Search Results (65)

This article examines the revival of the Romantic Ballad in contemporary anglophone writing through Vanavil K. Ravi’s The Ballad of the Warrior-Girl, which reimagines the Tamil folk figure, Kuyili and her role in the Sivagangai rebellion, a Romantic-era anti-colonial uprising in South India. In retelling this folk memory, Ravi mobilizes a Romantic-era form to recast an instance of a local uprising, rife with caste dynamics, into a national and globalized narrative aligned with neo-nationalist storytelling conventions. By transforming a lower-caste, female militant in a local language into a Hindu, pan-Indian icon of patriotic martyrdom, Ravi’s ballad participates in a larger trend of globalized translations. I situate the text within intersecting histories of Romanticisms, balladic traditions, and the global circulation of literary forms. Through this, I outline what I call the ‘global ballad’ as distinct from the ‘globalized ballad’. While the latter flattens cultural difference into consumable cosmopolitanism, the former centers opacity and untranslatability across rhizomatic relationalities. I show how reading literary texts alongside different critical traditions is a productive way to counter the exoticized, neoliberal circulation of literature in translation. Full article

This paper reconfigures the theme of divine encounters in the literature by examining the intersection of pantheism, vitalism, and ecological imagination, with a particular focus on Percy Bysshe Shelley. Far from depicting the divine as transcendent, Shelley envisions it as an immanent force permeating nature, matter, and life itself. In poems such as “Queen Mab”, “Mont Blanc”, “Hymn to Intellectual Beauty”, “Ode to the West Wind”, or “The Cloud” Shelley translates vitalist science into poetic vision, challenging orthodox religious beliefs and contemplating the divine as inherent in natural processes. The study also situates Shelley’s thought within a broader genealogy that extends through John Ruskin’s vitalist aesthetics, Henri Bergson’s élan vital, and into contemporary posthumanist philosophy, neomaterialism and ecocriticism, along with scholars who have contributed to reviving and transforming vitalist traditions, reframing human-nonhuman relations in the Anthropocene. The paper shows the importance of the Romantic period in the development of vitalist approaches in various fields of knowledge, anticipating ecological concerns. The study is framed as a genealogical and epistemological problem attempting to articulate connections while situating poetic practice as a privileged site where vitalism is negotiated. Full article

The representation of atmospheric phenomena and, in particular, clouds was a prominent theme for painters during the transition from the eighteenth to the nineteenth centuries. During this period, under the influence of rationalism and encyclopedism, Luke Howard’s cloud classification (1803) was proposed, gaining followers among scientists and artists of the time. Among the latter, Goethe was instrumental, as he intensely promoted this cloud classification, even dedicating his own poems and drawings to it. From then on, some painters depicted cloud studies following the academic principles recommended by Goethe. Caspar David Friedrich did not adopt these principles and depicted clouds as bodies endowed with freedom and feeling, as fragments of soul. The work of P. H. de Valenciennes played a prominent role in this approach; it was translated into German and became a reference manual for Romantic landscape painting. This paper addresses the scientific and cultural context of that historical moment, studies the importance of the landscape, and its aerial aspect, in the painting of the time and details the role of Friedrich as a singular author of German Romanticism, who did not want to participate in the academic ideas of representing clouds, since the sky was, for this painter, a symbol of the transcendent. Full article

Traditions relating to the book of nature have long held that nature can be approached as something legible, as a text with spiritual meaning. Modern epistemological, cultural, and philosophical shifts called much of that approach into question. But, in this essay, I argue that Romanticism, especially as exemplified in figures such as Novalis, Wordsworth, and especially Coleridge, provides a powerful response to such disenchantment and points the way towards a non-reactionary, non-anachronistic retrieval of the legibility of nature. Full article

This paper examines Arthur Conan Doyle’s 1883 story The Captain of the ‘Pole-Star’ in light of his later intersecting interests in spiritualism and masculinity. Conan Doyle uses the Arctic as a space where scientific and spiritual ways of viewing the world struggle to co-exist, comparing ship doctor Ray’s official journal with the ‘superstition’ of the crew, examining the role of spiritual belief in an increasingly scientific age. The paper examines how the story focuses these themes through the lens of masculinity. By reading Ray and Craigie as embodiments of possible British futures—that of scientific rationality and Romantic spirituality, Ray’s rationality is ultimately confounded and unsettled by the spectral events of the story, leaving him haunted by the events on board the ship, unable to resolve them or prevent Craigie’s death. Meanwhile, Craigie’s Romanticism leads him to embrace the spectral, but at the cost of his own life. As a result, Conan Doyle depicts both definitive worldviews as ultimately cold and desolate, neither wholly sustaining on their own terms. The ghost, as a result, becomes key to determining what sort of man ought to usher in the future—whether we recognize it as having a rational explanation or a sublime supernatural one. Full article

The need to evaluate automated approaches arises not from a lack of expertise among historians but from the challenge of scaling, reproducing, and systematizing dress silhouette classification across large digital datasets. Automation is positioned here as a complement to expert knowledge, not a replacement. A dataset of 270 images from four periods—Empire, Romanticism, Victorian, and Art Nouveau—was processed with AI tools for background removal and standardization. Fifteen formal shape indices were calculated, selected through sequential evaluation, and classified using k-nearest neighbors, support vector machines, and decision trees. Initial analyses showed accuracy between 9.7% and 40.2%, but with the polynomial kernel in SVM, accuracy improved to 76–81%. Victorian dress silhouettes achieved the highest accuracy, while Empire dress silhouettes were the most difficult to classify. The study adds new empirical data and classification models to the literature, highlighting the methodological contribution of automated dress silhouette analysis to interdisciplinary heritage studies. Future work will expand datasets and incorporate adaptive algorithms, with potential applications in education, digital reconstruction, and fashion design. Full article

Dies Buch gehört dem König (This Book Belongs to the King), written and published in 1843 by the German Romantic author Bettina von Arnim, is a quasi-open letter, presented as a series of fictional dialogues with traces of a novel. Dedicated to the newly crowned King of Prussia, Friedrich Wilhelm IV, the letter unfolds social grievances and aims to persuade Friedrich Wilhelm to act like a just king. Due to its delicate socio-critical impetus, the letter does so through strategies of obfuscation and by using a richly pictorial, seemingly naive and lavish way of speech rather than taking an openly reproachful stance. Crucially, von Arnim does not install herself as the letter’s speaker but instead fictionalizes the letter and presents Goethe’s mother, Catharina Elisabeth Goethe, as the letter’s primary voice (‘Frau Rat’). By using a well-respected figure of the ruling class as the letter’s main voice, von Arnim aimed at minimizing its scandalous potential. But even prior to publishing the letter, von Arnim had already managed to trick Friedrich Wilhelm and the Prussian censors herself: by fusing the book’s title and dedication, she paratextually outwitted both the censors and the King, whose permission she sought precisely to bypass Prussian censorship. This article shows how von Arnim managed to avoid a larger scandal both textually by implementing semi-fictional devices and paratextually by presenting the letter as an affirmation of Friedrich Wilhelm IV and his policies. Full article

This article examines how national identity is constructed through religious representations in the poetry of Nikoloz Baratashvili, one of the leading figures of 19th-century Georgian Romanticism. Through a text-centered analysis of four key poems, it explores how a religious memory woven around motifs of sacred silence, divine absence, and sacrificial imagery is transformed into a poetic narrative within a postcolonial context. Drawing on the theoretical frameworks of Søren Kierkegaard, Paul Ricoeur, Edward Said, and post-Soviet Georgian thinkers, the study interprets Baratashvili’s poetry as an expression of an existential national narrative. It argues that the poet’s poetics articulate both individual and collective trauma and that the nation is reimagined as a metaphysical community. In this regard, the study offers an interdisciplinary contribution focused on how the Georgian national genealogy is constructed poetically, the role of Orthodox cultural symbolism, and the impact of colonial modernity. Full article

This paper identifies the various influences of Western aesthetic preferences of landscapes in answer to the question, why do humans find landscapes attractive? A four-level model of influences is proposed, based on the innate or evolutionary influences applicable to all humanity, through the cultural and the societal to the individual. At each level there are a number of contributory factors at play, and these are described. The paper is confined to Western perspectives of landscape aesthetics. At the innate level are four landscape theories that postulate the reasons why humans find landscapes attractive. Also at the innate level are the philosophical underpinnings of human delight in landscapes and the Gestalt influence on preferences. The cultural influence comprises the legend of Arcadia and the Golden Age; of classicism, teleology, and landscape painting; and the emergence of the sublime, the beautiful, the picturesque, and Romanticism. At the societal level are the artistic pursuits of landscape painting and the development of parks and gardens, which reflected the perfect Italianate landscape. Also at this level are Western society’s attitude to mountains, which changed radically in the seventeenth century. Individuals are influenced by psychoanalytical pressures on the subconscious, by unconscious experiences in infancy such as a human’s preference for water, and by the influence of neuroaesthetics, which describes how the areas of the brain respond to aesthetic objects. Finally, research of landscape preferences over 50 years provides insights on the influence of landscape components, reflecting the influence of the innate, cultural, and societal factors. The combined realms of influence of each of these factors are hypothesized to explain human responses to landscapes. Full article

The Western genre has traditionally been associated with American identity and male-dominated narratives. However, recent decades have seen increasing attention to female protagonists, particularly the European woman as a cultural mediator within the frontier context. This study aims to identify the archetypes of the European woman in the Western genre through a diachronic and comparative analysis of the visual language found in European painting from the late 17th to early 19th centuries and in 20th–21st century cinema. The research methodology combines narrative, visual, and semiotic analysis, with a focus on intermedial and intertextual parallels between visual art and film. The study identifies nine archetypal models corresponding to goddesses of the Greek pantheon and traces their transformation across different aesthetic systems. These archetypes, rooted in artistic traditions such as Baroque, Classicism, Romanticism, and others, reappear in Western films through compositional, symbolic, and iconographic strategies, demonstrating their persistence and ability to transcend temporal, medial, and geographical boundaries. The findings suggest that the woman in the Western genre is not merely a central character, but a visual sign that activates cultural memory and engages with deep archetypal structures embedded in the collective unconscious. Full article

Many publications on early house and techno music have the character of documentation and include (auto-)biographical statements from contemporaries of the scene. This literature has led to many statements, hypotheses, and conclusions. The weaknesses of such sources are their selective and subjective nature, and the danger of unclear memories, romanticization, and constructive memory. Consequently, a validation through content-based, quantitative music analyses is desirable. For this purpose, the HOuse and Techno music from Germany and AMErica (HOTGAME) corpus was built. Metrics from the field of data quality control show that the corpus is representative and explanatory for house and techno music from Germany and the United States of America between 1984 and 1994. HOTGAME can serve as a reliable source for the analysis of early house and techno music using big data methods, like inferential statistics and machine learning. Full article

This paper offers a philosophical account of the specific form of romantic love underlying the ideal of love-based marriages. Rather than examining the institution of marriage, it considers marriage as the promise of infinite love between finite persons. Although this promise may seem irrational, even those who never formally marry still invoke phrases like ‘I love you forever’. In three steps, this paper explores what we could possibly mean by infinite love and how it can be rationally promised throughout a finite life. First, I trace the concept of infinite love back to the metaphysical discussions surrounding the emergence of the love-based marriage among German Idealists and Jena Romanticists. Next, drawing on John Searle’s speech act theory, I examine how the ideal of infinite love can be articulated as a promise. Finally, I turn to early existentialist thought—particularly the notions of passion (Lidenskab, Leidenschaft), repetition (Gjentagelsen, Wiederkehr), and the moment (Øjeblik, Augenblick) as developed by Kierkegaard and Nietzsche—to justify the meaning of the marital promise. In short, I propose that instead of interpreting the marital promise as a description of an expected reality, we should approach it as a passionate necessity that discloses the world in a fundamentally indeterminate way. By reframing the marital promise in this light, I aim to show that marital love is compatible both with the ideal of personal autonomy and with an alternative conception of rationality and temporality. Full article

Philosophers and literary scholars have notoriously struggled with the periodization of Hölderlin’s work, showing particular reluctance to situate it within Early Romanticism. But there can be no doubt that Hölderlin’s philosophical work resides within the context of an anti-foundationalist criticism, which students of Karl Leonhard Reinhold leveled at his programmatic deduction from a “highest principle” (oberster Grundsatz) in the early 1790s and intensified following Fichte’s lectures (1794/95) on the Science of Knowledge (Wissenschaftslehre). Novalis belonged directly to the circle of Reinhold students, while Hölderlin gained access to it through Friedrich Immanuel Niethammer, his friend from student days in Tübingen and “mentor” in Jena. Niethammer encouraged both Hölderlin and Novalis to contribute to his Philosophisches Journal, conceived as a forum for discussing the pros and cons of foundational philosophy (Grundsatzphilosophie). Novalis’ Fichte-Studies and Hölderlin’s philosophical fragments from 1795/96 can be read as drafts for such an essay. Both men developed similar critiques of Reinhold’s reformulated, subject-centered “highest principle”, the “principle of consciousness” (Satz des Bewusstseins). They argued that according to Reinhold, self-consciousness is a representation, i.e., a binary relationship that provides no explanation for the certainty of unity associated with self-consciousness. Both postulate a transcendent “ground of unity”, which would address this issue while remaining inaccessible to consciousness. My article demonstrates that both men failed to disentangle themselves from the snares of Reinhold’s model of representation, and both transferred the solution for the problem of self-consciousness onto the extra-philosophical medium of art. Full article

This paper presents a scoping review of the qualitative research (N = 125) on the use of online dating sites and applications for adults pursuing relationships, including sex, love, and romance, from 2014 to 2023. Our review supports previous literature reviews’ findings, which reveal that research on the topic is predominantly focused on young, well-educated, ethnic-majority, and primarily female heterosexuals or men seeking men in Western societies. Hence, a sample-selection bias shapes our scientific understanding of online dating, leaving other user groups underrepresented. Despite the diversity of scientific fields involved in qualitative research, the methods used are notably similar, indicating a relatively narrow scope in both demographic variables and research approaches. Although the researched themes and perspectives appear diverse at first glance, the research often centers on problem-oriented topics, such as the risks and emotional aspects of online dating, insecurities in self-presentation, negative technological communication traits, and the de-romanticization of society. We conclude that, despite the growing body of research on online dating, significant areas of the topic remain unexplored. There is a need for broader, more inclusive research to fully understand the complexities of online dating in the digital age. Full article

In this paper, a comparative analysis of historical and contemporary fashion designs was conducted using quantitative methods and indices. Elements such as silhouettes, color palettes, and structural characteristics were analyzed in order to identify models for reinterpretation of classic fashion costume. Clothing from four historical periods was studied: Empire, Romanticism, the Victorian era, and Art Nouveau. An image processing algorithm was proposed, through which data on the shapes and colors of historical and contemporary clothing were obtained from digital color images. The most informative of the shape and color indices of contemporary and historical clothing were selected using the RReliefF, FSRNCA, and SFCPP methods. The feature vectors were reduced using the latent variable and t-SNE methods. The obtained data were used to group the clothing according to historical periods. Using Euclidean distances, the relationship between clothing by contemporary designers and the elements of the historical costume used by them was determined. These results were used to create an educational and methodological framework for practical training of students in the field of fashion design. The results of this work can help contemporary designers in interpreting and integrating elements of historical fashion into their collections, adapting them to the needs and preferences of consumers. Full article