The Art of the Brain: Unlocking the Power of Neuroaesthetics in the Age of Artificial Intelligence

A special issue of Arts (ISSN 2076-0752).

Deadline for manuscript submissions: 30 June 2026 | Viewed by 1433

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Guest Editor
Centre de Recherches Internationales (CERI), Sciences Po Paris, 75006 Paris, France
Interests: contemporary art market; online art market; sociology of art; art economics; art and politics
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Special Issue Information

Dear Colleagues,

The relationship between art and the brain is multifaceted. Art not only stimulates various brain regions, but also offers numerous cognitive, emotional, and social benefits. Whether you are an artist or simply an appreciator, engaging with art can enrich your life in profound ways. Neuroaesthetics, a field exploring the intersection of neuroscience, psychology, and the arts, seeks to bridge the gap between subjective aesthetic experiences and objective scientific inquiry. By understanding the neural mechanisms underlying our appreciation of art, we can gain deeper insights into the human mind, creativity, and the nature of beauty itself.

Studying the relationship between art and the brain offers a wealth of valuable insights. It can help us understand the human mind by revealing how our brains process information, perceive beauty, and experience emotions. This knowledge can be applied to develop new therapies, such as refining art therapy techniques for treating mental and physical health conditions. Furthermore, understanding how art engages different brain regions can inform art education practices and create more effective and engaging learning experiences. By demonstrating the cognitive, emotional, and social benefits of art, research can encourage greater access to and appreciation of the arts in society, ultimately promoting human well-being. Finally, exploring the intersection of art and neuroscience can lead to innovative approaches in fields like Artificial Intelligence, virtual reality, and human–computer interaction.

The international scholarly open-access journal Arts (ISSN 2076-0752) invites submissions for the Special Issue on the topic "The Art of the Brain: Unlocking the Power of Neuroaesthetics in the Age of Artificial Intelligence.” We welcome interdisciplinary contributions (4,000–6,000 words long) from researchers working in various academic disciplines, including art history, sociology of art, art economics, legal studies, neuroscience, cognitive science, biology, psychology, and computer science. Submissions may address the following topics:

  • Neuroscience of Creativity: Investigating the neural mechanisms underlying creative processes, such as divergent thinking, insight, and imagination; examining the role of specific brain regions, neurotransmitters, and brainwave patterns in creative cognition; exploring how different art forms engage creative processes and stimulate aesthetic experiences.
  • Art and Cognitive Function: Studying the impact of art engagement on cognitive abilities like attention, memory, problem-solving, and executive function; investigating how art can enhance cognitive function in aging populations and individuals with neurological conditions; exploring the use of art-based interventions to improve cognitive outcomes in various settings.
  • Art and Emotional Regulation: Exploring how art can influence emotional states, such as reducing stress, anxiety, and depression; examining the neural mechanisms underlying the emotional response to art, such as the activation of reward centers and the release of neurotransmitters like dopamine; exploring the use of art therapy for mental health challenges.
  • Data-driven Forms of Aesthetics (Data Aesthetics, AI Aesthetics, Agentic Aesthetics): Examining how AI, potentially informed by large datasets of neural responses to art through brain–computer interfaces (BCI), is evolving its own "aesthetic" and what that means for the creation and consumption of human-centric artistic outputs and evolving appreciation of art and beauty.

Dr. Elena Sidorova
Guest Editor

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 250 words) can be sent to the Editorial Office for assessment.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Arts is an international peer-reviewed open access monthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1400 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • neuroaesthetics
  • art and brain
  • creativity
  • cognitive function
  • emotional regulation
  • artificial intelligence (AI)

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Published Papers (1 paper)

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Research

16 pages, 3064 KB  
Article
Panel Painting to JPEG: The Ontological Failure of Artificial Intelligence Generated Icons
by Karen Phan
Arts 2026, 15(4), 76; https://doi.org/10.3390/arts15040076 - 13 Apr 2026
Viewed by 312
Abstract
This thesis examines the theological status of artificial intelligence-generated religious imagery through Byzantine icon theory, asking whether such images can participate in the material, devotional, and communal, definitions traditionally ascribed to icons. Situating AI within an intellectual lineage beginning with iconoclasm debates and [...] Read more.
This thesis examines the theological status of artificial intelligence-generated religious imagery through Byzantine icon theory, asking whether such images can participate in the material, devotional, and communal, definitions traditionally ascribed to icons. Situating AI within an intellectual lineage beginning with iconoclasm debates and then turning to Alan Turing’s “Computing Machinery and Intelligence”, this project places contemporary image generation models such as DALL·E and Midjourney in dialog with late antique and Byzantine debates on representation, likeness, and mediation. Drawing on St Theodore the Studite’s defense of icons as relational images grounded in the Incarnation, this thesis argues that AI-generated portraits cannot be understood as icons in a theological or art historical sense. Icons depend upon an embodied triad between maker, prototype, and worshiping community, sustained through liturgical practice, ascetic discipline, and intentional craft. Adding Aristotle’s account of deliberation further clarifies this distinction: algorithmic production lacks the ethical agency and purposive choice intrinsic to sacred image-making. While engaging the scholarship of Robin Cormack, Charles Barber, Bissera V. Petcheva, and many others, this study reasserts the Christological foundations of icon theory while situating AI imagery within contemporary political economies of data extraction, militarism, and environmental cost. AI may attempt to reproduce religious imagery, but it cannot generate objects of real veneration. Full article
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