Search Results (392)

Canvas paintings are prone to biodeterioration due to their complex chemical composition, which can support fungal growth even under controlled conditions. This study evaluated the susceptibility of common synthetic restoration materials—Lascaux glues (303 HV, 498 HV), Acrylharz P550, BEVA 371, Laropal A81, and Regalrez 1094—to degradation by fourteen xerotolerant/xerophilic fungal strains. All tested Aspergillus and Penicillium species extensively colonized, especially artificially aged materials. FTIR-PAS analysis revealed chemical changes in carbonyl and C–H bonds in Laropal A81 and Regalrez 1094 colonized by Aspergillus spp. Scanning electron microscopy (SEM) imaging showed thinning of Lascaux glues and deformation of Regalrez 1094. Transcriptomic profiling of A. puulaauensis grown on Lascaux 498 HV and Regalrez 1094 identified altered expression of genes coding for esterases and oxidases, enzymes involved in synthetic polymer degradation. Esterase activity assays using 4-nitrophenol-based substrates confirmed significant enzymatic activity correlating with the presence of ester bonds. These findings highlight the vulnerability of synthetic restoration materials, specifically Laropal A81, Regalrez 1094, and Lascaux glues, to extremophilic fungi thriving in environments with low water activity. The results emphasize the urgent need for specific knowledge on fungi and their metabolic pathways to use/develop more durable conservation materials and strategies to protect cultural heritage objects from biodeterioration. Full article

The present investigation highlights the importance of evaluating the painting process on a composite material, namely the Kevlar validation process. Kevlar, a synthetic fabric, is well known for its remarkable strength and durability. Kevlar is used in the construction of spaceships and airplanes because it is lightweight and five times stronger than steel. This paper will present the methods for measuring paint layer thickness in accordance with EN ISO 2808:2019, confirming that organic coatings have fully cured, and coating thickness will be measured using magnetic currents. This study will also address the topic of determining liquid resistance. The protocols for manufacturing the Kevlar specimen are in accordance with ISO 2812-2:2018 using the water immersion method and structural testing. The investigation also demonstrates the progress of the framing test following immersion in Airbus PTP metal test tubes. Full article

The Western genre has traditionally been associated with American identity and male-dominated narratives. However, recent decades have seen increasing attention to female protagonists, particularly the European woman as a cultural mediator within the frontier context. This study aims to identify the archetypes of the European woman in the Western genre through a diachronic and comparative analysis of the visual language found in European painting from the late 17th to early 19th centuries and in 20th–21st century cinema. The research methodology combines narrative, visual, and semiotic analysis, with a focus on intermedial and intertextual parallels between visual art and film. The study identifies nine archetypal models corresponding to goddesses of the Greek pantheon and traces their transformation across different aesthetic systems. These archetypes, rooted in artistic traditions such as Baroque, Classicism, Romanticism, and others, reappear in Western films through compositional, symbolic, and iconographic strategies, demonstrating their persistence and ability to transcend temporal, medial, and geographical boundaries. The findings suggest that the woman in the Western genre is not merely a central character, but a visual sign that activates cultural memory and engages with deep archetypal structures embedded in the collective unconscious. Full article

During the operation of structures, the components and materials from which they are made are exposed to various environmental, technological, and operational impacts. In this context, the use of a modified water-dispersion composition containing finely dispersed fillers with enhanced protective and performance characteristics proves to be effective. This article examines the development of a paint-and-coating composition using hollow glass microspheres and modified diatomite as finely dispersed fillers. The influence of technological factors on the properties of coating materials based on a synthesized acrylic dispersion and fillers—such as modified diatomite and hollow glass microspheres ranging from 20 to 100 μm in size with a bulk density of 0.107–0.252 g/cm³—is analyzed. The optimal formulation of the coating materials was determined to ensure the required coating quality. Experimental results demonstrate the improved strength and hardness of the coating due to the use of acrylic dispersion obtained through an emulsifier-free method and modifiers in the form of finely dispersed fillers. It has been established that the resulting samples also exhibit high adhesion to mineral and metallic substrates, along with excellent corrosion resistance. Moreover, the incorporation of acrylic dispersion contributes to increased elasticity of the coating, resulting in improved resistance to washing and abrasion. The developed protective material can be applied to a variety of surfaces, including walls, ceilings, and roofs of buildings and structures, pipelines, and many other applications. Thus, modified water-dispersion compositions based on synthesized acrylic dispersion showed the following results: resistance to sticking—5, which is the best; chemical resistance and gloss level with standard single-phase acrylic dispersion—no destruction or change in gloss. The adhesion of coatings cured under natural conditions and under the influence of UV radiation was 1 point. The developed formulations for obtaining water-dispersion paint and varnish compositions based on synthesized polymer dispersions, activated diatomite, and hollow glass microspheres, meet all the regulatory requirements for paint and varnish materials in terms of performance, and in terms of economic indicators, the cost of 1 kg of paint is 30% lower than the standard. Full article

Lime plaster has historically been a key material in the preservation of architectural heritage in Peru; however, its availability has been restricted by state regulations that limit its production and commercialization. This study evaluates the performance of paints formulated with inorganic pigments extracted from soils in the Cusco valley, combined with natural and synthetic binders, as a sustainable alternative for the protection of heritage buildings in this Andean region characterized by high altitude, wide thermal variations, and high solar radiation. Adhesion, hardness, drying time, and weather resistance tests were conducted according to applicable ASTM standards for architectural coatings. The results show that these formulations exhibit good adhesion to historic surfaces and greater durability against extreme environmental conditions compared to traditional lime plaster. Their potential compatibility with historic substrates and lower environmental impact suggest that these paints represent a viable alternative in sustainable conservation strategies; however, further studies are needed to more accurately characterize the mineralogical composition of the pigments used. Full article

This study offers fresh insights into the technical and stylistic exchanges between Flemish and Portuguese panel painting during the late 15th and early 16th centuries. By comparing two contemporaneous works, we trace Flemish influence in Portugal through a detailed materials and techniques analysis. Non-invasive, in situ methods—including energy dispersive X-ray fluorescence (XRF), macro-photography (MP), infrared reflectography (IRR), and dendrochronology—were used to examine each painting’s wooden support, ground layer, underdrawing, and pigment stratigraphy. Select micro-sampling analyses—micro-Fourier-transform infrared spectroscopy (μ-FTIR), scanning electron microscopy with energy dispersive spectroscopy (SEM-EDS), and micro-Raman spectroscopy (µ-Raman)—provided complementary data on binder and pigment composition. While both paintings share nearly identical pigments and layering sequences and employ comparable coating techniques, their ground compositions differ subtly. Notably, the Flemish work features extensive gold-leaf application, whereas underdrawing execution takes on principal importance in the Portuguese example. Together, these findings reveal that Jorge Afonso’s workshop developed a distinct Portuguese method—rooted in Flemish practices disseminated by Quentin Metsys—yet adapted to local materials and aesthetic priorities. Full article

To improve the laser cleaning surface quality of composite layers on Al alloy surfaces, a method of determining the optimal cleaning parameters is proposed that is based on the response surface methodology. It involves constructing a mathematical model of the input variables (laser power, scanning speed, repetition frequency, and defocusing amount). Laser cleaning experiments were conducted to analyze the effects of process parameters on paint removal performance. Using the response surface methodology (RSM), a relationship model was developed to link key factors, including paint layer removal thickness and surface roughness. The results indicate that the optimal process parameters are as follows: a laser power of 291 W, frequency of repetition of 166 kHz, scanning speed of 8425 mm/s, and defocusing amount of −17 mm. A verification test was performed to confirm the optimal parameters for the process. The error ranges for the thickness and roughness of the laser paint removal were within 1.9 μm~3.8 μm and −0.573 μm~−0.419 μm, respectively, indicating that the response surface method can be used to predict and optimize the quality of laser paint removal. These findings provide valuable insights into the laser treatment of composite paint layers on Al alloys and contribute to advances in surface treatment technology for Al alloys. Full article

Modern and contemporary artworks, due to technological developments in the synthesis of new pigments, are characterized by a pictorial palette composed of a wide variety of pigments. This diversity makes it increasingly important to carry out thorough characterization studies in order to gain a complete and comprehensive understanding of the properties of the numerous pigments in use today. In this work, 18 modern acrylic paints were characterized using micro-Raman spectroscopy with two laser excitation lines (532 nm and 633 nm). The analysed pigments can be classified as organic, inorganic, or mixtures, depending on their chemical composition. Specifically, the following pigments were investigated: Cobalt Blue, Permanent Blue Light, Ultramarine, Primary—Cyan Blue, Cerulean Blue, Cobalt Blue (Hue), Indanthrene Blue, Phthalo Blue, Van Dyke Brown, Permanent Green Light, Phthalo Green, Primary Red—Magenta, Cadmium Red Medium, Lemon Yellow, Cadmium Yellow Medium, Zinc White, Titanium White and Iridescent Silver. The pigments were applied to wooden and glass substrates to simulate the creative processes of actual modern and contemporary artworks. The aim was to define their composition, as this knowledge is essential for the protection, conservation and enhancement of cultural heritage. Full article

The growing volume of plastic waste from end-of-life vehicles presents environmental concerns, driving efforts to integrate recycled plastics. This study investigates the possibility of using recycled plastic from automotive parts (painted and unpainted bumpers, fuel tanks) as a 10% filler in the core layer of three-layer particleboards (P) and evaluates its impact on physical properties (water absorption—WA and thickness swelling—TS), mechanical properties (internal bonding strength—IB, modulus of rupture—MOR, modulus of elasticity—MOE and screw driving torque—SDT) and volatile organic compounds—VOC emissions. The boards were produced using conventional hot-pressing technology and analyzed according to applicable standards. Based on the results, the density of the reference (P) was 0.72 g·cm⁻³, while wood–plastic composites ranged from 0.70 g·cm⁻³ to 0.72 g·cm⁻³. After 24 h, WA reached 40% for reference (P) and from 36.9% (for (P) containing unpainted bumpers) to 41.9% (for (P) containing fuel tanks). TS reached 18% for (P) and from 16.8% (for (P) containing unpainted bumpers and fuel tanks) to 18.1% (for (P) containing painted bumpers). Plastic is a hydrophobic material and it is assumed that by increasing the proportion of plastic filler in the particleboards, the WA and TS of prepared boards will decrease. From the point of view of mechanical properties, values for (P) containing plastic filler were slightly lower compared to reference (P). The lowest value of IB (0.39 MPa) were reached for (P) containing painted bumpers. Plastic surface treatment could interfere with adhesion between the plastic and adhesive, weakening the bond in the core layer. For this reason, is preferable to use unpainted fillers, which provide better adhesive properties and higher structural integrity. VOC emissions from wood components consisted primarily of monoterpenes such as α-pinene, 3-carene and limonene. Adding 10% plastic to the particleboard did not increase overall VOC emissions. On the other hand, combining wood and plastic particles resulted in a reduction in overall VOC emissions. The findings confirm that recycled automotive plastics can be effectively incorporated into particleboards, maintaining standard performance while reducing reliance on virgin wood materials, making them a viable and sustainable alternative for furniture and interior applications. Full article

The use of CFRP composite increased significantly since the last 40 years for aircraft structure. Unfortunately, such structures are subjected to significant damages if struck by lightning compared to metallic structure. This is mainly due to the low conductivity of this material, which cannot evacuate the current without high Joule heating. Lightning strike-induced damage in a composite laminate is composed of in-depth delamination, fibre breakage, and resin deterioration due to the surface explosion and the core current flow linked to interaction of the arc with the surface. But very rare previous studies dedicated to the analysis of damage as a direct effect of lightning have considered the spurious effect of the paint that always covers real aeronautic structures neither on the thermal nor the mechanical loads that are the root cause of these damages. We present in this paper a coupled non-destructive and destructive damage analysis to support the proposition of damage scenarios depending on the presence and thickness of the paint. The mechanical and thermal sources contribution in the global loading on the core damage is discussed, which confirms previous studies’ analysis and modelling and is in accordance with existing works in the literature. Full article

This paper focuses on the study of the prehistoric art site at Penedo do Gato Rock Art Shelter (NW Spain) through an interdisciplinary collaboration. A key objective was to develop and implement a multi-analytical protocol for characterising prehistoric rock paintings with portable analytical techniques such as colour spectrophotometry and Raman spectroscopy. Additionally, three possible colouring materials collected during the archaeological survey of the site were investigated by means of X-ray diffraction, stereomicroscopy, and scanning electron microscopy (surface and cross-section modes) with the aim of determining their mineralogical composition and texture. The results indicate that hematite (α-Fe₂O₃) is the main component of the red motifs. Amorphous carbon has been found in several motifs. The presence of amorphous carbon on the rock suggests it may have been deposited onto the paintings by nearby bonfires; however, the potential use of charcoal as an additive in the red pigments to modify their colour should not be overlooked. Regarding the mineralogical composition of potential colouring materials, only one of the samples can be considered as a viable source. This was the only sample with a compact and homogeneous composition, rich in hematite, making it likely that, after grinding, it was used for painting. In contrast, the other collected samples either lacked hematite or contained only a thin layer of it. In these cases, it is unlikely that the hematite layer was extracted using tools to obtain the pigment. Full article

The conservation of cultural heritage requires advanced analytical tools to assess historic materials. In the context of the IPERION-CH project, a mobile multi-spectroscopic characterisation system for the analysis of cultural heritage materials, designated SYSPECTRAL, has been developed. This system integrates Laser-Induced Breakdown Spectroscopy (LIBS), Laser-Induced Fluorescence, Raman spectroscopy, and reflectance spectroscopy. The first application of SYSPECTRAL in a real-world setting was carried out at Müstair Monastery (UNESCO World Heritage Site since 1983) for wall paintings. In this study, stratigraphic analysis using LIBS revealed lead- and iron-based pigments in black and red hues, suggesting pigment degradation and restoration interventions. The presence of titanium in white hues indicated possible retouching. Furthermore, the presence of Egyptian blue in blue hues was identified through a combination of elemental and reflectance spectral analysis, underscoring the potential of SYSPECTRAL for heritage conservation. This approach offers comprehensive material characterization with minimal impact, a finding that is of particular significance in the context of heritage conservation. The subsequent phase of research will extend the application of SYSPECTRAL to a wider range of heritage sites, with the objective of enhancing the spectral databases and refining the analytical techniques for the purpose of improving cultural heritage conservation. Full article

Money Art is a growing contemporary practice where artists transform banknotes into unique visual works. While conceptually powerful, these artworks present significant conservation challenges due to their fragile substrates and complex material compositions. This study investigates the degradation behaviour of UniPosca acrylic markers applied on zero-euro banknotes, drawing on the techniques of artist RichardHTT, and explores bio-based protective strategies suitable for their preservation. Laboratory samples were prepared to replicate the original artwork and subjected to accelerated ageing. A multi-analytical approach was employed, including multispectral imaging, Fourier trasform infrared (FTIR) and Raman spectroscopy, and scanning electron microscopy (SEM-EDS) colorimetric analysis. Thickness and adhesion properties were assessed with contact micrometry and peel tests, while wettability was evaluated through static contact angle measurements. Four biopolymer coatings, chitosan and chitosan–nanocellulose films with varying CNC concentrations, were evaluated for their transparency, mechanical stability, and compatibility with the substrate. Results showed that painted areas, especially those with blue and black pigments, experienced marked degradation, while, after coating application, samples demonstrated improved chromatic stability, hydrophobicity, and adhesion. Importantly, all coatings were fully removable via enzymatic cleaning with α-amylase, confirming their reversibility. This research highlights the potential of chitosan-based biocomposites as conservation materials for non-traditional artworks and contributes to developing tailored, reversible strategies for contemporary art preservation. Full article

This study uses the melt compounding method to recycle polypropylene-based car bumper waste (PP-CBW) in order to produce nanocomposite films for mulch application. The nanocomposite films were compounded by mixing virgin linear low-density polyethylene (LLDPE) with PP-CBW at a constant ratio of 4:1 in the presence of different percentages of nanofillers. Nanocomposites reinforced with nanoclays were compatibilized with an anhydride grafted polyethylene (PE-g-MAH), at a constant compatibilizer-to-clay ratio equal to 3, to improve the adherence between the nonpolar matrix and the hydrophilic nanoclay and acrylic paint present in the car bumper. An extruder with a corotating twin screw was used to produce blends of different compositions. To create nanocomposite films, the mixtures were further processed in a blown film extruder. The effect of the presence of nanoclays on the barrier, thermal, and mechanical properties of the nanocomposite films was investigated. The dispersion of clay layers in the matrix was examined by atomic force microscopy (AFM). The results indicate that 3 wt% of clay loading maximized the tensile strength in the transverse direction (TD) and machine direction (MD). A 1 wt% clay loading increased the MD tear resistance by 66% and manifested an optimum dart impact strength. Significant improvements in thermal and barrier properties were also achieved in the presence of 3 wt% clay loading. Full article

This research aims to address the environmental and economic challenges associated with conventional concrete by partially replacing cement—the most polluting, expensive, and energy-intensive ingredient—with industrial paint sludge ash (PSA), a highly contaminated industrial waste that is typically landfilled. Mortar mixtures were prepared with PSA replacement levels ranging from 0% to 20% in 5% increments while maintaining a constant water-to-binder ratio of 0.48. This study comprehensively evaluated the fresh, mechanical, durability, and microstructural properties of the PSA-modified mortar to assess its potential as an ecofriendly construction material. Results showed that as PSA content increased, the fresh properties, such as workability/slump flow and setting time, decreased, while the water demand for attaining normal consistency increased. Soundness tests indicated expansion up to 15% PSA replacement, beyond which expansion became more pronounced. Compressive strength improved significantly with PSA replacements of 5% to 15% compared to the control sample, with a slight decline at 15% relative to 5% and 10%. This trend was consistent with bulk density and ultrasonic pulse velocity measurements. Furthermore, the incorporation of PSA enhanced key durability properties, including water absorption, sulfate resistance, and porosity reduction, up to 15% PSA replacement. Microstructural analysis using SEM, XRD, TGA/DTA, and FTIR confirmed that PSA inclusion led to increased mortar densification, with the 10% PSA mix exhibiting thermal stability and minimal mass loss at elevated temperatures. FTIR spectra further indicated improved composition with higher PSA content. Overall, PSA proved to be a viable partial cement replacement, offering enhanced mortar properties without compromising performance. Its use contributes to sustainability by reducing reliance on cement, lowering construction costs, and eliminating the environmental and logistical burdens of paint sludge disposal. Full article