Interventions for Music Performance Anxiety

A special issue of Behavioral Sciences (ISSN 2076-328X). This special issue belongs to the section "Psychiatric, Emotional and Behavioral Disorders".

Deadline for manuscript submissions: 31 July 2025 | Viewed by 35

Special Issue Editor


E-Mail Website
Guest Editor
Melbourne Conservatorium of Music, The University of Melbourne, Melbourne, VIC 3010, Australia
Interests: music performance anxiety; musicians’ health; wellbeing; psychological flexibility; self-compassion; acceptance and commitment therapy; virtual reality performance simulation; peak performance; music listening; professional psychology training

Special Issue Information

Dear Colleagues,

Performing music is one of the most complex tasks related to human performance, incorporating both cognitive and sensorimotor skills. The need for performance excellence exposes musicians to significant physical and psychological stress and injury throughout their education and professional career. Performance anxiety is the most significant psychological issue experienced by performing musicians of any age. This can be significantly detrimental to a performer’s psychological well-being and efforts to achieve optimal performance. Yet, the complete elimination of performance anxiety is neither possible nor desirable, with some degree of anxiety being a natural and desirable feature of optimal performance. Individual differences abound with respect to the characteristics of anxiety, physiologically, cognitively, emotionally and behaviorally. These differences drive the need to consider a nuanced approach that enables musicians achieve their ideal psychological state for performance.

This Special Issue aims to identify psychological interventions that can aid musicians with performance anxiety. The compendium will contain original, theoretically grounded and empirically validated studies of practical, applied approaches that enable musicians to respond to symptoms of anxiety in constructive ways in order to enhance their performance. The scope of these articles and reviews will enrich our understanding of interventions that aim to manage and transform performance anxiety in clinical, educational, and professional settings across the lifespan.

Dr. Margaret S. Osborne
Guest Editor

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a single-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Behavioral Sciences is an international peer-reviewed open access monthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 2200 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • performance anxiety
  • musicians
  • music performance
  • treatment
  • prevention
  • coping strategies
  • education
  • flow
  • peak performance
  • musician’s health

Published Papers

This special issue is now open for submission.
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