Special Issue "Australian Indigenous Art and Cultural Tourism"
A special issue of Arts (ISSN 2076-0752).
Deadline for manuscript submissions: closed (25 March 2019).
Interests: contemporary art; indigenous art; cross-cultural aesthetics; visual politics; cultural diplomacy; cultural tourism
Cultural tourism and the visual arts industries are both global enterprises that potentially advance cross-cultural understanding and sustain cultural diversity, particularly when working in unison. As the impact of mass tourism approaches crisis point, we see new trends emerging in culturally immersive experiences shaped by intimate bonds between local people and their place of belonging. Art galleries, exhibitions, tours, studio visits and workshops attract people seeking sensory and often participatory encounters, and now indigenous art is setting new standards for cultural tourism. The term indigenous signifies a belonging to place that has globally inspired a century of indigenous land rights movements, and now motivates new forms of economic self-sufficiency and cultural sustainability. Art’s unique sensory and intellectual qualities play a significant role in the cultural tourism exchange in ways that can breach linguistic barriers.
Australian indigenous art’s involvement in cultural tourism exemplify these trends. In less than 40 years and at less than three percent of the national population, indigenous Australians have essentially rebranded the national cultural symbolism with indigenous aesthetics. Public and private art galleries, internationally and domestically, register this impact and an increasing number of indigenous owned and managed art and cultural centres welcome visitors in various participatory and immersive formats. Subsequent innovations involving art practice, display, and interpretive strategies are complex, unprecedented, and demand scholarly attention.
We invite researchers and industry stakeholders working in the field of Australian indigenous art and cultural tourism to contribute papers responding to questions such as: What indigenous perspectives motivate art and cultural tourism initiatives? How is the art curated differently by art centres, galleries, tourism facilitators, and visitors themselves? Can the quality of spectatorship for indigenous art be advanced through cultural tourism? How is the relationship between artistic innovation and cultural heritage negotiated by artists and perceived by visitors? What is the global appeal, or relevance, of indigenous art? How is art production impacted by tourists’ aesthetic and cultural expectations?
Dr. Sally Butler
Manuscript Submission Information
Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All papers will be peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.
Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Arts is an international peer-reviewed open access quarterly journal published by MDPI.
Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1000 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.
- Australian indigenous art
- cultural tourism
- indigenous tourism
- cultural heritage
- rock art