Search Results (9)

The Sŏkkuram principal Buddha image, created in mid-eighth-century Unified Silla, was conceived as a replication of the Bodhgayā Mahābodhi enlightenment image, intentionally reproducing its precise dimensions, even as its sculptural style reflects Tang Chinese influence rather than Indian prototypes. Soon after its creation, it came to function as a canonical prototype for Buddhist sculptural production in late Unified Silla. This paper examines the replications and transformations the Sŏkkuram image generated as a canonical prototype through the early Koryŏ period. The stone seated Buddha from An’gye-ri, Kyŏngju, is identified as a faithful replication, notably reproducing even the distinctive pentagonal pillar sockets—a feature unattested elsewhere in Unified Silla. A survey of the broader Sŏkkuram lineage reveals a wide spectrum: from stylistically close replications to images retaining only the formal type, and from iconographic transmission to transformations extending the bhūmisparśamudrā to Medicine Buddha imagery—produced across diverse social strata. The paper repositions the Sŏkkuram Buddha not as an isolated masterwork but as a normative prototype of an enduring sculptural tradition. This breadth and persistence—spanning stone, iron, and dry lacquer over several centuries—suggests an authority exceeding artistic prestige, raising the possibility the image was perceived as possessed of numinous power. Full article

Both Korea and China have a rich history of Nuo rituals, with those of the Koryŏ Dynasty particularly inheriting the institutional framework established by the Tang Dynasty. However, scholars from both nations have predominantly conducted research within their respective domestic contexts, resulting in a limited number of comparative studies on Sino-Korean Nuo rituals. This paper addresses a specific aspect of Nuo rituals—the participants in palace ceremonies—by examining the composition, identities, ages, and numbers of participants across different historical periods in Korea and China. Through this analysis, it elucidates the connections and distinctions between the two traditions and identifies their defining characteristics. Throughout the historical development of Nuo rituals in Korea and China, changes occurred not only in participants’ identities and numbers but also in the composition of participants, which was adjusted according to each country’s specific needs. For example, the number of participants was redistributed based on the number of palace gates, and Nuo ritual participants were selected through the state office Sŏun’gwan 서운관 (Office of Astronomical and Meteorological Records). These modifications were all made in accordance with the practical requirements of each nation. Despite the influence of Tang models on the development of Koryŏ’s Nuo rituals, these practices were not merely adopted wholesale. Instead, a process of adaptation occurred, wherein the adoption of Tang practices was accompanied by the introduction of unique adaptations, resulting in a distinct and evolving ritual tradition. By the Chosŏn era, modifications to Nuo rituals had expanded significantly to align with Korea’s unique sociopolitical context. Participants were reorganized in accordance with the protocols and demands of the Chosŏn royal court. Full article

Samguk yusa 三國遺事 (Memorabilia of the Three Kingdoms), compiled by Iryŏn 一然 (1206–1289), a prominent Buddhist monk in Koryŏ, stands as one of Korea’s most valued historical classics. This classic weaves together a collection of captivating and unconventional narratives—marked by their peculiarity, miracles, and wonder—diverging from the usual societal norms. Unlike traditional historical chronicles such as Samguk sagi 三國史記 (Histories of the Three Kingdoms), Samguk yusa presents a diverse mosaic woven with historical anecdotes, legends, and folklore, especially emphasizing connections to Buddhism. The tales of miraculous events hold historical significance, serving as reflective mirrors that not only shaped the beliefs of pre-modern Korean Buddhists but also influenced the wider population of that era in Korea. This paper delves into the cultural significance and societal roles of miracles and wonders within pre-modern Korean society, particularly through a thorough exploration of narratives and accounts within the Samguk yusa. Through these miraculous stories, the Samguk yusa not only validates the spiritual power of Buddhism but also redefines concepts like filial piety and national protection by integrating them into the Buddhist framework. This ensured Buddhism’s enduring significance in Silla society and reinforced the importance of the supernatural as an integral part of a holistic view of history and culture. Full article

The relationship between natural cycles and human actions in causing climate change and its impacts on society have been a subject of debate. This paper explores the responses of pre-modern Koreans to climate change and natural disasters. The focus of this paper is on the societal reactions to these natural calamities and disasters during the Koryŏ dynasty (936–1392 A.D.) and their influence on Korea afterwards. This paper investigates the reasons behind the retention of primal religious worldviews in the face of ecological crises while other major imported religions were abandoned. The research method involved in this paper is archival research, and the literature sources include ancient records and other ecotheological resources. Through an analysis of the archival research and ecotheological resources, this study sheds light on the interpretation of climatic events in pre-modern Korea. Furthermore, based on the research findings, it presents missional implications for the Korean church in the post-pandemic era. This study underscores the importance of the church’s responses to environmental awareness, collective responsibility, and spiritual support in addressing the challenges of climate change and provides missional implications for the Korean Church in response to the post-COVID-19 era based on the results of the research. Full article

Notably during the Yuan period of Chinese history, Korean Buddhists had a curious custom of making arduous trips to Buddhist centers in mainland China, by sea or overland. To the extent that monks made this trip despite the possible dangers of this long journey, Yuan Buddhism in the practice of Korean Buddhism was conceived as an important hub of monastic certification and the source of new Buddhist developments. In addition, the Chinese masters were seen as essential figures in the monastic careers of the Korean monks. Although there would have been qualified masters in Korea to lead the practice of kanhua chan and to verify the enlightened states of the Korean monks, traveling to China continued up to the end of the Koryŏ period. This continued because the Korean monks obtained obvious benefits after having traveled to China and received their certification of enlightenment 印可. On their return, these monks were given recognition for their spiritual attainment and assigned to high positions in the saṃgha bureaucracy, in many cases, as either a royal or state preceptor. This custom of visiting China was all the more heightened due to Yuan’s domination over Koryŏ from the late-13th to the mid-14th centuries. Full article

No one can dispute the significant influence of Sinitic Buddhism in East Asia, but Korean Buddhists were also unquestionably close to the center of the development of different schools of Buddhism in mainland China, particularly in the Jiangnan region, which had historically drawn monks from the peninsula. This article will briefly cover the historical transnational Buddhist interactions between Korea and China, with an emphasis on doctrinal Buddhism, the significance of Ŭisang and Ǔich’ǒn, and the influence of Hangzhou’s Buddhist intellectual advancements. Even though the article’s main focus is on doctrinal contacts, we will also briefly discuss Chan Buddhism in China and how it influenced the texts and techniques of the Korean Sŏn (Zen) monk Chinul (1158–1210), who made an effort to integrate the doctrinal and meditational traditions, as did Ǔich’ǒn. This process of idea-cross-fertilization led to the Tripitaka Koreana, the largest collection of Buddhist texts in East Asia, created by Buddhists during the Koryŏ dynasty (918–1392), which is discussed below. This will aid in our understanding of these transnational exchanges and highlight the fact that Koreans were not only absorbing new ideas as they emerged in China, but they were also influencing them. Full article

Inscriptions of Buddhist mantras and dhāraṇīs were interred in Chinese tombs on behalf of the deceased from the Tang dynasty onward as the fear of postmortem judgment and punishment in the ten courts of hell became firmly rooted. This notion of the afterlife and the practice of enclosing dhāraṇī inscriptions in tombs seem to have been received by Korean Buddhists by the beginning of the Koryŏ (918–1392). This paper, through a close examination of a wooden inner coffin excavated in 2014 from a tomb in Nongso-myŏn, Ullim-ri, Sunch’ang-gun, North Chŏlla Province of Korea, sheds new light on the use of dhāraṇī on funerary objects and structures during the Koryŏ. The coffin bears, on its lacquered exterior walls, inscriptions of the Mantra of the Six-Syllable King of Great Clarities (Oṃ maṇi padme hūṃ) and the Mantra for Shattering Hell (Oṃ karadeya svāhā). While defining the dhāraṇī coffin from Nongso Tomb as one form of funerary dhāraṇī, this paper situates it in the historical trajectory of such practice by comparing it with Liao (916–1125) precedents. The dhāraṇī coffins from Koryŏ and Liao tombs attest that the Buddhists made use of mantras and dhāraṇīs promising salvation of the deceased from hell during their lifetime and beyond. This study shows that two different kinds of dhāraṇīs, which are similarly named and believed to have the power of shattering hell, were practiced by Chinese and Korean Buddhists. It also proposes that the Mantra for Shattering Hell (Oṃ karadeya svāhā) may have been transmitted to the Korean peninsula as part of the food bestowal ritual before its incorporation into the funerary context. Full article

The Five Great Mantras (Odae chinŏn) is one of the most widely circulated collections of Buddhist dhāraṇīs in premodern Korea, having been published or existing in several variant editions during the Chosŏn period (1392–1910). The title refers to the following dhāraṇīs: (1) “The Forty-Two Mantras of the Bodhisattva Avalokiteśvara,” (2) Nīlakaṇṭha-dhāraṇī, (3) Mahāpratisarā-dhāraṇī, (4) Buddhoṣṇīṣa-dhāraṇī, and (5) Uṣṇīṣavijaya-dhāraṇī. Another spell, “The Basic Dhāraṇī of the Bodhisattva Avalokiteśvara,” was also added, so there are a total of six dhāraṇīs contained in the book. Although most scholarship has hitherto understood the Five Great Mantras to date from the late fifteenth century, when editions with transcriptions of the dhāraṇīs in the Korean script appeared in trilingual format along with Siddhaṃ and Sinitic transliterations, due to the patronage of Queen Insu (1437–1508) and the linguistic ability of the monk Hakcho (fl. 1464–1520), some evidence has come to light suggesting that the Five Great Mantras was initially published as early as the mid-fourteenth century in the late Koryŏ period (918–1392). This essay provides a detailed analysis of the components that appear in the Five Great Mantras by analyzing six variant editions of the text dating from the Chosŏn period, including Brief Transcriptions of Efficacious Resonance (Yŏnghŏm yakch’o) in Sinitic and Korean vernacular translation. The Five Great Mantras demonstrates the significance of non-canonical materials in the Korean Buddhist tradition and suggests a fruitful avenue for study of similar woodblock prints and manuscripts in the Sinitic Buddhist tradition. Full article

Considering visual culture alongside written source material, this article uncovers the socioeconomic aspect of Korean Buddhist monastic life, which has been a marginalized field of research. Arguing against the idea of an “other-worldly” Buddhism, the article specifically discusses the ways in which Buddhist monasteries conducted fundraising activities in late Koryŏ period (918–1392 CE) Korea. Via fundraising strategies, which targeted wealthy aristocrats as well as the commoner population, Buddhist monks managed the production and maintenance of Buddhist material culture, such as the construction of shrines, the casting of precious sculptures, and the carving of thousands of woodblocks used for the printing of sacred Buddhist scriptures. While the scholarship on Koryŏ Buddhism has traditionally focused on meditation, doctrine, state sponsored rituals, and temples’ relationships with the royal court, this study expands the field by showing that economic activities were salient features of Koryŏ Buddhism “on the ground.” By initiating and overseeing fundraising activities, Buddhist manager-monks not only gained merit, but also maintained the presence and physical appearance of Buddhist temples, which constitute the framework of Buddhist ritual and practice. Full article