Search Results (207)

Spiritual intelligence (SI) is defined as a unique form of hermeneutic–relational intelligence that enables individuals to integrate cognitive, emotional, and symbolic dimensions to guide their thoughts and actions with reflection, aiming for existential coherence rooted in a transcendent system of meaning. It functions as a metacognitive framework that unites affective, cognitive, and symbolic levels in dialog with a sense of meaning that is considered sacred or transcendent, where “sacred,” in this context, refers inclusively to any symbolic reference or value that a person or culture perceives as inviolable, fundamental, or orienting. It can derive from religious traditions but also from ethical, philosophical, or civil visions. It functions as a horizon of meaning from which to draw coherence and guidance and which orients the understanding of oneself, the world, and action. SI appears as the ability to interpret one’s experiences through the lens of values and principles, maintaining a sense of continuity in meaning even during times of ambiguity, conflict, or discontinuity. It therefore functions as a metacognitive ability that brings together various mental functions into a cohesive view of reality, rooted in a dynamic dialog between the self and a value system seen as sacred. Full article

Let $\Sigma$ be a nonempty set of characters, called an alphabet. The run-length encoding $\left(\mathrm{RLE}\right)$ algorithm processes any nonempty string u over $\Sigma$ and produces two outputs: a k-tuple $(b_1,b_2,\dots ,b_k)$, where each $b_i$ is a character and $b_{i+1}\ne b_i$; and a corresponding k-tuple $(q_1,q_2,\dots ,q_k)$ of positive integers, so that the original string can be reconstructed as $u=b_1^{q_1}{b}_2^{q_2}\dots b_k^{q_k}$. The integer k is termed the run-length of u, and symbolized by $\rho \left(u\right)$. By convention, we let $\rho \left(\epsilon \right)=0$. In the Euclidean space $({\mathbb{R}}^n,\parallel ·{\parallel }_2)$, the volume of a sphere is determined solely by the dimension n and the radius, following well-established formulas. However, for spheres of strings under the edit metric, the situation is more complex, and no general formulas have been identified. This work intended to show that the volume of the sphere ${\mathbf{S}}_L(u,1)$, composed of all strings of Levenshtein distance 1 from u, is dependent on the specific structure of the “$\mathrm{RLE}$-decomposition” of u. Notably, this volume equals $(2\mathcal{l}\left(u\right)+1)s-\left(2\mathcal{l}\left(u\right)-\rho \left(u\right)\right)$, where $\rho \left(u\right)$ represents the run-length of u and $\mathcal{l}\left(u\right)$ denotes its length (i.e., the number of characters in u). Given an integer $p\ge 2$, we present a partial result concerning the computation of the volume $\left|{\mathbf{S}}_L(u,p)\right|$ in the specific case where the run-length $\rho \left(u\right)=1$. More precisely, for a fixed integer $n\ge 1$ and a character $a\in \Sigma$, we explicitly compute the volume of the Levenshtein sphere of radius p, centered at the string $u=a^n$. This case corresponds to the simplest run structure and serves as a foundational step toward understanding the general behavior of Levenshtein spheres. Full article

The Buades Gallery (1973–2003) was not merely a commercial space in Madrid. In the history of art in Spain, it served as a professional and political node for Spanish conceptualism, an art form which, due to its idiosyncrasies, required its own channels of distribution. This article seeks to examine the trajectory of Mercedes Buades in alignment with this movement, re-evaluating her role from a feminist perspective and highlighting the importance of certain agents who have traditionally been invisibilised. To this end, a theoretical approach is adopted, following the sociology of art and the social history of art, paying particular attention to the contributions of Enrico Castelnuovo, Pierre Bourdieu and Núria Peist. These frameworks enable an analysis of the role of the gallerist as a structuring agent within the artistic field, capable of generating symbolic capital and establishing dynamics of production, circulation and consumption in the context of post-Franco Spain, a country that lacked a consolidated museum infrastructure at the time. Even so, Mercedes Buades established a model of gallery practice that, beyond its commercial dimension, contributed decisively to the symbolic configuration of contemporary art in Spain and formed part of a network of artistic visibility that promoted experimental art. Full article

This article examines the communication strategies of religious diplomacy used by Pope Francis in his diplomatic relations with the countries of the Middle East from 2013 to 2025. The study identifies and characterizes key elements of papal communication, taking into account both verbal and nonverbal dimensions, in the context of the complex geopolitical and religious situation of the region. Based on the analysis of official documents, speeches, foreign visits and diplomatic initiatives, specific communication patterns are identified that distinguish Francis’ pontificate from that of his predecessors. The research results indicate an innovative approach of the Pope, combining traditional Vatican diplomacy with direct personal engagement, the use of symbolism of gestures and the promotion of interreligious dialogue as a tool for building peace and intercultural understanding. Full article

In today’s competitive environment of online service industries, particularly e-commerce, meeting consumer expectations is essential for service providers to ensure service quality. However, service failures are unavoidable, leading to unfavorable consequences for businesses. Understanding the mechanisms for customer recovery after negative service experiences is crucial. Using cognitive–emotional personality systems theory and benign violation theory, this study constructed a theoretical model. A total of 351 samples were collected through a situational simulation experiment for a linear regression analysis. A self-mocking response strategy positively influenced brand trust through perceived brand authenticity regarding the dimensions of credibility, integrity, and symbolism. Simultaneously, brand trust was identified as a key driver of post-recovery satisfaction. This study proposes a chain mediation model, which incorporates perceived authenticity and brand trust, to fully comprehend the mechanisms underlying consumers’ satisfaction after service recovery. Our findings provide empirical evidence for the effects of self-mockery on post-recovery satisfaction, as well as suggestions for marketers seeking efficient means to meet consumers’ emotional and cognitive demands during service recovery situations. Full article

This conceptual paper explores how artificial intelligence—particularly machine learning-based algorithmic systems—is reshaping cultural transmission and symbolic power in the digital age. It argues that algorithms operate as cultural agents, acquiring a form of operative agency that enables them to intervene in the production, circulation, and legitimation of meaning. Drawing on critical pedagogy, sociotechnical theory, and epistemological perspectives, the paper introduces an original framework: Critical Algorithmic Mediation (CAM). CAM conceptualizes algorithmic agency through three interrelated dimensions—structural, operational, and symbolic—providing a lens to analyze how algorithmic systems structure knowledge hierarchies and cultural experience. The article examines the historical role of media in cultural transmission, the epistemic effects of algorithmic infrastructures, and the emergence of algorithmic hegemony as a regime of symbolic power. In response, it advocates for a model of critical digital literacy that promotes algorithmic awareness, epistemic justice, and democratic engagement. By reframing education as a space for symbolic resistance and cultural reappropriation, this work contributes to rethinking digital literacy in societies increasingly governed by algorithmic infrastructures. Full article

Social media influencers have made materialism more accessible and desirable, shaping how followers view success, self-worth, and consumption. This study investigates the influence of materialistic messages promoted by lifestyle influencers on their followers’ emotions, self-concept, and consumer behavior, using Symbolic Interactionism as the theoretical framework. The research addresses three key questions: motivations for follower engagement, emotional effects of materialistic content, and how such messages appear to influence purchasing decisions. Using a qualitative approach, the study focuses on 15 Malaysian young adults who actively engage with lifestyle influencers. Data were analyzed using Braun and Clarke’s thematic analysis framework. Six key themes emerged: (1) admiration and aspiration; (2) feelings of inadequacy and envy; (3) rationalization of impulsive purchases; (4) symbolic consumption and self-identity; (5) emotional ambivalence; and (6) distancing and self-regulation. The findings suggest that influencers serve not only as marketing agents but as symbolic figures whose lifestyles become templates for success and self-worth. Participants engaged with this content in emotionally complex ways, simultaneously admiring and resisting the ideals presented. Their consumption behaviors appeared to be shaped by perceived social meanings attached to material goods. The study provides implications for media literacy programs, influencer marketing practices, and platform-level interventions that consider the emotional and identity-based dimensions of materialistic consumption. Full article

Against the backdrop of China’s urban transformation from incremental expansion to stock regeneration, community regeneration has emerged as a critical mechanism for enhancing urban governance efficacy. As fundamental units of urban systems, the regeneration of communities requires comprehensive approaches to address complex socio-spatial challenges, with public participation serving as the core driver for achieving sustainable renewal goals. However, significant regional disparities persist in the effectiveness of public participation across China, necessitating the systematic institutionalization of participatory practices. Guangzhou, as a pioneering city in institutional innovation and the practical exploration of urban regeneration, provides a representative case for examining the evolutionary trajectory of participatory planning. This research employs Arnstein’s Ladder of Participation theory, utilizing literature analysis and comparative case studies to investigate the evolution of participatory mechanisms in Guangzhou’s community regeneration over four decades. The study systematically examined the transformation of public engagement models across multiple dimensions, including organizational frameworks of participation, participatory effectiveness, diversified financing models, and the innovation of policy instruments. Three paradigm shifts were identified: the (1) transition of participants from “passive responders” to “active constructors”, (2) advancement of engagement phases from “fragmented intervention” to “whole-cycle empowerment”, and (3) evolution of participation methods from “unidirectional communication” to “collaborative co-governance”. It identifies four drivers of participatory effectiveness: policy frameworks, financing mechanisms, mediator cultivation, and engagement platforms. To enhance public engagement efficacy, the research proposes the following: (1) a resilient policy adaptation mechanism enabling dynamic responses to multi-stakeholder demands, (2) a diversified financing framework establishing a “government guidance + market operation + resident contribution” cost-sharing model, (3) a professional support system integrating “localization + specialization” capacities, and (4) enhanced digital empowerment and institutional innovation in participatory platform development. These mechanisms collectively form an evolutionary pathway from “symbolic participation” to “substantive co-creation” in urban regeneration governance. Full article

From the mid-Ming to early Qing dynasties, Mount Jizu 雞足山 in Yunnan achieved unexpected prominence within China’s Buddhist sacred landscape—an event of regional, national, and transnational significance. Employing an explicit comparative lens that juxtaposes Jizu with China’s core-region sacred sites like Mount Wutai and Emei, this study investigates the timing, regional dynamics, institutional mechanisms, and causal drivers behind the rapid ascent. Rejecting teleological narratives, it traces the mountain’s trajectory through four developmental phases to address critical historiographical questions: how did a peripheral Yunnan site achieve national prominence within a remarkably compressed timeframe? By what mechanisms could its sacred authority be constructed to inspire pilgrimages even across vast distances? Which historical agents and processes orchestrated these transformations, and how did the mountain’s symbolic meaning shift dynamically over time? Departing from earlier scholarship that privileges regional and secular frameworks, this work not only rebalances the emphasis on religious dimensions but also expands the analytical scope beyond regional confines to situate Mount Jizu within national and transnational frameworks. Eventually, by analyzing the structural, institutional, and agential dynamics—spanning local, imperial, and transnational dimensions—this study reveals how the mountain’s sacralization emerged from the convergence of local agency, acculturative pressures, state-building imperatives, late-Ming Buddhist revival, literati networks, and the strategic mobilization of symbolic capital. It also reveals that Mount Jizu was not a static sacred site but a dynamic arena of contestation and negotiation, where competing claims to spiritual authority and cultural identity were perpetually redefined. Full article

Blue-and-white porcelain patterns embody rich symbolic meanings and play a pivotal role in the transmission of Chinese intangible cultural heritage. However, their contemporary application often faces challenges due to complex visual forms and contextual interpretations. This study adopts a semiotic perspective to reinterpret blue-and-white porcelain motifs as cultural heritage symbols, aiming to assess their potential for sustainable preservation and modern revitalization. A hybrid evaluation framework is proposed, combining Grey System Theory and the Fuzzy Evaluation Method to quantitatively analyze 40 representative patterns across five key dimensions: cultural symbolism, esthetic value, communicative potential, modern applicability, and sustainability. Data were collected from expert panels, public surveys, and market performance, with the Analytic Hierarchy Process (AHP) employed to determine the relative importance of each dimension. The results reveal that plant and geometric patterns exhibit high adaptability and symbolic clarity, making them ideal for reinterpretation in modern design. Conversely, complex narrative and animal-based motifs demonstrate weaker performance in communicative efficiency and sustainability, indicating the need for visual simplification and semantic transformation. This study provides a theoretical and methodological foundation for the revitalization of traditional porcelain heritage in contemporary design practice, contributing to the global dissemination and sustainable development of cultural heritage symbols. Full article

Romantic poetry is known to have engendered a potent discursive space in 19th-century Europe, wherein national aspirations, personal tragedies, and mythic narratives coalesced. This study examines the recurring images of the “galloping horse” and the “self-sacrificing cavalryman” in 19th-century Romantic poetry in the context of a common poetic myth shaped around the themes of national identity, spiritual transcendence, and historical destiny. The present study focuses on Adam Mickiewicz’s “Faris” and Nikoloz Baratashvili’s “Merani”, employing a comparative literary and philosophical approach to analyze these two works. This study reveals that “Faris” presents a messianic call around the ideal of freedom of the Polish nation, while “Merani” is structured as an individual tragedy and inner journey. Both poems are positioned within a broader poetic paradigm that can be called the “Faris” Cycle, and they can be compared thematically and imaginatively with the works of Goethe, Petőfi, Sully Prudhomme, and Vazha-Pshavela. This study explores the aesthetic and intellectual dimensions of intercultural interaction by analyzing the poetic transitions between the two poles of the Romantic paradigm: collective hope and individual melancholy, action, and inner intuition. By tracing the interplay between national poetics and universal archetypes, this manuscript investigates how such interaction facilitates the symbolic transformation of historical traumas. Full article

This article examines the contributions of Turkish screenwriter Ayşe Şasa (1941–2014) to Turkish cinema and visual culture through her engagement with Sufism and metaphysical themes. It explores how Şasa draws on esoteric Sufi concepts such as the oneness of being (waḥdat al-wujūd), asceticism (zuhd), and inspiration (ilhām), using cinema as a vehicle for spiritual inquiry and the quest for truth (ḥaqīqa). Her films—including Hear the Reed (Dinle Neyden), The Night That Never Was (Hiçbir Gece), and My Friend the Devil (Arkadaşım Şeytan)—are explored through thematic and interpretive approaches that uncover their Sufi dimensions. The methodological approach combines Gillian Rose’s visual methodology, Klaus Krippendorff’s content analysis, and Arthur Asa Berger’s interpretive model. Rose’s framework facilitates an exploration of symbolic narrative in Şasa’s films and writings, while Krippendorff’s methods identify recurring metaphysical motifs. Berger’s approach uncovers layered meanings in visual and narrative elements. Through narrative structure, symbolic imagery, color, setting, costume, light, and sound, Şasa constructs a spiritually resonant cinematic esthetic that challenges the secular paradigms of modern cinema. Ultimately, this article argues that Şasa develops a distinct cinematic language grounded in Sufi metaphysics, enriching Turkish visual culture with a profound spiritual and moral sensibility. Full article

This study examines how individuals engage with smart city technologies (SCTs) through the dual roles of residents and tourists. Drawing on a new conceptual framework of affective-symbolic engagement, it explores not only adoption patterns but also users’ emotional responses and perceived inclusion. A quantitative analysis of 194 respondents reveals that while adoption rates are similar across roles, residents and tourists differ in usage routines, usability experiences, and sensitivity to symbolic cues. Tourists report more interface challenges and rely on third-party sources, while residents engage more with civic platforms. Age predicts usability barriers, but education does not significantly affect engagement. Emotional comfort and symbolic belonging are shaped less by demographic background and more by situational role and perceived design inclusivity. The findings extend smart city theory by incorporating role-sensitive, affective, and symbolic dimensions of digital engagement and support policies aimed at inclusive, human-centered urban technologies. Full article

Urban trails, as vital urban spaces that integrate historical context with contemporary life, play a central role in the rise of deep tourism and the “City Walk” phenomenon. Their spatial legibility positions them as distinctive narrative media, serving as a key channel for promoting urban sustainable development and enhancing citizens’ sense of well-being. However, existing research has yet to establish a comprehensive and systematic framework for evaluating the “spatial narrative” of urban trail systems. This study proposes a dual-perspective quantitative framework for evaluating a spatial narrative, combining objective spatial dimensions with human experiential data to identify strengths and potentials for improvement. The Southwest Regional Trail in Chongqing (comprising the Zhongshan Fourth Road Section, People’s Assembly Hall Section, and Datianwan Section) was used as a case study. First, multi-source spatial data were analyzed via space syntax and ArcGIS to evaluate narrative value from an objective spatial perspective. Next, in-depth questionnaire interviews were conducted to collect subjective data, which were analyzed in SPSS to produce a structured analysis of participant feedback. The findings indicate that (1) Among the three sections of the Southwest Regional Trail, the narrative potential zones rank highest in the Zhongshan Fourth Road Section, followed by the People’s Assembly Hall Section and the Datianwan Section. (2) Urban trails characterized by rich narrative themes and cultural activities are more attractive to visitors. (3) The qualities of narrative symbols, routes, and educational elements are the key factors that specifically influence visitors’ satisfaction with the narrative experience on urban trails. Based on these results, we propose targeted planning and design recommendations for the Southwest Regional Trail. The evaluation methodology and process proposed in this study can provide references for design professionals and relevant urban development departments in conducting spatial narrative quantitative evaluations and optimizing sustainability place-making strategies. Full article

This paper examines the Daoist stelae of the Northern Dynasties through the lens of Eliade’s religious theory, with particular focus on the transformation of profane objects into sacred ones and the transition of local believers from the profane to the sacred. Utilizing Eliade’s notions of “symbol”, “myth”, and “sacred space”, this study investigates two critical dimensions of the Daoist stelae. First, it analyzes their visuality by closely examining the imagery and symbolic systems presented on the stelae—namely, the “mythical pattern” identified by Eliade—with particular attention to representations of the main deity, the Heavenly Palace, and the Xiwangmu Xianjing (Queen Mother of the West’s transcendent realm). Second, it addresses their materiality by reconstructing the invisible processes associated with the stelae, focusing on the formation of sacred space and the Daoist rituals enacted therein. Applying phenomenology of religion to Daoist stelae analysis helps compensate for the limitations of extant Daoist scriptures and official historical records. Full article