Next Article in Journal
From Stones to Screen: Open-Source 3D Modeling and AI Video Generation for Reconstructing the Coëby Necropolis
Previous Article in Journal
Restitution of the Sensory Urban Ambiences of a French Colonial Urban Fabric in Algeria: A Case Study of Didouche Mourad Street, Skikda
Previous Article in Special Issue
Non-Invasive Use of Imaging and Portable Spectrometers for On-Site Pigment Identification in Contemporary Watercolors from the Arxiu Valencià del Disseny
 
 
Font Type:
Arial Georgia Verdana
Font Size:
Aa Aa Aa
Line Spacing:
Column Width:
Background:
This is an early access version, the complete PDF, HTML, and XML versions will be available soon.
Article

Documenting a Graffiti Tag by Muelle, a Pioneer of Graffiti Art in Spain

by
Teresa Rivas
1,*,
Alberto Santos-Hermo
2,
Laura Andrés-Herguedas
1 and
Jose Santiago Pozo-Antonio
1
1
CINTECX, GESSMin Group, Department of Natural Resources and Environmental Engineering, School of Mining and Energy Engineering, University of Vigo, 36310 Vigo, Spain
2
Escuela Universitaria CEU de Magisterio, University of Vigo, 36214 Vigo, Spain
*
Author to whom correspondence should be addressed.
Heritage 2026, 9(1), 23; https://doi.org/10.3390/heritage9010023 (registering DOI)
Submission received: 4 December 2025 / Revised: 27 December 2025 / Accepted: 4 January 2026 / Published: 9 January 2026

Abstract

This paper presents the results of the historical and artistic documentation and the conservation assessment of a tag by Muelle, a pioneering Spanish graffiti artist, in the city of Vigo (Galicia, Spain). Attribution of the tag is primarily based on evidence of the artist’s presence in the city in the late 1980s, such as by different graffiti elements in the form of tags. To increase the understanding of the technique and materials used, the tag and its substrate were documented and examined by digital photography and hyperspectral imaging. Microsamples of the tag and substrate were analyzed by X-ray diffraction, Fourier transform infrared spectroscopy, optical microscopy, and scanning electron microscopy to characterize the materials and assess the tag’s state of conservation. This work enabled us to document the tag within the context of its creation and to establish hypotheses regarding the intention behind it. We confirmed that the tag has been weathered by degradation processes that typically affect contemporary urban art, with scaling caused by deterioration of the substrate being the most important type of alteration. The results of this multidisciplinary study will be key to identifying the most appropriate intervention measures to ensure the tag’s conservation and the transmission of its legacy.
Keywords: graffiti; urban art; paint; hyperspectral imaging; Juan Carlos Argüello Garzo-Muelle; conservation graffiti; urban art; paint; hyperspectral imaging; Juan Carlos Argüello Garzo-Muelle; conservation

Share and Cite

MDPI and ACS Style

Rivas, T.; Santos-Hermo, A.; Andrés-Herguedas, L.; Pozo-Antonio, J.S. Documenting a Graffiti Tag by Muelle, a Pioneer of Graffiti Art in Spain. Heritage 2026, 9, 23. https://doi.org/10.3390/heritage9010023

AMA Style

Rivas T, Santos-Hermo A, Andrés-Herguedas L, Pozo-Antonio JS. Documenting a Graffiti Tag by Muelle, a Pioneer of Graffiti Art in Spain. Heritage. 2026; 9(1):23. https://doi.org/10.3390/heritage9010023

Chicago/Turabian Style

Rivas, Teresa, Alberto Santos-Hermo, Laura Andrés-Herguedas, and Jose Santiago Pozo-Antonio. 2026. "Documenting a Graffiti Tag by Muelle, a Pioneer of Graffiti Art in Spain" Heritage 9, no. 1: 23. https://doi.org/10.3390/heritage9010023

APA Style

Rivas, T., Santos-Hermo, A., Andrés-Herguedas, L., & Pozo-Antonio, J. S. (2026). Documenting a Graffiti Tag by Muelle, a Pioneer of Graffiti Art in Spain. Heritage, 9(1), 23. https://doi.org/10.3390/heritage9010023

Article Metrics

Back to TopTop