Search Results (273)

This is a study of the nun as a queer archetype of femininity across Kate O’Brien’s fiction and non-fiction. Alongside characters who are actual nuns, the fiction includes characters who can be described as ‘nun-like,’ especially in their renunciation of sexual desire. In the fiction, this secular renunciation is aligned with religious celibacy as actively chosen and ethically purposeful and situated as similar to artistic creativity. The study argues that O’Brien’s nuns are paradoxical and queer figures, undermining the temporality, class politics and models of human subjectivity central to O’Brien’s own ideological commitments. Attending to these nun figures prompts significant questions about the liberal feminist politics underpinning contemporary O’Brien studies and the prevailing critical reception of O’Brien as an exemplary Irish woman writer. Full article

The paper examines the poetics of graphomania as a productive aesthetic device within the Russian literary tradition, focusing primarily on Velimir Khlebnikov and extending the analysis to figures such as Fedor Dostoevsky’s Captain Lebyadkin and real authors such as Eduard Limonov, Dmitrii Prigov, and Sasha Sokolov. Building on the article’s central insight that Khlebnikov’s “bad writing,” stylistic shifts, and violations of canonical norms constitute not a defect but a sui generis artistic strategy, the study situates these techniques within broader historical and theoretical frameworks, including the Formalist concepts of parody, junior branch, and heteroglossic subcodes of poetic culture. The article traces the way Khlebnikov’s dynamic alternation of heterogeneous linguistic, prosodic, and generic registers produces a complex, unstable but grandstanding authorial “I” aligned with the traditional figure of the poet-as-character and the culturally embedded myth of the Poet–Tsar. Furthermore, it maps a genealogy of “graphomaniac” writing from the avant-garde to postmodernism, demonstrating how later authors transform Khlebnikov’s innovations—alternately amplifying, parodying, or ironizing them. Through close readings and extensive intertextual contextualization, the article argues that graphomania functions as a critical mechanism for destabilizing aesthetic orthodoxies, exposing, performing and producing literary authority, and redefining the boundaries between norm and deviation, author and character, poetic freedom and canonical constraint. Full article

This article analyzes the scale, fluctuations and geographical distribution of olive (Olea europaea) cultivation in Palestine over 550 years, from the Late Mamluk period (1300–1517), through the Ottoman era (1517–1917), until the end of the British Mandate in 1947. Although olive oil played a dominant role in the diet and the local economy, there is currently no research that measures and quantifies the number of olive trees or the number of villages and towns that cultivated olive trees and produced olive oil. We reconstruct the agricultural landscape with its vast olive groves and examine the cultural history of olive tree farming, the growth of the olive oil industries and their economic role and importance. The earliest figures we have, that are from the year 1596, show that 400 villages cultivated 1,400,794 olive trees. By 1943, there were 6,053,367 olive trees that were cultivated by 644 villages. We found a strong correlation (R² = 0.96, p < 0.01) between the number of olive trees and the number of villages, indicating that olive oil demand and the olive oil industry align with population size. The research data derives from a variety of medieval local chroniclers, as well as diaries by European, North African and Middle Eastern travelers who provide descriptions of olive groves and the olive oil industry. Among the most important sources are the 1596 Ottoman tax registers. The tax registers are the first document that present clear-cut figures on the numbers of olive trees, olive presses and the names of the villages that cultivated olive groves. The main sources for the last period dealt with in this study are the British Mandate maps (1943), which display the acreage of the different crops across Palestine. The data from the maps is supplemented by two modern works on olive cultivation written by agronomists Assaf Goor (b. 1894) and Ali Nasouh (b. 1906) who were born in Palestine and employed by the British department of agriculture. The analysis of data shows that demands of local and oversea markets; the olive oil soap industry, which was based on the local olive oil; as well as competing agricultural crops like sugarcane, cotton and citrus, contributed to a complex economic structure. Olive tree cultivation did not depend on government investment. Olive groves in Palestine were rain fed, and, except for the harvest, they required relatively few working days a year. Hence, moderate policies (low taxation during periods of drought and low yields) adopted by enterprising local rulers and the central British government created a unique and relatively balanced relationship between rulers and farmers, which encouraged olive cultivation and led to a constant increase in the number of olive trees and the development of the olive oil industry. Full article

Through the combined lenses of ecofeminism, masculinity studies, and critical animal studies, this article examines the cultural functions of animal metamorphosis in two Walt Disney animated feature films, Beauty and the Beast and The Princess and the Frog. It argues that animality operates as a narrative and symbolic space in which dominant gender norms and human–animal hierarchies are temporarily destabilized and reconfigured. Drawing on film analysis, this study shows how the animal figure enables the emergence of alternative masculinities—sensitive, relational, and ecologically attuned—while simultaneously exposing the structural limits of this apparent subversion. Although these films challenge toxic masculinity and propose more egalitarian interspecific relationships, their narrative resolutions ultimately reinstate anthropocentric and heteronormative frameworks by reasserting human centrality and normative romantic closure. By situating Disney’s representations within broader Western dualistic logics of domination (culture/nature, masculine/feminine, human/animal), I demonstrate that animality functions less as an autonomous mode of existence than as a transitional narrative device facilitating human self-transformation. In doing so, this article contributes to current discussions on how culturally mediated representations of animals shape human social imaginaries, ethical frameworks, and understandings of interspecies relationships. Full article

The Internet of things (IoT) is rapidly pervading daily life and linking everything. Although higher connectivity offers many benefits, including higher productivity, robotic processes, and decision-making guided by data, it also poses a number of security dangers. Modern risks to data authenticity and confidence are getting harder to handle through typical central safety solutions. In this paper, we present a detailed investigation of the latest innovations and approaches for assessing reputation and confidence in the blockchain-empowered Internet of Things (BIoT) area. A comprehensive literature search was conducted across major electronic databases, including IEEE, Springer, Elsevier, Wiley, MDPI, and top indexed conference proceedings. The publication year was restricted to the period from 2018 to 2025. The methodological quality of a total of 122 studies met the inclusion criteria assessed using predefined quality measures. We figure out existing flaws at each layer of IoT architecture, illustrating how autonomous, transparent, and impenetrable blockchain ledgers address these flaws. Plus, we analytically compare public, private, consortium, and hybrid blockchain networking architectures to emphasize the underlying compromises among security, reliability, and decentralization. We also assess how reputation evaluation techniques evolved over time, moving from classical fuzzy logic and weighted average models to modern mature game theory and machine learning (ML) models, addressing their limitations in terms of computational overhead, scalability, adaptability, and deployment feasibility in IoT systems. Additionally, we outline future directions for BIoT system trust assessment and identify research limitations and potential solutions. Our research indicates that although ML-driven models offer more accurate predictions for identifying illicit node activities, they are still constrained by limited unbalanced data and high processing overhead. Full article

Collective action serves as a critical mechanism for addressing deficiencies in small-scale irrigation infrastructure and fostering a virtuous cycle of their operation and maintenance. Village leaders, as central figures in organizing and mobilizing farmers toward collective action, play a pivotal role in shaping participatory irrigation management (PIM) outcomes through their public leadership. Drawing on micro-survey data from 723 farm households across Ningxia, Shanxi, and Shandong provinces in China’s Yellow River basin, this study employed a multi-group structural equation model (SEM) to analyze the impact of public leadership on collective action in PIM. The findings indicate that: (1) public leadership is directly associated with collective action, with a direct effect of 0.530; (2) public leadership indirectly enhances collective action through mediating variables—cadre–mass relationship, institutional trust, and grassroots democracy—with an indirect effect of 0.045; and (3) the personal characteristics of village leaders moderate the influence of public leadership on collective action. Specifically, public leadership exerts a strong effect when leaders belong to the village elite, possess a least a high school education, or are not members of the village’s major clan. These insights suggest that policymakers should explicitly consider public leadership in fostering collective action within the PIM framework. Full article

We demonstrate an all-polarization-maintaining (PM) mode-locked thulium-doped fiber laser operating in the net-normal-dispersion regime based on a figure-9 nonlinear amplifying loop mirror (NALM) configuration. A chirped fiber Bragg grating (CFBG) and a commercial PM dispersion-compensating fiber (PM-DCF) are incorporated into the figure-9 cavity, providing a large normal net dispersion and enabling stable dissipative-soliton mode-locking. Under stable dissipative-soliton operation, the laser delivers a maximum output power of 53.6 mW at a repetition rate of 12.31 MHz, corresponding to a pulse energy of 4.3 nJ. The output spectrum has a central wavelength of ~1952 nm with a 3 dB bandwidth of ~11 nm. The all-PM laser oscillator directly generates a fs pulse without extra-cavity compression, achieving a pulse duration of 545 fs at the CFBG arm. Moreover, stable fundamental mode-locking is verified by a high radio-frequency signal-to-noise ratio (SNR) exceeding 82 dB and a long-term root-mean-square (RMS) power fluctuation of 0.45% over two hours. To the best of our knowledge, this represents the highest output power generated from an all-PM-fiber figure-9 laser oscillator in the 2 μm band, alongside fs-pulse operation. This high-power, compact, stable and environment-insensitive fs-pulsed laser source shows great potential as an ideal seed for biomedical imaging and mid-infrared frequency combs. Full article

This paper highlights the findings of the emergency excavation carried out at Avenida Miguel de Cervantes No. 35 in Écija, conducted in two phases between 1999 and 2000 and in 2003. The investigation revealed a domus featuring valuable decorative elements, including pictorial wall paintings and two high-quality mosaics. Stylistic analysis of the wall decorations identified a scheme composed of wide and narrow panels, with a predominance of bright green in the central zone, along with traces of figurative representations. The evidence suggests a second construction phase in the latter half of the 2nd century AD, followed by renovations in the 3rd and 4th centuries. The use of green prevailing monochromy appears to be associated with high-status representational spaces. A total of six samples from the wall paintings and mortars were analysed. X-ray diffraction (XRPD) and X-ray fluorescence (XRF) were employed for a minimally destructive preliminary study of the mortars, while confocal microscopy was used to observe the sequence in which the pigments were applied, and Raman spectroscopy enabled the identification of the pigments, notably highlighting glauconite as the green pigment. Full article

This article examines the ontological and ethical foundations of ecosufism through the views articulated by Muḥyiddīn Ibn ʿArabī (d. 638 AH/1240 CE) and Mawlānā Jalāl al-Dīn Rūmī (d. 672 AH/1273 CE) in their major works. Its central argument is that these two foundational figures of Sufi metaphysics offer a coherent, theocentric account of the human–nature relationship grounded in the principles of waḥdat (unity) and tajallī (self-disclosure). Conceiving the cosmos as a living and conscious reality, Ibn ʿArabī and Rūmī further deepen this ontological vision through the Qurʾānic notions of khilāfah (vicegerency) and amānah (trust). These concepts are explained in Ibn ʿArabī’s teaching of al-insān al-kāmil (the Perfect Man) and in Rūmī’s teachings on humility and mercy, as both an ontological and ethical responsibility. This responsibility is expressed through the practical and ethical virtue of iʿtidāl (moderation), which limits the use of natural resources by humans. In this sense, ecosufism stands in clear opposition to anthropocentric approaches, rejecting the reduction of nature to a mere means to human ends. The study also shows that, without claiming any historical origin or conceptual identity, there are notable parallels between the foundations of ecosufism and modern ecological approaches. In this respect, meaningful points of convergence can be identified between ecosufism’s ontological and ethical framework and contemporary perspectives such as deep ecology, the intrinsic value of nature, the idea of a living cosmos, panpsychism, environmental stewardship, and environmental virtue ethics. The article argues that ecosufism, as an understanding that explains human–nature relationships both in a metaphysical sense and how this relationship should be reflected in concrete practices, has the potential to contribute to today’s ecological problems at both the theoretical and practical levels. Full article

This article examines the reshaping of the period of the Second World War in Cecilie Løveid’s play Maria Q, a drama centered on the enigmatic historical figure of Mara Vasilyevna Pasetchnikova, better known as Maria Quisling, the second wife of Vidkun Quisling, who was Norway’s fascist prime minister during that war. Drawing on studies of historical fiction and intertextuality, this article aims to show how Cecilie Løveid employed the genre of historical drama but transformed it so that she could offer her reimagining of the war period in Norway to a present-day audience. I read Maria Q as an experimental historical drama in which Løveid not only used her freedom as a writer of dramatic fiction to combine fact with imagination but simultaneously incorporated various texts and genres as sources to further her own multifaceted reimagining of Maria Quisling as a complex character. As I will demonstrate, by foregrounding dialogism as her central dimension, Løveid rejected a unitary, monologic and authoritarian conception both of recent Norwegian history and of Maria Quisling’s role in it. Full article

Exploring the lunar complex and extreme terrain presents formidable challenges for conventional lunar rovers. To address these limitations, this study proposes a novel hexapod jumping hybrid robot that incorporates a “figure-of-eight” (butterfly-shaped) six-branched wheel-legged mechanism and a jumping system that stores elastic energy via deformation of its elastic body. Inspired by the multimodal locomotion of grasshoppers, the robot dynamically switches between two operational modes: high-efficiency wheeled locomotion on relatively flat surfaces and agile jumping to traverse steep slopes and surmount large obstacles. A bio-inspired gait, inspired by the crawling patterns of a hexapod insect, is implemented using a Central Pattern Generator (CPG)-based controller to produce coordinated, rhythmic limb movements. Dynamic simulations of the jumping mechanism were conducted to optimize the critical parameters of the elastic structure and its associated control strategy. Experiments on a physical prototype were conducted to validate the robot’s wheeled mobility and jumping performance. The results demonstrate that the robot exhibits excellent adaptability to rugged terrains and obstacle-dense environments. The integration of multimodal locomotion and adaptive gait control significantly enhances the robot’s operational robustness and survivability in the harsh lunar environment, opening new possibilities for future lunar exploration missions. Full article

The Tibetan “Dark Age,” following the collapse of the Tibetan Empire in the mid-ninth century, has traditionally been viewed as a period of cultural and religious decline. This paper reframes that narrative by examining recently excavated double-sided portable paintings from the Gathang Bumpache stūpa in Central Tibet, dating to before the eleventh century. Detailed analysis of the style and iconography of the Bumpache paintings identifies the female figure as an offering goddess, closely related to figures found in Thousand-Armed Avalokiteśvara paintings from Dunhuang, and the monk figures as members of the Sixteen Arhats, whose depiction follows Chinese artistic traditions. These findings show that Buddhist artistic production in post-imperial Tibet not only continued but actively reinterpreted visual models from beyond the plateau, integrating them into a distinctive and previously unattested double-sided format. Rather than a cultural and religious void, the so-called Tibetan “Dark Age” emerges as a vital period in which Buddhist art was localized and innovated upon following the fall of the Tibetan Empire. Full article

Bai Yuchan (白玉蟾, 1134?–1229?), a prominent figure of the Southern Lineage of Golden Elixir Sect 金丹派南宗 during the Southern Song dynasty, established a unique synthesis of Shenxiao Thunder Rites and Inner Alchemy by cultivating the persona of a “Banished Immortal”. By framing himself as a celestial thunder officer exiled to the human realm, he grounded his ritual authority in a narrative of divine origin. Central to this system was the “Heart 心,” which served as the essential bridge between internal cultivation and ritual efficacy. Bai argued that the ability to command thunder relied not on mere technique, but on the alchemical refinement of the practitioner’s own spirit and qi 氣/炁. Bai’s writings, especially the Qu Gong Poems 曲肱詩, express his dual identity and his earthly life as a period of spiritual transcendence. Distinctively, Bai embraced genuine emotion and literati aesthetics. He used the “banished immortal” trope to translate the fierce, internal power of thunder into a socially recognized form. This theological and literary construction not only legitimized his public performance of rainmaking and exorcism but also forged a durable identity for the Southern Lineage that continued to shape Daoist traditions well into the Ming dynasty. Full article

All-dielectric metasurfaces based on quasi-bound states in the continuum (quasi-BICs) have emerged as a powerful platform for nanophotonic sensing, as they support high-Q resonances and strong near-field enhancements. Herein, we propose and numerically investigate an asymmetric bow-tie metasurface composed of two silicon semi-cylinders with unequal radii and a central bar to achieve a quasi-BIC resonance with a Q-factor of 11,000. The transition mechanism of the BIC modes in the asymmetric bow-tie metasurface is analyzed. Additionally, the spectral features of the asymmetric bow-tie metasurface as a function of the refractive index and temperature of the local environment are also investigated. The proposed structure exhibits a refractive index sensitivity of 454 nm/RIU and a temperature sensitivity of 134 pm/°C. Furthermore, a high figure of merit (FOM) of 3159 RIU⁻¹ is achieved, and the nearly 100% modulation depth maintained across three distinct resonance dips. Our study suggests that the proposed asymmetric bow-tie metasurface offers a promising approach for the development of high-sensitivity biosensing platforms. Full article

This article reexamines one of Rabbi Nachman of Breslov’s central tales, “The Clever Man and the Simple Man,” through three intertwined foundations that shaped its composition: the Hasidic valorization of the sincere simple person, the story of the Sockmaker in Shivhei ha-Besht, and the myth of Enoch the Shoemaker who became the angel Metatron. While previous scholarship has interpreted the tale primarily as an internal spiritual struggle between intellect and faith, this study argues that the deeper architecture of the story is rooted in these narrative and mythic traditions, which Rabbi Nachman reshapes in order to formulate a new ideal of simplicity. The article demonstrates that the Simple Man—far from the naïve or ignorant figure of folkloric tradition—embodies conscious simplicity, characterized by integrity, inner contentment, and an unmediated orientation toward reality. The analysis further shows how Rabbi Nachman develops the Hasidic tradition that transforms the Enoch myth from a model of mystical theurgy into a paradigm of sanctifying ordinary life through wholehearted presence and trust. In its final section, the article situates the tale within Rabbi Nachman’s broader struggle against the emerging modern spirit. It argues that the story offers a unique understanding of the dangers inherent in Enlightenment and modernity: the root of heresy lies not in intellectual inquiry or philosophical doubt, but in a modern way of life defined by restlessness, dissatisfaction, and a destabilized existential orientation. From this perspective, Rabbi Nachman presents the figure of the Simple Man as the path by which a person “walks with God,” and as a profound response to the spiritual challenges posed by modernity and secularization. Full article