Big Music Data

A special issue of Big Data and Cognitive Computing (ISSN 2504-2289).

Deadline for manuscript submissions: closed (31 January 2022) | Viewed by 5652

Special Issue Editors


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Guest Editor
Department of Informatics, Ionian University, 49132 Corfu, Greece
Interests: musical genre classification; voice separation in polyphonic music; continuous querying in musical streams; new media cultural informational systems; music information retrieval user interface design; musical data similarity using contextual information; musical data management in P2P networks; Internet of Multimedia Things (M-IoT/IoMT); new media co-creational systems; collective intelligence in new media
Special Issues, Collections and Topics in MDPI journals

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Guest Editor
Information Systems Technology and Design (ISTD), Singapore University of Technology and Design, Singapore, Singapore
Interests: music information retrieval; algorithmic composition; machine learning; deep learning

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Guest Editor
Department of Computer Engineering and Informatics, University of Patras, 26504 Rio Achaia, Greece
Interests: multidimensional data structures; decentralized systems for big data management; indexing; query processing and query optimization
Special Issues, Collections and Topics in MDPI journals

Special Issue Information

Dear Colleagues,

Big Data are about far more than just the storage of and access to a wealth of data. Big Data enhance the discovery, access, availability, exploitation, and provisioning of information, significantly increasing supply chain visibility and transparency and enhancing companies’ responsiveness to changing market conditions. Big Data analytics allow for better modelling and thus more accurate decisions, as well as improved scalability and mass personalization. Data streams support innovation and product design through product usage data, field data from devices, and customer data. The emergence of Big Data has led to a profound shift in focus across a number of industries in the last five years, as more and more enterprising entities are understanding the importance of the management and effective use of Big Data.

In the musical domain, a shift into Big Data methodologies is also apparent, at both the level of industry as well as research. In Spotify alone, 40,000 tracks are made available daily, making the volume and value of Musical Big Data apparent. User-generated (contextual) content, e.g., from Last.fm, pertaining to everything about music, mostly from mobile devices, adds to the variety, veracity and velocity of these Big Music Data. Huge amounts of musical content preferences and consumption data are effectively utilised in combination with state-of-the-art algorithms in the creation of the musical chain, e.g., in IBM Watson’s Beat, Google Magenta’s NSynth Super, Spotify’s Creator Technology Research Lab, and many others.

Nevertheless, Big Music Data approaches are a relatively new development and are thus in their early stages. This Special Issue aims to promote new advances and research directions that address the use of Big Data in music, including related challenges and opportunities.

Dr. Ioannis Karydis
Dr. Dimos Makris
Prof. Dr. Spyros Sioutas
Guest Editors

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Keywords

  • music information research
  • big data
  • data growth
  • big data tools
  • data security
  • data integration

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Published Papers (1 paper)

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Research

27 pages, 1296 KiB  
Article
A Framework for Content-Based Search in Large Music Collections
by Tiange Zhu, Raphaël Fournier-S’niehotta, Philippe Rigaux and Nicolas Travers
Big Data Cogn. Comput. 2022, 6(1), 23; https://doi.org/10.3390/bdcc6010023 - 23 Feb 2022
Cited by 6 | Viewed by 4502
Abstract
We address the problem of scalable content-based search in large collections of music documents. Music content is highly complex and versatile and presents multiple facets that can be considered independently or in combination. Moreover, music documents can be digitally encoded in many ways. [...] Read more.
We address the problem of scalable content-based search in large collections of music documents. Music content is highly complex and versatile and presents multiple facets that can be considered independently or in combination. Moreover, music documents can be digitally encoded in many ways. We propose a general framework for building a scalable search engine, based on (i) a music description language that represents music content independently from a specific encoding, (ii) an extendible list of feature-extraction functions, and (iii) indexing, searching, and ranking procedures designed to be integrated into the standard architecture of a text-oriented search engine. As a proof of concept, we also detail an actual implementation of the framework for searching in large collections of XML-encoded music scores, based on the popular ElasticSearch system. It is released as open-source in GitHub, and available as a ready-to-use Docker image for communities that manage large collections of digitized music documents. Full article
(This article belongs to the Special Issue Big Music Data)
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