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Literature, Volume 5, Issue 3 (September 2025) – 2 articles

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14 pages, 222 KiB  
Article
Unpacking the Power of Style: An Analysis of Stylistic Sentences in the Novel Ukhozi Olumaphiko
by Nontembiso Patricia Jaxa
Literature 2025, 5(3), 16; https://doi.org/10.3390/literature5030016 - 3 Jul 2025
Viewed by 154
Abstract
In the analysis of isiXhosa literary texts, the role of stylistic sentences in enhancing the meanings and reinforcement of themes and their impact in foregrounding the textual features has been largely ignored and under researched. This study is intended to explore the efficacy [...] Read more.
In the analysis of isiXhosa literary texts, the role of stylistic sentences in enhancing the meanings and reinforcement of themes and their impact in foregrounding the textual features has been largely ignored and under researched. This study is intended to explore the efficacy of stylistic sentences in the isiXhosa creative work Ukhozi Olumaphiko. In Ukhozi Olumaphiko, the author artfully employs periodic, cumulative, and balanced stylistic sentences for the realization of different purposes in the story. In this study, content analysis has been used as a qualitative and quantitative research technique, as it allowed for a detailed examination of the novel Ukhozi Olumaphiko. Stylistic sentences were identified, interpreted, and coded, using integer coding for classification. Employing literary stylistics as a theoretical approach, the stylistic sentences were analysed according to their literary impact and effect. The findings indicate that the author utilises periodic sentences predominantly in the beginning stages of the story, a spread of cumulative, balanced, and periodic sentences in the middle stages, and periodic and cumulative sentences more in the end stages of the novel. The stylistics mentioned enhance the themes, textual meanings, and narrative features of Ukhozi Olumaphiko text and are useful in weaving suspense in a way that captures the reader’s attention and evokes emotions. Full article
11 pages, 207 KiB  
Article
“That Is Not It at All; That Is Not What I Meant, at All”: Gender and Communication in T. S. Eliot’s The Love Song of J. Alfred Prufrock
by Jill Channing
Literature 2025, 5(3), 15; https://doi.org/10.3390/literature5030015 - 23 Jun 2025
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Abstract
T. S. Eliot’s The Love Song of J. Alfred Prufrock has long been examined through the lenses of modernist alienation and psychological paralysis. While previous scholarship has emphasized the poem’s existential themes and innovative form, it has often overlooked the central role of [...] Read more.
T. S. Eliot’s The Love Song of J. Alfred Prufrock has long been examined through the lenses of modernist alienation and psychological paralysis. While previous scholarship has emphasized the poem’s existential themes and innovative form, it has often overlooked the central role of gendered discourse in shaping Prufrock’s communicative anxieties. This article argues that Eliot critiques patriarchal norms by portraying Prufrock’s paralysis as a product of masculine performance anxiety—his fear of miscommunication, emasculation, and judgment in interactions with women. Drawing on contemporary sociolinguistic frameworks by Deborah Tannen and Jennifer Coates, the analysis reveals how Prufrock’s internal monolog reflects early 20th-century anxieties around shifting gender roles and expectations. By situating Prufrock within both the literary traditions and sociocultural tensions of Eliot’s time, the article offers a new interpretation of the poem as a subtle but powerful commentary on the constraints of patriarchal communication. This reading not only deepens our understanding of Eliot’s engagement with gender but also reframes Prufrock’s alienation as a socially constructed and gendered crisis. Full article
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