Search Results (46)

In 1906, Charles T. Currelly participated in excavations at Deir el-Bahri, Egypt, recovering votive offerings from the Temple of Hathor (Dynasty XVIII, reign of Hatshepsut, 1479–1458 BCE). These objects became part of the founding collection of the Royal Ontario Museum, where Currelly served as the first director. Among the offerings are several paintings on linen cloth. During examination of one painted textile, a border fringe with cream (suspected undyed), yellow and blue looped threads was sampled and analysed for dyes using gas chromatography–mass spectrometry. The yellow threads were found to contain a tannin-rich dyestuff, likely derived from Rhus spp., a common dye in ancient Egypt. Unexpectedly, the blue threads yielded brominated-indigoid marker compounds, indicating the use of a Murex-derived dye. While purple shellfish dye is rare due to the high cost of its complex production, blue shellfish dye is even more exceptional and has only been identified a handful of times on archaeological textiles. Calculated values of di-brominated to mono-brominated indigoid compounds suggests the dye originated from an indigotin-rich type of Hexaplex trunculus snail, a Mediterranean species. This finding represents a rare example of blue shellfish dye use in ancient Egypt and provides new insights into the dyeing technologies of Dynasty XVIII and the importance of this sky-blue colour in the worship of the goddess Hathor. Full article

The proliferation of African diaspora churches, especially over the last four decades in Europe and the West, has not gone unnoticed. Over this period, there has been a planting and transporting of independent churches as well as branches of Pentecostal and charismatic churches from sub-Saharan Africa to the West. First-generation members of these churches have often been the pioneers, leaders, and custodians of the church culture and practices from their motherland. These first-generation members continue to hold on to liturgy and practices from ‘home’ (Africa) and seek to replicate them as authentic spirituality and spiritual formation practices. A significant part of the rise of these churches are the second-generation members who have a fluid identity and are finding newer ways to assimilate their parents’ socio-cultural and religious practices with that of their present ‘home’ European/Western nations. For these emerging-generation members, their parents’ culture, which is largely based on an African worldview, continues to shape church liturgy and practices. An integral component of the church’s liturgy and practical ministry is prayer. Prayer in its various forms plays a significant part in both personal and collective worship. This paper examines the impact of emerging generations on the dynamics and praxis of prayer in the Church of Pentecost UK. Prayer holds a significant place in the lives of these emerging generation members and forms part of their socio-religious identity. Against this backdrop of prayer from a generational and liturgical viewpoint, we explore the nature, dynamics, and context of the prayers of the emerging generation members of the Church of Pentecost, UK. We examine areas of continuity and discontinuity and explore how Western influences and modernisation have influenced the prayer language and style of the younger generation. Through participant observations and lived experiences, we argue that though prayer is central to the worship of the younger generation, there are significant variations between the generations within the broader framework of style, language, and content. Full article

Religious places represent one of the most significant categories of protected heritage. In Italy, however, places of worship belonging to minority communities often remain inconspicuous and are not legally recognized as part of the nation’s cultural heritage. Consequently, the histories of these communities face challenges in securing a space within the collective memory. This contribution, through a spatial approach and an interdisciplinary methodology, highlights the richness of the hidden heritage—both tangible and intangible—of the Greek Orthodox Church of the Nativity of St. John the Baptist in Turin. In particular, this research explores the role of the Greek language, which constitutes a significant element of intangible heritage for the community. Since the 1960s, regular celebrations in the Byzantine rite and the Greek language have been held in the Piedmontese capital. These biritual practices emerged in response to the demands of numerous Greek university students and families who revitalized the Orthodox presence in the territory during those years. In 2000, the Catholic Archdiocese granted the Greek Orthodox community the use of a church in the city’s historic center. This church is interpreted as a shared religious space, having undergone a transformation of identity over time: its Orthodox identity remains architecturally invisible, as the community continues to worship in a former Catholic church. Full article

Various religious responses to the AIDS epidemic were and still are often laden with stereotypes and homophobic attitudes, sometimes justifying the disease as a divine response to “sin”. This study is dedicated to examining prayers written by non-Orthodox gay rabbis to commemorate those lost to AIDS-related causes and to pray for healing and robust health for those living with the virus. In each of these prayers, most of which are recited on World AIDS Day (WAD), the worshiper is invited to remember the deceased and the hardships they endured, as well as to bless the present moment; those struggling with the virus; and the medical teams treating it. The textual analysis illustrates how AIDS liturgy reveals the congregation’s distinct religious–therapeutic egalitarian culture. These prayers serve as political instruments of resistance against AIDS-phobia and related stereotypes, demonstrating how LGBTQ+ collective memory can be constructed through religious liturgical texts rather than exclusively within secular frameworks. This is another way for non-Orthodox Jewish communities to signal their liberal agenda and distinguish themselves from conservative communities. Full article

Yangzhi jingshui 楊枝淨水 (willow twigs and clean water) are part of one of the most popular rituals used in Chinese Buddhist practices. In order to preserve dental health and eliminate bad odors, the Vinaya texts specify rules on chewing willow twigs as a form of tooth brushing in one’s daily facial washing process. Willow twigs are also frequently employed in Esoteric (mijiao 密教) rituals, where they are accompanied by spells to create intricate ceremonies that have the power to heal illnesses, ward off bad luck, and bring about happiness and tranquility. For the development of this ritual in China, the usage of yangzhi jingshui was not originally connected to any particular deity, but later on, the ritual became primarily linked to Avalokitêśvara (Guanyin, 觀音), who was believed to use them as crucial tools for healing and saving lives. The symbolic meaning of using willow and water has been thoroughly discussed by Master Zhiyi 智顗 (538–597) and then has since developed into the more complete Repentance Practice of Guanyin (Guanyin chanfa 觀音懺法). Using yangzhi jingshui to save people as well as trees is also an important aspect described in Buddhist biographies and Chinese novels, such as Gaoseng zhuan 高僧傳 [The Biographies of Eminent Monks], Song Gaoseng Zhuan 宋高僧傳 [Biographies of Eminent Monks in the Song Dynasty], and stories of collected in Taiping guangji 太平廣記 [Extensive Records of the Taiping (xingguo) Period], Lunhui Xingshi 醒世輪回 [Reincarnation Stories to Awaken the World], and Xiyou ji 西遊記 [Journey to the West], which all demonstrate the rich cultural significance of this ceremony. Through the narratives of monks, the worship of Yangliu Guanyin, and its portrayal in the literature, yangzhi jingshui evolved from a cleansing tool in scriptures to a ritual object in Esoteric Buddhist healing ceremonies, ultimately becoming a common Buddhist practice. While new elements were added over time, its core themes of healing and purification have remained consistent. Full article

Confucians in Chosŏn Korea (1392–1910) employed the notion of “immoral rituals” as a tool to control Buddhist and shamanic rituals in a selective manner. In Confucian terms, immoral rituals specified those that were dedicated to “ghosts or deities who do not deserve worship”, and, in most cases, they referred to non-Confucian prayer rituals. Buddhist prayer rituals (and shamanic rituals) were largely subject to control by Confucian state officials. Through the Confucian prism of immoral rituals, this article explores the question of which aspects of Buddhist rituals were denounced by the Confucian critics and which goals the Confucians tried to achieve by wielding the tool of immoral rituals against Buddhism. Based on an analysis of four episodes in which Buddhist prayer rituals were denounced as immoral rituals, the article suggests that the Confucians tried to construct a new collective identity of distinction and privilege, to keep in check the royal family and, by extension, the sovereign, to control the female body, and, in collaboration with the king, to suppress people’s discontent with governance. In this process, Buddhism—caught in the politics of immoral rituals, as this article suggests—nevertheless remained vibrant by conducting prayer rituals in the social margins. And for their part, Confucians benefited by continuing to exploit the notion of immoral rituals up to the end of the dynasty. The trajectory of immoral rituals reflected how Buddhism functioned and evolved in Chosŏn Korea. Full article

The Daitokuji Old Collection’s 500 Luohans Paintings 五百羅漢圖, painted by Southern Song Mingzhou 明州 artists Lin Tinggui 林庭珪 and Zhou Jichang 周季常, have become a focal point in recent studies on the Chinese Buddhist material culture of the Song Dynasty. Among the 500 Luohans series, five paintings are related to the ancient Indian legend of Emperor Aśoka’s creation of 84,000 stupas. These paintings include “Building a Stupa” (No.78), “King Aśoka Stupa Emitting Light” (No.79), “Precious Stupa on the Rock” (No.80), and “Miracle of Light-Emitting Relics” (No.81), which are currently housed in the Daitokuji 大德寺 in Kyoto, Japan, and “Luohans Watching the Relics’ Light” (B5), which is housed in the Museum of Fine Arts in Boston, the US. However, the way in which the “King Aśoka Stupa” 阿育王塔 and “Relics’ Light” 舍利光 series were integrated into the overall visual narrative of the 500 Luohans in the Daitokuji and Boston collections, as well as the profound meanings and social-cultural contexts embedded in these images, have been rarely studied in depth. The introduction of the miraculous relics theme into the Daitokuji Old Collection’s 500 Luohans Paintings originates from an earlier version by the monk Fa Neng. However, Fa Neng’s version recorded by the Northern Song literati Qin Guan 秦觀 does not mention the King Aśoka Stupa. The artists had considerable freedom in depicting miraculous relic phenomena and King Aśoka Stupa. The specific details of King Aśoka Stupa’s background in Tiantai Mountain 天台山, such as rock bridges, waterfalls, and rock caves, as well as the craftsmanship of King Aśoka Stupa, reflect particular contemporary ideas. The vivid depictions of the “King Aśoka Stupa” and “Relics’ Light” in the Daitokuji Present Collection and the Boston Collection of the 500 Luohans may indicate a close connection between the creation of these images and the fervent Relics Worship at King Aśoka Temple 阿育王寺 in Mingzhou during Southern Song. This paper synthesizes these images, ancient Chinese and Japanese manuscripts, and fieldwork insights to interpret the sources and significance of these images. Full article

The Huayansi 華嚴寺, situated at the frontier stronghold of the Liao Dynasty in the Western Capital, is a significant royal temple that preserves two main halls from the Liao and Jin Dynasties to this day. Through a systematic examination of the Liaoshi 《遼史》 and the related literature, this study offers a novel interpretation of the east–west dual-axial layout of the Huayansi and its historical significance. It further discusses the integral artistic space of the Buddha and the Dharma within the Bhagavata Scriptures Hall 薄伽教藏殿, which shapes the spiritual realm of the Western Pure Land, thereby repositioning and enhancing the historical value of the Bhagavata Scriptures Hall. The article elucidates the political and cultural core elements embedded within the formation of the parallel axes of the Bhagavata Scriptures Hall and the Mahavira Hall, which are closely associated with three pivotal years in the Liao Dynasty: 1038, 1044, and 1062. This not only reflects the grand historical context of the Liao Dynasty’s domestic governance and foreign policy during the 10th and 11th centuries but also encapsulates the rich and diverse religious beliefs and cultural traits of the Khitan 契丹 people. The axis space of the Bhagavata Scriptures Hall, constructed earlier during the reign of Xingzong 興宗 to house the Liao Canon 《遼藏》, along with the architectural complex of the Huayansi—named and commissioned by Emperor Daozong 道宗 24 years later—collectively establishes a dual-axial worship space at the Grand Huayansi, sanctified by the triad of the Buddha 佛, the Dharma 法, and the Ancestors 祖. This underscores the Liao Dynasty’s political objectives of deterring hostile states and ensuring national security within the framework of Buddhist veneration and ancestor worship. Full article

This study aims to analyze, through religious hymns in the German-speaking area from the early 18th century, the influence that the Pietist theological movement, starting from Philipp Jacob Spener’s Pia Desideria, had on the centralization of the self in the Protestant religious world, through the introduction of personal feelings of love towards God. On the one hand, the origins of Pietism can already be traced back to the late 16th century in areas affected by the radical reforms of the Anabaptists. On the other hand, it is from the late 17th century and throughout the 18th century that this theological and spiritual movement destabilized orthodox Lutheranism in some symbolic cities of Protestant Germany, such as Frankfurt am Main, Halle, and the Duchy of Westphalia, up to Moravia. The extensive publication of hymnals and musical compendia for the use of individuals, lay groups (collegia pietatis), faith communities, and churches denotes a fervor and a desire to preach their way of “practicing” spirituality, which greatly contrasts with both orthodox Lutheranism and the prevailing rationalism in the religious and philosophical sphere in Germany of the mid-18th century. For the first time since the Reformation, Lutheranism saw the use, in the theology of the preached and sung Word, of personal feelings and emotions that connect the individual with God, who is made an object of individual as well as collective worship. This was one of the most significant accusations that came from the University of Wittenberg against Pietism, namely the shift of theological and spiritual focus from the centrality of God to the centrality of the self, which manifests its faith through the most intimate emotions and feelings. Through the analysis of some examples taken from hymnographic and theological production, centered on the individual feelings of the believer, this article focuses on how this influenced the religious revival movements that would pervade England and the United States of America for more than two centuries (from the First Great Awakening in the late 18th century to the Pentecostal movements of the 20th century), with a spotlight on Italian hymnody during the Risorgimento. Full article

Taiwanese popular religion has encountered significant challenges due to the sweeping social changes accompanying the modernization of Taiwanese society. This paper seeks to uncover the distinct dynamics at play, focusing on the transformation of procession troupes, which are an essential part of important religious events known as divine processions: a common collective ritual among local worship communities in Taiwan. Two pivotal external forces have surfaced, providing traditional procession troupes with opportunities for revitalization amidst what had been waning relevance. The first is the narrative of cultural heritage advanced by the public sector, and the second is the commercialization trend of the troupe market. The interplay of ‘cultural coding’ and ‘commercial coding’ has emerged as a key factor in maintaining the relevance and operations of traditional procession troupes in contemporary times. The analysis in this paper reveals that the modern evolution of popular religion is grounded not in its religious core but rather in the cultural significance of its rituals amidst the broader process of ‘culturalization of religion’. Full article

As shown by sociological studies, the Catholic Church in Italy is very active in conducting advocacy and providing political representation to immigrants. It is also highly effective in carrying out services for immigrants, as well as fairly receptive to sharing places of worship with them. However, these sociological observations have been mainly conducted at the national level rather than by exploring the life of parishes through an empirical lens. This article aims, by applying the congregations study methodology, to fill this gap by detecting faith communities as the basic social units of religious life at the city/country level. In doing that, we discuss quantitative data collected in 377 Catholic parishes in the cities of Bologna, Milan, and Brescia. The findings suggest that Catholic parishes: (i) illustrate a low proportion of immigrants in their communities; (ii) show high activity in providing services for immigrants; (iii) are not politically engaged in advocacy for foreign persons at the local level; and (iv) similarly position themselves as politically conservative and liberal while expressing commitments to immigrants. This study confirms the sociological argument regarding the solidarity approach of the Catholic Church in Italy toward immigrants, while highlighting some ambivalent aspects related to cultural diversity and grass-roots political engagement within parishes’ life. Full article

The reuse of construction materials has been a consistent practice throughout the history of architecture, especially prevalent during periods of transition when it was preferred for its ability to simplify installation and reduce construction costs. This practice was particularly common in late Roman urban contexts, where construction materials, especially ashlar and sculptural elements, were abundant following the abandonment of temples and public buildings. However, there are occasions when the use of spolia, or reused materials, goes beyond simple material recycling. The reuse and display of certain pieces carry complex implications involving symbology, cultural appropriation, or collective memory exercises that convey messages through new buildings. In this paper, we focus on the unique case of Hispanic Christian architectural sculptures that were “recycled” in new buildings during the first centuries of Islamic domination of the Iberian Peninsula, specifically within places of worship. Through a general analysis and review of some examples, we aim to reflect on the motivations and intentionality behind the use of certain sculptural pieces and their placement in new buildings, which is not arbitrary. Full article

Sustainable design, which aims to reduce energy consumption and mitigate climate change, is a primary concern of developing countries. Hence, it reduces CO₂ emissions. Residential buildings in North Iraq account for approximately 69% of all electricity consumed. To mitigate this issue, this article investigates the design of a sustainable model by considering the local climate, building design occupant behaviour, and sociocultural needs in the region and their impact on energy use. This study used mixed research methods to develop a sustainable single-family house model in semi-arid climates, specifically Erbil (North Iraq), the process consisted of three phases. Phase One saw the collection of all data from analysed literature, observation, worship, case study simulations of the base, and an improved model. Phase Two defined the guidelines for creating sustainable model dwellings based on the main findings in Phase One. Phase Three created a prototype to evaluate the sustainable model, primarily focusing on meeting people’s design preferences while avoiding privacy concerns. In addition, DesignBuilder Software simulation was used to examine the impact of occupancy behaviour (based on local culture and traditions) on the building’s energy performance throughout two phases. In the first step, three occupancy profile types are compared with real-life study bills. These profiles were the base case, which came from an actual case; the statistical profile from surveys; and the international standard ASHRAE 90.1, which was used as the default. The second phase compared the base model with an improved model and developed a sustainable prototype that satisfies local climate and sociocultural needs. The result indicated that the standard occupant profile significantly differs from the actual bill by 40%, whereas the statistical profile and base case reduce the gap to 11% and 4%, respectively. The sustainable prototype model can enhance operative temperature by 4 °C and decrease total energy use by 50% compared to the base case model. Data also showed that occupants keep lights on even when rooms are unoccupied. Therefore, when designing sustainable dwellings, it is crucial to consider occupant behaviour and their sociocultural needs, as they have a significant impact on energy use as a result of their activity patterns and schedules. These factors should be considered in the local code. Full article

In 1996, Helen Lee dubbed the departure of second-generation Asian Americans from the non-English-speaking immigrant churches that they were raised in as the “silent exodus”. This nationwide phenomenon was taking place largely because first-generation churches failed to provide the second generation with culturally relevant care that would enrich their ethnic, national, and spiritual identities. Glory, the church of focus in this study, was founded by and is home to many silent exiles. In hopes of being an enriching church for second-generation Asian Americans, pastoral staff and leaders have created spaces within Glory for racial identity and faith to be in conversation with one another. However, in regard to the music of the church, they were stumped on what could be done to make it uniquely and proudly Asian American. This conundrum inspired a key question in this study: What is distinct about the way that Asian Americans worship God through music? This study argues that the worship music at Glory Church is distinctly Asian American not by what is sonically perceived, but rather by what is physically performed and collectively experienced. The Korean-English, or Konglish, term nunchi bwa-ing (눈치 봐-ing) is utilized as a keyword to describes Christian musicking in a multilingual setting and foregrounds the Korean/Asian American worshiping body. This study concludes by looking forward and arguing that Asian Americans ought to amplify their worship music to the larger Contemporary Worship Music scene as it has the potential to be a powerful site of intergenerational healing. Full article

The Cao’an (草庵), situated in the Fujian Province of China, stands as a rare Manichean relic that has long attracted scholarly interest. In the Sunei (苏内) village where the Cao’an is located, there are numerous texts, narratives, and religious practices related to Manichaeism which are often cited as evidence of local Manichaean activities since the Song and Yuan Dynasties. However, drawing from anthropological fieldwork, this paper points out that the local villagers have a more complex and seemingly contradictory attitude towards Manichaeism. On the one hand, they are enthusiastic about worshipping “Moni guangfo” (Mani the Buddha of Light, 摩尼光佛) and collecting narratives of their Manichaean ancestors. On the other hand, they resist the local government’s attempts to strengthen the “Manichaean” characteristics of Cao’an and related village temples. Their familial ethics provides a critical and coherent perspective. The villagers have gradually accumulated a wealth of Manichaean-related texts and narratives to demonstrate the moral virtues of their ancestors. Their beliefs and rituals concerning Mani the Buddha of Light are also grounded in traditional familial ethics. This helps us grasp the reality of Manichaeism-related culture in contemporary China. Full article