Search Results (41)

The spread of Tibetan Buddhism in Mongolia brought with it a wealth of Buddhist knowledge. Over time, Mongolian scholars and practitioners engaged with this knowledge and produced numerous works encompassing Buddhist learning, particularly in medicine. A prominent figure in this intellectual landscape is the Fourth Mindol Nomun Khan, Jambalchoijidanzanperenley (1789–1839), commonly known as Mindol Qutuɣtu (or Mindol Hutugtu). Despite being recognized for his remarkable contributions to the development of Mongolian medicine, considerable uncertainty has surrounded Mindol Qutuɣtu’s ethnic identity. This article aims to clarify Mindol Qutuɣtu’s ethnic origin and examine the broader medical context of his seminal work, The Treasury of All Precious Instructions (Man ngag rin chen ’byung gnas), highlighting the visionary concepts he presented. While the basis of Mindol Qutuɣtu’s work lies in Tibetan medicine, he boldly introduced treatment methodologies from other medical traditions, including Indian (Ayurvedic), Chinese, and European medicine, into the realm of Mongolian medicine. His insightful work reflects both intellectual ambition and practical occupation on increasing healing efficacy, as evidenced by his influential contributions to a combined and multicultural approach to medicine. Today, his innovative and inceptive contributions remain essential in understanding the historical development and current diverse character of Mongolian traditional medical practices. Full article

This article explores the maritime connections relating to Buddhism and diplomacy between polities in Sumatra, the Malay Peninsula, the Indian subcontinent, and China from the beginning of the 11th century up to the 12th century CE. It focuses on new epigraphic evidence from Muara Jambi in the form of two inscribed strips of copper mentioning the Cūḍāmaṇivarmavihāra, a monastery funded by the king of Śrīvijaya in Nagapattinam (South India), and the Bālādityavihāra, probably located in Nālandā (Northeastern India). These new findings are compared to archaeological and textual materials from elsewhere in the Buddhist world that cast light on the web of transregional connections between Nusantara, China, and India in the early centuries of the second millennium. Full article

“Illness itself is emptiness”, says Vīmalakīrti, in a statement that appears to reflect on the nature of sickness and disease. However, Vimalakīrti’s approach of non-duality may not satisfy the rising interest in Buddhist medicine, for which philosophical ideas of emptiness seem too far removed from practical interventions with real people’s pain. Nevertheless, there may be more in Vimalakīrti’s ideas than mere sophistry, and the vision he expresses can connect to realistic practices of healing. In this article, I pursue one potent formulaic passage that appears in a number of early discourses preserved in Pāli (but not in Chinese), in order to examine some of the earlier antecedents of the idea that illness is a mental construction, and that the mind can contribute to recovery. The early discourses provide a more sober definition of the position expressed by Vimalakīrti, by showing how a variety of practitioners let go of their illness, through a change in attitude that was informed by Buddhist insight. With this these texts highlight an understanding regarding the powers of the mind over matter, which traces physical events to their mental apprehension. Not only monks, but also householders, can heal through letting go of the the inner causes that contribute to the disease. While such an understanding need not be generalized as a comprehensive statement on Buddhist medicine, it helps us understand the views and cogency of Buddhist doctrine in this context. Full article

This paper introduces the concept of “Extracanonical Buddhist Literature” and explores its origins and development in the two major Buddhist cultural spheres of India and China. It investigates the roles such texts played in religious practice, doctrinal interpretation, and cross-cultural transmission. In India, extracanonical texts frequently remained outside the official canon due to factors such as sectarian divisions and geographic constraints, reflecting ongoing debates and dialogues with non-Buddhist thought. In China, the formation of these texts was influenced by indigenous cultural integration, political pressures, and translation practices, highlighting a distinct trajectory of Buddhist localization. By analyzing the complementary relationship between these extracanonical works and canonical scriptures, this study demonstrates that these texts not only supplement the canonical system but also offer critical insights into the diversity of Buddhist thought and cultural exchange. Ultimately, they hold significant academic and cultural value, shedding light on how Buddhist ideas were disseminated and adapted across diverse regional contexts. Full article

Having adopted, appropriated, and altered Indian forms of Buddhism, various schools of Chinese Buddhist thought inherited and transformed essential orientations of both Buddhism and traditional Chinese philosophy insofar as it exhibits a tendency toward seeking universality in its understanding of the world. Within the works of prominent figures and schools such as Sengzhao and the Tiantai school, Huayan, the Consciousness-Only school, and Chan Buddhism, Chinese Buddhist thought integrates the diversity of phenomena through the notion of a unifying “mind-consciousness”. This approach creates the framework for understanding the relationship between humans and all things based on the comprehensive nature of consciousness. Given this foundation, Chinese Buddhist thought places a high value on the equality of all beings, advocates for dismantling distinctions between individuals and the world, and transcends the distinctions of reality to pursue universal unity. By dissolving the boundaries of existence and non-existence, the self and things, and the individual ego, this philosophical outlook lays a cognitive foundation for eradicating the “discriminating mind” in daily life and offers insights into overcoming separatism and isolationism. The Chinese Buddhist pursuit of universal consistency, which is simultaneously of this world yet transcendent, reflects Buddhism’s profound concern for humanity’s shared destiny. Full article

With the introduction of the theory of śūnyatā (emptiness 空) in Madhyamaka philosophy from India to China, Indian Buddhism and Chinese culture have achieved a historic new convergence in their understanding of emptiness. After several evolutions of the theory of śūnyatā in Madhyamaka philosophy, some people agree with it, while some question it, and the discussion around it has been very complicated. Determining how to fully understand and scientifically conceive of the core idea of the theory of śūnyatā in Madhyamaka philosophy and its contemporary value have become important issues in related research. Most of the existing research focuses on the theoretical interpretation of the theory of śūnyatā in Madhyamaka philosophy, but understanding and research from the perspective of life practices are still quite scanty, hindering the attainment of a comprehensive understanding and objective cognition of this theory’s actual value. The purpose of this paper is to strengthen the practical research on the theory of śūnyatā in Madhyamaka philosophy in order to fully understand and scientifically conceptualize its core ideas and contemporary value. From the two basic perspectives of past and present, in regard to both theory and practice, we will re-explore the core ideas of the theory of śūnyatā in Madhyamaka philosophy and investigate and analyze corresponding theoretical doubts. We further reveal that the theory of śūnyatā in Madhyamaka philosophy is not only a metaphysical philosophical theory in which the nature of the world is regarded as empty and its logic as consistent but also a practical piece of wisdom that views the world as empty so as to eliminate all kinds of life troubles and help people attain a better life experience. The dialectical wisdom of both the theory and practice of the theory of śūnyatā in Madhyamaka philosophy gives it very broad theoretical potential and practical prospects, making it worthy of in-depth study by relevant researchers. Full article

The attainment of enlightenment by Gautama Buddha is the very beginning of Buddhism as a religious phenomenon. Because of his attainment of enlightenment, he has been remembered as Buddha for centuries, even though it is uncertain whether buddha was the preferred title to remember him by from the earliest times. Previous scholarship has demonstrated that the term buddha was a common noun in the Indian religious context, and it was also employed to refer to his higher disciples. The verses of the Suttanipāta represent a complex corpus rich in many fundamental concepts common to Jain religious thought. Many epithets were introduced by Buddhists to praise their monastic founder as Jains do. Among them, buddha does not seem to be the preferred one among them. Contrarily, by redefining brāhmaṇa, Buddhists participate in the ascetic discourse of praising their master as the one who deserves to be regarded as that ideal. This paper argues that Buddhists advocated their master as a brāhmaṇa, a title that is not only consistent with the teachings of Jains but also one that may have preceded the popularity of Buddha as his most memorable title. Full article

This paper argues that the historical process of the Sinicization of Buddhism and the evolution of the value of female roles in Buddhist beliefs have advanced hand in hand; the more Buddhism becomes Sinicized, the higher the status of women in Buddhist beliefs becomes. To some extent, the Sinicization of Buddhism can be considered a feminization process. Female roles in Buddhist beliefs are often passive objects and marginal positions that are uncertain and continuously presupposed by others. This article starts from a cultural, philosophical perspective, aiming to examine the internal logic of the evolution of female roles in Buddhist beliefs. In terms of individual experience, the highlighting of the identity as a “subject” of sexual desire makes women a necessary but insufficient prerequisite “option” for guiding male sexual desire—in Indian Buddhist beliefs, women’s enlightenment involves both reflecting on sexual desire itself and negating their own gender disadvantage. As Buddhism spread worldwide, Western Buddhist traditions laid the foundation of Buddhist belief on “sacred images”, while various local cultural genes infiltrated the imagination of “Western Buddhist nations”. The Buddha’s gender orientation achieved a transcendence of both male and female or a bilateral blend, leaning more towards female. Ultimately, from the perspective of family identity, in a Chinese Buddhist belief world organized by the patriarchal system, the unique role of women in the family—“mother”—pushes Buddhist belief back to the scene of the emotional world. Full article

Within the context of Indian religions, Jainism has long been recognized for its extensive use of permutations and combinations. However, the application of these principles within Buddhist scriptures has received relatively little scholarly attention. This paper introduces a new example of the specific application of permutations and combinations in Buddhist scriptures. In this paper, we focus on the first saṅghādisesa rule in the Theravāda-vinaya, which lists a series of element sets and arranges these elements according to a certain pattern known as “ten-roots” (mūla), and we discover that these arrangements form a regular numerical sequence, called “oblong numbers”. Moreover, similar patterns with different quantities are also found in the fourth Pārājika and the fifth saṅghādisesa rules. This indicates that the compilers of the Theravāda-vinaya did not use this mathematical knowledge without basis. Interestingly, we also found the use of this sequence in the Bakhshālī manuscript. Therefore, in this article, after summarizing and verifying the arrangement rules of the Theravāda-vinaya, we discuss whether the oblong numbers were influenced by Greek mathematics. Full article

This paper explores the accumulation of Indian astronomical knowledge within Chinese Buddhist scriptures and its dissemination across Chinese society through a comparative study of the Modengjia jing (Ch1 of the ZKA) and the Xiuyao jing (XYJ). The period from the Ch1 of ZKA to the XYJ was a time when Buddhism was in the midst of developing and maturing within China. The Ch1 of the ZKA is regarded as the first Buddhist scripture including a complete account of Indian nakṣatra astrology and translated from Sanskrit parallel text, rather than a native work codified by Buddhists in Ancient China. The XYJ is not a translation but rather an authoritative handbook of Indian astrological knowledge taught by Amoghavajra. A detailed comparison of the contents of the two texts shows that the knowledge contained within Ch1 of the ZKA belongs to the Vedic era and that the XYJ belongs to the post-Vedic era. Beginning with the Ch1 of the ZKA and ending with the XYJ, Buddhist astronomical knowledge steadily grew. Yang Jingfeng’s revision and explanation of the first fascicle of the Sutra reflects Ancient Chinese intellectuals’ acceptance, digestion, and recreation of Buddhist astronomical knowledge. His abandonment of the “Calculation of weekdays” reflects the influence of the Chinese mathematical and astronomical tradition and the calendar tradition upon his perspective; perhaps this is one of the reasons why China has accepted the weekday within daily life up to the modern era. Every civilization, in learning to assimilate other cultures, has a choice between foreignization and domestication, within which a tension is reflected. Learning from foreign cultures is about keeping up with the most advanced civilizations in the world and advancing with the times, while maintaining one’s own cultural identity and cultural characteristics is necessary for one’s own civilization; these two notions are complementary and should not be neglected. Full article

The Buddhist “Knotted Thread” originates from the ancient Indian practice of venerating sacred threads. In Indian culture, sacred threads symbolize identity and status and possess functions such as exorcism, healing, disaster prevention, blessing, protection, and divination. Initially, Buddhism opposed the use of sacred threads by its followers. However, as Buddhism evolved, it began to adopt this and other practices. Buddhist threads could be monochromatic or multicolored, with five-colored threads (五色縷) having significant cultural connections to China. In Buddhism, the five colors typically consist of four primary colors (四本色; blue, yellow, red, and white) plus an additional color. The difference between the Buddhist and traditional Chinese five colors lies in the selection of the fifth color. The five-colored threads in Buddhism have various combinations, such as blue, yellow, red, white, and black; blue, yellow, red, white, and purple; and blue, yellow, red, white and green. With Buddhism’s spread into China, to align with traditional Chinese notions of five colors, the Buddhist five-colored threads gradually standardized to blue, yellow, red, white, and black. The evolution of the Buddhist five-colored threads reflects the cultural exchange between India and China. Full article

Pre-modern Indian subcontinent provides a treasure trove of art historical data in the form of stone sculptures and reliefs to study dance. While significant steps towards understanding the literary and visual language of dance have been made, artistic production from Gandhāra (the ancient region broadly covering the northwestern part of the subcontinent) largely remains absent in scholarly discussions. Ancient Gandhāra readily lends itself to a global approach as an active participant alongside the so-called ancient Silk Roads connecting the Mediterranean regions with China. Furthermore, as part of the Buddhist pilgrimage routes, Gandhāra also developed ties with Buddhist sites located further east and participated in the spread of Buddhism to China. Within this context, this article discusses the most common dance depicted in Gandhāran art to understand how artists represented dance in the static medium. Using this dance as an illustration, this article also argues that the iconographic conventions of the Gandhāran artistic repertoire for dance are shared outside the region, notably in Kizil, which is located alongside the northern branch of the Silk Roads. Full article

Zhiyan 智儼 (602–668) is considered the second patriarch of the Chinese Huayan 華嚴 (Jp. Kegon) school. Zhiyan gave his scholarly attention to the Dilun School 地論宗 and Shelun School 攝論宗. By his period, the reunification of the North and South had permitted the Dilun and Shelun lineages to begin to merge, and the texts on which they were based had a common origin in the Indian Yogācāra and Tathāgatagarbha. In this article, I focus on Zhiyan’s conceptual innovations and their background. My chief concerns are twofold: the first is to review several terms and teachings as representative examples of the creative practice of Zhiyan and the second is to identify his roots in the earlier traditions of Indian and Chinese Buddhism. I focus on the translation and understanding of the term zhenru 真如 (Skt. tathatā; suchness/thusness), which is a crucial expression used in descriptions of ultimate truth in Buddhism. By investigating the terms through the lens of the Ratnagotravibhāga (=RGV), I consider what tathatā, dhātu and gotra signified in their Indian usage and how these meanings evolved in the process of the appropriation of these concepts in China, especially in Zhiyan’s writings. Furthermore, through this analysis, I aim to explore Zhiyan’s attitude towards the Jiujing yisheng baoxing lun 究竟一乘寶性論 (=BXL), the Chinese translation of the RGV, and examine how he absorbed and utilized this significant treatise, which was compiled in India and translated in Northern China. We cannot find even one clear interpretation defining suchness as unconditioned dharma in the Dasheng qixin lun 大乘起信論 (=AF; Awakening of Mahāyāna Faith). In the AF, it is stated that suchness is initially pure. However, due to the fumigation of ignorance, the marks and features of defilement will appear on pure suchness. Suchness, being connected with foundation consciousness, has been regarded as the foundation or origin of conditioned arising in the She dasheng lun chao 攝大乘論抄 (T2806), a significant commentary on the She dasheng lun 攝大乘論 translated by Paramārtha 真諦 (499–569), who has been associated with the AF. Building on this trend in the interpretation of suchness, Zhiyan employs both the AF and the BXL to expound his theory of suchness. He initially utilizes the theory of suchness from the AF and the BXL to argue that all phenomena, including delusion, could arise from suchness. Zhiyan asserts the fumigation/perfume of suchness. The background of Zhiyan’s theory of suchness is based on the AF. However, while the AF only mentions the fumigation/perfume of suchness, Zhiyan adds that suchness does not inherently maintain its self-nature but arises conditionally. This marks a significant difference, or development, between the theory of suchness in the AF and that in Zhiyan’s Huayan doctrinal system. In my view, the answer lies in the BXL, which Zhiyan himself regards as a key text alongside the AF as the basis for his theory of suchness. Zhiyan finds an intimation of the precious truth in the commentaries of Huiguang 慧光, who was a disciple of Ratnamati, the translator of the BXL, and the founder of the southern branch of the Dilun School. Zhiyan finds the doctrine of infinite dependent arising according to the one vehicle of the distinct teaching (Ch. biejiao yisheng 別教一乘) in Huiguang’s commentaries. It indicates that the renderings and interpretations of Ratnamati and Huiguang seem to have deeply influenced Zhiyan. For a long time, many scholars have believed that the RGV had only a minimal impact on East Asian Buddhism, and few have pointed out its influence on Zhiyan. However, through the analysis in this article, I find that Zhiyan places significant importance on the RGV and its Chinese translation BXL. Full article

The first decade of the twentieth century marked a turning point for Japanese Buddhism. With the introduction of Western academia, Buddhist scholars began to uncover the history of Buddhism, and through their efforts, they discovered India as the birthplace of Buddhism. As India began to grow in importance for Japanese Buddhist circles, one unexpected area to receive the most influence was Japanese Buddhist art, especially in the representation of human figures. Some artists began to insert Indian female figures into their art, not only to add a sense of exoticism but also to experiment with novel iconographies that might modernize Buddhist art. One example included the combination of Indian and Japanese female traits to create a culturally fluid figure that highlighted the cultural connection between Japan and India. Other artists were more attracted to “Indianizing” the Buddha in paintings to create more historically authentic art, drawing references from both Indian art and observations of local people. In this paper, I highlight how developments in Buddhist studies in Japan led to a re-establishment of Indo–Japanese relationships. Furthermore, I examine how the attraction towards India for Japanese artists motivated them to travel abroad and seek inspiration to modernize Buddhist art in Japan. Full article

This study conducts a comparative analysis of Buddhist sacred structures throughout Asia, focusing on the historical development, regional disparities, and the cultural sinification process of stūpas, caityas, and pagodas. Specifically, it delves into the origins, definitions, and terminologies of early Buddhist monuments, such as stūpas/mahācetiyas and caityas/cetiyas, emphasizing their Indian origins. The research further explores the adaptation and reinterpretation of these original Indian concepts as they spread to East Asia, morphing into new forms, such as pagodas and Buddha halls. It examines the subtle shifts in terminology and the altered meanings and functions of these monuments, from their Indian origins to their sinified representations in East Asia. The transformation of Indian Buddhist monuments through local culture and technology into East Asian architectural forms is investigated, offering a detailed perspective on the dynamic transformation of sacred spaces in Buddhism. This illustrates the religion’s adaptability and integration with the local cultures of ancient East Asia. By analyzing the terminologies and symbolic meanings associated with the architectural transition from stūpa to pagoda, the study argues that sinicized ritual spaces in East Asia have adopted architectural types from pre-Buddhist traditions to represent Indian spaces, thereby highlighting the nuanced changes and the continuous adaptation of sacred Buddhist architecture. Full article