Dyes in History and Archaeology 44

A special issue of Heritage (ISSN 2571-9408). This special issue belongs to the section "Museum and Heritage".

Deadline for manuscript submissions: 31 March 2026 | Viewed by 57

Special Issue Editors

National Gallery, London, UK
Interests: pigments; paints; dyes; art history; artists materials; paint technology
* retired
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Department of Scientific Research, British Museum, Great Russell Street, London, UK
Interests: colours and colourants; pigments; dyes; textiles; sculpture; ancient painting techniques and craft practices; noninvasive techniques; multispectral imaging
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Canadian Conservation Institute, 1030 Innes Rd., Ottawa, ON K1B 4S7, Canada
Interests: dyes; textiles; amber; paint; archaeological residues; pyrolysis; gas chromatography-mass spectrometry
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CIHAM/UMR 5648 CNRS, 14 av. Berthelot, CEDEX 07, 69363 Lyon, France
Interests: textile techniques; natural organic dyes; historical sources on dyeing; colorimetry; colour names; experimental archaeology

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Guest Editor
Department of Chemistry, University of Pennsylvania, Philadelphia, PA, USA
Interests: radiocarbon dating; dyes; textiles; rock art; DART-MS; HPLC

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Guest Editor
Indianapolis Museum of Art at Newfields, Indianapolis, IN 46208, USA
Interests: dyes; pigments; binding media; plastics; microfade testing; Raman spectroscopy; Fourier transform infrared spectroscopy; pollution offgassing; conservation science education

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Guest Editor
Department of Scientific Research, British Museum, Great Russell Street, London, UK
Interests: organic materials; chromatography; mass spectrometry; dyes; textiles; archaeological wood; Asian lacquers; Oriental art
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Special Issue Information

Dear Colleagues,

This Special Issue features contributions from the conference DHA44. Dyes in History and Archaeology is an annual international conference that focuses on the academic discussion of dyes and organic pigments used in the past. Every year since 1982, this meeting has drawn together conservators, curators, (technical) art historians, craftspeople, artists, scientists and academics from museums, universities, research centres and other public or private institutions. The aim of the conference is to bring these specialists together to delve deeply into the history, production, application and properties of organic colourants, as well as their analytical characterisation and identification. The focus is often on textile objects, but also on other substrates as well as painted surfaces.

The 44th annual meeting was hosted in Ottawa, Canada, by the Canadian Conservation Institute (CCI), the National Gallery of Canada (NGC) and the Canadian Museum of History (CMH).

For more information about future meetings of the Dyes in History and Archaeology group, see https://www.dyesinhistoryandarchaeology.com.

Dr. Jo Kirby
Dr. Joanne Dyer
Jennifer Poulin
Dr. Dominique Cardon
Dr. Rachel Lackner
Dr. Gregory Dale Smith
Dr. Diego Tamburini
Guest Editors

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 250 words) can be sent to the Editorial Office for assessment.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a single-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Heritage is an international peer-reviewed open access monthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1800 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • dyes
  • colourants
  • organic pigments
  • mordants
  • archives
  • crafts
  • industry

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Published Papers

This special issue is now open for submission.
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