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19 pages, 5989 KB  
Article
Multi-Analytical Approach to Investigate the Polychrome Paintings on Flower Peking Opera Theatre in Bozhou, China
by Wei Liu, Fang Jia, Ting Zhao, Jianhua Huang, Weisha Du and Li Li
Coatings 2026, 16(1), 115; https://doi.org/10.3390/coatings16010115 - 15 Jan 2026
Viewed by 518
Abstract
This article presents a comprehensive analysis of the polychrome paintings on the Flower Peking Opera Theatre in Bozhou, Anhui Province, China. A multi-technique approach was employed, including polarized light microscopy (PLM), X-ray fluorescence (XRF), micro-Raman spectroscopy, X-ray diffraction (XRD), Fourier transform infrared spectroscopy [...] Read more.
This article presents a comprehensive analysis of the polychrome paintings on the Flower Peking Opera Theatre in Bozhou, Anhui Province, China. A multi-technique approach was employed, including polarized light microscopy (PLM), X-ray fluorescence (XRF), micro-Raman spectroscopy, X-ray diffraction (XRD), Fourier transform infrared spectroscopy (FT-IR), scanning electron microscopy with energy-dispersive spectrometry (SEM-EDS), and Herzberg staining to determine the composition and methodologies involved in the formation of the pigment layer, the white primer, and the ground layer. The analysis identified cinnabar (red), both artificial ultramarine and Prussian blue (blue), a mixture of barite and gypsum (white), a mixture of chromite and Prussian blue (green), and carbon black (black) in the pigment layer. The ground layer was found to consist of clay and plant fibers (cotton and hemp), while the white prime layer was primarily composed of barite and gypsum. This research provides insights for future conservation and restoration efforts. Full article
(This article belongs to the Section Environmental Aspects in Colloid and Interface Science)
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10 pages, 1372 KB  
Article
Accurate Prediction of Protein Tertiary and Quaternary Stability Using Fine-Tuned Protein Language Models and Free Energy Perturbation
by Xinning Li, Ryann Perez, John J. Ferrie, E. James Petersson and Sam Giannakoulias
Int. J. Mol. Sci. 2025, 26(15), 7125; https://doi.org/10.3390/ijms26157125 - 24 Jul 2025
Cited by 1 | Viewed by 2280
Abstract
Methods such as AlphaFold have revolutionized protein structure prediction, making quantitative prediction of the thermodynamic stability of individual proteins and their complexes one of the next frontiers in computational protein modeling. Here, we develop methods for using protein language models (PLMs) with protein [...] Read more.
Methods such as AlphaFold have revolutionized protein structure prediction, making quantitative prediction of the thermodynamic stability of individual proteins and their complexes one of the next frontiers in computational protein modeling. Here, we develop methods for using protein language models (PLMs) with protein mutational datasets related to protein tertiary and quaternary stability. First, we demonstrate that fine-tuning of a ProtT5 PLM enables accurate prediction of the largest protein mutant stability dataset available. Next, we show that mutational impacts on protein function can be captured by fine-tuning PLMs, using green fluorescent protein (GFP) brightness as a readout of folding and stability. In our final case study, we observe that PLMs can also be extended to protein complexes by identifying mutations that are stabilizing or destabilizing. Finally, we confirmed that state-of-the-art simulation methods (free energy perturbation) can refine the accuracy of predictions made by PLMs. This study highlights the versatility of PLMs and demonstrates their application towards the prediction of protein and complex stability. Full article
(This article belongs to the Special Issue Computational Approaches for Protein Design)
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14 pages, 13865 KB  
Article
Material and Microstructure Analysis of Wood Color Paintings from Shaanxi Cangjie Temple, China
by Dan Huang, Kezhu Han, Gele Teri, Cong Cheng, Yunpeng Qi and Yuhu Li
Molecules 2024, 29(12), 2734; https://doi.org/10.3390/molecules29122734 - 8 Jun 2024
Cited by 8 | Viewed by 2407
Abstract
Cangjie Temple was built to commemorate Cangjie, the legendary inventor of Chinese characters. It stands as one of the few remaining temples in China dedicated to the invention and creation of writing. In this study, the material properties of wooden paintings from the [...] Read more.
Cangjie Temple was built to commemorate Cangjie, the legendary inventor of Chinese characters. It stands as one of the few remaining temples in China dedicated to the invention and creation of writing. In this study, the material properties of wooden paintings from the Cangjie temple were characterized using Polarized Light Microscopy (PLM), Scanning Electron Microscopy coupled with Energy Dispersive X-ray Spectroscopy (SEM-EDS), Micro-confocal Raman Spectroscopy, X-ray Diffraction (XRD), Fourier Transform Infrared Spectroscopy (FTIR), and Pyrolysis-Gas Chromatography-Mass Spectrometry (Py-GC/MS). It was confirmed that the pigments of the paintings included cinnabar, lapis lazuli, lead white, Paris green, and carbon black. The proteinaceous glue was used as an adhesive in the pigment samples, with tung oil likely being utilized as a primer for the wooden structures before painting. This study not only provides valuable data support for the conservation and restoration of the architectural features of Cangjie Temple but also provides useful reference for the maintenance and inheritance of similar ancient buildings. Full article
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14 pages, 2922 KB  
Article
A Study on the Materials Used in Ancient Wooden Architectural Paintings at DaZhong Gate in Confucius Temple, Qufu, Shandong, China
by Kuiju Li, Kezhu Han, Gele Teri, Yuxiao Tian, Menglei Cui, Yunpeng Qi and Yuhu Li
Materials 2024, 17(9), 2170; https://doi.org/10.3390/ma17092170 - 6 May 2024
Cited by 6 | Viewed by 3263
Abstract
This study analyzes the pigments and binders used in the painted wooden structure of DaZhong Gate in the Confucius Temple in Qufu, Shandong Province, China. Five samples were collected from the building and analyzed using techniques such as polarized light microscopy (PLM), energy-dispersive [...] Read more.
This study analyzes the pigments and binders used in the painted wooden structure of DaZhong Gate in the Confucius Temple in Qufu, Shandong Province, China. Five samples were collected from the building and analyzed using techniques such as polarized light microscopy (PLM), energy-dispersive X-ray spectroscopy (EDX), micro-Raman spectroscopy (m-RS), and Fourier-transform infrared spectroscopy (FT-IR). The findings reveal that the red, yellow, green, and blue pigments are identified as lead red, lead chromate yellow, emerald green, and ultramarine, respectively. The white pigment is determined to be a combination of chalk and lead white or anglesite. Considering the production period of the yellow and green pigments, it is inferred that architectural paintings underwent restoration or repainting during the late Qing Dynasty. The analysis of the binder in the pigment using pyrolysis–gas chromatography/mass spectrometry (Py-GC/MS) reveals that the binder employed is a protein-based glue. Additionally, the detected presence of Heat-bodied tung oil suggests a potential connection to traditional Chinese painting techniques on wooden surfaces. This discovery not only contributes to the historical research of the Confucius Temple but also provides crucial data for the conservation and restoration efforts of this culturally significant heritage site. Full article
(This article belongs to the Topic Advances in Non-Destructive Testing Methods, 2nd Edition)
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16 pages, 11599 KB  
Article
A Study on the Materials Used in the Ancient Architectural Paintings from the Qing Dynasty Tibetan Buddhist Monastery of Puren, China
by Gele Teri, Kezhu Han, Dan Huang, Yanli Li, Yuxiao Tian, Xiaolian Chao, Zhihui Jia, Peng Fu and Yuhu Li
Materials 2023, 16(19), 6404; https://doi.org/10.3390/ma16196404 - 26 Sep 2023
Cited by 10 | Viewed by 3326
Abstract
Situated in the village of Lama Temple on the eastern bank of the Wulie River in Chengde, Puren Temple stands as one of the few remaining royal temples of great importance from the Kangxi era (1662–1722 AD). This ancient edifice has greatly contributed [...] Read more.
Situated in the village of Lama Temple on the eastern bank of the Wulie River in Chengde, Puren Temple stands as one of the few remaining royal temples of great importance from the Kangxi era (1662–1722 AD). This ancient edifice has greatly contributed to the advancement of our comprehension regarding the art of royal temple painting. The present study undertakes a comprehensive analysis and identification of nine samples obtained from the beams and ceiling paintings within the main hall of Puren Temple. Furthermore, a systematic examination of their mineral pigments and adhesives is conducted. The findings from polarized light microscopy (PLM), energy-type X-ray fluorescence spectrometer (ED-XRF), micro-Raman spectroscopy (m-RS), and X-ray diffractometer (XRD) analyses reveal that the pigments present in the main hall beams of Puren Temple are cinnabar, lead white, lapis lazuli, and lime green, while the pigments in the ceiling paintings consist of cinnabar, staghorn, lead white, lapis lazuli, and lime green. The use of animal glue as a binder for these pigments on both the main hall beams and ceiling paintings is confirmed via pyrolysis-gas chromatography–mass spectrometry (Py-Gc/Ms) results. These findings hold significant implications for the future restoration of Puren Temple, as they provide valuable guidance for the selection of appropriate restoration materials. Full article
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19 pages, 6928 KB  
Essay
Multi-Method Analysis of Painting Materials in Murals of the North Mosque (Linqing, China)
by Shaohua Dong, Jiankai Xiang, Juan Ji, Yongjin Wang, Gang Zhang, Peng Fu, Jianwu Han and Li Li
Coatings 2023, 13(7), 1298; https://doi.org/10.3390/coatings13071298 - 24 Jul 2023
Cited by 8 | Viewed by 3130
Abstract
The murals of Ming Dynasty North Mosque in Linqing, Shandong Province, Eastern China, are of significant cultural and historical importance. Their final restoration date remains uncertain, making a comprehensive investigation critical before initiating preservation and renovation work. This research project examined the painting [...] Read more.
The murals of Ming Dynasty North Mosque in Linqing, Shandong Province, Eastern China, are of significant cultural and historical importance. Their final restoration date remains uncertain, making a comprehensive investigation critical before initiating preservation and renovation work. This research project examined the painting materials of the murals using various analytical techniques, including polarized light microscopy (PLM), scanning electron microscopy (SEM), X-ray energy spectrometer (EDS), X-ray diffraction (XRD), Fourier transform infrared spectroscopy (FTIR), microscopic Raman spectroscopy (M-Raman), X-ray photoelectron spectroscopy (XPS), and pyrolysis-gas chromatography/mass spectrometry (Py-GC/MS) analysis. Results indicated that the pigments employed included ultramarine, emerald green, cinnabar, kaolinite, gypsum, and carbon black, while the gum binder used was protein-based adhesive materials. As synthetic ultramarine and emerald green were not introduced to China until the late Qing Dynasty, this suggests that these murals were restored no earlier than this period. The study also revealed that the mural materials used in the North Mosque mural were similar to those found in other architectural murals in China. Thus, the knowledge gained from the conservation and restoration efforts of similar architectural murals can be leveraged to enhance the conservation and restoration efforts of the North Mosque murals. Full article
(This article belongs to the Special Issue Surface and Interface Analysis of Cultural Heritage, 2nd Edition)
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19 pages, 5649 KB  
Article
Interference Effects of Commercial Persistent Luminescence Materials on Rice Germination and Seedling Growth
by Nina Zhu, Xinpei Wei, Jingbo Yu, Shuo Zhang, Die Hu, Ping Li, Yunfei Xia and Kai Song
Plants 2023, 12(13), 2554; https://doi.org/10.3390/plants12132554 - 5 Jul 2023
Cited by 3 | Viewed by 2259
Abstract
Persistent luminescence materials (PLMs) are widely used across a multitude of fields due to their distinct optical properties. However, like other micron-sized materials such as microplastics, the production and recycling processes of PLMs can lead to their accumulation in soil and water, potentially [...] Read more.
Persistent luminescence materials (PLMs) are widely used across a multitude of fields due to their distinct optical properties. However, like other micron-sized materials such as microplastics, the production and recycling processes of PLMs can lead to their accumulation in soil and water, potentially posing detrimental effects on plant growth and development. In this study, we investigated the impact of commercially available blue PLM (bPLM), green PLM (gPLM), and red PLM (rPLM) on germination, seedling growth, and oxidative stress responses in rice. Our findings demonstrate that the morphology and size of PLMs do not significantly differ in their effects on rice growth. All three types of PLMs significantly inhibited root length and stem length, disrupted root cell structures, and decreased seedling biomass. Interestingly, gPLM and bPLM were found to stimulate the synthesis of osmolytes and chlorophyll in rice, while rPLM had the opposite effect. Changes in the antioxidant enzyme system in rice clearly indicated that the three types of PLMs induced reactive oxygen species (ROS) damage in rice. This study enhances our understanding of the potential environmental impacts of PLMs, offering valuable insights for the safe and responsible use of these materials in various applications. Full article
(This article belongs to the Special Issue Abiotic Stress Tolerance in Rice and Rice Breeding)
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14 pages, 3107 KB  
Article
Spectroscopic Investigation of a Color Painting on an Ancient Wooden Architecture from the Taiping Heavenly Kingdom Prince Dai’s Mansion in Jiangsu, China
by Kezhu Han, Hong Yang, Gele Teri, Shanshuang Hu, Jiaxin Li, Yanli Li, Ersudai Ma, Yuxiao Tian, Peng Fu, Yujia Luo and Yuhu Li
Minerals 2023, 13(2), 224; https://doi.org/10.3390/min13020224 - 3 Feb 2023
Cited by 8 | Viewed by 3600
Abstract
This research sheds light on the analysis of pigments and adhesives applied on a color painting on wooden architecture in Taiping Heavenly Kingdom Prince Dai’s mansion, located in Changzhou, Jiangsu Province in China. Four samples were collected from the painting above the building [...] Read more.
This research sheds light on the analysis of pigments and adhesives applied on a color painting on wooden architecture in Taiping Heavenly Kingdom Prince Dai’s mansion, located in Changzhou, Jiangsu Province in China. Four samples were collected from the painting above the building beam in the mansion, and the samples were analyzed and identified using a series of techniques, including polarized light microscopy (PLM), scanning electron microscope coupled with an energy-dispersive X-ray spectroscopy (SEM-EDS), micro-Raman spectroscopy (m-RS) and Fourier-transform infrared spectroscopy (FTIR). The results indicate that the red, black, blue, and green pigments were identified to be cinnabar, ivory black, indigo, and phthalocyanine green, respectively. The green pigment was inferred to be a lately repainted pigment based on its production age, suggesting that this ancient building had been refurbished or repaired. Given the good stability and visual effect of this green pigment, it is suggested to be used in future conservation processes. The pyrolysis-gas chromatography/mass Spectrometry (Py-Gc/Ms) results indicate that glue containing protein was used as a binder for the pigment samples, and that walnut oil might have been applied to the wooden architecture as a primer before painting. Our findings can well inform curators and conservators of the selection of appropriate restoration materials if necessary, and also provide data support for conservation of similar ancient buildings in southern China. Full article
(This article belongs to the Special Issue Archaeological Mineralogy)
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23 pages, 1081 KB  
Article
Towards GreenPLM—Key Sustainable Indicators Selection and Assessment Method Development
by Joanna Helman, Maria Rosienkiewicz, Mariusz Cholewa, Mateusz Molasy and Sylwester Oleszek
Energies 2023, 16(3), 1137; https://doi.org/10.3390/en16031137 - 19 Jan 2023
Cited by 13 | Viewed by 2601
Abstract
Regulations, depletion of natural resources and changing customer demands are putting pressure on manufacturing companies to consider environmental issues in the development of new products. Companies are using PLM systems to manage the product lifecycle, but the current generation of these systems is [...] Read more.
Regulations, depletion of natural resources and changing customer demands are putting pressure on manufacturing companies to consider environmental issues in the development of new products. Companies are using PLM systems to manage the product lifecycle, but the current generation of these systems is not adequately adapted to product sustainability issues. The research results presented in this article are intended to support two target groups: academia and industry. The main scientific objective is to provide a systematic method for selecting and evaluating sustainability indicators related to the various phases of automotive lifecycle management. The main application goal is to support the industry in its pursuit of greener development by identifying which sustainability indicators are relevant to each phase of the product lifecycle. As a result, the key green indicators related to the automotive industry in line with the GreenPLM concept are identified together with their assignment to the elements of the car’s beginning-of-life stages, as well as their potential data sources. This paper introduces the concept of GreenPLM and its future application possibilities. Full article
(This article belongs to the Special Issue Sustainable Development: Policies, Challenges, and Further)
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25 pages, 10184 KB  
Article
Effect of Micro- and Nano-Lignin on the Thermal, Mechanical, and Antioxidant Properties of Biobased PLA–Lignin Composite Films
by Sofia P. Makri, Eleftheria Xanthopoulou, Panagiotis A. Klonos, Alexios Grigoropoulos, Apostolos Kyritsis, Konstantinos Tsachouridis, Antonios Anastasiou, Ioanna Deligkiozi, Nikolaos Nikolaidis and Dimitrios N. Bikiaris
Polymers 2022, 14(23), 5274; https://doi.org/10.3390/polym14235274 - 2 Dec 2022
Cited by 59 | Viewed by 6773
Abstract
Bio-based poly(lactic acid) (PLA) composite films were produced using unmodified soda micro- or nano-lignin as a green filler at four different contents, between 0.5 wt% and 5 wt%. The PLA–lignin composite polymers were synthesized by solvent casting to prepare a masterbatch, followed by [...] Read more.
Bio-based poly(lactic acid) (PLA) composite films were produced using unmodified soda micro- or nano-lignin as a green filler at four different contents, between 0.5 wt% and 5 wt%. The PLA–lignin composite polymers were synthesized by solvent casting to prepare a masterbatch, followed by melt mixing. The composites were then converted into films, to evaluate the effect of lignin content and size on their physicochemical and mechanical properties. Differential scanning calorimetry (DSC), supported by polarized light microscopy (PLM), infrared spectroscopy (FTIR-ATR), X-ray diffraction (XRD), and transmission electron microscopy (TEM) were employed to investigate the PLA crystallization and the interactions with Lignin (L) and Nanolignin (NL). The presence of both fillers (L and NL) had a negligible effect on the glass transition temperature (chain diffusion). However, it resulted in suppression of the corresponding change in heat capacity. This was indicative of a partial immobilization of the PLA chains on the lignin entities, due to interfacial interactions, which was slightly stronger in the case of NL. Lignin was also found to facilitate crystallization, in terms of nucleation; whereas, this was not clear in the crystalline fraction. The addition of L and NL led to systematically larger crystallites compared with neat PLA, which, combined with the higher melting temperature, provided indications of a denser crystal structure in the composites. The mechanical, optical, antioxidant, and surface properties of the composite films were also investigated. The tensile strength and Young’s modulus were improved by the addition of L and especially NL. The UV-blocking and antioxidant properties of the composite films were also enhanced, especially at higher filler contents. Importantly, the PLA–NL composite films constantly outperformed their PLA–L counterparts, due to the finer dispersion of NL in the PLA matrix, as verified by the TEM micrographs. These results suggest that bio-based and biodegradable PLA films filled with L, and particularly NL, can be employed as competitive and green alternatives in the food packaging industry. Full article
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40 pages, 20218 KB  
Article
Evolution of Liu Kang’s Palette and Painting Practice for the Execution of Female Nude Paintings: The Analytical Investigation of a Genre
by Damian Lizun, Teresa Kurkiewicz, Mateusz Mądry, Bogusław Szczupak and Jarosław Rogóż
Heritage 2022, 5(2), 896-935; https://doi.org/10.3390/heritage5020050 - 20 Apr 2022
Cited by 6 | Viewed by 6921
Abstract
The comprehensive technical investigation of female nude paintings by the Singapore pioneer artist Liu Kang (1911–2004) provided the evidence for a discussion of the evolution of his palette of colours and his working process for expression in this genre, particularly the execution of [...] Read more.
The comprehensive technical investigation of female nude paintings by the Singapore pioneer artist Liu Kang (1911–2004) provided the evidence for a discussion of the evolution of his palette of colours and his working process for expression in this genre, particularly the execution of female bodies. As the artist’s free expression in classical nude paintings was limited by the censorship imposed by the Singapore government, the investigated artworks span two periods, 1927–1954 (early career) and 1992–1999 (the “golden years”, during which censorship policies were relaxed). Hence, eight paintings from the Liu family and National Gallery Singapore were selected for non- and micro-invasive analyses of the paint layers. The obtained results were supplemented with archival sources to elucidate certain aspects of Liu Kang’s working practice. The investigation revealed the importance of drawing and sketching studies in the development of artistic ideas. The analytical techniques, such as polarised light microscopy (PLM), field emission scanning electron microscope with energy dispersive spectroscopy (FE-SEM-EDS) and attenuated total reflectance–Fourier transform infrared spectroscopy (ATR-FTIR), enabled us to observe a transition from the yellow iron-based tonal ranges of skin colours to complex pigment mixtures composed of additions of cobalt blue, ultramarine, Prussian blue, Cr-containing yellow(s) and green(s), cadmium yellow, orange and/or red and organic reds, revealing the artist’s more liberal use of colours and his experimentation with their contrasting and complementary juxtaposes. In terms of painting technique, the artist’s comparatively laborious paint application using small brushes quickly gave way to a more effortless manipulation of the paint using bigger brushes and the incorporation of palette knives. Moreover, visible light (VIS), near-infrared (NIR) and X-ray radiography (XRR) imaging techniques led to the discovery of a hidden composition in one investigated artwork, which bears resemblance to the nude painting known only from an archival photograph. Additionally, for the first time, the archival search provided photographic evidence that Liu Kang used oil paint tubes from Royal Talens and Rowney in the 1990s. Overall, this in-depth investigation contributes to the understanding of Liu Kang’s approach to the female nude painting and may assist conservators and art historians in studies of twentieth-century commercial paints. Full article
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13 pages, 1858 KB  
Article
Stearic Acid, Beeswax and Carnauba Wax as Green Raw Materials for the Loading of Carvacrol into Nanostructured Lipid Carriers
by Juliana G. Galvão, Raquel L. Santos, Ana Amélia M. Lira, Renata Kaminski, Victor H. Sarmento, Patricia Severino, Silvio S. Dolabella, Ricardo Scher, Eliana B. Souto and Rogéria S. Nunes
Appl. Sci. 2020, 10(18), 6267; https://doi.org/10.3390/app10186267 - 9 Sep 2020
Cited by 26 | Viewed by 7644
Abstract
The use of lipid nanoparticles as drug delivery systems has been growing over recent decades. Their biodegradable and biocompatible profile, capacity to prevent chemical degradation of loaded drugs/actives and controlled release for several administration routes are some of their advantages. Lipid nanoparticles are [...] Read more.
The use of lipid nanoparticles as drug delivery systems has been growing over recent decades. Their biodegradable and biocompatible profile, capacity to prevent chemical degradation of loaded drugs/actives and controlled release for several administration routes are some of their advantages. Lipid nanoparticles are of particular interest for the loading of lipophilic compounds, as happens with essential oils. Several interesting properties, e.g., anti-microbial, antitumoral and antioxidant activities, are attributed to carvacrol, a monoterpenoid phenol present in the composition of essential oils of several species, including Origanum vulgare, Thymus vulgaris, Nigellasativa and Origanum majorana. As these essential oils have been proposed as the liquid lipid in the composition of nanostructured lipid carriers (NLCs), we aimed at evaluating the influence of carvacrol on the crystallinity profile of solid lipids commonly in use in the production of NLCs. Different ratios of solid lipid (stearic acid, beeswax or carnauba wax) and carvacrol were prepared, which were then subjected to thermal treatment to mimic the production of NLCs. The obtained binary mixtures were then characterized by thermogravimetry (TG), differential scanning calorimetry (DSC), small angle X-ray scattering (SAXS) and polarized light microscopy (PLM). The increased concentration of monoterpenoid in the mixtures resulted in an increase in the mass loss recorded by TG, together with a shift of the melting point recorded by DSC to lower temperatures, and the decrease in the enthalpy in comparison to the bulk solid lipids. The miscibility of carvacrol with the melted solid lipids was also confirmed by DSC in the tested concentration range. The increase in carvacrol content in the mixtures resulted in a decrease in the crystallinity of the solid bulks, as shown by SAXS and PLM. The decrease in the crystallinity of lipid matrices is postulated as an advantage to increase the loading capacity of these carriers. Carvacrol may thus be further exploited as liquid lipid in the composition of green NLCs for a range of pharmaceutical applications. Full article
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15 pages, 29158 KB  
Article
Investigation of Ancient Architectural Painting from the Taidong Tomb in the Western Qing Tombs, Hebei, China
by Peng Fu, Ge-Le Teri, Jing Li, Jia-Xin Li, Yu-Hu Li and Hong Yang
Coatings 2020, 10(7), 688; https://doi.org/10.3390/coatings10070688 - 17 Jul 2020
Cited by 21 | Viewed by 5620
Abstract
The Taidong Tomb in the imperial tombs of the Qing dynasties has great aesthetic value and a rich history. In this study, we conducted the first investigation ever performed on the raw materials used in the paintings in the Taidong Tomb. Energy dispersive [...] Read more.
The Taidong Tomb in the imperial tombs of the Qing dynasties has great aesthetic value and a rich history. In this study, we conducted the first investigation ever performed on the raw materials used in the paintings in the Taidong Tomb. Energy dispersive X-ray spectroscopy (EDX), polarized light microscopy (PLM), X-ray diffraction (XRD), micro-Raman spectroscopy (m-RS), Fourier-transform infrared spectroscopy (FTIR) and pyrolysis–gas chromatography–mass spectrometry (Py-GC/MS) were used to comprehensively analyze the painting of Long’en Hall, Xipei Hall and the ceiling of Minglou. In the conclusion of the study, the paintings were found to contain natural mineral and synthetic pigments, including atacamite (Cu2Cl(OH)3), azurite (2CuCO3·Cu(OH)2), vermilion (HgS), carbon black (C), anglesite (PbSO4), white lead (2PbCO3·Pb(OH)2), synthetic emerald green (Cu(CH3COO)2·3Cu(AsO2)2) and ultramarine ((Na,Ca)8(AlSiO4)6(SO4,S,Cl)2). This allows us to conclude that some of the architectural paintings were repainted in the mid-to-late 19th century. The mortar layer may consist of brick ash (albite, gismondine), lime water, tung oil and flour. The fiber layer material may be ramie. Researching the raw materials of the paintings in the Taidong Tomb is of great value because it provides scientific data for the future preservation of the paintings in the tomb. Full article
(This article belongs to the Special Issue Surface and Interface Analysis of Cultural Heritage)
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4 pages, 192 KB  
Editorial
Special Issue of the Manufacturing Engineering Society (MES)
by Eva María Rubio and Ana María Camacho
Materials 2018, 11(11), 2149; https://doi.org/10.3390/ma11112149 - 31 Oct 2018
Cited by 7 | Viewed by 3418
Abstract
Research in the field of materials is very broad, ranging from studies on the structure and properties at the atomic or molecular level to the most complex or sophisticated applications that can be done with them, as well as studies about other aspects [...] Read more.
Research in the field of materials is very broad, ranging from studies on the structure and properties at the atomic or molecular level to the most complex or sophisticated applications that can be done with them, as well as studies about other aspects related to their processing, use or management. The Special Issue of the Manufacturing Engineering Society (MES), published in the Section “Manufacturing Processes and Systems” of the journal Materials, focuses, mainly, on the applications and key processing aspects of materials, collecting a set of 48 original papers focused on the field of manufacturing engineering and materials processing. Full article
(This article belongs to the Special Issue Special Issue of the Manufacturing Engineering Society (MES))
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