Search Results (22)

References to the myth of Tithonus and Eos in the poetry of Horace and his pre-classical Greek model, Sappho, have provoked philological controversies about the imagined mode of existence of the handsome Trojan after his abduction by Eos, Goddess of Dawn. According to the standard variant of the myth, Tithonus was granted immortality, though not eternal youth, by the supreme Olympian god, Zeus. In the two Horatian passages in the Odes where Tithonus is named, he is categorized among deceased heroic figures (C.I.28 and II.16). This apparent deviation from the conventional account of Tithonus’ “immortality” is explicable in terms of the deep argument of both poems, in which the everlasting life of gods is inextricably coupled with their eternal youth, while the old age of mortals is represented as a metonymic equivalent of death—a conceptual complex that is implicitly shared with the Sapphic portrayal of the hero’s fate in Fr.58. Full article

Trentino, a sparsely populated and almost entirely mountainous region in northeastern Italy, has so far received little attention in linguistic studies on soundscapes, which provide an important cultural ecosystem service. This study analyzes the responses of 68 participants—31 from mountain areas and 37 from urban areas—to an open-ended questionnaire adapted from Guastavino, using a mixed-methods approach to investigate: (1) differences in current and ideal soundscape perception between residents of urban and mountain areas in Trentino; (2) how these findings compare with Guastavino’s study conducted in a purely urban context; (3) the role of Trentino’s multilingual context in shaping the description and understanding of the soundscape. Findings reveal that, in addition to a latent substratum of the dialectal component, differences emerge mainly in the description of ideal soundscapes. Urban participants evaluate human sounds more negatively and use metonymic expressions for mechanical noises. Mountain participants align their ideal soundscape more closely with their lived experience, often identifying the sound source rather than the sound itself. Tranquility and silence are central values across both groups for the ideal soundscape and for the current one, cognitively linked to natural environments, which therefore remains a cultural legacy to be preserved. Full article

This paper reads coal as a metonym for London’s social fabric in the writings of police theorist Patrick Colquhoun, the archival reports on the Wapping Coal Riot, and the anti-carceral poetry of William Blake. In 1798, at the behest of the West India Committee, Colquhoun had developed the first modern police force, the Thames River Police, which predated Robert Peel’s metropolitan police by over 20 years. Colquhoun’s “Treatise on the Commerce and Police of the River Thames” (1800) centers on coal in his case for policing. In his argument, coal’s energy economies link domestic affairs with the entire metropolis, making policing a city-wide problem, one that merits public support (and public funding). In reading Colquhoun’s treatise as an example of the entanglement of policing and fossil fuel power, I discuss the relevant literature from the energy humanities that connects fossil energy to the larger extractive ideologies of empire. I also demonstrate how Colquhoun’s figuring of coal builds on but alters portrayals of coal in Jonathan Swift and Anna Barbauld. The final section of this discussion demonstrates how Blake’s Jerusalem (1820) indexes dispersed, atmospheric systems of carceral power and summons dynamic, unpoliceable crowds. Blake’s smoke poetics sketch a limit of generalization, one that recoups figures of pollution and waste to riot against the systems that produce them. Full article

While the development of the Empedocles figure in the various versions of Hölderlin’s unfinished tragedy has long been the subject of scholarship, the shifts in his relationships to the women around him have largely gone unnoticed. Yet these changes are anything but subtle: in the Frankfurt Plan, Empedocles is married with children, and his wife plays a significant role in the outline of the plot; in the first draft, Empedocles is unmarried but adored by Panthea, a young Agrigentine woman; in the last draft, the figure of Panthea has been reconfigured as Empedocles’ biological sister. With each successive draft Hölderlin imposed new barriers, the crossing of which would imply sexual transgression or incest, in order to set Empedocles apart from potential sexual or erotic entanglements with the dramatis personae. But at the same time, we observe language suited for erotic settings (and used thus by Hölderlin here and in other works) being displaced to ever new objects throughout the drafts. In other words, while the author as editor of his material successively deleted or prohibited the sexual/erotic relationships of his titular hero, at the same time he allowed this fluidly metonymic, multivalent erotic language to flow, continuously redirected, throughout the entire Empedocles project. With Empedocles’ leap into Mount Etna, we find the culmination of this meandering erotic diction, imagined in the last draft as an hybristic, incestuous union with his divine parents. Full article

This article develops a detailed theory of the fetishes of the modern world. Fetishes may still have their original religious application as talismans and totems, but their actual range is much wider, as I illustrate. I show that a modern fetish satisfies our needs in an unexpected and unlikely manner: it does what it, prima facie, is not supposed to do. How does this happen? To explain, we must trace the construction of fetishes; I do this using some key rhetorical concepts. Paradiastole is a technique of evaluative redescription. It describes the world in value terms as something it is not—we can then ironize the result. If it serves the speakers’ essential interests and satisfies their desires, we have explained a fetish as a good-maker. The fetishization of an object, because of its ironic background, tends to invite critical, meiotic, and even derogatory responses—usually, the issue is and remains essentially contested. For example, early Christians wrote hagiographies that treated some people as saints, thus creating ad hoc beliefs that satisfied their religious interests. I also suggest a different, metonymic understanding of fetishes and their educational benefits. Perhaps my theory is overly permissive, allowing too many fetishes. My final conjecture is that true fetishes function as identity markers; for example, the crucifix is a fetish that defines Christianity. Full article

This article examines motifs of falling, recoiling, and turning across Chester Himes’ oeuvre as figurations of Black susceptibility to racial violence. These images reference and reconstruct an event from Himes’ early adulthood: his catastrophic fall down an elevator shaft. Taking a psychoanalytically oriented approach, I analyze the metonymic connections between these motifs, rather than reading them in their chronological order, using Jean Laplanche’s theory of après-coup. I argue that the recursive quality of these images in Himes’ work is not merely an unconscious repetition or conscious working through of a traumatic biographical event but part of an endeavor to imagine different ways to inhabit and survive the structural trauma of Jim Crow America. Full article

This paper investigates the term “sea” (hai) in the four-character Chinese idioms according to conceptual metaphor and metonymy theory, attempting to illustrate their conceptualization, determine their possible underlying motivations, and explore Chinese maritime thought and culture. Based on idiomatic expressions, three types of conceptual metaphors are identified: abstract qualities of concrete entities are the sea, abstract entity is sea, and a certain aspect of a human being is sea. Moreover, the four types of conceptual metonymies are the part for the whole, the whole for the part, the place for the product, and the place for the responsible deities or goddesses. They are motivated by a culture of worship of and accordance with nature, the pursuit of achievements in traditional Chinese literature, “man paid, nature made” as the attitude towards the ups and downs of life, and a self-centered conceptualization of the world. The maritime culture represented in these conceptualizations comprises fear of and respect for the sea, harmony between humans and the sea, and static–dynamic integrations of river, land, and sea. The findings show that the motivations of these conceptualizations do not only originate from the embodiment and Chinese philosophy of the unity of heaven and humanity but are also constrained by the most influential talent selection mechanism, the Imperial Examination System, as well as by agriculture, the foundation of the economy in ancient China. Full article

In Jane Austen’s last novel Persuasion (1817), embodiment and disability function metonymically to show the emotional suffering of its characters. Austen gives temporary impairments to the novel’s protagonists, Anne Elliot and Captain Frederick Wentworth, and physical disabilities to minor characters who suffer actual and metaphorical falls, such as Louisa Musgrove and Mrs. Smith. In Persuasion, Austen evokes pain and suffering in both mental and physical ways, with men, like Wentworth, experiencing mental impairments and women, like Anne, Louisa, and Mrs. Smith, experiencing physical impairments. Austen uses impairments, illness, and disability as prostheses to highlight the importance of a marriage of respect, affection, and rationality. Full article

Maurice Merleau-Ponty takes inspiration from Franz Kafka’s metonymic animal literature to develop his concepts of institution and “sardonic humanism.” Metonymy is a literary device, an instituting dimension of language, that allows us a lateral access to animality and expression. Kafka’s dog story enacts a radical reflection, a critical phenomenology parodying human life. Kafka puts forward a philosophy of generative openness to the animal, against social alienation. This reading comes with Merleau-Ponty’s existential redeployment of Sigmund Freud’s concept of the unconscious as expressive passivity or institution of adulthood. As instituting–instituted, we are always between preserving and surpassing the past, though different comportments and institutions can dogmatically or openly take up these possibilities. Kafka’s (struggle through) metonymic animal literature reminds us that philosophical truth is expressive, that unconscious desire animates language, and that the oppressive silencing of the generative past, the feeling child and the other animal, is at the root of society’s institutionalized oppression. Institution offers a literary method of phenomenologically resisting, of creative critique. Full article

Screen culture and conglomerates are starting to echo the green shooting phenomena; roles such as sustainability director, eco-manager, eco-consultant, and eco-assistant are taking a more prominent space in the entertainment and cultural industry to achieve the goal of creating sustainable productions. In this current context, there seems to be a need for an agent to catch the attention of the audience to make a claim about green policies and contribute to a green literacy fabric. This opinion article recognizes that there are two types of voices, internal (scholars and practitioners) and external (celebrities and audiences), that have arisen in the audiovisual industry from different perspectives. Hence, through a theoretical approach, it tackles the particularities, typologies, and the role celebrities play as hot spots to push both viewers and creators into better decision-making models. The results show two main typologies: celebrification, in which a person becomes famous due to their sustainable actions, provoking a metonymic effect, and recelebrification, when famous people or well-known figures redefine their status by acting sustainable, producing a synecdoche effect. In conclusion, it is difficult to define what goes before and what goes after: whether it is the celebrity who passes the attributes onto production or whether it is the production that, by its characteristics, passes its attributes onto the celebrity. Full article

This paper aims to study the meanings of passive auditory perception verbs in Catalan (sentir) and French (entendre) with regards to diachronic semantic change and from the point of view of cognitive semantics. These verbs do not originally encode the meaning related to perception, at least not historically. By taking examples drawn from diachronic and synchronic lexicographical sources, I have analyzed the meanings conveyed by these two verbs and their metaphorical and metonymic projections from their origin to their current use. This research provides new data on semantic extensions related to verbs of perception: certain projections that are frequently related to this kind of verb do not always occur in the direction predicted by inter-linguistic studies. Particularly, the study of the evolution in the French form entendre contradicts the expectations that can be drawn from other studies of verbs on this conceptional domain in that it seems to have evolved in the opposite direction, i.e., from intellectual understanding to sensorial perception. Full article

This study investigated the role of working memory capacity (WMC) in metaphoric and metonymic processing in Mandarin–English bilinguals’ minds. It also explored the neural correlations between metaphor and metonymy computations. We adopted an event-related functional magnetic resonance imaging (fMRI) design, which consisted of 21 English dialogic sets of stimuli and 5 conditions: systematic literal, circumstantial literal, metaphor, systematic metonymy, and circumstantial metonymy, all contextualized in daily conversations. Similar fronto-temporal networks were found for the figurative language processing patterns: the superior temporal gyrus (STG) for metaphorical comprehension, and the inferior parietal junction (IPJ) for metonymic processing. Consistent brain regions have been identified in previous studies in the homologue right hemisphere of better WMC bilinguals. The degree to which bilateral strategies that bilinguals with better WMC or larger vocabulary size resort to is differently modulated by subtypes of metonymies. In particular, when processing circumstantial metonymy, the cuneus (where putamen is contained) is activated as higher-span bilinguals filter out irrelevant information, resorting to inhibitory control use. Cingulate gyrus activation has also been revealed in better WMC bilinguals, reflecting their mental flexibility to adopt the subjective perspective of critical figurative items with self-control. It is hoped that this research provides a better understanding of Mandarin–English bilinguals’ English metaphoric and metonymic processing in Taiwan. Full article

This paper uses Stephen Best’s None Like Us and Charles H. Long’s Significations: Signs, Symbols, and Images in the Interpretation of Religion to redescribe the notion of sacred space in light of the national African American museum. After highlighting religion and the museum’s mutual Romantic origins, it underscores the invisible institution of slave religion as a modern counterpoint that is harrowingly evocative of the indeterminacy of human meaning-making. The national African American museum, represented by offerings from the Smithsonian Institution and the Equal Justice Initiative, operates as a social technology for working through the tensions of history. “Hallowed Haunts” examines its function as a matrix of haunting, where a variety of multi-sensory experiences lead visitors into a participatory reckoning with the legacy of slavery, one through which they determine how to face the challenges and potential opportunities that await them. As such, the national African American museum exemplifies Long’s thesis of sacred space as human centers, a metonym for the places humans visit for orientation. Full article

This paper discusses the uses of the Greek deictic adverbs εδώ [here] and εκεί [there] in the language of politics. The paper draws examples from political speeches which took place in the Hellenic Parliament during 2011 and discussed the financial situation of Greece during that time. It is suggested that εδώ [here] and εκεί [there] have a high degree of metonymicity since they express ‘stand for’ relations. It is argued that the deictic adverbs have a referential function since they designate a range of concepts, namely, political parties, financial, political, and social situations, the Hellenic Parliament, political ideology, decisions, etc. It is also stated that the temporal and the spatial denotations of εδώ and εκεί are subject to image schemas. In particular, the paper discusses how the Greek deictic adverbs prompt for the image schemas of containment, part for whole, and centre-periphery and suggests that these types of image schemas have a metonymic basis. Full article

In recent decades, the development of the Conceptual Metaphor Theory, put forward by Lakoff and other scholars. In this light, metaphor and metonymy have been found to provide a semantic motivation for a considerable number of idiomatic expressions. Within this framework, the present contribution explores the cognitive motivation of food idioms in English (e.g., ‘be a cup of tea,’ ‘bread and butter,’ ‘walking on eggshells’) and Spanish (e.g., darse pisto, tener mala uva, cortar el bacalao). The analysis reveals that idiomatic meaning often relies on metaphoric amalgams and metonymic chains, or on the interaction between metaphor and metonymy. Full article