Search Results (13)

This research presents a methodological approach combining UAV-LiDAR technology and SfM photogrammetry for the comprehensive documentation and analysis of O Corro dos Mouros, a Bronze-to-Iron Age archaeological site in the northwest of the Iberian Peninsula. The study evaluates both the capabilities and limitations of this integrated approach, focusing on a recently identified Roda-type structure, characterised by circular stone architecture and funerary-ritual functionality, dating between the 15th and 3rd centuries BC. The methodology combines RTK-corrected LiDAR (150 pts/m², ±5 cm accuracy) with 20.4 MP RGB imaging, overcoming vegetation cover while capturing surface details. The results demonstrate the superior performance of the proposed methodology compared to public LiDAR (1 m resolution), offering more detailed and precise microtopographic data of the circular structure. The approach successfully addresses three key challenges: (1) dense vegetation penetration, (2) multi-phase stratigraphic documentation, and (3) non-invasive monitoring of sensitive sites. The centimetre-accurate 3D models (publicly available via Sketchfab) provide both research-grade data for analysing construction phases and contextual relationships with nearby rock art/megaliths, and engaging visualisations for heritage interpretation. This work establishes a replicable technical framework optimised for high-resolution archaeological documentation, with direct applicability to similar ritual landscapes (hillforts, burial mounds) across the region. Full article

The objective of this research is to conduct a spatial analysis of the functional Andean worldview of the Ankasmarka Archaeological Site, located in Calca, Peru. The preservation of cultural heritage in Latin America faces significant challenges that threaten the integrity of key sites such as Ankasmarka. Despite its historical relevance, this site lacks available open access information and data, collected in accessible reports, which hinders the attraction of attention and funding necessary for its conservation. Furthermore, urbanization and uncontrolled tourism negatively impact both cultural traditions and the connection of local communities with their past. The methodology employed is based on a systematic review of primary information, supplemented by excavation reports and official sources. Specialized software such as AutoCAD Architecture and Revit were used to carry out the topographic and architectural survey of the site, enabling the precise and rigorous interpretation of the data. This article focuses on the spatial and functional description of the site, with the aim of paving the way for future research in specific areas such as formal and structural analysis, as well as social and political dynamics. The results reveal a complex organizational structure at Ankasmarka, with enclosures designated for various functions, particularly storage and agricultural activities. The site is divided into three sectors: Sector A, which includes housing, storage areas, and tombs; and Sector B and C, with the highest concentration of housing and agricultural zones with storage areas, respectively. The findings underscore the interrelationship between agriculture, funerary practices, and architecture, highlighting the importance of Ankasmarka in the lives of its ancient inhabitants and the need for continued future research. Full article

This study shows the results of the analysis of the photogrammetric use of 360-degree cameras in complex heritage-related scenes. The goal is to take advantage of the large field of view provided by these sensors and reduce the number of images used to cover the entire scene compared to those needed using conventional cameras. We also try to minimize problems derived from camera geometry and lens characteristics. In this regard, we used a multi-sensor camera composed of six fisheye lenses, applying photogrammetric procedures to several funerary structures. The methodology includes the analysis of several types of spherical images obtained using different stitching techniques and the comparison of the results of image orientation processes considering these images and the original fisheye images. Subsequently, we analyze the possible use of the fisheye images to model complex scenes by reducing the use of ground control points, thus minimizing the need to apply surveying techniques to determine their coordinates. In this regard, we applied distance constraints based on a previous extrinsic calibration of the camera, obtaining results similar to those obtained using a traditional schema based on points. The results have allowed us to determine the advantages and disadvantages of each type of image and configuration, providing several recommendations regarding their use in complex scenes. Full article

Ancient Ardaxšīr Khwarrah, today known as Shahr-e Gur, situated near the modern town of Firuzabad in Fars, Iran, holds historical significance as the inaugural capital city of the Sasanian Empire. During archaeological excavations conducted in 2005 by an Iranian–German team directed by Mas‘oud Azarnoush and Dietrich Huff, a mud-brick complex was uncovered, revealing a remarkably well-preserved stretch of wall painting and a polychrome painted floor. The discovery prompted the hypothesis of a potential funerary context dating back to the Sasanian period. Both the wall painting and painted floor have suffered extensive deterioration attributed to the environmental conditions of the archaeological site, which was inscribed on the UNESCO World Heritage List in 2020. To address the urgent need for preservation and further understanding of the site’s artistic and structural elements, an emergency diagnostic project was initiated. Non-invasive investigations were carried out on the wall and floor by optical digital microscopy and portable energy-dispersive X-ray fluorescence. Additionally, representative minute samples underwent analysis through various techniques, including micro-X-ray fluorescence, polarised light microscopy, scanning electron microscopy with energy-dispersive X-ray spectroscopy, micro-Raman spectroscopy, micro-Fourier Transform Infrared Spectroscopy, gas chromatography-mass spectrometry and pyrolysis coupled with gas chromatography-mass spectrometry. The palette of the floor and mural paintings were identified to contain red and yellow ochres, lead-based pigments, carbon black and bone white. The unexpected presence of Egyptian blue mixed with green earth was recognised in the green hues of the wall painting. The detection of protein material in both the wall painting and polychrome floor indicates the use of “a secco” technique, thereby shedding light on the artistic practices employed in Ardaxšīr Khwarrah. Full article

With an impressive ability to survive in harsh environments, black fungi are an ecological group of melanized fungi that are widely recognized as a major contributor to the biodeterioration of stone cultural heritage materials. As part of the ongoing efforts to study the fungal diversity thriving in a deteriorated limestone funerary art piece at the Lemos Pantheon, a national monument located in Águeda, Portugal, two isolates of an unknown microcolonial black fungus were retrieved. These isolates were thoroughly studied through a comprehensive analysis based on a multi-locus phylogeny of a combined dataset of ITS rDNA, LSU, and rpb2, along with morphological, physiological, and ecological characteristics. Based on the data obtained from this integrative analysis, we propose a new genus, Saxispiralis gen. nov., and a new species, Saxispiralis lemnorum sp. nov., in the recently described Aeminiaceae family (order Mycosphaerellales). Prior to this discovery, this family only had one known genus and species, Aeminium ludgeri, also isolated from deteriorated limestone. Additionally, considering the isolation source of the fungus and to better understand its potential contribution to the overall stone monument biodeterioration, its in vitro biodeteriorative potential was also evaluated. This work represents a significant contribution to the understanding of the fungal diversity involved in the biodeterioration of limestone heritage. Full article

A variety of Prehistoric dry-stone monuments are ubiquitous in Western Sahara, a region delimited by the boundaries of the former Spanish colony. With either burial or ritual functions, these monuments are spread throughout the Sahara Desert creating sacred landscapes and housing the memory of millennia of occupation. Previous research has explored the role of the sky in various aspects of the life of early inhabitants, such as their religious beliefs or funerary practices. These have been identified by the patterns of location and orientation of these constructions and their relation to particular astronomical events. This work presents a statistical analysis of the orientation of more than 200 prehistoric dry-stone monuments in Western Sahara occupied by Morocco, currently the biggest sample ever studied in this area and the first unique sample obtained in situ. The results show that the orientations follow similar trends observed in other areas of North Africa and the Mediterranean and that they fit with the visibility of particular celestial objects. This provides new insights into the ideas about space, time, and death and the cultural changes and mobility of those peoples and contributes to the preservation of a highly threatened heritage that is immersed in a vast land currently under dispute. Full article

The Thebes Limestone Formation of Lower Eocene age is one of the most extensive rock units in Egypt. It is of importance to the apogee of the ancient Egyptian civilization, particularly in Luxor (South-Central Egypt), where the rock formation hosts the Theban Necropolis, a group of funerary chambers and temples from the New Kingdom Egyptian era (3500–3000 BP). In this work, we investigated the petrophysical and rock mechanical properties (e.g., rock strength, critical crack stress thresholds) through laboratory tests on eleven rock blocks collected from one area within the Theban Necropolis known as the Valley of the Kings (KV). The blocks belong to Member I of the Thebes Limestone Formation, including six blocks of marly limestone, three blocks of micritic limestone, one block of argillaceous limestone from the Upper Esna Shale Formation, and one block of silicified limestone of unknown origin. Special attention was given to the orientation of bedding planes in the samples: tests were conducted in parallel (PA) and perpendicular (PE) configurations with respect to bedding planes. We found that the marly limestone had an average unconfined compressive strength (UCS) of 30 MPa and 39 MPa for the PA and PE tests, respectively. Similarly, the micritic limestone tests showed an average UCS of 24 MPa for the PA orientation and 58 MPa for the PE orientation. The critical crack thresholds were the first ever reported for Member I, as measured with strain gauge readings. The average crack initiation (CI) stress thresholds for the marly limestone (PA: 14 MPa) and the micritic limestone (PA: 11 MPa; PE: 24 MPa) fall within the typical ratio of CI to UCS (0.36–0.52). The micritic limestone had an average Young’s modulus (E) of 19.5 GPa and 10.3 GPa for PA and PE, respectively. The Poisson’s ratios were 0.2 for PA and 0.1 for PE on average. Both marly and micritic limestone can be characterised by a transverse isotropic strength behaviour with respect to bedding planes. The failure strength for intact anisotropic rocks depends on the orientation of the applied force, which must be considered when assessing the stability of tombs and cliffs in the KV and will be used to understand and improve the preservation of this UNESCO World Heritage site. Full article

Over millennia, death was the origin of great funerary constructions that have come down to us. These constructions aimed at ensuring eternity and perpetuating memory. Funeral art thus appears not in the service of death, but in the service of memory. In the modern age, funerary constructions do not have the dimensions and grandeur they did in ancient times, but there are still constructions with relevant architectural interest, built to perpetuate the memory of important families. In Conchada Cemetery, located in Coimbra, Portugal, a vast and diverse funeral heritage exists. Possessing various architectural styles, almost all built with limestone from the region, the narrow mausoleums stand out from this heritage. This work presents a study carried out on the architecture and construction of two types of narrow mausoleums, existing in the Conchada Cemetery, both of the Neo-Gothic style: one with an entrance from the front, and another from the back. As it is not possible to present the photographs of the burial vaults, since it would represent an intrusive approach to the families, the authors have resorted to representing them through Indian ink and watercolor illustrations. Full article

The current study is the first comprehensive investigation of the polychromy of Palmyrene funerary portraits. It presents the technical examinations of six portraits (ca. 150–250 CE) from the collection of the Ny Carlsberg Glyptotek, illustrating the marvellous splendour of the cultural heritage of ancient Palmyra. The six portraits were examined with various analytical methods, including microscopy, ultraviolet-induced visible fluorescence imaging and visible light-induced infrared luminescence imaging, X-ray fluorescence spectroscopy, scanning electron microscopy coupled to energy-dispersive X-ray spectroscopy, and Fourier transform infrared spectroscopy. Finally, two samples were collected for liquid chromatography–tandem mass spectrometry to obtain the amino acid sequence information. Various pigments were detected in the polychromy including lapis lazuli, pyromorphite, mimetite, yellow ochre, red ochre, a red lake, lead carbonate, zinc oxide, bone black, and charcoal black. The proteinaceous binding medium was identified as collagen-based and possibly also keratin-based animal glue. The examinations of the Palmyrene portraits in the Ny Carlsberg Glyptotek have proven that these artefacts, despite their current uniform, white appearance, originally presented themselves in a wealth of colours. This is illustrated by the digital reconstructions carried out of two of the examined portraits, which show how the original painting of these portraits would have given them an entirely different expression from what we see today. Full article

This study deals with the morphometric characterization and quantification of earthquake damage in the ancient Roman city of Baelo Claudia in South Spain (Gibraltar Arc) by means of the use of 3D modelling from drone imagery. Baelo Claudia is a world-renowned archaeological site recording recurrent earthquake destruction during the first and third centuries AD. The first earthquake destroyed the lower littoral zone of the city, allowing its reconstruction from the year c. 60–70 CE, but the second earthquake in 365–390 CE led to the complete destruction of the renewed city and its eventual abandonment. This second earthquake imprinted important deformations in the main monumental zone of the city, including the basilica temples, macellum, city walls, aqueducts and funerary monuments, as well as in the main paved zones of the city. This is the case for the Forum, Decumanus and Cardos, which show a variety of folds, pop-up structures, conjugate fractures and impact marks susceptible to be measured in a 3D format. The current study presents detailed (up to 3 mm/pixel) surface models of iconic monuments within the city. The 3D models were obtained by means of serial orthophotos taken with a UAV Mavic Pro 2 (DJI) Drone device equipped with a 20 mpx camera and a 1” CMOS sensor. Each individual image was captured in a geo-referenced jpg format and processed with the Agisoft Metashape Professional software^®. Depending on the measured monument, the final images consisted of 250 to 700 photographs clustered by 50,000 to 150,000 tie points. In all studied items (Decumanus, city walls and bath dish), we follow the same workflow of analysis: (1) alignment of photos with support points; (2) building a dense cloud of points; (3) creation of the surface texture; (4) creation of the Digital Elevation Model (DEM); (5) creation of the orthomosaic; and finally, (6) the building of the high-quality 3D tiled surface models. The obtained models allow the geometric quantification of earthquake deformations (displacements, amplitudes, orientation, etc.) in a GIS-based 3D environment suitable to quantify oriented damage of seismic origin. In a complementary way, these 3D models deserve to be considered for their potential role as digital seismoscopes of ancient archaeological sites and/or heritage buildings. Full article

The cemetery is a cultural landscape that represents themes of great relevance to interpret the structure of a society, roles, and hierarchies, as a reflection of its social life. The cemetery gathers a whole symbolic universe where local social histories are represented, beyond the history of art and the architectural aspect. As a heritage element, the cemetery shows us the socio-cultural changes of a territory: religious questioning, changes linked to the family, individualization of contemporary society or broader questions about socio-economic structure. This article presents the experience conducted during the last 6 years in the Cemetery “Nuestro Padre Jesús” in Murcia (Spain), through a collaboration among the Sociedad Murciana de Antropolgía (SOMA), the University of Murcia and the Municipality of Murcia, developing the project “Funerary Cultures”, whose main objective is to promote the heritage, cultural and historical values of the funerary culture. Specifically, as a result of this teaching innovation experience, the six thematic guides to visit the cemetery are presented as an experience of patrimonialization of elements of the cemetery and its consequent selection and consensus exercise to determine what was considered as heritage in the context of the cemetery. Finally, a proposal of a systematic process in the valuation and selection of the material objects in the cemetery is presented; this proposal allows us to establish a debate on what considerations to take into account when considering the relationship between cultural heritage and the cemetery as a cultural landscape in permanent transformation. Full article

Mondújar Castle is an Andalusi fortress located in the Valle de Lecrín (Granada, Spain). It had strategic importance in the final years of the Kingdom of Granada. The king Muley Hacén lived there before passing away, resulting in the popularisation of Romantic legends around its construction. Despite these folktales, the fortress has never been surveyed or restored and a complete architectural graphic study of this place is lacking. Therefore, it is essential to document the architectural heritage to collect relevant information for conservation work. Our main goal is to better understand the origin, architectural influences and building phases of the fortress, which requires historical and surveying methods. We present a historical approximation, followed by a photogrammetric survey. This is the first study on the medieval fortress and its subsequent Castilian refortification (executed around 1500). We conclude that it is not plausible that this place was the location of any legendary palaces. Apart from its historical and constructive significance, the use of Islamic funerary elements, probably coming from the Royal Nasrid Cemetery, makes this castle unique. Therefore, the preservation and understanding of this monument should be a priority within the sustainable development of the region. Full article

Interactive multimedia applications in museums generally aim at integrating into the exhibition complementary information delivered through engaging narratives. This article discusses a possible approach for effectively designing an interactive app for museum collections whose physical pieces are mutually related by multiple and articulated logical interconnections referring to elements of immaterial cultural heritage that would not be easy to bring to the public with traditional means. As proof of this concept, a specific case related to ancient Egyptian civilization has been developed. A collection of Egyptian artifacts such as mummies, coffins, and amulets, associated with symbols, divinities, and magic spells through the structured funerary ritual typical of that civilization, has been explained through a virtual application based on the concepts discussed in the methodological section. Full article