Divine Encounters: Exploring Religious Themes in Literature

A special issue of Religions (ISSN 2077-1444).

Deadline for manuscript submissions: 31 March 2025 | Viewed by 3217

Special Issue Editors


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Guest Editor
Department of German and Slavic Philology, University Complutense of Madrid, Aravaca, 28040 Madrid, Spain
Interests: medieval Slavonic literature; Slavic pre-Christian religion; Christianization of the Slavs; apocalyptic literature; myth criticism

E-Mail Website
Guest Editor
Department of German and Slavic Philology, University Complutense of Madrid, Aravaca, 28040 Madrid, Spain
Interests: imagology; symbolism; travel literature; Russian silver age literature; apocalyptic literature

Special Issue Information

Dear Colleagues,

The study of Religion and Literature is a research field that has boomed in recent years, reflecting the increasing interest of society in the Sciences of Religions. In this Special Issue, we would like to provide a forum for discussion on the relations between two crucial human concerns: the religious impulse and the literary forms of any era, place, or language. Moreover, the development of studies on Mythological Criticism and the definition of myth as an encounter of the divine in the human sphere (Losada 2022) has shown that literature can be an important resource for the study of the role of religion in culture and society.

With this aim, we are pleased to invite you to submit essays that consider the literature of any time or place in conjunction with important mythological, religious, or theological issues that emerge from the literary text or that illuminate it. This Special Issue is also open to receiving essays in which mythology, religion, and/or theology is elucidated, extended, or challenged by literature. No mythological, religious, or theological perspective will be excluded. Furthermore, the articles can deal with a wide range of religious characters, myths, rituals, themes, motifs, plots, ideas, aesthetics, etc., as shown in literary works belonging to any genre.

In this Special Issue, original research articles and reviews are welcome. Research areas may include (but are not limited to) the following:

  • Sciences of Religions
  • Comparative Religions and Literatures
  • Theology
  • Mythological Criticism
  • Mythology

We request that prior to submitting a manuscript, interested authors initially submit a proposed title and an abstract of 200-300 words summarizing their intended contribution. Please send the proposal to the Guest Editor or to the Assistant Editor of Religions. Abstracts will be reviewed by the Guest Editor for the purposes of ensuring a proper fit within the scope of the Special Issue. Full manuscripts will undergo double-blind peer review.

We look forward to receiving your contributions.

Best regards,

References:

Auden, W.H. “Postscript: Christianity and Art.” The Dyer’s Hand and Other Essays. New York: Random House, 1962. 456-461.

Blodgett, Jan. Protestant Evangelical Literary Culture and Contemporary Society. Westport, CN: Greenwood Press, 1997.

Bockting, Ineke, Jennifer Kilgore-Caradec, Cathy Parcs. Editors. Poetry and Religion: Figures of the Sacred. Bern: Peter Lang, 2013.

Brown, Frank Burch, ed. The Oxford Handbook of Religion and the Arts. New York: Oxford University Press, 2014.

Donoghue, Denis. Adam’s Curse: Reflections on Religion and Literature. University of Notre Dame Press, 2001.

Eliot, T.S. “Religion and Literature.” Selected Essays, 1917-1932. London: Faber & Faber, 1951. 388-401.

Felch, Susan, ed. The Cambridge Companion to Literature and Religion. New York: Cambridge University Press, 2016.

Franke, William. Poetry and Apocalypse: Theological Disclosures of Poetic Language. Stanford, CA: Stanford University Press, 2008.

Hill, Geoffrey. “Poetry and ‘Menace’ and ‘Atonement.’” The Lords of Limit. Collected Critical Writings. Ed. Kenneth Haynes. New York: Oxford University Press, 2008. 1-20.

—–. Style and Faith. New York: Counterpoint, 2003.

Knight, Mark, ed. The Routledge Companion to Literature and Religion. New York: Routledge, 2016.

Küng, Hans, Walter Jens. Literature and Religion: Pascal, Gryphius, Lessing, Hölderlin, Novalis, Kierkegaard, Dostoyevsky, Kafka. Translated, Peter Heinegg. New York: Paragon House, 1991.

Losada, José Manuel. Mitocrítica cultural. Una definición del mito. Madrid: Akal, 2022.

Myers, Benjamin P. A Poetics of Orthodoxy: Christian Truth as Aesthetic Foundation. Wipf and Stock, 2021.

Tolstoy, Leo. What is Art? [1897] Translated by Richard Pevear and Larissa Volokhonsky. London: Penguin, 1997.

Weidner, Daniel, ed. Handbuch Literatur und Religion. Stuttgart: Metzler, 2016.

Ziolkowski, Eric. “Axial Age Theorising and the Comparative Study of Religion and Literature.” Literature & Theology. 28.2 (2014): 129-150.

Ziolkowski, Eric. “Religion and Literature: History and Method.” Brill Research Perspectives in Religion and the Arts. 3.1 (2019): 1-112.

——. Religion and Literature: History and Method. Leiden: Brill, 2020.

Ziolkowski, Eric Jozef, and Anthony C. Yu. Literature, Religion, and East/West Comparison. Newark, NJ: University of Delaware Press, 2005.

Dr. Enrique Santos Marinas
Dr. Svetlana Maliavina
Guest Editors

Manuscript Submission Information

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Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Religions is an international peer-reviewed open access monthly journal published by MDPI.

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Keywords

  • sciences of religions
  • theology
  • epiphanies
  • theophanies
  • literature
  • mythology
  • myth criticism

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Published Papers (3 papers)

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Research

11 pages, 2136 KiB  
Article
Prophet Elijah as a Weather God in Church Slavonic Apocryphal Works
by Enrique Santos Marinas
Religions 2024, 15(8), 996; https://doi.org/10.3390/rel15080996 - 16 Aug 2024
Viewed by 948
Abstract
The prophet Elijah took over the role of the Slavic pre-Christian god Perun as a weather god among the East and South Slavs in the period of syncretism just after the Christianization. We can find several examples of this in the twelfth-century Primary [...] Read more.
The prophet Elijah took over the role of the Slavic pre-Christian god Perun as a weather god among the East and South Slavs in the period of syncretism just after the Christianization. We can find several examples of this in the twelfth-century Primary Chronicle or Tale of Bygone Years. However, unlike other characters from the Old Testament, Elijah was not honored with extensive translations of full apocryphal works, except for a group of Church Slavonic apocryphal fragments. Nonetheless, some original works devoted to the prophet Elijah were composed, such as the encomium attributed to St. Clement of Ohrid (9th–10th c.) or the Chants from the Orthodox Soul devoted to the Apocalyptic role of the prophet (15th c.). Along these lines, we will compare the latter with the extant apocryphal fragments in order to establish the possible influence of the apocryphal works, as well as identify original Slavic motifs that could date back to the pre-Christian period. Full article
(This article belongs to the Special Issue Divine Encounters: Exploring Religious Themes in Literature)
11 pages, 250 KiB  
Article
Nikolai Leskov’s Eccentric Wanderers and the Tradition of Religious Wandering in Russia
by Marta Łukaszewicz
Religions 2024, 15(8), 951; https://doi.org/10.3390/rel15080951 - 6 Aug 2024
Viewed by 653
Abstract
The motif of travel has always been popular, and the metaphor of life as a path remains extremely powerful. Both seem to be especially important within Christian culture because of the image of Christ the Wanderer, who “has no place to lay his [...] Read more.
The motif of travel has always been popular, and the metaphor of life as a path remains extremely powerful. Both seem to be especially important within Christian culture because of the image of Christ the Wanderer, who “has no place to lay his head”, an image that influenced the growing popularity of pilgrimages and religiously motivated wandering. The latter became particularly widespread in Russian culture and resulted in numerous representations of wandering people in Russian art and literature. In my article, I focus on literary representations of wanderers in the oeuvre of Nikolai Leskov, whose works are abundant with these types of characters. I argue that the writer portrays his wanderers as ambivalent eccentrics who combine elements characteristic of diverse types of travelers, both religious and secular. To prove my hypothesis, I combine traditional literary analysis of Leskov’s texts with the examination of cultural and religious practices of Russian wandering. As I demonstrate, the complexity and multifacetedness of the writer’s wanderers correspond with Russian reality, where the boundary between pilgrims and vagrants was also blurred. Full article
(This article belongs to the Special Issue Divine Encounters: Exploring Religious Themes in Literature)
17 pages, 277 KiB  
Article
Home, History, and the Postsecular: A Literary–Religious Inquiry of Disgrace
by Liang Dong
Religions 2024, 15(7), 842; https://doi.org/10.3390/rel15070842 - 12 Jul 2024
Cited by 1 | Viewed by 912
Abstract
In J.M. Coetzee’s Disgrace, the postsecular emerges as a critical framework to understand the characters’ search for home amidst the remnants of South Africa’s colonial legacy. This essay proposes an exploration of how the novel’s engagement with the postsecular scriptures and moments [...] Read more.
In J.M. Coetzee’s Disgrace, the postsecular emerges as a critical framework to understand the characters’ search for home amidst the remnants of South Africa’s colonial legacy. This essay proposes an exploration of how the novel’s engagement with the postsecular scriptures and moments offers a nuanced perspective on the religious impulse within the literary form. I focus on the protagonist, Lurie, whose journey from a sexual scandal to a commitment to animal welfare symbolizes a broader quest for redemption and atonement. Contrasting Lurie’s postsecular odyssey is his daughter Lucy’s steadfast attachment to her farm, which becomes a battleground for historical racial tensions. Through a mythological critical approach, I interpret Lucy’s experience as a contemporary iteration of the scapegoat, embodying the sacrificial role in a society seeking reconciliation and healing. My analysis extends to the novel’s esthetic and ethical dimensions, examining how Coetzee’s narrative challenges and reframes traditional religious narratives. By situating my discussion within the fields of the sciences of religions, theology, and mythology, I contribute to the understanding of literature as a vital medium for engaging with religious and theological themes. The essay concludes with a reflection on the implications of Coetzee’s postsecular discourse for the individual’s search for home and belonging in a post-apartheid context. Full article
(This article belongs to the Special Issue Divine Encounters: Exploring Religious Themes in Literature)
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