Search Results (71)

This article explores how Japanese anime has become a space of theological imagination, where viewers encounter the divine not as fixed dogma but as a lived process. Through symbolic analysis of five spiritually resonant anime series: Puella Magi Madoka Magica, To Your Eternity, Sunday Without God, Code Geass, and The Promised Neverland, the study examines how characters such as Madoka, Fushi, Ai, Lelouch, Emma, and Mujika embody a form of theosis that unfolds through memory, sacrifice, refusal, and care. Rather than representing God as omnipotent or remote, these narratives invite a vision of the divine as vulnerable, suffering, and becoming, emerging through grief, relationships, and transformations. Drawing on theological and philosophical frameworks, especially process theology and symbolic interpretation, the article argues that anime collapses the traditional boundaries between theology and philosophy by embodying both in story. In these narrative worlds, divinity is not merely represented, it is approached, co-created, and remembered. The sacred is not a theory to master, but an encounter to undergo. Anime, thus, does not offer theology as a system but rather theology as a journey: a reenchanted vision of the world where God is still becoming. Full article

The Mutanchis, known by their derogatory exonymic term ‘Lepcha’, are autochthonous to Sikkim, India. The name ‘Mutanchi’ derives from the phrase ‘Mutanchi Rumkup Rongkup’, eliciting the response ‘Achulay’, meaning ‘Beloved children of It-bu-mu, who have come from the snowy peaks’. The nomenclature prompts an ontological understanding rooted in the community’s eco-geographical context. Despite possessing a well-developed script categorised within the Tibeto-Burman language family, the Mutanchis remain a largely oral community. Their diminishing, scarcely documented repository of Mutanchi clan narratives underscores this orality. As a Mutanchi, I recognise these narratives as a medium for expressing Indigenous value systems upheld by my community and specific villages. Mutanchi clan narratives embody spiritual and cultural significance, yet their fantastic rationale reveals complex epistemological tensions. Ideally, each Mutanchi clan reveres a chyu (peak), lhep (cave), and doh (lake), which are propitiated annually and on specific occasions. The transmigration of an apil (soul) is tied to these three sacred spatial geographies, unique to each clan. Additionally, clan etiological explanations, situated within natural or supernatural habitats, manifest beliefs, values, and norms rooted in a deep ecology. This article presents an ecosophical study of selected Mutanchi clan narratives from Dzongu, North Sikkim—a region that partially lies within the UNESCO Khangchendzonga Man-Biosphere Reserve. Conducted in close consultation with clan members and in adherence to the ethical protocols, this study examines clans in Dzongu governed by Indigenous knowledge systems embedded in their narratives, highlighting biocentric perspectives that shape Mutanchi lifeways. Full article

Past archaeological practices have resulted in a distorted history of Native American cultures based upon western-biased research. This has been especially apparent in the rock art of the Klamath Basin in southern Oregon and northern California. In response to this, Native and non-Native scholars are striving to develop a counter-discourse that both challenges and replaces western constructs in research on Native American communities. The result of this approach is a growing trend within the discipline that has come to be called “Indigenous Archaeology.” Critical to this approach is that Native voices are transported from the margins of the research to its center, where they are intended to replace the Western colonialist narrative. Unfortunately, Native American tribal communities have been the targets of federal assimilation policies for the past few centuries, and as a result, much of their cultural knowledge unwittingly carries forward this distorted past. In this paper I explore a framework built upon ethnographic accounts of shamanism and rock art, along with a robust familiarity with local myth, and how this provides a foundation of traditional cultural knowledge against which to compare and evaluate the interpretive statements made in contemporary tribal members about rock art and other sacred material culture. Full article

The subject of this article is the centuries-old religious heritage of Vilnius. The aim of the article is to analyse this heritage and its reflection in the gaze of tourists. In particular, it focuses on selected Catholic, Orthodox, Protestant, Jewish, and Karaite sites. The methods used in the empirical study include the analysis of reviews posted on the Tripadvisor website by tourists from different countries who visited five selected sites: (1) St. Anne’s Church, (2) Holy Spirit Orthodox Church, (3) Evangelical Lutheran Church, (4) Vilnius Choral Synagogue, and (5) Kenesa. The authors employed the method of desk research, which involves the analysis of existing data. The selection of objects was made by indicating the most commented sites of a given religious tradition for which the most comments were received. In the light of the pervasive influence of social media, it is noteworthy to observe the contemporary representation of multi-religious Vilnius that is disseminated through this medium. Urban sacred spaces are not only places of worship of interest to religious people, including local and foreign pilgrims. Furthermore, they constitute an attractive urban heritage for a significant number of cultural tourists. Committed tourists, including cultural tourists, meticulously document their impressions in various forms of narrative, offering either endorsement or criticism of a particular object. In this manner, they also interpret elements of the heritage in the local urban space. Full article

From the mid-Ming to early Qing dynasties, Mount Jizu 雞足山 in Yunnan achieved unexpected prominence within China’s Buddhist sacred landscape—an event of regional, national, and transnational significance. Employing an explicit comparative lens that juxtaposes Jizu with China’s core-region sacred sites like Mount Wutai and Emei, this study investigates the timing, regional dynamics, institutional mechanisms, and causal drivers behind the rapid ascent. Rejecting teleological narratives, it traces the mountain’s trajectory through four developmental phases to address critical historiographical questions: how did a peripheral Yunnan site achieve national prominence within a remarkably compressed timeframe? By what mechanisms could its sacred authority be constructed to inspire pilgrimages even across vast distances? Which historical agents and processes orchestrated these transformations, and how did the mountain’s symbolic meaning shift dynamically over time? Departing from earlier scholarship that privileges regional and secular frameworks, this work not only rebalances the emphasis on religious dimensions but also expands the analytical scope beyond regional confines to situate Mount Jizu within national and transnational frameworks. Eventually, by analyzing the structural, institutional, and agential dynamics—spanning local, imperial, and transnational dimensions—this study reveals how the mountain’s sacralization emerged from the convergence of local agency, acculturative pressures, state-building imperatives, late-Ming Buddhist revival, literati networks, and the strategic mobilization of symbolic capital. It also reveals that Mount Jizu was not a static sacred site but a dynamic arena of contestation and negotiation, where competing claims to spiritual authority and cultural identity were perpetually redefined. Full article

The Seven Masters of the Quanzhen 全真七子 sect served as central figures during the founding phase of Quanzhen Daoism and played key roles in the sect’s early development. Originally positioned as the “Northern Seven Perfected Ones” (Bei Qi Zhen 北七真), they were instrumental in propelling the prosperity and expansion of Quanzhen Daoism. Over time, their images subsequently proliferated across various media—including portrayals in stone inscription, painting, biography, and novel, undergoing transformations through inscriptions, paintings, biographies, and novels—transforming transmission channels from Daoist temples to stage performances and from street corners to modern screens. In the Jin and Yuan 金元 periods, Daoist biographies and inscriptions portrayed the Seven Masters as exemplary figures of Daoist practice. In folk novels and precious scrolls (Baojuan 宝卷) in the Ming 明 and Qing 清 dynasties, they were presented as legendary, divine immortals and distant ancestors available for narrative appropriation. In modern times—particularly due to the popularity of Jin Yong 金庸’s martial art novels—they completed their universalization as Daoist cultural resources blending chivalric ethos and entertainment value. Examining the evolution of the Seven Masters’ imagery, two fundamental implications emerge: First, this transformation was jointly shaped by the power structures, functional needs, and media forms of each era. Second, beneath the fluid representations from sacred patriarchs of the Jin–Yuan period to modern entertainment symbols, there is an enduring thread of Daoist transcendental consciousness. Full article

This study examines how South Korea’s 1970s Protestant democratization movement embodied Hans Joas’s concept of the “sacralization of the person” during the authoritarian Yushin regime. Challenging binary narratives of human rights origins as exclusively secular or religious, the research analyzes how Korean Protestant activists created institutions, rituals, and theological frameworks that infused human dignity with sacred character. The study demonstrates how religious actors effectively bridged religious and secular boundaries in human rights advocacy through historical analysis of the National Council of Churches in Korea’s Human Rights Committee, Thursday Prayer Meetings, and the development of Minjung theology. The findings reveal a distinctive process of sacralization that evolved from individual to collective understandings of human dignity, culminating in the radical Minjung Messiah theory. This case study illustrates how Joas’s affirmative genealogy operates in non-Western contexts, showing that sacralization emerges through dynamic interactions between religious conviction, historical events, and cultural transformation rather than through abstract reasoning alone. The Korean experience demonstrates that universal human rights gain moral force when diverse traditions collaborate to uphold human dignity across ideological divides. Full article

El Malpais National Monument in New Mexico, USA, is a landscape of significant cultural and geological importance, characterized by extensive lava flows, caves, and cinder cones. Despite its harsh terrain, El Malpais holds deep cultural and spiritual meanings for Native American communities, including the Acoma, Zuni, Laguna, and Navajo tribes, whose cosmologies and histories are interwoven with this landscape. Employing a mixed-methods approach combining ethnographic fieldwork with comparative literature studies, this paper documents how these Indigenous groups perceive and interpret interconnected geological features as sacred and meaningful parts of their ancestral heritage. The findings reveal that volcanic landscapes are central not only to cultural origin narratives but also to ongoing rituals, resource use, and pilgrimage practices. This interconnectedness is exemplified by the cultural links between El Malpais and adjacent Mount Taylor, highlighting how geological features form a unified sacred geography. This study positions El Malpais as a culturally animated landscape, where Indigenous epistemologies and spiritual relationships with volcanic landforms challenge conventional notions of geoheritage and call for relational, community-informed approaches to heritage management. Full article

This article explores Greco-Roman mythology through the lens of ecocriticism, focusing on how sacred landscapes and natural elements were imagined as animate, divine, and morally instructive forces. In ancient Mediterranean cultures, nature was not merely a passive setting for human action but a dynamic presence—rivers that judged, groves that punished, and mountains that sheltered or revealed. Texts such as Ovid’s Metamorphoses, Virgil’s Georgics, and Homer’s epics present nature as both sacred and sentient, often intervening in human affairs through transformation, vengeance, or protection. Forests, springs, and coastlines functioned as thresholds between human and divine, civilization and wilderness, mortal and eternal. By analyzing these representations, this article reveals a rich tradition in which nature teaches, punishes, guides, and transforms, long before ecological consciousness became a formalized discipline. Drawing connections between classical literary landscapes and contemporary environmental concerns, the article argues that myth can inform today’s ecological imagination, offering an alternative to extractive, anthropocentric paradigms. Recovering the reverence and narrative agency once granted to nature in classical thought may help us rethink our ethical relationship with the environment in the age of climate crisis. Full article

This article examines the interplay of religion, nationalism, and identity in contemporary Sweden, focusing on the rising phenomenon of Christian nationalism. Our analysis of editorials and opinion pieces from major Swedish newspapers reveals a significant shift towards a more pronounced Christian influence in public discourse, suggesting a renegotiation of the sacred–secular divide. This shift highlights a growing intertwining of religious narratives with national identity, raising questions about whether Sweden should embrace its Christian heritage or maintain religious neutrality and plurality. Our findings indicate that expressions of individual faith emerging in cultural discussions are not merely personal; they also foster organized religion, contributing to the construction of new communal identities. This relocation of the sacred from the private to the public sphere signifies a renewed world-building potential for religion, particularly in urban settings, challenging classical secularization theories. The increasing prominence of Christian perspectives reflects discontent with “secularized Christianity-as-culture”, signaling a desire for a more foundational Christianity. Furthermore, the integration of spheres, where discourse on values and societal crises fosters a renewed demand for religion, leads to a need to reinforce a religious identity which results in a “cultural defense” that effectively supports Christian nationalism. Full article

In late imperial China, a type of painting known as “panoramic maps” (shengjing tu 聖境圖, literally “sacred realm maps”) depicted Buddhist sacred sites. Often surviving as woodblock prints, examples from Mount Wutai and Mount Putuo are particularly representative. Previous research has often viewed these images as pilgrimage guides or focused on the relationship between pictorial perspectives and actual geography. This study centers on panoramic maps of Mount Wutai and Mount Putuo, examining both vertical and horizontal layouts, to offer a preliminary understanding of this genre. This study argues that: (1) Unlike urban maps, panoramic maps emphasize significant monasteries and landscape features, incorporating local legends and historical narratives, thus possessing strong narrative qualities. (2) These images likely functioned as pilgrimage souvenirs. Diverging from practical roadmaps, their primary goal was not strict realism but rather to convey the site’s sacredness and associated information through landscape painting conventions, allowing viewers to perceive its sacredness. (3) The woodblock print medium facilitated affordable reproduction, accelerating the circulation of the sacred site’s significance among the populace and aiding in its promotion. This research contends that the panoramic maps primarily function as folk landscape paintings reflecting the sacred site, capable only of approximating the relative positions of features. The widespread adoption of late-period woodblock printing enabled the low-cost reproduction and dissemination of the sacredness inherent in these Buddhist landscapes, constructing idealized spatial representations shaped by religious belief and geomantic principles. Full article

As individuals grow older, they experience notable shifts in their health conditions, social positions, and personal identity. Studies show that finding meaning in life correlates with healthier lifestyle choices and enhanced overall well-being. This sense of meaning functions as a protective factor against life’s challenges, strengthening resilience during later years. The research utilized thematic analysis within a qualitative methodology to investigate the subjective sources of meaning among elderly people living in Romanian institutional settings. The analysis revealed several interconnected themes. Religiosity and spirituality emerged as a fundamental anchor, with participants often mentioning God, Divinity, and Higher Power in their narratives. They typically conceptualized life as a sacred gift and emphasized the importance of religious practices such as prayer and church attendance as essential to their sense of purpose. The intergenerational transmission of values also proved significant, with elderly individuals finding meaning in passing down moral and spiritual principles to younger family members, viewing this as their enduring legacy. Interpersonal connections played a crucial role as well, with quality relationships with family and friends fostering a sense of belonging, while broken relationships or isolation negatively impacted well-being. Daily life objectives, including short-term goals like maintaining routines or anticipating family visits, along with preserving functional independence, provided structure and immediate purpose for many participants. The research distinguished between religiosity and spirituality as related but separate concepts: while formal religious rituals offered community-based meaning, those less engaged with organized religion discovered transcendence through personal spiritual experiences such as connecting with nature. This study highlights cultural specificities, particularly how Orthodox Christian traditions shape existential narratives among Romanian elderly, and proposes practical interventions for retirement facilities to incorporate activities focused on spiritual engagement, relationship building, and opportunities for elders to share their wisdom with younger generations. Full article

Although there has been an increasing focus on religious and spiritual experience in literary studies within the context of post-critical and post-secular movements, much of the research is framed around the idea of “upward transcendence” in redemption narratives. This focus tends to overlook the negative aspects of life, such as absurdity, meaninglessness, and existential anxiety. Furthermore, it frequently resonates with capitalist ideals that champion a “seamless existence” while dismissing the unrefined essence of materiality. This article engages in two main tasks: First, it emphasizes the negative dimensions of religious and spiritual experience, drawing on Slavoj Žižek’s interpretation of theological and non-theological literature. Second, it expands the definition and scope of religious and spiritual experience, proposing an alternative paradigm based on absurdity and meaninglessness. This paradigm, “downward transcendence,” rejects the redemptive promise of “ascension” and redefines the sacred by engaging with the disruptive and unsettling fabric of existence, reconstructing the coordinates of the sacred within the fissures of reality. Through the case study of Sartre’s Nausea, the article explores how existential absurdity and meaninglessness can reconfigure the sacred, particularly through marginality and the transformative potential of negative experiences. It ultimately proposes downward transcendence as a radical reimagining of spiritual and existential freedom. Full article

The Mandate of the XXV World Russian People’s Council of 27 March 2024 framed the Russian war of aggression against Ukraine as a “holy war”. This paper presents an in-depth textual analysis of the Mandate followed by an extended thematic and contextual analysis. The findings indicate that the Mandate’s mainstream discourses of eschatological–apocalyptic holy war and katechon state were not previously expressed at the level of official church leadership. They contribute to the ideological escalation of the Russian confrontation with Ukraine and the West around declared traditional values and the holy mission of the Russian people, while the involvement of Orthodoxy in the Russian ‘holy war’ narrative is neither exclusive of other religious referents nor of disbelief in ecclesial doctrine. The main referent of the Self (and correspondingly, of the sacred) is the (Russian) ‘nation’ or ‘people’, for which ‘spiritual’ and ‘civilizational’ are comprehensive religious markers of cultural identity. While two religious adversaries of the Russian geopolitical agenda of Ukraine—the Ecumenical Patriarchate and Ukrainian Orthodoxy—are not directly mentioned in the Mandate, it nevertheless attempts to re-formulate an Orthodox ‘just war’ theory, intensifies antagonistic inter-Orthodox relations in the Russia–Ukraine dimension and strengthens the resolve of the Russian Orthodox Church (ROC) and the Russian Federation to retain Ukraine’s Orthodox Church as an exclusively Russian space. Full article

This article embarks on a profound theological journey through the sacred Scriptures, illuminating Jesus Christ as the central figure of the entire biblical narrative. It posits that the ultimate purpose of preaching, emphasized in this discourse, is the radiant glory of God in Christ, reflected in the joyful submission of His creation. Through meticulous exploration, this article reveals the crucial need to restore the authority of the Gospel, highlighting the pivotal role of Christ-centered preaching in deepening our understanding of God’s redemptive design. At the outset, this article conveys the significance of approaching Scripture with an unwavering commitment to discover Christ within its pages. The preacher’s quest to find Jesus in every text becomes a theological mandate, especially when engaging with the Old Testament, where Christ’s presence may seem less evident. The article asserts that sermon preparation should consistently center around some aspect of the person and work of Christ, ultimately leading to the presentation of the Gospel—a proclamation of Jesus Christ’s incarnation, life, death, burial, resurrection, and ascension. Full article