Search Results (11)

Dolpo is a culturally Tibetan region in the inaccessible parts of the Himalayas, where Buddhist and Bon traditions coexist to this day. Due to their religious significance, the temples and monasteries of Dolpo reflect the historical connection to the religious centres of the Tibetan area. Accordingly, a holistic documentation of the preserved buildings can provide new insights for the development of typologies of Buddhist architecture in the Western Himalayas. To shed light on the mainly undocumented Buddhist architecture of this region, we launched our first research project in 2018. As a result, the architectural documentation of eighteen Buddhist sites in Dolpo is now available for the first time, based on the on-site assessment and survey during four field missions between 2018 and 2023. It provides an overview of the location, descriptions and references, photographs, sets of plans and 3D models of the surveyed buildings, enabling an inventory of the region’s cultural heritage to be initiated. The results enable us to establish a comprehensive typology of Buddhist architecture in Dolpo that allows for comparative analyses with buildings already documented in previous projects. Last but not least, the documentation provides the basis for much-needed restoration work. Full article

Guomari fortress in eastern Qinghai Province exemplifies vernacular architecture shaped by multiethnic interaction, environmental adaptation, and localized defense strategies. Originally a Ming Dynasty military-agricultural outpost, it evolved into a Tu ethnic settlement. Fieldwork, including architectural surveys and spatial analysis, identified a three-tiered defensive system: (1) strategic use of terrain and rammed-earth walls; (2) labyrinthine alleys with L-, T-, and cross-shaped intersections; and (3) interconnected rooftops forming elevated circulation routes. Courtyards are categorized into single-line, L-shaped, U-shaped, and fully enclosed layouts, reflecting adaptations to terrain, ritual functions, and thermal needs. Architectural features such as thick loam-coated walls and flat roofs demonstrate climatic adaptation, while the integration of Han timber frameworks, Tibetan prayer halls, and Tu decorative elements reveals cultural convergence. Traditional craftsmanship, including carved wooden scripture blocks and tsampa-based murals, is embedded within domestic and ritual spaces. The fortress’s circulation patterns mirror Tibetan Buddhist cosmology, with mandala-like alleys and rooftop circumambulation routes. These findings offer insights into vernacular resilience and inform conservation strategies for multiethnic fortified settlements. Full article

The colour degradation of murals presents a significant challenge in the conservation of architectural heritage. Previous research has often concentrated on localized pigment changes while paying insufficient attention to the interaction between colour variation and indoor environmental conditions. Although non-destructive analytical techniques are widely used in heritage studies, their integrated application in combination with colourimetry has been limited, particularly in the context of Tibetan Buddhist murals in highland continental climates. This study investigates the murals of Liuli Hall in Meidai Lamasery, Inner Mongolia, as a representative case. We employed a comprehensive methodology that combines non-destructive analytical tools, gas chromatography–mass spectrometry, and quantitative colour analysis to examine pigment composition, binding material, and surface deterioration. Through joint analysis using the CIE Lab and CIE LCh colour space systems, we quantified mural colour changes and explored their correlation with material degradation and environmental exposure. The pigments identified include cinnabar, atacamite, azurite, and chalk, with animal glue and drying oils as binding materials. Colourimetric results revealed pronounced yellowing on the east and west walls, primarily caused by the ageing of organic binders. In contrast, a notable reduction in brightness on the south wall was attributed to dust accumulation. These findings support tailored conservation measures such as regular surface cleaning for the south wall and antioxidant stabilization treatments for the east and west walls. Initial cleaning efforts proved effective. The integrated approach adopted in this study provides a replicable model for mural diagnostics and conservation under complex environmental conditions. Full article

Situated in the mountainous and gorge-ridden region at the junction of the Tibet Autonomous Region, Sichuan Province, and Yunnan Province, the Tibetan–Yi Corridor is home to the Kham Tibetan area, one of China’s three traditional Tibetan areas. Tibetan Buddhism and the establishment of its temples in this region have evolved and propagated from nothing to a diverse landscape since the 8th century. Existing studies, however, have paid little attention to the intricate interplay between the formation of this sacred religious landscape and the specific geographic and sociocultural contexts in which it is situated. By taking temple architecture as a research vehicle, this study begins by extracting spatial data from historical GIS network data resources and 276 local gazetteers of 45 counties in the Tibetan–Yi Corridor. Secondly, it digitalizes and quantifies the geographic information, construction dates, sectarian affiliations, and sizes of 1479 Tibetan Buddhist temples in the region, establishing a database covering four historical periods. Finally, it employs GIS technology to visualize the spatial distribution of these temples, revealing their spatial and temporal patterns and evolution. From a religious geographical perspective, this study reconstructs the historical trajectories and diffusion patterns of the Nyingma, Kagyu, Sakya, Gelug, Jonang, and Bon sects in the Tibetan–Yi Corridor, revealing the complex interplay, succession, and ebb and flow of these sects over time. The research results show that the historical spread and development of Tibetan Buddhism in the Tibetan–Yi Corridor were influenced by a complex interplay of geographical, social, political, and economic factors, including the unique topography of the Qinghai–Tibet Plateau and Hengduan Mountains, the complex interplay of agriculture and pastoralism, the historical influence of dynastic changes and central government policies on border regions, and ancient pilgrimage and trade routes. At the same time, as a multi-ethnic region inhabited by over 20 minorities, including Tibetans, Yi, Qiang, Naxi, and Nu, the Tibetan–Yi Corridor has a cultural identity dominated by religion, which has become an important factor in maintaining multi-ethnic symbiosis throughout its history, highlighting the unique historical status and role of the Tibetan–Yi Corridor in the entire Tibetan Buddhist cultural circle. Full article

Architecture is the stone book of history, and the evolution of architectural styles showcases a non-verbal history constructed through images. As an important part of China’s historical and cultural heritage, the architectural forms and styles of Tibetan Buddhist temples were initially modeled on Tang dynasty temple architecture and gradually evolved into the most significant architectural types in regions such as Tibet and Qinghai in China. Religious architecture has also played a significant role in shaping regional cultural landscapes. Existing research on Tibetan Buddhist temples is primarily focused on qualitative studies of individual temple buildings. This research takes the spatiotemporal evolution of architectural styles of Tibetan Buddhist temples as an entry point and, for the first time, employs ArcGIS technology to visualize the spatial and geographical distribution of Tibetan Buddhist temples from the 7th to the 18th century, establishing a comprehensive academic vision that encompasses both historical stratification and cross-regional spatial correlations. By analyzing the cultural symbolic features embodied in the construction styles of Tibetan Buddhist temples and the visual characteristics reflected in their decorative arts, we propose two spatiotemporal dimensions for the formation and transmission of Tibetan Buddhist temple architectural styles: “Westward Transmission” and “Eastward Diffusion”. Firstly, from the 7th to the 9th centuries, the architectural style and construction techniques of Tang dynasty Buddhist temples were transmitted westward along the Tang–Tibet ancient road, integrating with local Tibetan elements to form the Tubo architectural style, which was further refined into the “Sino–Tibetan Combined Style” with strong visual characteristics around the 13th century. Subsequently, along with the spread of Tibetan Buddhism, this temple architectural style underwent an eastward diffusion from the 13th to the 18th century, reaching regions, such as Sichuan, Qinghai, Gansu, Inner Mongolia, Hebei, and Beijing, presenting a spatial gradient from west to east in the geographical dimension. On this basis, in this research, we construct a historical evolution mapping of Tibetan Buddhist temple architectural styles based on bidirectional transmission, attempting to elucidate that the intrinsic driving forces are religious and the cultural identity that guided the bidirectional transmission mechanism of these architectural styles under the historical context of the formation and dissemination of Tibetan Buddhism from the 7th to the 18th century. Full article

Erdene Zuu is the oldest extant Buddhist temple in the country of Mongolia, founded following the reintroduction of Tibetan Buddhism to Inner Mongolia in the sixteenth century. The subject of this paper is the building activities of the sixteenth and seventeenth centuries, particularly of the complex centering on Gurban Zuu (Three Temples), which are the main buildings of Erdene Zuu. The author first confirms Gurban Zuu’s ground plan based on measurements, and then interprets the “black-ink inscription” discovered on the ridge purlin of the Central Buddha Hall. This complex is then compared with Inner Mongolian Buddhist temples of the same period. Finally, the author studies whether or not the spatial structure of the temple architecture of the Mongolian Empire of the thirteenth and fourteenth centuries was continued at Erdene Zuu, and analyzes the position that Erdene Zuu occupied in the Tibetan Buddhist sphere. This comparative study investigates the origins of Erdene Zuu’s architectural spatial composition within East Asia. Full article

Situated in the village of Lama Temple on the eastern bank of the Wulie River in Chengde, Puren Temple stands as one of the few remaining royal temples of great importance from the Kangxi era (1662–1722 AD). This ancient edifice has greatly contributed to the advancement of our comprehension regarding the art of royal temple painting. The present study undertakes a comprehensive analysis and identification of nine samples obtained from the beams and ceiling paintings within the main hall of Puren Temple. Furthermore, a systematic examination of their mineral pigments and adhesives is conducted. The findings from polarized light microscopy (PLM), energy-type X-ray fluorescence spectrometer (ED-XRF), micro-Raman spectroscopy (m-RS), and X-ray diffractometer (XRD) analyses reveal that the pigments present in the main hall beams of Puren Temple are cinnabar, lead white, lapis lazuli, and lime green, while the pigments in the ceiling paintings consist of cinnabar, staghorn, lead white, lapis lazuli, and lime green. The use of animal glue as a binder for these pigments on both the main hall beams and ceiling paintings is confirmed via pyrolysis-gas chromatography–mass spectrometry (Py-Gc/Ms) results. These findings hold significant implications for the future restoration of Puren Temple, as they provide valuable guidance for the selection of appropriate restoration materials. Full article

This paper research and discusses the ‘sustainable’ workflow and heritage recording method of historic building information modelling (HBIM) for Chinese Tibetan architecture and pagodas and explains the vital role of recording heritage information to protect cultural relics. Considering the Tibetan Buddhist Pagoda in Yushu, Qinghai, China, this paper explores the collaborative modelling mechanism and ideas between heritage surveying and scanning information and software, and the problems of these two methods. Through research, we have obtained successful cases of HBIM based on field scanning and mapping, online software collaborative modelling (Rhino, Bentley, Autodesk Computer-Aided Design), sustainable management, and display. It is an information model constructed according to construction logic and accurate information and one that realises sustainable and full-cycle recording functions by continuous recording, updating, and iterating. This method removes a limitation of HBIM in that it considers one-time information construction and delivery mode but does not consider and explore sustainable recording work. It will significantly promote more records on the heritage information of Tibetan architecture. The results will also directly serve the protection of architectural heritage in Qinghai Province, China and the ‘Silk Road (South Asia Section) Transnational Serial Application for World Heritage’ work. Full article

Gönpa Gang is an example of the traditional Buddhist architecture of Upper Mustang. It is also the first monument in Upper Mustang to be studied using the dendrochronological dating method. The gönpa is a two-story building of imposing size, made from simple elements of Tibetan architecture, namely masonry walls, timber posts, and beams. A total of 14 samples were collected from elements on both the ground and the first floor. The limited number of samples results from the cultural and religious character of the object under study. Only the elements consistent with the structure and the space arrangement, interpreted as original features, were examined. Microscopic observation and the analysis of the anatomical features of all 14 samples resulted in the identification of Himalayan pine (blue pine), Pinus wallichiana A.B. Jacks. Intra-annual density fluctuation, false rings, and missing rings were detected. From 14 samples collected in Gönpa Gang, 18 series were worked out. Thus, 15 series from 12 samples were synchronized and used for the development of the mean chronology, UMGG_m, with a total length of 160 rings. The chronology covers the period from 1524 to 1683. Examination of the Gang Gönpa wood resulted in the age determination of 13 elements. The results were compared with architectural stratification by Harrison and historical data from written sources. The timber used in the gönpa comes from the Southern Mustang area. The examined wood demonstrates a correlation with the timber used in the Upper Mustang historical buildings further north. Full article

This article introduces a digital platform for collaborative research on the Chinese diaspora in Southeast Asia, focusing on networks of Chinese temples and associations extending from Southeast China to the various port cities of Southeast Asia. The Singapore Historical Geographic Information System (SHGIS) and the Singapore Biographical Database (SBDB) are expandable WebGIS platforms gathering and linking data on cultural and religious networks across Southeast Asia. This inter-connected platform can be expanded to cover not only Singapore but all of Southeast Asia. We have added layers of data that go beyond Chinese Taoist, Buddhist, and popular god temples to also display the distributions of a wide range of other religious networks, including Christian churches, Islamic mosques, Hindu temples, and Theravadin, which are the Taiwanese, Japanese and Tibetan Buddhist monasteries found across the region. This digital platform covers a larger area than the Taiwan History and Culture in Time and Space (THCTS) historical GIS platform but is more regionally focused than the ECAI (Electronic Cultural Atlas Initiative) By incorporating Chinese inscriptions, extensive surveys of Chinese temples and associations, as well as archival and historical sources, this platform provides new materials and new perspectives on the Chinese diaspora in Southeast Asia. This paper: (1) outlines key research questions underlying these digital humanities platforms; (2) describes the overall architecture and the kinds of data included in the SHGIS and the SBDB; (3) reviews past research on historical GIS; and provides (4) a discussion of how incorporating Chinese epigraphy of Southeast Asia into these websites can help scholars trace networks across the entire region, potentially enabling comparative work on a wide range of religious networks in the region. Part 5 of the paper outlines technical aspects of the WebGIS platform. Full article

Urbanization is unavoidable on the Qinghai-Tibet Plateau, and it directly influences the region’s architectural heritage. This study aims to evaluate the changes in urbanization around 152 Buddhist monasteries (3 km × 3 km) from 1993 to 2013 located in the Qinghai-Tibet Plateau. To evaluate the changes, we adopt both nighttime light data and data from the Geographic Information System, which were verified by the spatial relationship between urban areas of Lhasa and monasteries on a meso-scale and the environmental changes around monasteries by visual interpretation on a micro-scale in the same phase. The results show that the level of urbanization around 43 monasteries has increased between 1993 and 2013, and the areas of significant influence from urban growth have expanded from Lhasa between 1993 and 2003 to the Yarlung Tsangpo River, Nyangqu, and Lhasa River regions, as well as to the surrounding areas of Xining, and Tibetan areas in Sichuan between 2003 and 2013. This study explores a method of monitoring the architectural heritage of the Qinghai-Tibet Plateau using “remote sensing big data”, which can provide data support for policy formulation, technical intervention, and targeted field investigation on architectural heritage by screening research objects. Full article