Early Modern Literature and the Mediterranean Slave Trade

A special issue of Humanities (ISSN 2076-0787).

Deadline for manuscript submissions: closed (31 August 2024) | Viewed by 4346

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School of Humanities, Bath Spa University, Bath BA2 9BN, UK
Interests: early modern literature; nationhood; memory; race
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This volume explores representations of and attitudes to the Mediterranean slave trade in the literature and culture of early modernity.

Dear Colleagues,

During The Merchant of Venice’s central court scene, Venice’s Duke invites Jewish Shylock to take ‘pity’ on his adversary, stating that the Venetian merchant Antonio’s recent financial losses would solicit commiseration from ‘stubborn Turks, and Tartars never trained / To offices of tender courtesy’. Shylock’s stinging retort to his Christian audience calls attention to a signal activity in the Mediterranean littoral (and beyond) in the early modern period:

You have among you many a purchased slave,

Which, like your asses and your dogs and mules,

You use in abject and in slavish parts

Because you bought them.

Of course, Venice’s Mediterranean neighbours also purchased and put to abject work human beings. Slavery was well established throughout the Ottoman world and the Maghrib. In Shakespeare’s other Venetian play, Othello speaks of having been ‘taken by the insolent foe / And sold to slavery’, most likely a reference to Venice’s Ottoman enemy. Slave markets flourished across the Mediterranean, from Islamic Istanbul, Rabat, Tripoli and Tunis to Christian Naples, Valencia and Venice. If The Merchant of Venice represents Venice as a cultural and economic contact zone, then it also represents this maritime city and, indeed, the wider Mediterranean as, to borrow a phrase from Linda Colley, ‘a zone of captivity’.

This volume explores early modern literature’s and culture’s various representations of and attitudes to the Mediterranean slave trade.

This Special Issue seeks contributions that address any aspect of this topic, including but not limited to the following:

  • Representations of the Mediterranean slave trade in literature and other media;
  • Captivity narratives: reimaginings of self in terms of confessional identity, nationhood and/or ethnic or racial identity;
  • The fluidity of borders and ethnicities;
  • Renegades and risk;
  • Differences between the Mediterranean and the transatlantic slave trade;
  • Historical connections between the Mediterranean slave trade and (north) Africa;
  • Various cultures' justification/condemnation of enslavement;
  • European vilification of the Ottoman slave trade and simultaneous justification of transatlantic slaving;
  • Paradoxical articulations of liberty and sovereignty by those engaged in the slave trade;
  • Cross-cultural encounters;
  • The decline of the Mediterranean slave trade in the eighteenth-century.

Dr. Christopher Ivic
Guest Editor

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Published Papers (3 papers)

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Research

12 pages, 280 KiB  
Article
Musicians, Chariot Bearers, and Ghost Characters: The Spectrality of Black Slavery in Early Modern Mediterranean Drama
by Sabine Schülting
Humanities 2024, 13(6), 144; https://doi.org/10.3390/h13060144 - 24 Oct 2024
Viewed by 1016
Abstract
The article discusses early modern English plays from the 1590s to the 1610s, set in or referring to the Mediterranean, which feature Black African characters in marginal roles. These characters are ‘spectral’ in that they have no speaking part but appear briefly as [...] Read more.
The article discusses early modern English plays from the 1590s to the 1610s, set in or referring to the Mediterranean, which feature Black African characters in marginal roles. These characters are ‘spectral’ in that they have no speaking part but appear briefly as attendants, servants, musicians, or indeed slaves. The article argues that their spectrality evokes the presence of Black African slaves in the Mediterranean, which has often been ignored in Early Modern Studies. However, through these characters Black slavery is turned into a mere spectacle, performed for the gaze of the theatre audience in early modern London. Full article
(This article belongs to the Special Issue Early Modern Literature and the Mediterranean Slave Trade)
18 pages, 284 KiB  
Article
Considerations on the Setting of Cervantes’s Captivity Narratives
by Jae Won Chang
Humanities 2024, 13(5), 110; https://doi.org/10.3390/h13050110 - 27 Aug 2024
Viewed by 1122
Abstract
This study aims to explore the issues of Islamophobia and Christian ideology prevalent in Spanish society in the 16th and early 17th centuries by examining the slave trade conducted by Barbary corsairs and the hard lives of Christian captives depicted in the literary [...] Read more.
This study aims to explore the issues of Islamophobia and Christian ideology prevalent in Spanish society in the 16th and early 17th centuries by examining the slave trade conducted by Barbary corsairs and the hard lives of Christian captives depicted in the literary works of Miguel de Cervantes, and to highlight his efforts to overcome the clash of civilizations between Christianity and Islam. To achieve this goal, first, the study delves into the historical context of the clash between Spain and Islam in the Mediterranean during the 16th century. Cervantes, who took part in the Battle of Lepanto in 1571, was captured by Barbary corsairs on his return from military service and spent five years as a captive in the Bagnio of Algiers. The painful experience left indelible marks on his works. This study focuses on the dual meaning of Orientalism in his works. One prevalent form of Orientalism in Spain and Europe during that period portrayed Muslims as barbaric and anti-Christian. However, Cervantes presented an alternative Orientalism to propose a pathway to co-existence, rather than conflict, between civilizations and religions. Therefore, this study explores how Cervantes, even though he himself was a victim of the clash of civilizations, sought to overcome the confrontations and conflicts in his works, rather than perpetuating the prevalent Islamophobia of his time. Full article
(This article belongs to the Special Issue Early Modern Literature and the Mediterranean Slave Trade)
10 pages, 207 KiB  
Article
Disentangling Eben-Ezer: William Okeley and His Barbary Captivity Narrative
by Bernard Capp
Humanities 2024, 13(3), 68; https://doi.org/10.3390/h13030068 - 30 Apr 2024
Viewed by 1276
Abstract
Eben-ezer (1675) was the most successful Barbary captivity narrative and remains the most challenging. This article engages with debates over its authorship, publication history, purpose, and significance, and offers new information and interpretations on each aspect. Full article
(This article belongs to the Special Issue Early Modern Literature and the Mediterranean Slave Trade)
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