrared spectroscopy (μ-FTIR), and pyrolysis-gas chromatography/mass spectrometry (Py-GC/MS), it was found that there is a significant difference from the reported common non-ground architectural paintings in the south, typically having four-layer structures with a white base and ground plaster layer in preparation for painting. The appearance of pigments such as artificial ultramarine (Na₆Al₄Si₆S₄O₂₀) and emerald green (Cu(C₂H₃O₂)₂·3Cu(AsO₂)₂) indicates that the paintings were made at least after the 1830s, and the use of malachite green dye and copper phthalocyanine blue (PB 15:X) suggests that unrecorded restorations were also performed after the 20th century. All samples are coated with a layer of alkyd resin, which may have been added during the repairs in the latter half of the 20th century, leading to the black discoloration of the present paintings, especially in areas where emerald green was used. This study provides an important case for the study of the official style of polychrome painting craftsmanship in the southern region of China and also offers important references for the future protection and restoration of traditional architectural polychrome painting. Full article

The Gigantomachy depicted on the west pediment of the Late Archaic temple of Apollo at Delphi marks a significant milestone in early Greek architectural sculpture. Crafted from porous stone and enhanced with plaster and paint, the surviving fragments differ markedly from the marble figures of the east pediment of the same temple. Among the preserved figures of the Gigantomachy are a standing male figure, possibly representing Apollo or Dionysos, a warrior female identified as Athena, and a recumbent male, likely symbolizing the Giant Enkelados. This study aims to investigate the polychromy of the west pediment through a thorough investigation of the remnants of the original decoration. The adopted methodology includes exclusively non-destructive techniques and advanced imaging methods, such as portable X-ray fluorescence spectrometry, visible-induced luminescence (VIL), and 3D microscope observation. Analytical results confirmed the presence of extensive traces of once-vibrant colors on the plaster’s surface, which were often invisible to the naked eye. Specifically, our data support the employment of pigments like Egyptian blue, cinnabar, ochre-based reds and yellows, as well as copper-based green. Notably, these pigments were applied over a white calcium-rich layer, which served as a primer for the porous stone. Ongoing research on the Gigantomachy promises to deepen our understanding of color usage and painting techniques in Archaic Greek art. Full article

Azurite, a natural mineral pigment consisting of basic copper carbonate (2CuCO₃·Cu(OH)₂), is one of the Middle Ages’ most common blue pigments. Why paintings originally coated with azurite appear blackened today remains debated. Using a non-invasive multi-analytical approach, the study analysed several unexpectedly black-appearing details (objects such as books or clothing such as veils, robes, or mantles) in Antoine de Lonhy’s works. The aim was to investigate if the black colour was due to intentional iconographic reasons, incautious restoration work, or painting deterioration. The analytical results displayed the presence of the blue pigment azurite, therefore, the expected original colour of various areas should be blue. To shed light on the discussion regarding the blackening, several other Renaissance paintings with similar black details were analysed, all from the same period and geographic area as de Lonhy’s works and conserved under identical conditions. The reasons why the blackening takes place are still unclear. However, the combined use of X-ray fluorescence spectrometry (XRF), UV-visible diffuse reflectance spectrophotometry with optical fibres (FORS), portable X-ray diffraction (XRD), and the elemental mapping based on the XRF data revealed that these blackened areas were originally painted with azurite, suggesting they were once blue. This finding significantly changes the overall appreciation of these artworks. Full article

Solar collectors represent an attractive green technology for water heating, where sunlight is efficiently absorbed by a selective coating and the generated heat is transferred to water. In this work, the improvement and scale-up of an electrodeposited black nickel selective coating with a modified silica (MS) film deposited by spray pyrolysis are reported. The MS material was prepared by the sol–gel method using tetraethyl orthosilicate with the addition of n-propyl triethoxysilane to obtain a porous film with an adequate refractive index and enhanced flexibility. The reflectance of electrodeposited selective coatings was characterized with and without the MS film and compared to a commercially available coating of black paint. The MS film increased the solar absorptance from 89% to 93% while maintaining a much lower thermal emittance than the painted coating. The reflectance of the MS film remained unchanged after prolonged thermal treatment at 200 °C (200 h). The fabrication process was scaled up to 193 cm × 12 cm copper fins, which were incorporated in commercial-size flat-plate solar collectors. Three complete collectors of an area of 1.7 m² were fabricated and their performance was evaluated under outdoor conditions. The results show that the electrodeposited selective coating with the MS film outperformed both the commercial black paint system and the system without the modified silica film. Full article

Acetone detection is of significant importance in various industries, from cosmetics to pharmaceuticals, bioengineering, and paints. Sensor manufacturing involves the use of different semiconductor materials as well as different metals for doping and functionalization, allowing them to achieve advanced or unique properties in different sensor applications. In the healthcare field, these sensors play a crucial role in the non-invasive diagnosis of various diseases, offering a potential way to monitor metabolic conditions by analyzing respiration. This article presents the synthesis method, using chemical solutions and rapid thermal annealing technology, to obtain Al-functionalized and Ni-doped copper oxide (Al/CuO:Ni) nanostructured thin films for biosensors. The nanocrystalline thin films are subjected to a thorough characterization, with examination of the morphological properties by scanning electron microscopy (SEM), energy-dispersive X-ray spectroscopy (EDX), and X-ray diffraction (XRD) analysis. The results reveal notable changes in the surface morphology and structure following different treatments, providing insight into the mechanism of function and selectivity of these nanostructures for gases and volatile compounds. The study highlights the high selectivity of developed Al/CuO:Ni nanostructures towards acetone vapors at different concentrations from 1 ppm to 1000 ppm. Gas sensitivity is evaluated over a range of operating temperatures, indicating optimum performance at 300 °C and 350 °C with the maximum sensor signal (S) response obtained being 45% and 50%, respectively, to 50 ppm gas concentration. This work shows the high potential of developed technology for obtaining Al/CuO:Ni nanostructured thin films as next-generation materials for improving the sensitivity and selectivity of acetone sensors for practical applications as breath detectors in biomedical diagnostics, in particular for diabetes monitoring. It also emphasizes the importance of these sensors in ensuring industrial safety by preventing adverse health and environmental effects of exposure to acetone. Full article

Infections in confined environments can spread by direct contact, contaminated surfaces, and airborne transmission. This is critical in prison facilities, where cleaning and sanitary conditions are inadequate. An alternative is the development of antimicrobial surfaces. A new antimicrobial coating was developed by incorporating copper microparticles into a standard commercial paint, aiming to reduce the concentration of bacteria on surfaces by granting antimicrobial properties to surfaces. The copper additive comprised Cu₂Cl(OH)₃ deposited on polyhedral zeolite. The efficacy of this coating was evaluated in detention cells in a police station, which are temporary prisons and inherently dirty environments. The experiment compared a cell painted with the copper additive coating and a control cell with the standard paint. Viable coliforms were measured on different surfaces and in the air for five months under normal usage. Bacterial load was reduced by ca. 68% by the copper-amended paint on cement surfaces. Surprisingly, airborne viable coliforms were reduced by ca. 87% in the detention cell treated with the copper coating. This research highlights the potential of antimicrobial coatings in controlling the spread of infections through contact with contaminated surfaces and emphasizes the significant reduction in airborne bacterial load. It is especially relevant for controlling infections where sanitization is limited but can be extended to other built environments, such as healthcare facilities. Full article