Memory and Women’s Studies: Between Trauma and Positivity

A special issue of Literature (ISSN 2410-9789).

Deadline for manuscript submissions: 1 March 2025 | Viewed by 3102

Special Issue Editors


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Guest Editor
Department of Romance Languages and Literatures, Boston College, Newton, MA 02467, USA
Interests: trauma studies; monologic versus polyphonic; dialogic constructions of memory
Special Issues, Collections and Topics in MDPI journals

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Guest Editor
Laboratoire d'Études et de Recherche sur le Monde Anglophone, Aix-Marseille University, Marseille, France
Interests: US women's history
Special Issues, Collections and Topics in MDPI journals

Special Issue Information

Dear Colleagues,

We are pleased to announce that submissions are open for the upcoming Special Issue Memory and Women’s Studies: Between Trauma and Positivity. The Guest Editors Irene Mizrahi (Boston College) and Claire Sorin (Aix Marseille University, LERMA, Aix-en-Provence) welcome humanities, especially literature, and art articles focusing on how memory and trauma studies have reshaped and been reshaped by women’s and feminist history, art, and literature since the 1990s. Countless research topics fit within the scope of this Special Issue, such as critical overviews of the recent scholarship examining the interactions between memory, trauma, and women’s studies—with a special focus on art and literature; papers examining the relationship between individual and collective gendered memory; the cultural, social, and political valances of portrayals of traumatic experiences produced by women; the dynamic interplay between past and present in local, national, and transnational contexts, and in processes of reparation, reconciliation, or inspiration; debates concerning public places, monuments, and statues as representations of women’s or feminist collective memory; the uses of both implicit and explicit memory in works of art and literature; the dynamics of remembering and forgetting and how this dynamic informs issues of power and hegemony; monologic versus polyphonic and dialogic constructions of memory and the importance of distinguishing between them; new media and its challenges for individual and collective memory. This Special Issue welcomes English-language articles considering a variety of transnational contexts. 

Aims

Literature (ISSN 2410-9789) accepts papers on the literature of all times and places. All kinds of approaches are encouraged, including the perspective of the literature classroom, the hospital, the prison, the therapist’s office, etc. We will consider relationships between high and low “literature” and other forms of the story in multimedia, social media, and even video games. We are willing to publish more illustrations than other periodicals. However, our focus is on literature per se, relegating theory, other topics, other media, and other disciplines to supporting roles.

Scope

  • Literature and cultural studies
  • Contemporary literature
  • Women's literature and gender studies

Original research articles and reviews are welcome. Submissions will be peer reviewed and published following “The MDPI Editorial Process”. Guest Editors will conduct the editorial process via the MDPI online Submission System (SuSy), and will accept or reject submissions, ask the authors for revision, or ask for an additional reviewer to read the paper after the peer-review process. 

We look forward to receiving your contributions. 

You may choose our Joint Special Issue in Histories.

Dr. Irene Mizrahi
Dr. Claire Sorin
Guest Editors

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Literature is an international peer-reviewed open access quarterly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1000 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • trauma studies
  • feminism
  • gendered individual/collective memory
  • processes of repara-tion/reconciliation/inspiration

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Published Papers (2 papers)

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Research

13 pages, 257 KiB  
Article
Thwarting the Tyranny of Fathers: Women in Nicole Krauss’s Great House and the Creative Transmission of Traumatic Memory
by Sophie Vallas
Literature 2024, 4(4), 234-246; https://doi.org/10.3390/literature4040017 - 5 Oct 2024
Viewed by 658
Abstract
With Great House (2010), Nicole Krauss offers a choral novel that interweaves the lives of several characters loosely connected by a huge, wooden desk that one of them relentlessly chases around the world. A possible symbol of the memory of the Second World [...] Read more.
With Great House (2010), Nicole Krauss offers a choral novel that interweaves the lives of several characters loosely connected by a huge, wooden desk that one of them relentlessly chases around the world. A possible symbol of the memory of the Second World War Jewish genocide transmitted to younger generations, the desk powerfully materializes transmission in its potentially traumatic, obsessional, and violent dimensions. This essay deals with the way first- and second-generation women, in the novel, develop ingenious, creative but also uncompromising responses to the inescapable duty of remembrance. While the dominating male characters freeze memory in timeless, petrified representations, these female writers expose its terrible necessity while hiding nothing of the damages memory causes to witnesses and descendants. They claim a right of inventory and use the desk as an echo-chamber reflecting both the suffering voices of children and the dark presence of defaulting fathers and failing mothers, thus allowing for a new generation to be born with a more bearable heritage. Full article
(This article belongs to the Special Issue Memory and Women’s Studies: Between Trauma and Positivity)
13 pages, 247 KiB  
Article
Ruby Rich’s Dream Library: Feminist Memory-Keeping as an Archive of Affective Mnemonic Practices
by Sharon Crozier-De Rosa
Literature 2024, 4(2), 62-74; https://doi.org/10.3390/literature4020005 - 30 Apr 2024
Viewed by 1398
Abstract
In the so-called West, feminist activists and scholars have long been traumatised by the erasure of their histories via dominant patriarchal narratives, which has served as an impediment to the intergenerational transmission of feminist knowledge. Recently, while acknowledging the very real and ongoing [...] Read more.
In the so-called West, feminist activists and scholars have long been traumatised by the erasure of their histories via dominant patriarchal narratives, which has served as an impediment to the intergenerational transmission of feminist knowledge. Recently, while acknowledging the very real and ongoing impact of this historical omission, some feminists have issued a call to turn away from a narrative of women’s history as ‘serial forgetting’ and towards an acknowledgement of the affirmative capacity of feminist remembering. At the same time, memory theorist Ann Rigney has advocated for a ‘positive turn’ in memory studies, away from what she perceives to be the field’s gravitation towards trauma and instead towards an analysis of life’s positive legacies. In this article, I combine both approaches to investigate one feminist memory-keeper’s archive, analysing what it reveals about ‘the mechanisms by which positive attachments are transmitted across space and time’. Throughout her life, little-known ‘between-the-waves’ Australian feminist Ruby Rich (1888–1988) performed multiple intersecting activist activities. While she created feminist memories through her work for various political organisations, she also collected, stored and transmitted feminist memories through her campaign for a dedicated space for women’s collections in the National Library of Australia. Propelled by fear of loss and inspired by hope for remembering, Rich constructed a brand of archival activism that was both educational and emotional. In this paper, I examine the strategies Rich employed to try to realise her dream of effecting intellectual and affective bonds between future feminists and their predecessors. Full article
(This article belongs to the Special Issue Memory and Women’s Studies: Between Trauma and Positivity)
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