Search Results (69)

Lion Grove was established in 1342 during the Yuan Dynasty and is one of the four most famous classical gardens in China. It was recognized as a UNESCO World Heritage Site in 2000. Although Lion Grove is now regarded as a private garden representing the culture of Confucian scholars, it was originally a Chan Buddhist garden during its inception in the Yuan Dynasty. This study examines the natural landscapes of Lion Grove at its inception, focusing on four main aspects: the philosophy of nature, planning intent, creators, and the philosophical ideas they represent. Key findings include the following: Firstly, Lion Grove’s attitude towards nature is rooted in China’s indigenous culture, making it both a physical expression of Chan philosophy and a space reflecting the scholar–bureaucrats’ vision of an ideal landscape. Secondly, from the perspective of landscape planning, the Lion Grove of the Yuan Dynasty placed greater emphasis on natural elements compared to its modern counterpart, with rock landscapes serving as the core element throughout the garden. Thirdly, hermitic philosophy emerged as a significant cultural theme alongside Chan Buddhism during the Yuan Dynasty. Fourthly, the landscape elements of Lion Grove symbolize Chan Buddhist wisdom and the hermit’s idealism, with poetry playing a key role in conveying these cultural ideals, preserving the site’s early philosophical significance. Full article

The Cao’e-Jiaojiang-Oujiang River Basin possesses abundant vernacular architectural heritage with significant historical–cultural value. However, challenges like dispersed distribution and inconsistent conservation hinder its systematic protection and utilization within territorial spatial planning, necessitating a deeper understanding of its spatiotemporal patterns. Utilizing 570 identified heritage sites, this study employed ArcGIS spatial analysis (Kernel Density Estimation, Nearest Neighbor Index), correlation analysis with DEM data, and suitability analysis (Minimum Cumulative Resistance model, Gravity Model) to systematically examine spatial distribution characteristics, their evolution, and relationships with the geographical environment and historical context. Results revealed a distinct “four cores and three belts” spatial pattern. Temporally, distribution evolved from “discrete” (Song-Yuan) to “aggregated” (Ming-Qing) and then “diffused” (Modern era). Spatially, heritage showed density in plains, preference for low slopes, and settlement along waterways. Suitability analysis indicated higher corridor potential in the northern section (Cao’e-Jiaojiang) than the south (Oujiang), leading to the identification of a “Northern Segment (Shaoxing-Ningbo-Shengzhou-Taizhou)” and “Southern Segment (Wenzhou-Lishui)” corridor structure. This research provides a scientific basis for systematic conservation and integrated heritage corridor construction of vernacular architectural heritage in the basin, supporting Zhejiang’s Poetry Road Cultural Belt initiatives and cultural heritage protection within territorial spatial planning. Full article

Rationalist thought and positivism, as observed in various Eastern societies, led to significant upheavals in Turkish society concerning entrenched beliefs about the relationship between humanity and the world. These upheavals can be traced through the modernization efforts of the Tanzimat (Reorganization) period (between 1839 and 1896, the period of modernization and renewal in the Ottoman Empire). Although the initial generation of writers and poets during this period did not overtly renounce their connections to tradition, by the onset of the 20th century, a critical perspective towards traditional and religious content in both poetry and novels became evident. In its formative stages, Turkish socialist novels, which evolved under the influence of Russian socialism, were shaped by the classical Marxist interpretation of religion. Consequently, the socialist realist Turkish novel developed a more original character and distanced itself from stereotypical judgments. Kemal Tahir, who occupies a significant role in the realm of Turkish socialist novels, offers insights into the position and function of faith within society, as he transitioned from the classical Marxist paradigm towards a more original understanding. This study investigates the alterations in religious approaches during the Westernization process within Turkish literature and assesses the reflections of this transformation in the novels of Kemal Tahir (1910–1973), one of the preeminent figures of the socialist realist Turkish novel. Full article

Arabic poetry follows intricate rhythmic patterns known as ‘arūḍ’ (prosody), which makes its automated categorization particularly challenging. While earlier studies primarily relied on conventional machine learning and recurrent neural networks, this work evaluates the effectiveness of transformer-based models—an area not extensively explored for this task. We investigate several pretrained transformer models, including Arabic Bidirectional Encoder Representations from Transformers (Arabic-BERT), BERT base Arabic (AraBERT), Arabic Efficiently Learning an Encoder that Classifies Token Replacements Accurately (AraELECTRA), Computational Approaches to Modeling Arabic BERT (CAMeLBERT), Multi-dialect Arabic BERT (MARBERT), and Modern Arabic BERT (ARBERT), alongside deep learning models such as Bidirectional Long Short-Term Memory (BiLSTM) and Bidirectional Gated Recurrent Units (BiGRU). This study uses half-verse data across 14 m. The CAMeLBERT model achieved the highest performance, with an accuracy of 90.62% and an F1-score of 0.91, outperforming other models. We further analyze feature significance and model behavior using the Local Interpretable Model-Agnostic Explanations (LIME) interpretability technique. The LIME-based analysis highlights key linguistic features that most influence model predictions. These findings demonstrate the strengths and limitations of each method and pave the way for further advancements in Arabic poetry analysis using deep learning. Full article

In 1802, Friedrich Hölderlin experienced his first mental breakdown, which was followed by a second one in 1805. On 15th September 1806, he was admitted to the clinic of Johann Heinrich Ferdinand von Autenrieth in Tübingen who addressed Hölderlin’s illness as “madness” (“Wahnsinn”). On 3rd May 1807, the poet was discharged as “incurable” (“unheilbar”). Until his death on 7th June 1843, he was cared for by the carpenter Ernst Zimmer. From the period between 1807 and 1843, 50 poems by Hölderlin have been preserved, in German studies known as the “Turmdichtung” (“tower poetry”). These poems have long been relegated to the margins of scholarly research. In my essay, I will discuss the modern and contemporary diagnoses, as well as Hölderlin’s literary (self-) therapy of his illness. I am suggesting that Hölderlin’s tower poetry contains a thera-peutic–poetic concept that is intended to serve the treatment of his illness. Full article

This study provides an analysis, text, and translation of satire III.1 from Thomas Naogeorgus’s Satyrarum libri quinque priores (1555), which offers a vivid neo-Latin poetic depiction of the fall of Satan and his followers. It situates Naogeorgus’s work within the tradition of early modern satire and epic, exploring its alignment with theological discourse and its engagement with classical and Biblical motifs. Through a close reading of the text, this article identifies significant thematic and stylistic parallels with John Milton’s Paradise Lost. While acknowledging the limitations of asserting direct literary influence, it highlights Naogeorgus’s unique contributions to the broader literary tradition of Christian epic poetry. The paper calls for greater scholarly attention to Naogeorgus’s oeuvre, emphasizing its value beyond mere comparative analyses, as a distinctive voice in Reformation humanist verse. By providing a translation and commentary, this work aims to promote further studies of neo-Latin literature and its complex interplay with theological and literary traditions. Full article

To understand the topic of old age in the Middle Ages and the Renaissance, we can draw much information from relevant literary texts among other sources because the poets operated with general notions commonly subscribed to by their audiences. Old people appear in many different roles already in the pre-modern world, but here the focus will rest mostly on worthy, dignified, mighty, and even ferocious old warriors in heroic poetry. Those stand out because of their strength, their knowledge, their resolve, their wisdom, and their extensive and varied abilities, but this does not automatically mean that they were flawless. To round off this entry, the attention will finally turn to remarkable examples of old but highly respected people in the verse narratives by the German poet Heinrich Kaufringer, in Boccaccio’s Decameron, a harbinger of the Italian Renaissance, in Christine de Pizan’s didactic writings, and in the Old Norse Njál’s Saga. Full article

The poetry of distant country with different culture and language is always distinctive and fascinating. Chinese and Romanian belong to Sinitic languages of the Sino-Tibetan language family and Romance languages of the Indo-European language family, which have relatively different syntax and general imagery of literature. Therefore, in this study, we make an attempt that was rarely involved in previous poetry generation research, using modern Chinese as the carrier, and generating modern poetry with Romanian style based on pre-trained model and direct preference optimization. Using a 5-point grading system, human evaluators awarded scores ranging from 3.21 to 3.83 across seven evaluation perspectives for the generated poems, achieving 76.2% to 91.6% of the comparable scores for the Chinese translations of authentic Romanian poems. The coincidence of the 30th to the 50th most frequently occurring poetic images in both generated poems and Romanian poems can reach 58.0–63.3%. Human evaluation and comparative statistical results on poetic imagery show that direct preference optimization is of great help in improving the degree of stylization, and the model can successfully create Chinese modern poems with Romanian style. Full article

The “Three Teachings Syncretism” (sanjiao heyi, 三教合一), i.e., the integration of Confucianism, Buddhism, and Daoism, represents an important religious philosophy in ancient China. This article aims to analyze how this ideology is presented and expressed directly in Song and Jin poetry, along with its modern value and significance. To achieve the research objectives, the paper isolates related poems from the Complete Song Poetry and Complete Liao Jin Poetry as the research objects. First, it organizes and classifies the relevant poems through the ways in which the idea of “Three Teachings Syncretism” is presented. Second, it examines the reasons behind this phenomenon, including the intellectualization of poetry and the Confucian academic background of Buddhist monks and Daoist priests. Thirdly, it explores the value and significance of this thought for modern China, showcasing the inherent diversity, inclusiveness, and harmony in Chinese culture. Full article

The classic modern framework for biblical Hebrew poetry is based upon intertwined conceptions of parallelism and meter. This framework provides certain assumptions for how biblical lines work, as well as (often implicit) strategies for how biblical poems should be read as poems. These assumptions and strategies are apparent in modern analyses of Psalm 29, especially in the kinds of proposals consistently made for altering the Masoretic Text to make it more “regular”, even in the absence of textual evidence. My recent book on biblical poetry (Unparalleled Poetry: A Cognitive Approach to the Free-Rhythm Verse of the Hebrew Bible, 2023) has challenged these assumptions and strategies, proposing a new framework for biblical poetry that is theoretically grounded in cognitive research and based upon the textual data of the biblical poems. Preferring the term “conformation” to parallelism, I propose that the versification system of biblical poetry is constrained by Gestalt perceptual processing and that the listening or reading strategies demanded by this versification system require part–whole processing of lines into line groupings, line groupings into figures, and figures into the whole poem, as the poem aurally unfolds. In this article, I demonstrate that these part–whole strategies of reading biblical poems make sense of the textual shapes of Psalm 29 and lead to an artful experience of the poem. Full article

The rapid advancement of digital technology has necessitated a reevaluation of traditional educational methodologies, particularly in literature and visual arts. This study investigates the application of metaverse technology to integrate contemporary poetry and visual arts, aiming to enhance university-level education. The purpose is to develop a convergent teaching method that leverages the immersive and interactive capabilities of the metaverse. The research involves a joint exhibition project with students from Sangmyung University and international participants, incorporating a metaverse-based educational program. A sample of 85 students participated in the program, and their experiences were evaluated through surveys and focus group interviews (FGIs). The findings reveal significant correlations between content satisfaction and method satisfaction, underscoring the importance of engaging and interactive methods. The study also identifies technical challenges and provides insights for optimizing digital platforms for educational purposes. The implications suggest that integrating metaverse technology in arts education can significantly enhance creativity, critical thinking, and interdisciplinary skills, offering a sustainable and innovative approach to modern education. Based on these implications, this paper proposes methods for incorporating the insights gained from case analyses and implications into the design of educational programs. It is anticipated that this approach will contribute to enhancing the quality of convergence education in higher education institutions. Furthermore, it is expected that this program will serve as a starting point for the systematic implementation of integrated education and the use of digital platforms, thereby helping to reduce disparities in integrated education between countries. Full article

The authenticity of classical Arabic poetry has long been challenged by claims that some part of the pre-Islamic poetic heritage should not be attributed to this era. According to these assertions, some of this legacy was produced after the advent of Islam and ascribed, for different reasons, to pre-Islamic poets. As pre-Islamic poets were illiterate, medieval Arabic literature devotees relied on Bedouin oral transmission when writing down and collecting the poems about two centuries later. This process left the identity of the real poets who composed these poems and the period in which they worked unresolved. In this work, we seek to answer the questions of how and to what extent we can identify the period in which classical Arabic poetry was composed, where we exploit modern-day automatic text processing techniques for this aim. We consider a dataset of Arabic poetry collected from the diwans (‘collections of poems’) of thirteen Arabic poets that corresponds to two main eras: the pre-ʿAbbāsid era (covering the period between the 6th and the 8th centuries CE) and the ʿAbbāsid era (starting in the year 750 CE). Some poems in each diwan are considered ‘original’; i.e., poems that are attributed to a certain poet with high confidence. The diwans also include, however, an additional section of poems that are attributed to a poet with reservations, meaning that these poems might have been composed by another poet and/or in another period. We trained a set of machine learning algorithms (classifiers) in order to explore the potential of machine learning techniques to automatically identify the period in which a poem had been written. In the training phase, we represent each poem using various types of features (characteristics) designed to capture lexical, topical, and stylistic aspects of this poetry. By training and assessing automatic models of period prediction using the ‘original’ poetry, we obtained highly encouraging results, measuring between 0.73–0.90 in terms of F1 for the various periods. Moreover, we observe that the stylistic features, which pertain to elements that characterize Arabic poetry, as well as the other feature types, are all indicative of the period in which the poem had been written. We applied the resulting prediction models to poems for which the authorship period is under dispute (‘attributed’) and got interesting results, suggesting that some of the poems may belong to different eras—an issue to be further examined by Arabic poetry researchers. The resulting prediction models may be applied to poems for which the authorship period is under dispute. We demonstrate this research direction, presenting some interesting anecdotal results. Full article

In this paper I hope to cast light on Wittgenstein enigmatic remark, “one should really only create philosophy poetically”. I discuss Wittgenstein’s ambition to overcome metaphysics by way of an appeal to ordinary language. For this purpose I contrast “realism” in philosophy (i.e., metaphysical realism, particularly its modern scientific version) with “realism” in poetry. My theme is the capacity of poetry to provide a model for Wittgenstein’s resistance to the inhumanity unleashed in metaphysics—exemplified by two distinct forms of skepticism—which obliterates the ordinary world under the guise of discovering its true nature. The poem I shall use to illustrate the difficulty in maintaining our grip on reality, hence our grip on our humanity, is Czeslaw Milosz’s poem “Realism”. Full article

Literature has a strong cultural imprint and regional color, including poetry. Natural language itself is part of the poetry style. It is interesting to attempt to use one language to present poetry in another language style. Therefore, in this study, we propose a method to fine-tune a pre-trained model in a targeted manner to automatically generate French-style modern Chinese poetry and conduct a multi-faceted evaluation of the generated results. In a five-point scale based on human evaluation, judges assigned scores between 3.29 and 3.93 in seven dimensions, which reached 80.8–93.6% of the scores of the Chinese versions of real French poetry in these dimensions. In terms of the high-frequency poetic imagery, the consistency of the top 30–50 high-frequency poetic images between the poetry generated by the fine-tuned model and the French poetry reached 50–60%. In terms of the syntactic features, compared with the poems generated by the baseline model, the distribution frequencies of three special types of words that appear relatively frequently in French poetry increased by 12.95%, 15.81%, and 284.44% per 1000 Chinese characters in the poetry generated by the fine-tuned model. The human evaluation, poetic image distribution, and syntactic feature statistics show that the targeted fine-tuned model is helpful for the spread of language style. This fine-tuned model can successfully generate modern Chinese poetry in a French style. Full article

The imagery of wine and tea is important in classical and modern Chinese poetry, with an intricate relationship between the two especially evident in the work of Taixu 太虛 (1890–1947), a prominent poet–monk in 20th-century China. Taixu’s attitude toward wine—a drink that is deeply rooted in Chinese culture—evolves significantly over time, from initial approval to eventual condemnation due to its detrimental effects on both personal health and society. Nevertheless, it continues to feature prominently in his poetry. The same is true of tea, which Taixu often uses to evoke either Buddhist study or his own healthy lifestyle. This article explores this and other complex meanings in Taixu’s poems, such as his association of wine with knights and tea with hermits. It also discusses how he achieves a delicate balance between the two beverages, sometimes employing both types of imagery in a single poem—a literary innovation that helped to establish his reputation as a central figure in modern Chinese poetry. Full article