Search Results (22)

Diocletian’s palace with its cellars represents one of the most important cultural heritage sites of the ancient Roman civilisation on the present-day Croatian territory. The cellar complex has been rediscovered only recently and has been preserved remarkably well due to its centuries-long concealment beneath mediaeval urban matrices. An archaeoacoustic analysis was performed on a selected single-nave hall as a small part of this complex. A model of the hall was developed in room acoustics simulation software and calibrated based on the results of field measurements. Acoustic suitability of the hall for speech-based events and music performances was then evaluated according to contemporary objective criteria, and the findings were compared with the results of similar studies performed on other heritage sites. The hall was found to be very well suited for speech in terms of intelligibility and mid-frequency reverberation, thus showing potential for revitalisation, with excessive low-frequency reverberation in the hall and reduced audibility in the farthest part of the audience as potential issues. With a feasible audience size, the hall is not reverberant enough for music performances but provides high clarity. In terms of sound strength, the hall is suitable for solo performers or small ensembles. Excessive perceptive broadening of the sound source is expected due to strong early lateral energy. In terms of traditional Dalmatian a cappella singing, the acoustics of the hall are likely to support and enhance such performances. Full article

The Church of St. Francis in Pula, Croatia, is a well-preserved example of Franciscan gothic sacral architecture from the late 13th century. As preaching was highly valued by the Franciscan order as a way of communicating with the faithful, the study is focused on determining whether speech intelligibility in the church would have been adequate for successful communication between priests and their audience. The archaeoacoustic analysis of the church was performed in four stages: (1) in situ acoustic measurements in the present state, (2) development and calibration of the model of the present state based on measurement results, (3) development of the two models of the presumed historical state based on the calibrated model and historical data, and (4) prediction of acoustic conditions in the present and the historical states in terms of reverberation time T₃₀ and of speech intelligibility in terms of speech transmission index STI. The factors considered in the study were (1) acoustics of the church, (2) profile of the audience (friars and the faithful), (3) layout of the audience areas (choir area in the front of the nave for the friars, back area of the nave for the faithful), (4) positions of the speech sources (altar for addressing the friars, pulpit for addressing the faithful), (5) occupancy (unoccupied and fully occupied church), (6) language used in liturgical ceremonies (Latin and native language), and (7) language proficiency of the audience (native speakers, users of a second language). The results show that (1) fair speech intelligibility (STI ≥ 0.45 for the faithful as native speakers, STI ≥ 0.50 for friars as non-native speakers of Latin) can be achieved for 50% of the audience in the choir area and for the entire audience in the back area in favourable conditions (fully occupied church, audience addressed from dedicated speaker positions), (2) the position of the pulpit (close to the audience and considerably elevated above it) is more favourable than the position of the altar (remote, barely elevated above the audience), and (3) in unoccupied conditions, fair speech intelligibility can still be achieved in at least 50% of the back audience area with the faithful gathered close to the pulpit, while it is not possible for the front audience area addressed from the altar. The summary conclusion is that the church of St. Francis in its presumed historical layout(s) would fulfil its primary function in a limited capacity. Fair speech intelligibility would likely have been sufficient for the audience to follow liturgical ceremonies conducted in the church, but not without difficulty. Full article

The Sistine Chapel, originally designed to accommodate papal ceremonies, featured a system for hanging tapestries that ensured they were deployed according to the liturgical calendar. These textiles not only served as temporary decorative elements but also contributed to the acoustical environment. Historical records suggest that Renaissance popes, particularly Leo X, were attuned to the impact of textiles on sound, experimenting with their placement to optimize acoustics for sermons and polyphonic music. Given the lack of direct historical acoustical measurements, this study employs a computational simulation approach to model the chapel’s acoustics with and without the presence of tapestries and human occupancy. A crucial first step involved characterizing the absorption coefficients of surface finishings in order to obtain a reliable model of the space and investigate modifications induced by tapestries. The study revealed that the presence of tapestries reduced reverberation time at mid-frequencies from 7.4 s to 5.1 s in the empty chapel and from 4.1 s to 3.4 s when occupied. The results corroborate historical observations, who noted the effects of tapestries on vocal clarity in papal ceremonies. The findings demonstrate that textiles played a significant role in controlling acoustics within the Sistine Chapel, complementing the liturgical experience. Full article

This paper presents Vaulted Harmonies, a 66-min animated feature film created as part of the scientific outreach effort of the Past Has Ears at Notre-Dame project (ANR-PHEND). The project investigates the historical acoustics of Notre-Dame de Paris and their influence on music over the centuries. The film is structured around eleven musical pieces spanning the 12th to 20th centuries, each chosen for its relevance to the cathedral’s history and musical heritage. Details include how each piece was recorded and auralised using a calibrated geometric acoustic model that reflects the acoustics of the corresponding historical period. Further details describe the creation of the CGI renderings of Notre-Dame, which feature animated musicians synchronised with the music they perform, enhancing the immersive quality of the experience. These musical performances are interwoven with short documentary-style segments that provide historical and musicological context. The film adopts a first-person perspective in which the acoustics and visuals dynamically follow the camera’s movement, offering a virtual reality-like experience in a cinematic format. Vaulted Harmonies thus functions both as an engaging archaeoacoustic outreach project and as a standalone virtual concert rooted in historically informed performance and production. Full article

Bells have long been a defining feature of Christian culture, shaping the soundscapes of medieval Europe. This article examines the sonic heritage of active medieval bells in the Valdres region of Norway. We analyze the tonal structure of bells from Slidredomen, Lomen, Hegge, Reinli, and Hedalen churches based on acoustic measurements taken during fieldwork in the summer of 2024. We collected acoustic data using a Sound Level Meter Cesva 202 and a Zoom H4n recorder, which we then used for tonal analysis of the bells with Wavanal software. The results revealed the distinctive voices of individual bells while highlighting tonal similarities among certain bells and patterns in bell selection within specific churches. Based on the study’s valuable insights into the sound character of medieval bells in Valdres, we discussed medieval bell tuning and the implications for the preservation of medieval church bells as sonic heritage. Full article

This study explores the archaeoacoustics of rock imagery at Site 26LN211, the northernmost petroglyph site in the White River Narrows (WRN) Archaeological District, Nevada, USA. The research examines the relationship between rock writing placement and acoustic properties, considering their potential significance to indigenous groups such as the Southern Paiute and Western Shoshone. Fieldwork conducted in 2024 employed impulse response recordings to analyze sound behavior in various spatial configurations, including near and distant measurements. The results indicate that, unlike other WRN sites with strong echoes and reverberation, Site 26LN211 exhibits clear sound transmission with limited acoustic reflections. This suggests its suitability for oral storytelling, song recitatives, and ritual practices rather than sound-enhanced ceremonial performances. Additionally, the presence of vision quest structures above the site implies spiritual significance, although the results do not show a significant acoustic relationship between them and the petroglyph zone. Comparative studies with other indigenous sites reinforce the role of acoustics in shaping cultural landscapes. These findings contribute to broader discussions on the interplay between rock writing, sound, and indigenous traditions, emphasizing the need for preservation. Full article

The present work deals with the acoustic analysis of the Roman theatre of Gubbio, located in Italy, which has already been the subject of architectural studies. Using four specific scenarios, acoustic simulations were carried out to highlight the contributions of different architectural elements to the acoustic response of this open-air theatre. The results were evaluated assuming that unamplified classical music and prose were the main functions of the space, as was the case in the past. The simulated results show that the values of the main acoustic parameters are closer to the optimal ranges borrowed from studies on enclosed theatres, since no criteria are available for Roman theatres. The comparison among different scenarios highlights the poor acoustic response of the existing conditions for a performing arts space. Some suggestions are presented regarding how the outcomes of this research study should be employed. Full article

In the last few years, archaeoacoustic studies of rock art sites and landscapes have undergone significant growth as a result of renewed interest in the intangible aspects of the archaeological record. This article focuses on the acoustic study carried out in the rock art complex of Bacinete, Cádiz (Spain). After describing the archaeological site and its importance, a representative set of monaural and spatial IRs gathered onsite is thoroughly analysed to explore the hypothesis that the sonic component of the site played an important role in how prehistoric people interacted with it. Additionally, we briefly discuss the challenges of analysing the acoustics of open-air spaces following the recommendations of the ISO 3382-1 guidelines, a standard developed not for open-air spaces, but for room acoustics. The results obtained confirm the favourable acoustic conditions of the Bacinete main shelter for speech transmission. The different subjective acoustic impressions obtained in a somewhat similar shelter located nearby, Bacinete III, are also explained, alluding to a lesser degree of intimacy felt in the latter. Full article

Acoustics has been integrated with archaeology to better understand the social and cultural context of past cultures. Specifically, public events such as rituals or ceremonies, where an appreciation of sound propagation was required to hold an event. Various acoustic techniques have been used to study archaeological sites, providing information about the building characteristics and organizational structures of ancient civilizations. This review aims to present recent advances in Archaeoacoustics worldwide over the last seven years (2016–2022). For this purpose, one hundred and five articles were identified and categorized into two topics: (1) Archaeoacoustics in places, and (2) Archaeoacoustics of musical instruments and pieces. In the first topic, three subtopics were identified: (1) measurement and characterization of places, (2) rock art, and (3) simulation, auralization, and virtualization. Regarding the first subtopic, it was identified that the standards for reverberation times in enclosures are generally applied in their development. In the second subtopic, it was determined that the places selected to make paintings were areas with long reverberation time. The last subtopic, simulation, auralization, and virtualization, is the area of most remarkable growth and innovation. Finally, this review opens the debate to seek standardization of a measurement method that allows comparing results from different investigations. Full article

Religious practice in Serbia has taken place using both indoors and outdoors sacred sites ever since the adoption of Christianity in medieval times. However, previous archaeoacoustic research was focused on historic church acoustics, excluding the open-air soundscapes of sacred sites. The goal of this review paper is to shed light on the varieties of sacred soundscapes that have supported the various needs of Orthodox Christian practice in medieval Serbia. First, in relation to the acoustic requirements of the religious service, we compare the acoustic properties of masonry and wooden churches based on the published archaeoacoustic studies of medieval churches and musicological studies of the medieval art of chanting. Second, we provide an overview of the ethnological and historical studies that address the outdoor sacred soundscapes and investigate the religious sound markers of large percussion instruments, such as bells and semantra, the open-air litany procession that has been practiced during the annual celebration of a patron saint’s day in rural areas, and the medieval assemblies that took place on the sacred sites. This paper finally points out that the archaeoacoustic studies of sacred soundscapes should not be limited to church acoustics but also include open-air sacred sites to provide a complete analysis of the aural environment of religious practice and thus contribute to understanding the acoustic intention of medieval builders, as well as the aural experience of both clergy and laity. Full article

Although the acoustics of Gothic cathedrals are of interest to researchers, the acoustic impact of their many columns is often neglected. The construction of the Cathédrale Notre-Dame de Paris spanned several centuries, including a wide variety of architectonic elements. This study investigates the sound scattering of a selection of seven designs that are relevant to this building as well as to the architectural style itself. These were measured on scale models (1:8.5 to 1:12), using a subtraction method, for receivers at about 3 m at full scale and a far-field source. They were also numerically simulated using a finite-difference time-domain method in two-dimensional space with an incident plane wave. The method integrates a finite volume framework to employ an unstructured mesh conforming to the complex geometries of interest. The two methods are in strong agreement for the considered configurations. Relative levels to the direct sound of backscattered reflections between $-10$ dB and 2 dB and between $-15$ dB and $-6$ dB in the transverse directions were estimated for the dimensions considered, relative to reported reflection audibility thresholds. Cross-sections with smaller scale geometrical elements on their perimeter can produce diffuse reflections similar to those of surface diffusers. Full article

This study investigates the indoor acoustical characteristics of a Middle Byzantine masonry church in Cappadocia. The Bell Church is in partial ruins; therefore, archival data and the church’s remains are used for its acoustical reconstruction. The study aims to formulate a methodology for a realistic simulation of the church by testing the applicability of different approaches, including field and laboratory tests. By conducting qualitative and quantitative material tests, different tuff stone samples are examined from the region. Impedance tube tests are performed on the samples from Göreme and Ürgüp to document their sound absorption performances. Previous field tests on two sites in Cappadocia are also used to compare the sound absorption performance of tuff stones, supported by acoustical simulations. The texture, physical and chemical characteristics of the stones together with the measured sound absorption coefficient values are comparatively evaluated for selecting the most suitable material to be applied in the Bell Church simulations. The church was constructed in phases and underwent architectural modifications and additions over time. The indoor acoustical environment of the church is analyzed over objective acoustical parameters of EDT, T30, C50, C80, D50, and STI for its different phases with different architectural features and functional patterns. Full article

This paper aims to investigate digital heritage and acoustical techniques for exploring sonic heritage of archaeological sites and performative spaces. Through the analysis of case studies in Greece and in Italy, this paper intends to highlight a new approach to the development of the relationship between space, sound, and environment and a novel method in deciphering the sonic heritage of ancient spaces thanks to digital technology. Full article

The Cistercian order is of acoustic interest because previous research has hypothesized that Cistercian architectural structures were designed for longer reverberation times in order to reinforce Gregorian chants. The presented study focused on an archaeoacacoustics analysis of the Cistercian Beaulieu Abbey (Hampshire, England, UK), using Geometrical Acoustics (GA) to recreate and investigate the acoustical properties of the original structure. To construct an acoustic model of the Abbey, the building’s dimensions and layout were retrieved from published archaeology research and comparison with equivalent structures. Absorption and scattering coefficients were assigned to emulate the original room surface materials’ acoustics properties. CATT-Acoustics was then used to perform the acoustics analysis of the simplified building structure. Shorter reverberation time (RTs) was generally observed at higher frequencies for all the simulated scenarios. Low speech intelligibility index (STI) and speech clarity (C50) values were observed across Abbey’s nave section. Despite limitations given by the impossibility to calibrate the model according to in situ measurements conducted in the original structure, the simulated acoustics performance suggested how the Abbey could have been designed to promote sacral music and chants, rather than preserve high speech intelligibility. Full article

We examine the praxis implications of our working definition of aural heritage: spatial acoustics as physically experienced by humans in cultural contexts; aligned with the aims of anthropological archaeology (the study of human life from materials). Here we report on human-centered acoustical data collection strategies from our project “Digital Preservation and Access to Aural Heritage via a Scalable, Extensible Method,” supported by the National Endowment for the Humanities (NEH) in the USA. The documentation and accurate translation of human sensory perspectives is fundamental to the ecological validity of cultural heritage fieldwork and the preservation of heritage acoustics. Auditory distance cues, which enable and constrain sonic communication, relate to proxemics, contextualized understandings of distance relationships that are fundamental to human social interactions. We propose that source–receiver locations in aural heritage measurements should be selected to represent a comprehensive range of proxemics according to site-contextualized spatial-use scenarios, and we identify and compare acoustical metrics for auditory distance cues from acoustical fieldwork we conducted using this strategy in three contrasting case-study heritage sites. This conceptual shift from architectural acoustical sampling to aural heritage sampling prioritizes culturally and physically plausible human auditory/sound-sensing perspectives and relates them to spatial proxemics as scaled architecturally. Full article