Search Results (28)

Yangzhi jingshui 楊枝淨水 (willow twigs and clean water) are part of one of the most popular rituals used in Chinese Buddhist practices. In order to preserve dental health and eliminate bad odors, the Vinaya texts specify rules on chewing willow twigs as a form of tooth brushing in one’s daily facial washing process. Willow twigs are also frequently employed in Esoteric (mijiao 密教) rituals, where they are accompanied by spells to create intricate ceremonies that have the power to heal illnesses, ward off bad luck, and bring about happiness and tranquility. For the development of this ritual in China, the usage of yangzhi jingshui was not originally connected to any particular deity, but later on, the ritual became primarily linked to Avalokitêśvara (Guanyin, 觀音), who was believed to use them as crucial tools for healing and saving lives. The symbolic meaning of using willow and water has been thoroughly discussed by Master Zhiyi 智顗 (538–597) and then has since developed into the more complete Repentance Practice of Guanyin (Guanyin chanfa 觀音懺法). Using yangzhi jingshui to save people as well as trees is also an important aspect described in Buddhist biographies and Chinese novels, such as Gaoseng zhuan 高僧傳 [The Biographies of Eminent Monks], Song Gaoseng Zhuan 宋高僧傳 [Biographies of Eminent Monks in the Song Dynasty], and stories of collected in Taiping guangji 太平廣記 [Extensive Records of the Taiping (xingguo) Period], Lunhui Xingshi 醒世輪回 [Reincarnation Stories to Awaken the World], and Xiyou ji 西遊記 [Journey to the West], which all demonstrate the rich cultural significance of this ceremony. Through the narratives of monks, the worship of Yangliu Guanyin, and its portrayal in the literature, yangzhi jingshui evolved from a cleansing tool in scriptures to a ritual object in Esoteric Buddhist healing ceremonies, ultimately becoming a common Buddhist practice. While new elements were added over time, its core themes of healing and purification have remained consistent. Full article

We present and develop local prospect theory (LPT), a novel framework for understanding consciousness, and, in particular, subjective experience and free will. While predictive processing (PP) theories model the brain as trying to optimize the accuracy of predictions, LPT sees uncertainty as an essential feature of conscious decision-making. This is achieved by creating a “local prospect”—a range of potential developments colored by subjective experience from which an agent can freely choose how to react. Drawing on global workspace theory, LPT conceptualizes consciousness as a self-maintaining process of circulating neural activation, creating a temporary working memory where thoughts and feelings coming from different brain modules enter into an asynchronous, non-linear interaction. This contrasts with unconscious processes, which operate automatically and deterministically. LPT proposes entropy-based measures, including the determination of actions by conditions and the breadth of prospect, to quantify the range of potential developments considered. This framework allows us to understand Buddhist practices and concepts, such as mindfulness, liberation from attachments, and meditation, which broaden consciousness and de-automatize reactions by reducing the influence of conditioning. The proposed prospect measure may be operationalized by indicators such as the variety of action, breadth of perception, and unpredictability of behavior, thus allowing for the empirical testing of the theory. Full article

In diverse classrooms, one of the challenges educators face is creating assessments that reflect the different cultural backgrounds of every student. This study presents a novel approach to the automatic generation of cultural and context-specific science assessments items for K-12 education using generative AI (GenAI). We first developed a GenAI Culturally Responsive Science Assessment (GenAI-CRSciA) framework that connects CRSciA, specifically key cultural tenets such as indigenous language, Indigenous knowledge, ethnicity/race, and religion, with the capabilities of GenAI. Using the CRSciA framework, along with interactive guided dynamic prompt strategies, we developed the CRSciA-Generator tool within the OpenAI platform. The CRSciA-Generator allows users to automatically generate assessment items that are customized to align with their students’ cultural and contextual needs. We further conducted a pilot demonstration of item generation between the CRSciA-Generator and the base GPT-4o using standard prompts. Both tools were tasked with generating CRSciAs that aligned with the Next Generation Science Standard on predator and prey relationship for use with students from Ghana, the USA, and China. The results showed that the CRSciA-Generator output assessment items incorporated more tailored cultural and context assessment items for each specific group with examples, such as traditional stories of lions and antelopes in Ghana, Native American views on wolves in the USA, and Taoist or Buddhist teachings on the Amur tiger in China compared to the standard prompt assessment items within the base GPT-4o. However, due to the focus on nationality in the pilot demonstration, the CRSciA-Generator assessment items treated the countries as culturally homogeneous, overlooking subcultural diversity in these countries. Therefore, we recommend that educators provide detailed background information about their students when using the CRSciA-Generator. We further recommend future studies involving expert reviews to assess the cultural and contextual validity of the assessment items generated by the CRSciA-Generator. Full article

The Huayansi 華嚴寺, situated at the frontier stronghold of the Liao Dynasty in the Western Capital, is a significant royal temple that preserves two main halls from the Liao and Jin Dynasties to this day. Through a systematic examination of the Liaoshi 《遼史》 and the related literature, this study offers a novel interpretation of the east–west dual-axial layout of the Huayansi and its historical significance. It further discusses the integral artistic space of the Buddha and the Dharma within the Bhagavata Scriptures Hall 薄伽教藏殿, which shapes the spiritual realm of the Western Pure Land, thereby repositioning and enhancing the historical value of the Bhagavata Scriptures Hall. The article elucidates the political and cultural core elements embedded within the formation of the parallel axes of the Bhagavata Scriptures Hall and the Mahavira Hall, which are closely associated with three pivotal years in the Liao Dynasty: 1038, 1044, and 1062. This not only reflects the grand historical context of the Liao Dynasty’s domestic governance and foreign policy during the 10th and 11th centuries but also encapsulates the rich and diverse religious beliefs and cultural traits of the Khitan 契丹 people. The axis space of the Bhagavata Scriptures Hall, constructed earlier during the reign of Xingzong 興宗 to house the Liao Canon 《遼藏》, along with the architectural complex of the Huayansi—named and commissioned by Emperor Daozong 道宗 24 years later—collectively establishes a dual-axial worship space at the Grand Huayansi, sanctified by the triad of the Buddha 佛, the Dharma 法, and the Ancestors 祖. This underscores the Liao Dynasty’s political objectives of deterring hostile states and ensuring national security within the framework of Buddhist veneration and ancestor worship. Full article

The Zhao Lun, authored by Seng Zhao, elaborates on the Madhyamaka thought. This work has had a significant impact on Chinese Buddhist philosophy, as well as on Confucianism and Taoism. During the Yuan dynasty (1271–1368), the esteemed monk Wencai from the Huayan school of Buddhism composed a book titled A New Commentary on the Zhao Lun (hereafter New Commentary), which offers annotations and explanations for the text of the Zhao Lun and employs the “One Mind” theory to interpret the Zhao Lun. Text analysis methods are utilized in this article to conduct an in-depth study of the “One Mind” theoretical system constructed by Wencai within the New Commentary. It explores the essential content, integrative characteristics, and theoretical origins of the “One Mind” theory, thereby revealing the theoretical style of the Huayan school during the Yuan dynasty from a novel and unique perspective. Additionally, we analyze how Wencai integrates Tathāgatagarbha thought and Madhyamaka thought into his theory of “One Mind”. This analysis constitutes, to a certain extent, an indirect refutation of the harsh criticisms of Tathāgatagarbha thought of “Critical Buddhism” in Japan and provides new perspectives and reflections for a deeper understanding of Tathāgatagarbha thought. Full article

The first decade of the twentieth century marked a turning point for Japanese Buddhism. With the introduction of Western academia, Buddhist scholars began to uncover the history of Buddhism, and through their efforts, they discovered India as the birthplace of Buddhism. As India began to grow in importance for Japanese Buddhist circles, one unexpected area to receive the most influence was Japanese Buddhist art, especially in the representation of human figures. Some artists began to insert Indian female figures into their art, not only to add a sense of exoticism but also to experiment with novel iconographies that might modernize Buddhist art. One example included the combination of Indian and Japanese female traits to create a culturally fluid figure that highlighted the cultural connection between Japan and India. Other artists were more attracted to “Indianizing” the Buddha in paintings to create more historically authentic art, drawing references from both Indian art and observations of local people. In this paper, I highlight how developments in Buddhist studies in Japan led to a re-establishment of Indo–Japanese relationships. Furthermore, I examine how the attraction towards India for Japanese artists motivated them to travel abroad and seek inspiration to modernize Buddhist art in Japan. Full article

This paper explores the influence and significance of the activities of the monks’ militia during the Japanese invasion of Chosŏn, from the perspective of the religious efficacy of Buddhism and the spread of the Buddhist concept of wonder. After examining the concept that the monks’ militia played an important part in the war, fighting against enemies in major battles and constructing and defending fortresses, this paper proposes that the religious efficacy of Buddhism was revealed through the performance of burial and guiding ceremonies. Restoring the religious wonder of Buddhism, which had been criticized by the Confucian literati, Buddhist rituals for consoling the bereaved and praying for the welfare of the dead came to thrive. A dilemma existed between the principle of keeping the Buddhist precepts and the reality of fulfilling the demands of loyalty since the activities of the monks’ militia greatly damaged the Buddhist community. While killing was a direct infringement of the values of the sangha, the monks violated this precept in the cause of protecting the state and practicing loyalty. In this situation, where there was such a dilemma between the Buddhist and secular worlds, these monks’ prioritization of loyalty not only indicated the desperate national situation of the time but also reflected the social, cultural, and political context of the Confucian society of Chosŏn. This paper also explores how renowned generals of the monks’ militia, including Samyŏng Yujŏng, emerged as heroes among the people, and memories of their deeds were transmitted through wonder stories. Yujŏng was highly praised as a symbol of Buddhist loyalty, and his heroic story was expanded and reproduced among the population through folk tales and novels. While the intellectuals of Chosŏn who followed Confucian values did not believe those wonder stories, the trauma that the war left behind demanded the appearance of wondrous heroes who helped people overcome that trauma, and this demand enabled Yujŏng to emerge as one of these heroic figures. The activities of the monks’ militia, the religious efficacy of Buddhism, and the creation of the heroic narratives of the monks’ militia generals prove that Buddhism had a firm foundation in late Chosŏn society. Full article

Although the portrayal of Zhunti Daoren (Cundī Daoist 準提道人) in the Canonization of the Gods (Fengshen yanyi 封神演義) is relatively subdued, it has garnered considerable scholarly interest owing to the pivotal role he fulfills in advancing the narrative and the profound cultural connotations encapsulated within the character. Scholars have put forward three distinct hypotheses: “Zhunti Daoren as a Buddhist deity”, “Zhunti Daoren as a Daoist deity”, and “Zhunti Daoren as the Panchen Lama”. Based on the theory that the figures in the novels of gods and demons (Shenmo xiaoshuo 神魔小說) embody symbolic characteristics, as well as the sociocultural background of Ming–Qing times, this study uses literary image analysis to investigate these three different interpretations. A basic examination is also performed to explore the correlation between Zhunti Daoren and Jieyin Daoren (Welcoming Daoist接引道人), with the aim of illustrating the relationship between the cult of Zhunti and Pure Land Buddhism in late imperial China. Full article

The Caodong School (曹洞宗) advocates the integration of Buddhism, Taoism, and Confucianism (三教會通) and interprets Chan through the I Ching (以易釋禪). During the transition from the Ming to the Qing Dynasty, there was extensive interaction and mobility between the Ming loyalists (遺民) and Chan monks. This accelerated the secularization of monks and promoted the construction of temple gardens, which were expressed and preserved through literary Chan poetry. This study explores the relationship between Buddhist concepts and garden construction through a specific case, the Changshou Monastery Garden (長壽寺花園) in Canton (now Guangzhou) during the Qing Dynasty. This study examines how the Chan master Shilian Dashan 石濂大汕 (1633–1705), who journeyed to Dang Trong (Cochinchina 廣南) to spread Buddhist teachings, shaped the design and layout of the temple garden, reflecting Buddhist ideals and Caodong principles. This study analyzes the changes in landscape at the Changshou Monastery Garden, according to “the sound of tides” (潮音) from a Buddhist perspective. It also reveals how Dashan, as both a monk and a literati, blended Chan and Chinese philosophy in making the garden. The cultural resonance of tides within religious and literati traditions furnishes novel insights and prospects for the development of garden spaces. Full article

Most critics focus on the pain and suffering of the first-generation Vietnamese immigrants depicted in Lan Cao’s Monkey Bridge. This paper explores how Cao strategically uses the philosophy of karma in Vietnamese Buddhism to provide a method for alleviating their suffering in this novel. It argues that she employs karma to investigate the origins of the adversity and trauma experienced by the first-generation Vietnamese immigrants, including the pro-American attitude of the early Vietnamese authorities during the Vietnam War, the imperialistic actions of the United States, and the resulting karmic consequences. In addition, they demonstrate, through actions like forming “hui”, a way to change their fate and heal their trauma for later generations of Vietnamese immigrants, emphasizing positive transformation of karma. This paper suggests that the Buddhist philosophy of karma provides an effective strategy for Vietnamese American immigrants to reflect on the Vietnam War, overcome adversity, and heal their own trauma. Full article

The Buddhist sangha played a crucial role in ancient China, exerting significant influence on its society through religious identity and cultural knowledge. However, not all members of the monastic community were literate. The Tang Dynasty introduced an examination system that assessed monks’ proficiency in reciting Buddhist scriptures, determining their eligibility for ordination. Simultaneously, efforts to remove unqualified monks and nuns provided an opportunity to estimate the literacy rate within the monastic community. A statistical analysis of the literacy rate offers a novel perspective for understanding the evolution of Buddhism, the intricate relationship between religion and politics, and the role of the monastic community in local society during the Tang Dynasty. Full article

This paper analyses Jack Kerouac’s brief but intense conversion to American pseudo-Buddhism and the artistic effect of this biographical development, arguing that his conversion was total from a spiritual point of view and that its almost immediate effect was the production of a literary piece which should be read as a (fictional) pseudo-Buddhist hagiography, or a pseudo-ojoden. The article investigates Jack Kerouac’s life as the life of a modern American Buddha, as a person engaged in a constant quest for spiritual enlightenment, who imbued his work with a spiritual feeling derived from his personal, direct, albeit limited experience with spirituality. His novel, The Dharma Bums, is a (fictional) pseudo-Buddhist hagiography because it is (auto)biographical, and the central characters are portrayed as enlightened, “holy” beings. Full article

The Confucius Sinarum Philosophus (1687) resulted from Jesuit research into Chinese classical texts. Upon its publication, the work conformed to the Jesuits’ accommodationist policy, facing challenges over its orthodoxy from both China and the West. The Latin translation and commentary on Analects 2.16 mirror these challenges and the Jesuit rebuttal. Compared to earlier translations, this version adheres more closely to traditional Chinese exegesis and participates actively in historical debates over orthodoxy. The annotations also delineate the heterodox teachings of the Yang (楊), Mo (墨), Daoist, and Buddhist schools, juxtaposing them with Confucianism, which they portray as a natural law to be perfected. The inclusion of these four heterodoxies introduces a novel aspect to Christian heresiology, while the portrayal of Confucianism assimilates it into the Christian orthodox framework. This article contends that the translation and commentary exemplify the Jesuits’ efforts to establish orthodoxy within both Chinese and Western contexts. Full article

Taixu 太虛 (1890–1947), a prominent figure in modern Chinese Buddhism, produced a voluminous collection of poetry abounding with diverse classical Chinese images. Notably, the “lamp and candle” (dengzhu 燈燭) holds great significance, reflecting Taixu’s personal affinity with this imagery and an intimate connection to classical Chinese poetry. Acting as a potent Buddhist metaphor, it encapsulates multifaceted sentiments while also intertwining with other evocative images, such as the boat, the moon, and falling leaves. Symbolizing Taixu’s unwavering spirit, it represents his profound dedication to his craft. This article explores Taixu’s literary achievements as a poet by focusing on his adept utilization of “lamp and candle” imagery, complementing the study of his multifaceted and intricate identities. This detailed examination offers novel insights into Chinese literature and Buddhist studies, highlighting the interplay between spiritual practice and artistic expression. Full article

This paper explores the perspective on peace-making of the contemporary Chinese Buddhist monk Jinghui 淨慧 (1933–2013), whose views have garnered esteem among Chinese Buddhists but have received limited attention from scholars. Jinghui introduced the notion of “Life Chan”, emphasizing the inseparable nature of Buddhist practice and daily living. Building on this concept, he emphasizes that it is incumbent upon Buddhists to remain attentive to a range of real-world issues, among which war and peace loom large as subjects deserving of special focus. In accordance with the principles of Chinese Buddhism regarding the nature of the mind, he posits that wars and conflicts on the global stage stem primarily from the mind, with external societal influences acting as secondary triggers. Therefore, he proposes that the cornerstone of establishing worldwide peace rests in purifying the mind by means of a variety of Buddhist practices. By drawing upon Chinese Chan literatures, he introduces a novel and distinct method to facilitate worldwide peace—a tea ceremony imbued with Chan philosophy. Jinghui claims that such an approach, by nurturing individual peace, will ultimately lead to collective harmony across the globe. Full article