Memory and Women’s Studies: Between Trauma and Positivity

A special issue of Histories (ISSN 2409-9252). This special issue belongs to the section "Gendered History".

Deadline for manuscript submissions: 31 October 2025 | Viewed by 2209

Special Issue Editors


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Guest Editor
Department of Romance Languages and Literatures, Boston College, Newton, MA 02467, USA
Interests: trauma studies; monologic versus polyphonic; dialogic constructions of memory
Special Issues, Collections and Topics in MDPI journals

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Guest Editor
Laboratoire d'Études et de Recherche sur le Monde Anglophone, Aix-Marseille University, Marseille, France
Interests: US women's history
Special Issues, Collections and Topics in MDPI journals

Special Issue Information

Dear Colleagues,

We are pleased to announce that submissions are open for the upcoming Special Issue Memory and Women’s Studies: Between Trauma and Positivity. The Guest Editors Irene Mizrahi (Boston College) and Claire Sorin (Aix Marseille University, LERMA, Aix-en-Provence) welcome humanities and social sciences  articles focusing on how memory and trauma studies have reshaped and been reshaped by women’s and feminist history and by cultural studies since the 1990s. Countless research topics fit within the scope of this Special Issue, such as critical overviews of the recent scholarship examining the interactions between memory, trauma, and women’s studies; papers examining the relationship between individual and collective gendered memory; the cultural, social, political and historical valances of portrayals of traumatic experiences produced by women; the dynamic interplay between past and present in local, national, and transnational contexts, and in processes of reparation, reconciliation, or inspiration; debates concerning public places, monuments, and statues as representations of women’s or feminist collective memory; the dynamics of remembering and forgetting and how this dynamic informs issues of power and hegemony as well as women’s history and feminist history; monologic versus polyphonic and dialogic constructions of memory and the importance of distinguishing between them; new media and its challenges for individual and collective memory. This Special Issue welcomes English-language articles considering a variety of transnational contexts. 

Original research articles and reviews are welcome. Submissions will be peer reviewed and published following “The MDPI Editorial Process”. Guest Editors will conduct the editorial process via the MDPI online Submission System (SuSy), and will accept or reject submissions, ask the authors for revision, or ask for an additional reviewer to read the paper after the peer-review process. 

We look forward to receiving your contributions.

You may choose our Joint Special Issue in Literature.

Dr. Irene Mizrahi
Dr. Claire Sorin
Guest Editors

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a single-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Histories is an international peer-reviewed open access quarterly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1000 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • trauma studies
  • feminism
  • gendered individual/collective memory
  • processes of repara-tion/reconciliation/inspiration

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Published Papers (1 paper)

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Research

18 pages, 3632 KiB  
Article
What (Counter) Monuments for Feminism? The Debates over Monumental Commemoration and the Search for New Feminist Memory Frameworks
by Claire Sorin
Histories 2024, 4(4), 447-464; https://doi.org/10.3390/histories4040023 - 31 Oct 2024
Cited by 1 | Viewed by 1777
Abstract
At the intersection of memory and feminist studies, this article examines the issue of suffrage and feminist monumental commemoration in the United States. Starting from the deficit of statues representing female historical figures in the public space, it analyzes the conception and reception [...] Read more.
At the intersection of memory and feminist studies, this article examines the issue of suffrage and feminist monumental commemoration in the United States. Starting from the deficit of statues representing female historical figures in the public space, it analyzes the conception and reception of two important monuments honoring women’s suffrage (Portrait Monument 1921 and the Women’s Rights Pioneers Monument 2020). While those monuments have somewhat broken the “bronze ceiling”, they testify to the mechanics of exclusion and inclusion at work both in the construction of history and memory. Then, the article takes on a broader perspective, questioning the extent to which traditional monuments, as products of a patriarchal culture and memory, can properly commemorate modern feminism. The essay identifies two trends, one consisting of transforming the bronze through various strategies, the other of “breaking the bronze” by replacing it with other materials and proposing new memory frameworks belonging to what James E. Young has labeled countermonuments. Still, the article ultimately questions the limits of the monument itself and points to the notion of interactive spaces as perhaps the most adequate sites of memory for the complex, multifaceted, contested, and contemporary movement that feminism(s) stand(s) for. Full article
(This article belongs to the Special Issue Memory and Women’s Studies: Between Trauma and Positivity)
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