From Screen to Destination: Exploring the Determinants of Film Tourists’ Revisit and WOM Intentions

Abstract

As destinations featured in films and television programs attract growing numbers of tourists, exploring the factors that sustain film tourists’ loyalty and advocacy has become increasingly important. This study explores the determinants of post-visit behaviors through the lens of cognitive appraisal theory (CAT), investigating how perceived authenticity, perceived value, and satisfaction shape revisit and word-of-mouth (WOM) intentions among 436 Chinese film tourists visiting Thailand. Data were analyzed using structural equation modeling (SEM) and fuzzy-set qualitative comparative analysis (fsQCA) to capture both symmetrical and configurational effects. The SEM results reveal that perceived authenticity, perceived value, and satisfaction significantly enhance WOM intentions. The complementary fsQCA findings reveal multiple causal pathways leading to high revisit and WOM intentions. The study advances theoretical understanding by demonstrating the applicability of CAT to film tourism and showing how tourists’ cognitive evaluations and emotional appraisals jointly shape their post-visit behavioral intentions. The findings also offer practical guidance for developing authenticity-based strategies to foster loyalty and positive destination advocacy.

1. Introduction

Watching films and television (TV) series is one of the most common leisure activities worldwide, offering audiences entertainment, escapism, and emotional engagement (Irimiás et al., 2021). As viewers immerse themselves in fictional narratives, they develop strong connections with the characters and the settings depicted on screen (Aguilar-Rivero et al., 2023). This emotional connection often translates into a desire to visit the destinations featured in their favorite films or TV series, contributing to the rise of film tourism (D. Shi et al., 2024). Film tourism occurs when audiences extend their media consumption into travel experiences, visiting real-world destinations that have been depicted in audio–visual media as a form of leisure engagement (Teng & Chen, 2020). With the expansion of streaming platforms, audiences are repeatedly exposed to on-screen characters and locations, strengthening their emotional attachment and influencing their travel choices (Aguilar-Rivero et al., 2023). This constant exposure enhances their familiarity with on-screen destinations, increasing the likelihood of translating their virtual engagement into actual visitation (Vila et al., 2021). Consequently, film tourism has become an increasingly significant sector within the tourism industry, offering destinations new opportunities for place marketing and economic growth (Wu & Lai, 2023). Many destinations have capitalized on this trend by promoting film-related sites, creating guided tours, and integrating cinematic themes into their marketing campaigns (St-James et al., 2018; Li et al., 2021).

According to Yao and Yang (2024), the release of popular films and TV series often leads to a significant surge in tourist arrivals and online search activity related to the filming locations. However, once audience enthusiasm fades, maintaining the destination’s reputation and sustaining tourist interest become critical challenges for film-related destinations. Therefore, it is essential to identify the key determinants that shape film tourists’ post-visit behaviors, particularly their revisit and word-of-mouth (WOM) intentions. Understanding these factors will enable tourism stakeholders to formulate strategies that improve film tourists’ experiences and foster long-term engagement with film-related destinations (Aguilar-Rivero et al., 2023).

Among the key elements influencing film tourists’ perceptions and evaluations, authenticity plays a crucial role in shaping their cognitive and emotional responses to film-related destinations (Li et al., 2021; Teng & Chen, 2020). Perceived authenticity refers to the extent to which a destination or site is seen as genuine (Kolar & Zabkar, 2010). It serves as a powerful motivator for tourists seeking meaningful experiences (Wareebor et al., 2025). Prior studies in cultural and heritage tourism have consistently identified authenticity as a critical determinant of perceived value (e.g., Atasoy & Eren, 2023), tourist satisfaction (e.g., Yildiz et al., 2024), and behavioral intentions (e.g., Park et al., 2019). However, despite the growing academic and practical interest in film tourism as a form of cultural tourism (Marin et al., 2021), limited research has examined how authenticity shapes film tourists’ perceived value, satisfaction, revisit intentions, and WOM intentions. This gap calls for a deeper understanding of how perceived authenticity affects the film tourists’ post-visit behavioral intentions.

To address the research gap, this study applies cognitive appraisal theory (CAT) as its theoretical foundation (Lazarus & Folkman, 1984). CAT posits that individuals evaluate experiences through a cognitive appraisal process, which elicits emotional responses and ultimately shapes behavioral reactions (Bagozzi, 1992). Applying CAT in the context of film tourism allows for a comprehensive understanding of how tourists’ cognitive evaluations of authenticity shape their emotional responses and behavioral reactions, including revisit and WOM intentions.

Moreover, previous film tourism research has predominantly employed symmetrical analytical methods, such as structural equation modeling (SEM), to investigate direct and linear relationships between variables (e.g., Teng & Chen, 2020; Li et al., 2021). While these approaches are useful for identifying net effects, they often overlook the complex and configurational nature of tourist behavior, where multiple combinations of factors can result in the same outcome (Han et al., 2025). To overcome this limitation, this study applies fuzzy-set qualitative comparative analysis (fsQCA), an asymmetric method that identifies both necessary and sufficient conditions for outcomes (Rasoolimanesh et al., 2022). fsQCA complements traditional quantitative techniques by capturing the causal complexity inherent in tourism behavior and identifying multiple pathways that can lead to similar post-visit intentions (Cifci et al., 2023).

Accordingly, this research aims to investigate how perceived authenticity, perceived value, and satisfaction influence film tourists’ revisit and WOM intentions. In particular, it aims to address the following research questions:

(1)

Does perceived authenticity influence film tourists’ perceived value and satisfaction?

(2)

Do perceived authenticity, perceived value, and satisfaction significantly influence film tourists’ revisit and WOM intentions?

(3)

What combinations of factors lead to high levels of revisit and WOM intentions?

By applying CAT to develop a conceptual framework and integrating SEM with fsQCA, the study advances the theoretical understanding of film tourism behavior and provides empirical evidence of the complex interrelationships among perceived authenticity, perceived value, satisfaction, and post-visit intentions. The findings offer theoretical contributions to the film tourism research and practical guidance for destination managers and marketers seeking to improve authenticity-based experiences and foster long-term tourist engagement.

2. Literature Review

2.1. Authenticity in Film Tourism

Authenticity has been a core concept in tourism studies since MacCannell (1973) first introduced it as a crucial element in understanding tourist behavior. Despite its broad use, the concept of authenticity remains inconsistent and context-dependent (T. Zhang & Yin, 2020; Nguyen, 2020). In cultural tourism studies, Kolar and Zabkar (2010) defined authenticity as “tourists’ enjoyment and perceptions of how genuine are their experiences” (p. 655). Authenticity in the context of heritage tourism is intimately related to acknowledging and preserving the extraordinary worth of world heritage assets (Qu et al., 2024). The pursuit of authentic experiences has been recognized as an important motivator for tourists in selecting travel destinations (Manley et al., 2023; Wareebor et al., 2025; Zhao & Li, 2023). Consequently, preserving authenticity has become essential and is frequently utilized as an effective marketing tool (Nguyen & Cheung, 2016; Qu et al., 2024).

Wang (1999) identified three key forms of authenticity that have become central to tourism studies: objective, constructive, and existential authenticity. Objective authenticity pertains to the inherent properties of toured objects and can be evaluated using absolute and verifiable criteria (Wang, 1999). In contrast, constructive authenticity is a kind of authenticity that emerges through social constructs, shaped by the beliefs, imaginations, and expectations of tourists and tourism producers (Mkono, 2012; Wang, 1999). Existential authenticity, distinct from object-related authenticity, focuses on personal experiences and states of being. It emphasizes self-fulfillment and identity exploration through tourism activities, often independent of the physical authenticity of the destination or objects (Wang, 1999). Drawing on the multidimensional concept of authenticity, prior research emphasizes that constructive and existential authenticity are grounded in subjective evaluations, reflecting individual interpretations rather than objective measures (Zhou et al., 2023). Consequently, understanding how to measure tourists’ perceived authenticity and developing context-specific assessment criteria are essential.

Regarding film tourism, prior research has demonstrated that tourists who are induced to explore destinations depicted in their favorite films or TV series actively seek authentic film tourism experiences (Teng & Chen, 2020; Aguilar-Rivero et al., 2023). These tourists often view their travels as a form of pilgrimage, where visiting film-related destinations becomes a meaningful activity (Buchmann et al., 2010; Gómez-Morales et al., 2022). For instance, photographing oneself while re-enacting iconic scenes is a prevalent means through which film tourists interact with filming sites and relive memorable cinematic experiences (St-James et al., 2018). In recent years, the increasing number of travelers visiting locations featured in films or TV programs to confirm the notion, “We’ve seen it in the movies, let’s see if it’s true” (Bolan et al., 2011, p. 102), has intensified scholarly and industry interest in understanding how authenticity shapes film tourism experiences (Li et al., 2021; Teng & Chen, 2020). Film-related destinations refer to sites or locations that have served as filming sites or are closely connected to film production (Hao et al., 2024). These locations are often simulations, constructed, or altered for cinematic purposes (Aguilar-Rivero et al., 2023), which may conflict with the notion of authenticity. Despite this, authenticity remains a crucial element of film tourism (Teng & Chen, 2020).

Buchmann et al. (2010), in their case study of film tourism in New Zealand inspired by The Lord of the Rings films, revealed that actual visits can blur the boundary between fantasy and reality. Similarly, Li et al. (2021) conducted research using the Game of Thrones series as a case study, indicating that film tourists perceive both actual film locations and the story’s setting locations as authentic. As such, even when tourists are aware that a destination is not the “real” film set, they can still perceive the film-related destination as authentic based on their prior viewing experiences, emotional connections, and on-site leisure activities (Buchmann et al., 2010; S. Zhang & Lo, 2024). Extant research (e.g., Li et al., 2021; Teng & Chen, 2020; Aguilar-Rivero et al., 2023), thus, has widely applied constructive and existential authenticity to measure film tourists’ perceived authenticity at film-related destinations. However, as noted by Buchmann et al. (2010), even subjective evaluations of authenticity rely on some degree of objective authenticity. While existential authenticity focuses on activity-based experiences, it must still be grounded in a sense of reality, as destinations overwhelmed by artificial elements may fail to resonate with tourists’ expectations (Zhou et al., 2023). Therefore, this study adopts Wang’s (1999) multidimensional framework, incorporating objective, constructive, and existential authenticity, to measure film tourists’ perceptions of their experiences at film-related destinations.

2.2. Overall Perceived Value

Perceived value is widely recognized as a fundamental concept in marketing research due to its strong influence on consumer decision-making and behavioral intentions (Cronin et al., 2000). It generally reflects an individual’s evaluation of a product or service by comparing the benefits received with the costs or efforts incurred (Zeithaml, 1988). In the tourism context, perceived value represents tourists’ overall assessment of a destination based on the balance between the experiences or benefits obtained and the resources expended during their visit (Phi et al., 2024; Ramseook-Munhurrun et al., 2015). Typically, perceived value is primarily shaped by tourists’ subjective judgment; therefore, it varies between tourists, between cultures, and over time (Atasoy & Eren, 2023; Fu et al., 2018). Understanding perceived value benefits tourism operators by shedding light on tourists’ satisfaction with their travel experiences and predicting tourists’ behavioral intentions toward a destination (C.-F. Chen & Chen, 2010; Jeong & Kim, 2020; Ramseook-Munhurrun et al., 2015).

Prior studies have revealed that authenticity significantly impacts tourists’ perceived value (Atasoy & Eren, 2023; S. Lee & Phau, 2018). In experiential consumption context, the authenticity of souvenirs serves as an antecedent to perceived value, thereby influencing tourists’ intentions to repurchase such souvenirs (Fu et al., 2018; Lin & Wang, 2012). In addition, S. Lee and Phau (2018) identified that both object-based authenticity and existential authenticity positively influence the overall perceived value of a cultural heritage destination. Yet, the significance of authenticity on overall perceived value within film tourism context is still not well explored. To extend the existing knowledge, it would be postulated that:

H1: 

Perceived authenticity positively influences overall perceived value in film tourism experiences.

2.3. Tourist Satisfaction

Satisfaction has long been a central concept in both marketing and tourism studies (Jeong & Kim, 2020; Lu et al., 2015). It generally refers to the degree of positive emotion a consumer experiences following the use of a product or service (Rust & Oliver, 1994). Regarding the leisure and tourism context, satisfaction arises when a destination, tourism product, or travel experience meets the tourist’s expectations (C.-F. Chen & Chen, 2010; S. Lee & Phau, 2018). Hence, tourist satisfaction is a crucial assessment tool for evaluating travel experiences because it significantly impacts tourists’ destination decision-making and post-visit behavioral intentions (Baghirov et al., 2025; Lu et al., 2015).

The literature on psychology and behavior provides valuable insights into understanding tourist satisfaction. According to CAT, satisfaction can be conceptualized as an emotional response arising from cognitive evaluations of tourist experiences (Taylor et al., 2018). Building on this, previous tourism studies have extensively examined the interplay between satisfaction and various variables, with a substantial body of research highlighting the strong association between perceived value and satisfaction across diverse tourism contexts (e.g., S. Lee & Phau, 2018; Jeong & Kim, 2020). Consequently, this research posits that film tourists are more likely to be satisfied when they perceive greater value in a film-related destination. We thus hypothesize that:

H2: 

Overall perceived value positively influences satisfaction with film tourism experiences.

Perceived authenticity is commonly viewed as having an evaluative judgment nature (Nguyen & Cheung, 2016). In the marketing and tourism fields, several studies have posited authenticity as a form of cognitive appraisal (Jiang, 2020; Song et al., 2025; J.-H. Kim et al., 2020). For instance, J.-H. Kim et al. (2020) demonstrated that perceived authenticity serves as an antecedent to positive emotional responses in a restaurant context. Consistent with CAT (Lazarus, 1991), such appraisals can trigger emotional outcomes, including satisfaction. Recently, there has been a growing body of empirical studies indicating that authenticity predicts tourist satisfaction in the cultural heritage context (Domínguez-Quintero et al., 2020; Yildiz et al., 2024). However, the relationships between film tourists’ perceived authenticity and satisfaction in the context of film tourism remain unclear and are yet to be investigated. Thus, the following hypothesis is established:

H3: 

Perceived authenticity positively influences satisfaction with film tourism experiences.

2.4. The Antecedents of Revisit Intentions and WOM Intentions

Revisit and WOM intentions are two critical post-consumption behavioral responses that indicate a tourist’s long-term engagement with a destination (Nazarian et al., 2024). Revisit intentions refer to a tourist’s likelihood of returning to a previously visited destination, while WOM intentions involve the willingness to recommend the tourism destination to others (Fu et al., 2018; Y. Zhang et al., 2025). From a destination management perspective, encouraging repeat visits is cost-effective, as retaining previous tourists requires significantly less investment than attracting new tourists (Baghirov et al., 2025). Meanwhile, WOM plays a vital role in influencing travel decisions, as tourists often rely on recommendations from others when choosing destinations (Abubakar et al., 2017). Unlike commercial marketing efforts, WOM is considered more credible because it is based on real tourist experiences and shared without promotional intent (Zheng et al., 2025). Thus, identifying the key elements that influence revisit and WOM intentions is crucial for tourism managers looking to sustain visitor interest and attract new tourists.

Prior research has identified perceived value and satisfaction as key antecedents of tourist revisit and WOM intentions (Hosany et al., 2017; Baghirov et al., 2025; Phi et al., 2024). When tourists perceive greater value in their experiences, they are more inclined to hold positive evaluations and remain loyal to the destination (Atasoy & Eren, 2023). Similarly, satisfaction reflects a tourist’s emotional reaction to the overall experience, which is a well-established predictor of future behavioral intentions (Hosany et al., 2017). Grounded in CAT, when tourists appraise their experiences positively, they are more inclined toward favorable behavioral outcomes, such as revisiting the destination or recommending it to others (Atasoy & Eren, 2023).

Beyond perceived value and satisfaction, authenticity has emerged as a crucial factor influencing post-visit behaviors, particularly in niche tourism contexts such as cultural heritage and film tourism (Bryce et al., 2015; Li et al., 2021). Within the CAT framework, authenticity functions as a positive cognitive appraisal in which tourists assess the congruence between their media-induced expectations and the reality of the destination (Teng & Chen, 2020; Aguilar-Rivero et al., 2023). When this appraisal is favorable, it triggers positive emotional responses that increase tourists’ willingness to engage in subsequent behavioral outcomes (Atasoy & Eren, 2023; Song et al., 2025). Prior studies further demonstrate that such cognitive evaluations play a direct role in shaping tourist behaviors across various tourism contexts (e.g., Sohn et al., 2016; Xu et al., 2023). However, the role of authenticity in enhancing revisit and WOM intentions remains inconclusive, and prior research has not fully examined how these two behavioral outcomes may operate differently within film tourism contexts.

A growing body of tourism and hospitality literature provides substantial empirical support for the view that WOM intentions act as an important antecedent to revisit intentions (Abubakar et al., 2017; Nazarian et al., 2024). According to Juliana et al. (2025), positive WOM reflects tourists’ attitudinal commitment and emotional connection to a destination, signaling a deeper level of satisfaction and psychological engagement. Therefore, tourists who actively recommend a destination often reinforce their own positive evaluations through the act of sharing, which subsequently strengthens their intention to return (Abubakar et al., 2017). Nevertheless, the specific influence of WOM on film tourists’ revisit intentions has not yet been fully established, particularly within film tourism contexts.

To address the research gaps, the study posits the following hypotheses:

H4: 

Perceived authenticity positively influences revisit intentions among film tourists.

H5: 

Overall perceived value positively influences revisit intentions among film tourists.

H6: 

Satisfaction positively influences revisit intentions among film tourists.

H7: 

Perceived authenticity positively influences WOM intentions among film tourists.

H8: 

Overall perceived value positively influences WOM intentions among film tourists.

H9: 

Satisfaction positively influences WOM intentions among film tourists.

H10: 

WOM intentions positively influence revisit intentions among film tourists.

Based on CAT and the hypotheses developed in the preceding discussion, Figure 1 presents the proposed conceptual framework.

3. Methods

3.1. Research Design

This study employed a quantitative research design using a structured questionnaire to examine the determinants of post-visit behavioral intentions among Chinese film tourists visiting Thailand. Data were collected through an online survey distributed to individuals who had traveled to Thailand after being inspired by Thai films or TV productions. Given the dispersed nature of this population and the difficulty of distinguishing film tourists from general travelers at destinations, online recruitment was considered the most effective and feasible strategy (Teng & Chen, 2020). Prior studies similarly highlight that online platforms offer efficient access to geographically dispersed and niche groups, facilitating rapid, cost-effective data collection with strong response potential (Evans & Mathur, 2005).

To enhance response accuracy and ensure reliable recall of film-induced travel experiences, screening criteria were implemented. Participants were required to have visited a film-related site in Thailand within the past six months. This timeframe aligns with recommendations in tourism and behavioral research, which emphasize that shorter recall periods reduce memory decay and enhance data quality, as recall bias increases significantly beyond six months (Tourangeau et al., 2000; Agapito et al., 2017). Although a shorter recall window could further reduce recall bias, a six-month criterion represents a practical compromise between improving memory accuracy and securing an adequate sample for a relatively niche group such as film tourists. Similar media-related tourism studies have adopted a six-month inclusion window to ensure recent experience while maintaining feasible recruitment (Ba & Song, 2022; Balaskas et al., 2025)

3.2. Study Setting and Data Collection

The research focused on Thailand as the study setting, with Chinese film tourists as the target population. In recent years, Thai films and TV dramas have become increasingly popular across Asia, particularly among Chinese viewers (Jirattikorn, 2021). Previous research indicates that such screen productions have significantly contributed to the growth of Thailand’s tourism sector by increasing Chinese audiences’ awareness and understanding of Thai culture and society (Y. Shi, 2020; Jiang et al., 2018). In recent decades, many Thai TV series have sparked substantial discussion and garnered praise among Chinese audiences, consequently attracting a significant influx of film tourists to the filming locations (Jiang et al., 2018; D. Shi et al., 2024). Thus, the population for this study comprises Chinese film tourists who have been influenced by Thai films or TV programs to visit film-related destinations in Thailand.

Since the target population comprised Chinese tourists, data were collected using an online questionnaire distributed through SoJump, a well-known survey platform in China (X. Chen & Chen, 2020). A self-administered questionnaire survey was developed, employing a convenience sampling method to recruit respondents. This non-probability sampling approach was considered appropriate for accessing a specific and information-rich group that is difficult to identify within broader tourist populations. Film tourists are typically embedded within the general tourist stream, making on-site recruitment or probability-based sampling impractical (Wen et al., 2018; Teng & Chen, 2020). Additionally, the overall population size of Chinese film tourists is unknown and cannot be systematically enumerated, further supporting the use of convenience sampling. While this approach enabled efficient access to the target group, it may introduce sampling bias, as individuals who are more active on social media or more interested in film tourism could be overrepresented. Although this limitation means the sample may not fully represent the broader population, convenience sampling remains appropriate for quantitative research involving hard-to-identify populations, and the screening criteria helped ensure the relevance and quality of the responses (Farrokhi & Mahmoudi-Hamidabad, 2012; Juliana et al., 2025).

The survey link and QR code were shared on various social media platforms in China to reach the target population. Screening questions were included to ensure participants met specific eligibility criteria: they must be of Chinese nationality, aged 18 years or older, and have visited film-related locations in Thailand within the past six months after being influenced by Thai films or TV productions.

A pilot survey was administered to 70 respondents through the SoJump platform to assess the clarity, validity, and reliability of the measurement items. Following satisfactory results, the formal data collection was carried out between November 2024 and February 2025. After collecting the responses, 28 invalid submissions were removed, resulting in a final dataset of 436 valid responses. The study employed SEM to analyze the proposed conceptual framework. Based on Collier (2020), the recommended sample size for SEM requires 10–15 observations per indicator variable. With 26 indicator items included in this study, the final sample size exceeded the minimum threshold, ensuring reliable and meaningful results.

Table 1. Demographic profile of respondents.

Items	Category	Frequency	%
Age	18–25 years old	181	41.51
	26–35 years old	205	47.02
	36–45 years old	42	9.63
	46–55 years old	6	1.38
	>55 years old	2	0.46
Gender	Male	186	42.66
	Female	250	57.34
Education level	High school or below	24	5.50
	Undergraduate degree	337	77.29
	Graduate degree	69	15.83
	Doctoral degree	6	1.38
Monthly income (RMB)	≤2000	94	21.56
	2001–4000	55	12.61
	4001–6000	85	19.50
	6001–8000	74	16.97
	8001–10,000	40	9.17
	>10,000	88	20.18
Occupation	Full-time	226	51.83
	Part-time	7	1.61
	Freelance	53	12.16
	Student	127	29.13
	Unemployed/retired	4	0.92
	Others	19	4.36

shows the respondents’ demographic profile.

3.3. Measures

Building on previous literature, authenticity was assessed across three dimensions: objective, constructive, and existential authenticity, comprising 14 items adapted from Teng and Chen (2020), Li et al. (2021), and Aguilar-Rivero et al. (2023). Overall perceived value was assessed using 5 items, adapted from C.-K. Lee et al. (2007) and S. Lee and Phau (2018). Tourist satisfaction was measured with 3 items modified from C.-K. Lee et al. (2007) and Jeong and Kim (2020). Revisit intentions and WOM intentions were each measured with 2 items based on Teng and Chen (2020). All measurement items were assessed using a 7-point Likert scale (see Appendix A).

3.4. Data Analysis

Descriptive statistics for respondents’ demographic profiles were generated using SPSS version 27.0. AMOS version 24.0 was then utilized to perform confirmatory factor analysis (CFA) and evaluate the measurement model’s fit through multiple goodness-of-fit indices. Upon establishing the reliability and validity of the constructs, SEM was conducted in AMOS 24.0 to test the proposed hypotheses. Finally, to explore alternative causal configurations leading to high levels of revisit intention and WOM intention, fsQCA was carried out using fsQCA version 4.1.

4. Results

4.1. Measurement Model Assessment

To assess the reliability and validity of the measurement constructs, CFA was performed using the maximum likelihood estimation method. The results indicated an acceptable model fit, with χ²/df = 1.950, CFI = 0.920, TLI = 0.906, SRMR = 0.052, and RMSEA = 0.072. The results indicate that the proposed measurement model aligns well with the observed data (Hair et al., 2019). Convergent validity was confirmed as all standardized factor loadings ranged from 0.644 to 0.944, exceeding the threshold of 0.50. The composite reliability (CR) values, which varied between 0.774 and 0.932, were above the recommended cut-off of 0.70, indicating satisfactory internal consistency of the constructs. The average variance extracted (AVE) values ranged from 0.543 to 0.819, surpassing the recommended value of 0.50, indicating that the constructs captured a substantial amount of variance from their respective indicators (Fornell & Larcker, 1981). Additionally, Cronbach’s alpha (α) values ranged from 0.773 to 0.929, further supporting the reliability of the measurement scales (Tavakol & Dennick, 2011).

Table 2. Results of the CFA.

Constructs/Items	β	CR	AVE	α
Objective authenticity (OA)		0.932	0.819	0.929
OA1	0.901
OA2	0.944
OA3	0.869
Constructive authenticity (CA)		0.885	0.561	0.884
CA1	0.734
CA2	0.744
CA3	0.793
CA4	0.761
CA5	0.750
CA6	0.711
Existential authenticity (EA)		0.879	0.595	0.874
EA1	0.813
EA2	0.846
EA3	0.765
EA4	0.644
EA5	0.773
Overall perceived value (PV)		0.855	0.543	0.857
PV1	0.708
PV2	0.708
PV3	0.667
PV4	0.771
PV5	0.819
Satisfaction (SA)		0.900	0.751	0.897
SA1	0.853
SA2	0.908
SA3	0.838
Revisit intentions (RI)		0.774	0.631	0.773
RI1	0.787
RI2	0.802
Word-of-mouth (WOM)		0.847	0.735	0.845
WOM1	0.877
WOM2	0.838

Note: β = standardized factor loadings.

presents the standardized factor loadings of each item, CR, AVE, and α of each construct.

The heterotrait–monotrait (HTMT) ratio of correlations was employed to evaluate discriminant validity, as it is recognized as a more robust criterion compared to traditional methods such as the Fornell–Larcker criterion. Following the guidelines established by Henseler et al. (2015), discriminant validity is established when the HTMT ratio is below 0.85. As presented in

Table 3. Results of discriminant validity.

Constructs	OA	CA	EA	PV	SA	RI	WOM
OA	—
CA	0.662	—
EA	0.578	0.795	—
PV	0.529	0.688	0.781	—
SA	0.506	0.621	0.660	0.725	—
RI	0.337	0.536	0.567	0.659	0.590	—
WOM	0.344	0.488	0.652	0.651	0.617	0.697	—

, all HTMT ratios in this research were below the recommended cut-off value, confirming that the constructs were clearly differentiated from one another.

4.2. Structural Model and Hypothesis Testing

The structural model proposed in this study included a second-order latent construct of perceived authenticity, composed of three first-order dimensions: objective, constructive, and existential authenticity. All first-order factors demonstrated significant relationships with the latent second-order factor, as indicated by their standardized loadings (objective authenticity: β = 0.748 ***; constructive authenticity: β = 0.941 ***; existential authenticity: β = 0.903 ***). Furthermore, these first-order factors explained 55.9%, 88.5%, and 81.6% of the total variance for perceived authenticity, respectively. These findings confirm the validity of the latent higher-order structure in this study.

The overall model demonstrated an acceptable level of fit, as indicated by χ²/df = 2.745, CFI = 0.957, TLI = 0.950, SRMR = 0.042, and RMSEA = 0.063 (Hair et al., 2019). As illustrated in

Table 4. Results of hypothesis testing.

Hypothesis	Path	β	t-Value	p-Value	Result
H1	PA → PV	0.839	14.358	***	Supported
H2	PV → SA	0.577	8.108	***	Supported
H3	PA → SA	0.322	4.543	***	Supported
H4	PA → RI	0.173	2.512	0.012	Supported
H5	PV → RI	0.026	0.317	0.752	Not Supported
H6	SA → RI	0.015	0.231	0.817	Not Supported
H7	PA → WOM	0.202	2.362	0.018	Supported
H8	PV → WOM	0.416	4.246	***	Supported
H9	SA → WOM	0.219	2.672	0.008	Supported
H10	WOM → RI	0.815	13.162	***	Supported

Note: *** p < 0.001.

, perceived authenticity had a significant positive effect on perceived value (β = 0.839, p < 0.001), while perceived value positively influenced satisfaction (β = 0.577, p < 0.001). Additionally, perceived authenticity exhibited a direct positive effect on satisfaction (β = 0.322, p < 0.001), thereby supporting H1, H2, and H3. Furthermore, perceived authenticity exerted a significant influence on revisit intentions (β = 0.173, p = 0.012), supporting H4. However, perceived value (β = 0.026, p = 0.752) and satisfaction (β = 0.015, p = 0.817) did not exhibit a significant direct effect on revisit intentions. Consequently, H5 and H6 were not supported. In terms of WOM intentions, perceived authenticity (β = 0.202, p = 0.018), perceived value (β = 0.416, p < 0.001), and satisfaction (β = 0.219, p = 0.008) all had significant effects on WOM intentions, supporting H7, H8, and H9. Furthermore, WOM intentions significantly influenced revisit intentions (β = 0.815, p < 0.001), providing support for H10.

4.3. Necessary Condition Analysis

Before identifying sufficient configurations, an analysis of necessary conditions was conducted to examine whether any single condition consistently leads to high levels of revisit intention or WOM.

Table 5. Results of necessary condition analysis.

Antecedent Condition	Outcome Conditions
	RI		WOM
	Consistency	Coverage	Consistency	Coverage
OA	0.707	0.713	0.725	0.683
~OA	0.569	0.415	0.566	0.385
CA	0.789	0.747	0.803	0.709
~CA	0.523	0.401	0.529	0.378
EA	0.817	0.762	0.836	0.727
~EA	0.499	0.388	0.499	0.361
PV	0.805	0.784	0.840	0.763
~PV	0.518	0.388	0.511	0.357
SA	0.758	0.821	0.794	0.802
~SA	0.602	0.419	0.601	0.390

Note: ~ indicates negation condition.

displays the results of this analysis. For revisit intention, none of the conditions met the recommended consistency threshold of 0.90 (Schneider & Wagemann, 2012), suggesting that no individual condition can be considered necessary for the outcome. A similar pattern was found for WOM, as none of the conditions reached the 0.90 threshold. Overall, these findings suggest that no individual factor alone is necessary to generate high revisit or WOM intentions.

4.4. Sufficient Condition Analysis

To identify the sufficient conditions leading to high revisit and WOM intentions, a sufficient condition analysis was conducted.

Table 6. Configurations leading to high revisit intentions.

Condition	Configuration (RI)
	1	2	3	4
OA	⬤		⊗	⬤
CA	⬤	•	⊗	⬤
EA		•	⊗	•
PV	⊗	•	•
SA	⊗	⬤	⬤	⊗
Consistency	0.803	0.920	0.819	0.856
Raw coverage	0.326	0.622	0.278	0.396
Unique coverage	0.011	0.050	0.032	0.009
Solution consistency	0.808
Solution coverage	0.736

Notes: Large circles (⬤) denote core conditions, small circles (•) denote peripheral conditions, circles with a strike-through (⊗) indicate absent conditions, a blank space means the condition is irrelevant to that particular pathway.

presents the configurations associated with high revisit intentions. Four distinct combinations of causal conditions were identified, each representing an alternative pathway through which film tourists develop strong intentions to revisit film-related destinations. The overall solution consistency is 0.808, and the solution coverage is 0.736, indicating that these configurations collectively provide a reliable and substantial explanation of the outcome (Pappas & Woodside, 2021). Configuration 1 highlights the joint presence of objective authenticity and constructive authenticity as core conditions, coupled with the absence of perceived value and satisfaction. This suggests that for some tourists, experiencing authentic film tourism experience, both objectively and constructively, is sufficient to stimulate revisit intentions, even when their perceived value or satisfaction is relatively low. Configuration 2 features constructive authenticity, existential authenticity, and perceived value as peripheral conditions, with satisfaction emerging as a core condition. Configuration 3 shows that the peripheral presence of perceived value, combined with satisfaction as a core condition and the absence of authenticity, can also lead to high revisit intentions. This implies that positive evaluations and perceived value may compensate for the lack of authenticity in motivating return visits. Configuration 4 combines the presence of objective and constructive authenticity as core conditions and existential authenticity as a peripheral condition with the absence of satisfaction. This pathway suggests that strong perceptions of authenticity can independently encourage revisit intentions, even when overall satisfaction is limited.

Table 7. Configurations leading to high WOM.

Condition	Configuration (WOM)
	1	2	3
OA	⬤		⊗
CA	⬤	⬤	⊗
EA	⬤	⬤	⊗
PV		•	•
SA	⊗	⬤	⬤
Consistency	0.831	0.907	0.823
Raw coverage	0.412	0.657	0.299
Unique coverage	0.046	0.250	0.040
Solution consistency	0.832
Solution coverage	0.742

Notes: Large circles (⬤) denote core conditions, small circles (•) denote peripheral conditions, circles with a strike-through (⊗) indicate absent conditions, a blank space means the condition is irrelevant to that particular pathway.

presents the configurations that explain high levels of WOM among film tourists. Three distinct causal pathways were identified. The overall solution consistency is 0.832, and the solution coverage is 0.742, indicating that these configurations collectively provide a robust and comprehensive explanation of the outcome (Pappas & Woodside, 2021). Configuration 1 shows that the presence of objective, constructive, and existential authenticity as core conditions, together with the absence of satisfaction, can lead to strong WOM intentions. This finding suggests that even when tourists are not fully satisfied, deeply authentic film tourism experiences can still motivate them to share positive recommendations. Configuration 2 identifies constructive authenticity, existential authenticity, and satisfaction as core conditions, with perceived value as a peripheral condition. This pathway implies that when film tourists perceive authenticity across multiple dimensions and experience satisfaction, they are highly likely to engage in positive WOM behaviors. Configuration 3 indicates that the absence of authenticity dimensions does not necessarily prevent WOM, provided that perceived value and satisfaction are present. This finding suggests that even in less authentic settings, tourists who perceive high value and satisfaction may still recommend the destination to others.

5. Discussion

This study aimed to examine the influence of perceived authenticity, overall perceived value, and satisfaction on film tourists’ revisit and WOM intentions, utilizing CAT as the theoretical framework. By integrating SEM and fsQCA, the empirical findings provide valuable insights into the psychological mechanisms underlying film tourists’ post-visit behaviors.

The SEM results confirm that perceived authenticity plays a fundamental role in enhancing perceived value and satisfaction among film tourists, thereby supporting H1 and H3. The significant positive effect of perceived authenticity on perceived value aligns with previous studies in cultural heritage tourism, which identify authenticity as a fundamental antecedent shaping tourists’ evaluations of the worth of their travel experiences (Atasoy & Eren, 2023; Kolar & Zabkar, 2010). This finding suggests that in the film tourism context, tourists perceive higher value when they regard film-related destinations as authentic, reinforcing the importance of authenticity in their overall evaluation. Likewise, perceived authenticity was found to significantly enhance satisfaction, supporting the notion that authenticity contributes to tourists’ emotional fulfillment and enjoyment of their visits (Zhou et al., 2023; J.-H. Kim et al., 2020). Furthermore, perceived value exerted a significant positive effect on satisfaction, supporting H2 and aligning with existing literature suggesting that higher perceived value often translates into more positive affective evaluations of the tourism experience (Phi et al., 2024; Luo et al., 2022).

Regarding the role of perceived authenticity, perceived value, and satisfaction in revisit intentions, the SEM findings indicate that perceived authenticity exerted a significant positive effect on revisit intentions, thereby supporting H4. This finding implies that when film tourists perceive a film-related destination as authentic, their likelihood of returning increases. This result is consistent with prior studies emphasizing the importance of perceived authenticity in fostering destination loyalty among film tourists (Aguilar-Rivero et al., 2023; Li et al., 2021; Teng & Chen, 2020). Unexpectedly, perceived value and satisfaction were found to have no significant effect on revisit intentions, resulting in the rejection of H5 and H6. This result contrasts with traditional tourism literature, which often identifies satisfaction and perceived value as key drivers of repeat visits (Baghirov et al., 2025; Phi et al., 2024). A possible explanation for this divergence is that film tourists differ fundamentally from general leisure tourists. Prior research suggests that many film tourists travel with a sense of symbolic pilgrimage, where the desire to connect with narratives, characters, and filmic settings surpasses functional evaluations of service quality or value (Aguilar-Rivero et al., 2023; Gómez-Morales et al., 2022; Hao et al., 2024). As a result, even when tourists perceive the trip as valuable and satisfying, these utilitarian assessments may play a limited role in shaping revisit decisions. Instead, revisit intentions appear more strongly grounded in whether the destination continues to evoke narrative immersion, emotional meaning, and a sense of being “true” to the film text (St-James et al., 2018). This aligns with evidence that film tourists prioritize emotional resonance and narrative authenticity over cognitive or utilitarian evaluations when forming behavioral intentions (Hao et al., 2024). Additionally, some film tourists exhibit novelty-seeking tendencies, using their visit to verify whether the real filming site aligns with its on-screen representation (Bolan et al., 2011). For these tourists, perceived authenticity becomes the dominant factor shaping revisit intention, as confirming and re-experiencing that authenticity holds more motivational weight than perceived value or satisfaction.

In contrast, perceived authenticity, perceived value, and satisfaction were found to significantly influence WOM intentions, supporting H7, H8, and H9. These findings align with prior research emphasizing the role of perceived value and satisfaction in motivating tourists to share positive experiences (Andersen et al., 2025). In film tourism context, tourists who perceive a destination as highly authentic are more inclined to recommend it to others. This underscores the importance of destination marketers in enhancing perceived authenticity, value, and satisfaction to stimulate positive WOM, which can attract potential visitors and reinforce the destination’s appeal. Additionally, this study discovered that WOM intentions were a powerful indicator of revisit intentions, supporting H10. This supports existing literature suggesting that tourists who engage in positive WOM may develop a stronger emotional connection with the location, raising their likelihood of returning (Abubakar et al., 2017; Nazarian et al., 2024). Notably, although perceived value and satisfaction did not directly influence revisit intentions, the strong effect of WOM suggests that sharing positive experiences may prompt tourists to reflect on their film-related experiences and relive their emotional connections to the location, ultimately triggering their intention to revisit.

Beyond the symmetrical SEM findings, the fsQCA results provide complementary insights by uncovering how different combinations of multidimensional authenticity, perceived value, and satisfaction jointly lead to high revisit and WOM intentions. Four causal configurations were identified for high revisit intentions, confirming that multiple pathways can produce the same behavioral outcome (Han et al., 2025; J. J. Kim et al., 2023; Pappas & Woodside, 2021). Configurations 1 and 4 highlight the joint presence of objective and constructive authenticity as core conditions, even when perceived value and satisfaction are absent. This finding suggests that authenticity, whether grounded in tangible film settings or constructed through tourists’ interpretive engagement, can independently motivate revisit intentions, reinforcing its symbolic and experiential significance in film tourism (Hao et al., 2024; Li et al., 2021). Although the SEM findings indicated that perceived value and satisfaction did not significantly influence revisit intentions when examined individually, Configurations 2 and 3 reveal that when film tourists perceive high value and experience overall satisfaction with their trip, these factors can still lead to strong revisit intentions. This highlights that satisfaction and perceived value may act as alternative pathways that compensate for weaker perceptions of authenticity, demonstrating the multifaceted nature of post-visit behavioral formation among film tourists.

Similarly, three causal pathways were found for high WOM intentions. Configuration 1 suggests that the coexistence of objective, constructive, and existential authenticity can foster strong WOM, even in the absence of satisfaction, emphasizing the persuasive power of authentic film experiences. Configuration 2 combines constructive and existential authenticity with satisfaction, highlighting the emotional basis of recommendation behavior. Configuration 3 indicates that perceived value and high satisfaction can still generate WOM even when authenticity is weak, suggesting that tourists may promote destinations based on hedonic or service-related experiences (Baghirov et al., 2025; Jeong & Kim, 2020).

Overall, these fsQCA findings complement SEM results, revealing that while authenticity remains a dominant driver, satisfaction and value can reinforce or substitute it under certain conditions. The integrated SEM–fsQCA approach thus uncovers the configurational complexity of film tourists’ post-visit behaviors, advancing theoretical understanding of authenticity-driven experiences and behavioral heterogeneity in film tourism.

5.1. Theoretical and Managerial Implications

The present study advances theoretical understanding in film tourism by integrating CAT with a combined SEM–fsQCA approach to examine the complex mechanisms driving film tourists’ post-visit behaviors. The findings reinforce the pivotal role of perceived authenticity in shaping tourists’ cognitive and emotional appraisals, thereby influencing their revisit and WOM intentions. The results extend existing research by demonstrating that authenticity not only enhances perceived value and satisfaction but also directly stimulates revisit intentions—highlighting its centrality in film tourism experiences. Notably, while perceived value and satisfaction did not significantly predict revisit intentions in the symmetrical SEM model, the configurational analysis revealed that these factors, when combined with high authenticity perceptions or with each other, can still lead to strong revisit intentions. This underscores the value of adopting an asymmetric perspective to capture the multifaceted and interdependent nature of tourists’ behavioral motivations. Furthermore, the strong relationship between WOM and revisit intentions illustrates WOM as a key reinforcing mechanism that sustains tourists’ psychological engagement with film destinations over time.

From a managerial standpoint, this study provides practical guidance for destination marketers and tourism planners seeking to enhance the appeal and sustainability of film-related destinations. Given the dominant influence of authenticity, destination managers should focus on preserving the original essence of filming sites, maintaining accurate representations of cinematic settings, and embedding storytelling elements that strengthen visitors’ emotional and symbolic connection to the film narrative. In addition, destination marketers should leverage WOM as a strategic communication channel by encouraging visitor-generated content, fostering online engagement, and designing campaigns that inspire film tourists to share their experiences. Such efforts not only amplify the destination’s visibility but also cultivate a self-sustaining cycle of engagement and loyalty among film tourists.

5.2. Limitations and Future Research

Although this research provides important implications, several limitations should be acknowledged. First, the study focused solely on Chinese film tourists visiting Thailand, which may limit the findings’ applicability in other cultural and geographic contexts. Future research could apply the proposed framework to different destinations or tourist groups to examine whether the observed relationships hold across diverse settings. Second, while the quantitative approach effectively identified both linear and configurational relationships, it may not fully capture the deeper motivations and emotional meanings underlying film tourists’ experiences. Future studies could employ qualitative or mixed-method designs to explore these psychological and experiential dimensions in greater depth. Finally, this study highlighted the importance of WOM in shaping revisit intentions but did not distinguish between communication channels such as social media, online reviews, or personal recommendations. Future studies could examine how these different forms of WOM influence destination loyalty and long-term engagement.