Literature, Volume 5, Issue 1 (March 2025) – 6 articles

The political philosophy of Niccolò Machiavelli has often been reduced to the statement that ‘the end justifies the means’ and understood as an expression of realpolitik as a result of his pragmatic, even ruthless, counsel to would-be princes, or political leaders. However, a more nuanced understanding of Machiavelli’s reflections on human nature in his writings, especially The Prince, reveals that there is a philosophic core within his approach to political success, the acquisition and maintenance of state. But while there is no doubt that Machiavelli openly rejected the idealism of certain ancient and medieval thinkers, whose imagined republics only ever existed in theory, and instead candidly advised princes to seek and wield power, his work reflects not only a profound engagement with the harsh realities of a political landscape dominated by practical necessity but also a project of far-reaching scope. With the concept of “effectual truth” as his guide, Machiavelli proposes radical means to overcome fortuna with virtù and establish the foundations of power in order to bring about that conquest. The fulfillment of his mission and mandate to those who follow his lead represents the Machiavellian enterprise. Full article

In 1967, when she was a lecturer in English at the University of Ceylon, Yasmine Gooneratne (1935–2024) wrote an article on English literature in Ceylon for an English journal. Three years later, Gooneratne’s study of Jane Austen was published in Cambridge University Press’s ‘British Authors: Introductory Critical Studies’ series. In 1972, she moved to Australia with her husband, Brendon. Although by this time she had published two volumes of poetry, her first novel, A Change of Skies, was not published until 1991. It concerns a Sri Lankan linguistics academic who moves to Australia with his wife, and the adjustments they have to make to Australian ways. Since then, she published two more novels, The Pleasures of Conquest (1996) and The Sweet and Simple Kind (2009). In this paper I will attempt to draw together these three coordinates in Gooneratne’s career: English literature, especially Jane Austen; Australia; and Sri Lanka. What did Gooneratne learn, as a novelist, from her study of Austen? How did her time in Australia influence her as a novelist? And how did she negotiate the difficulties she identified in her fellow Sri Lankan writers? Full article

Employing assemblage theory, this article furthers the ecocriticism of Jewett’s works by exploring the complex ecological network of humans, the natural environment, and nonhumans created in The Country of the Pointed Firs. This article argues that the novel dismantles traditional dichotomies, such as culture/nature, self/outer environment, and human/nonhuman, and presents these categories as part of a dynamic, interconnected ecological assemblage. The analysis examines three aspects of the assemblage in the novel: first, the assemblage of nature and culture; second, the assemblage of human and nonhuman; and third, the dynamics, contingencies, and uncertainties of the ecological assemblage. This study concludes that though written at the end of the 19th century, The Country of the Pointed Firs anticipates contemporary ideas of assemblage theory, demonstrating its enduring relevance to contemporary ecocritical discourse. Full article

This article focuses on a little-studied short story from Jewish American writer Cynthia Ozick, “What Happened to the Baby?” It explores the narrative elaboration of a distinctly feminine trauma—that of a mother in mourning whose grief is not acknowledged in a patriarchal context. My approach uses close readings and psychoanalytical insights to understand the female protagonist’s voiceless rage. The narrator of the framing narrative is a young woman trying to understand a mysterious family trauma—how little Henrietta, the daughter of her uncle Simon and his ex-wife, Essie, died. The starting point of the story is a distorted version of the accident, told to the narrator by her mother, Lily, and according to which it is Essie’s mistreatment that caused the little girl’s death. Through the narrative, the narrator encourages Essie to tell her own side of the story. In the embedded narrative, the mother reveals that it was in fact the father’s negligence that caused the death of their child. Father and mother subsequently develop differing models of mourning. Simon, a linguist, creates a whole new idiom enabling him to keep commemorating the dead child. In contrast, Essie, the mother, is determined to destroy any discourse that might account for her trauma, and to undermine the father’s very public mourning process. The narrator acts as a kind of therapist, allowing Essie’s discourse on loss to emerge after decades of repression. On the masculine/feminine, father/mother binary axis, I will observe, based on the study of this fascinating short story, that the father’s mourning involves mastering language, while the mother experiences loss through the sheer inability to speak up—at least until the narrator, Vivian, empowers her by giving her a voice. Full article

In Measure for Measure Shakespeare addresses a question that is both straightforward and hard to answer: how do we make people obey the law? Over the course of the play, this simple question gives way to a complex set of problems about human will, political legitimacy, and the origins of sovereign power. Measure for Measure is concerned with illicit activity and ineffective government. But in this comedy—this “problem play”—Shakespeare is especially interested in the political mechanism by which authority and obedience are restored. How is a delinquent population, used to license, brought under control? Shakespeare examines one strategy in this play, one he has seemingly adapted from the Florentine political theorist Niccolò Machiavelli. Multiple critics have recognized that the story of Duke Vincentio and his deviant deputy, Lord Angelo, bear a striking resemblance to the story Machiavelli tells about Cesare Borgia and Remirro de Orco in Chapter 7 of The Prince. Here, I build upon these analyses to offer a new account of Shakespeare’s relationship to Machiavelli and political realism more generally. The Cesare story provides Shakespeare with an opportunity to explore how spectacle and theatricality can be used—not only to subdue an unruly population but to legitimate sovereign authority. However, Shakespeare delves deeper than Machiavelli into the mechanism whereby political authority is reestablished, first by considering the psychological conditions of the Duke’s subjects (both before and during his spectacular display of power), and second, by emphasizing the need for individual citizens to will sovereign authority into being. As we will see, in Shakespeare’s Vienna, order can only be restored once the delinquent people beg to be governed. Full article