Search Results (15)

The conservation and restoration of water-gilded wooden cultural heritage, such as polychrome sculptures, frames, panels, altarpieces, etc., requires the use of fillers that guarantee structural stability, physicochemical and mechanical compatibility with the original support, and the ability to adapt to dimensional movements induced by thermo-hygrometric variations. This study, conducted as part of the DorART Project, analyzed the behavior of nine formulations, both commercial and non-commercial, selected through a review of the state-of-the-art specialized literature, along with the use of participatory science, which focused on the practices and materials most commonly used by professionals in the field. The experimental design was based on three types of specimens: two with wooden supports, selected for evaluating their interaction with the original material and with the traditional water gilding technique, and a third type for analyzing the individual behavior of the tested materials. Analyses of adhesion, tensile strength, Shore C hardness, gloss, abrasion test results, wettability, pH changes, and chemical composition were performed using ATR-FTIR spectroscopy. The results showed significant differences depending on the type of curing used and the composition and aging behavior of the specimen. Some of the fillers demonstrated improved compatibility with water-based gilding, facilitating workability and providing structural strength. M3 and M9 demonstrated an optimal balance of workability and aging stability. The results of this study can help restorers select materials based on their specific needs, considering the requirements of mechanical adaptation to the substrate, compatibility, and durability. Full article

This study presents the first scientific characterization of the white preparatory layer and polychrome pigments on painted wooden figurines excavated from the Mawangdui Tomb No. 1, dating to the Han dynasty. A combination of analytical techniques, including XRF mapping, SEM, ATR-FTIR, XRD, and Raman spectroscopy, was used to investigate the composition, structure, and potential additives in the white layer. The results reveal that the preparatory layer is primarily composed of gypsum (CaSO₄·2H₂O) and calcite (CaCO₃), with minor phases such as anhydrite and larnite. SEM observations show a porous microstructure of needle-like crystals, while spectroscopic data suggest possible traces of organic binders. The preparatory layer was likely applied to smooth surface irregularities and support polychrome decoration, such as cinnabar and carbon-based pigments, and may have also functioned as a putty in localized areas. This represents the first confirmed use of gypsum-based plaster in ancient Chinese woodcarving, showing unexpected parallels with surface preparation techniques used in New Kingdom Egypt. However, the presence of organic additives and the internal structure of the figurines remain unresolved due to equipment limitations. These findings provide new insights into ancient material practices and highlight the importance of environmental control and material-specific conservation strategies for fragile gypsum-based heritage objects. Full article

Cultural heritage objects, including traditional Chinese polychrome paintings on architectures (Caihua) and wooden architectural components, frequently exhibit surface defects that are highly sensitive to environmental factors, resulting in progressive deterioration. However, due to limited data acquisition methods and quantitative analysis models, the stability and risks of defects such as cracks during environmental changes remain unclear. This study integrates photogrammetry and digital image processing to investigate through-cracks and craquelures on the surface of a well pavilion within the Palace Museum, Beijing. We confirmed the activity of these cracks, quantified crack widths, and studied the environmental influences on their development. Over a monitoring period of more than 15 months, the widths of seven cracks on four beams were measured alongside various environmental factors. Correlation analyses identified air humidity as the most significant factor influencing crack width fluctuations (p < 0.01). Numerical simulations revealed that short-term humidity exposure induces surface swelling and crack closure, whereas prolonged humidity leads to internal moisture transport and crack reopening. Furthermore, fitting parameters indicating the severity of crack variation correlated well with the degradation levels of the wooden components. In summary, this study establishes a monitoring and quantification procedure for assessing crack activity, explores the influence of humidity through numerical simulations, and identifies a potential indicator for the non-destructive assessment of timber component stability. The proposed framework offers an exploratory approach to addressing critical challenges in the health monitoring of wooden architectural components. Full article

The interior of Orthodox churches is entirely decorated with paintings, icons, and frescoes, to help create a special environment for the prayers and visitors. The paintings have religious, esthetic, and historical value, being created in the Byzantine tradition and following recommendations on style and materials according to old church canons. Particular importance is attributed to the Iconostasis decorated with icons on several registers, as well as to polychrome wooden ornaments and imperial doors. This work presents the scientific investigation results of three royal icons, theoretically dating to the 19th century, from the Iconostasis of the Runcu church, an important 19th-century Romanian historical monument, aiming to answer questions regarding their age and constituent materials, especially what were the mineral pigments used in the color palettes for their painting and if there were any old repainting interventions, in order to assist their restoration and conservation. Methods of characterization employed were optical microscopy, SEM-EDX spectrometry, ATR/FTIR spectroscopy, and X-ray fluorescence spectrometry. Results obtained allowed us to date, attribute, and evaluate the conservation state of the Royal icons; to our knowledge, this study is among the very few research studies carried out so far on the religious heritage conservation field in Romania. Full article

Artifacts pertaining to Buddhist culture are often studied in relation to their circulation from India throughout the rest of Asia; however, many traveled to Europe during the last few centuries as trade commodities and pieces for the art market, losing any devotional purpose in favor of a specific aesthetic sensitivity that was typically adapted to Western taste to appeal to collectors. This article presents a technical study of seven polychrome wooden sculptures from the Museo d’Arte Orientale (MAO) in Turin, Italy. Originally from China, these objects are generally attributed to the late Ming–early Qing dynasties (16th–18th centuries) based merely on stylistic and iconographic considerations. Scientific analysis sought to expand the available knowledge on their constituting materials and fabrication techniques, to address questions on their authenticity, to assess their state of preservation, and to trace the history of transformations they have undergone while transitioning from devotional objects to private collection and museum artwork. By delving into the sculptures’ intricate paint stratigraphy, the results were also key to guiding treatment choices. The outcomes of this study were featured in the MAO exhibition “Buddha10. A Fragmented Display on Buddhist Visual Evolution” (October 2022–September 2023). Full article

This study presents the results and information revealed by in-depth physicochemical investigations carried out on an 18th-century polychrome wooden pedestal of the holy relics of Saint Demetrius Basarabov preserved at the Romanian Patriarchy of Bucharest. The preliminary stylistic observations and examinations on its present state of conservation were followed by optical microscopy, X-ray fluorescence (XRF) spectrometry, and attenuated total reflectance Fourier-transform infrared spectroscopy (FTIR-ATR) analysis performed in order to adopt an appropriate restoration treatment for bringing the artifact, as close as possible, to its original appearance as well as for dating/attributing the artifact and assessing its state of conservation. It was revealed that several interventions were subsequently undertaken on the original gilded surface consisting of a gypsum support layer with an iron oxide layer of bolus on which a silver foil or a gold foil and a natural resin on top of it as a protective layer were applied. The regilding and later restoration interventions consisted in applying, over the original, layers of a copper–zinc alloy foil (Dutch metal as an imitation of gold) with a resin layer of vernis over it. The final decision on the restoration intervention was taken based on the scientific analysis outcome. This work attempts also to highlight the importance of the interdisciplinary collaboration between researchers, conservation scientists, restorers/conservators, and curators for the preservation and valorization of the historical religious Romanian heritage artifacts, largely unknown worldwide. Full article

Heritage objects with wooden supports can degrade in inappropriate storage conditions or when microclimate factors contribute to the development of biological attacks. Another issue regarding the deterioration of artifacts is the lack of a full understanding of material properties and their behavior during restoration treatments. In this paper, we note the strengthening treatments of artifacts with severely damaged wood and the various treatments against bio-pests. The influence of solvent on dimensional changes was observed for water, acetone, and white spirit. Acetone was found to cause the greatest swelling and deformation of the treated panels. The present work highlights the importance of choosing not only the correct types of solvents for the solubilization of synthetic resins, as well as those used in conservation-restoration treatments, but also the effects they have on polychrome wood panels that have been degraded by xylophagous insects. Full article

The present paper reports the multi-analytical approach for the removal of thick layers of metallic overpaints from a Brancovan iconostasis of the “Holy Trinity” church in Măgureni, România, which was built in 1694. After a restoration procedure at the beginning of the 20th century, the polychrome sculpture of the frame, which was initially gilded with a thin silver foil, was covered with a thick metallic overpaint layer imitating silver and gold. Currently, the conservation project of the church is focused on restoring the original aspect; thus, the overpainting that presented strong oxidation and soiling was removed. The adopted conservation methodology involved physicochemical characterization of the pictorial layers via optical microscopy, laser-induced breakdown spectroscopy, and Fourier-transform infrared spectroscopy, followed by the removal of the overpaints. The cleaning tests were performed by evaluating several methods in order to find the proper regime that would help preserve as much of the underlying polychrome layers as possible. Based on the tests, it was decided that the best solution was to use laser cleaning for the rough removal of the metallic paint overlayers and finalizing with chemical cleaning. Full article

3D modelling and 3D printing techniques have become increasingly popular in different fields, including cultural heritage. In this field, there are still many challenges to overcome, such as the difficulty of faithfully reproducing complex geometries or finding materials suitable for restoration, due to the limited scientific studies. This work proposes an example of the application of advanced technologies for the reproduction of four missing columns of a 17th century polychrome wooden ciborium. The difficulties of an automatic scan due to its reflective surface (water gilding and estofado decorations) were overcome by creating a 2D manual survey and a subsequent manual 3D redrawing. The CAD model was used to print the missing elements with fused filament fabrication (FFF) in polyethylene terephthalate glycol (PETG), using the following printing parameters: nozzle 0.4 mm, infill 20%, extrusion temperature of PLA 200 °C and of PETG 220 °C, plate temperature 50 °C, printing speed 60 mm/s, layer height 0.2 mm. The conservation and restoration of the ciborium is nearing completion. This study highlights the importance of collaboration between different professionals for the correct design of a restoration, as well as the need to promote scientific research into the development of new high-performance 3D printing materials suitable for conservation. Full article

Hispano-Muslim culture flourished during the Middle Ages in the Iberian Peninsula and Balearic Islands. During the restoration of a Balearic nobiliary building (casal), several panels with polychrome decoration on the back side were found. They were part of an old Muslim wooden ceiling (alfarje). A multi-technique strategy including optical microscopy, infrared and μRaman spectroscopies, field emission scanning electron microscopy-X-ray microanalysis (FESEM-EDX), focused ion beam (FIB-FESEM-EDX), atomic force microscopy nanoindentation (AFM-NI), and gas chromatography-mass spectrometry (GC-MS) has been applied in the analysis of these panel paintings and has provided morphological and compositional data that have led to the identification of the materials and artistic technique as well as the alteration mechanisms due to the natural aging and the adverse conditions of conservation. As a novelty, this study has confirmed the use of indigo as a blue pigment, an unusual material in Hispano-Muslim panel painting. Apart from the notable change in the visual appearance observed in the paintings, the study has also confirmed a change in the mechanical resistance in the paint layers. These changes have been induced by the combination of the chemical and microbiological alteration mechanisms identified. Full article

The object of this paper is the diagnostic campaign performed on the polychrome wooden statue, revered as St. John, stored in the church dedicated to the “Beata Vergine d’Itria” (Blessed Virgin of Itria), (Noragugume town, Sardinia, Italy). The restoration of the statue gave the occasion to investigate micro-samples from the wooden support and from the polychromy in order to gather information that could be useful for the intervention. In fact, there was limited information on this fine carved statue and its iconographic pattern appeared to be not strictly canonical. Moreover, these kinds of artworks, having religious significant for the faithful, have been generally modified over time to satisfy possible changes in artistic or religious needs or ecclesiastical reforms. The aims of this study are: (i) support the restorers in defining the conservation status of the statue, and (ii) perform a series of analyses to identify the wood and the materials of the painting layers. Specifically, wood micro-sample was examined under the microscope in order to investigate the anatomical characteristics useful to identify the species; pigments were studied through X-ray fluorescence spectroscopy (XRF) and scanning electron microscopy coupled with energy dispersive spectroscopy (SEM-EDS); organic materials were analysed by Fourier transform infrared spectroscopy (FTIR); and, lastly, the panting technique was investigated through micro-stratigraphy (MS). The analysis performed on the micro-sample taken from the support allowed for identifying the wood as poplar. XRF detected chemical elements that could be associated to pigments such as azurite, blue smalt, red lead, white lead and ochres, and Au for the gilding. SEM-EDS confirmed these pigments and allowed to find also other elements useful to suggest the presence of further materials such as Ag in the metal foil. FTIR detected proteinaceous binder and siccative oils that were mapped in the micro-stratigraphy by using histochemical tests. All this information was used by the restorers to address the intervention from the cleaning to the final retouching. Full article

The polychrome statues of the Sage Mother Hall at the Jinci Temple in Taiyuan city are recognized as one of the three masterpieces of the Jinci Temple. They are also regarded as an outstanding representative of ancient Chinese temple statues. These statues possess great historical, artistic, scientific, cultural and social values, and they are an important physical material for the study of ancient Chinese history, culture, religion, politics and economy, as well as science and technology. The internal structure, plaster layer samples and surface pigments of the polychrome statues of the Sage Mother Hall were analyzed by optical microscope (OM) scanning electron microscopy coupled with energy-dispersive X-ray spectrometry (SEM–EDS), X-ray powder diffraction (XRD), Raman spectroscopy (Raman), X-radiography and other analytical methods in order to gain an understanding of the production process and pigment composition of the polychrome statues of the Sage Mother Hall. According to the findings, the following steps were taken during the production of the polychrome statues that decorate the Sage Mother Hall at Jinci Temple: building a wooden skeleton, fixing the skeleton with rivets or twine, shaping the clay form with coarse clay, shaping the appearance with fine clay, refining the molded appearance, and white substrate layer painting. The majority of the pigments are inorganic mineral pigments: the red pigments include cinnabar and minium; the blue pigments include ultramarine; the green pigments include lavendulan; the yellow pigments include yellow ochre; the black pigments include carbon black; and the white pigments and substrate layers include white lead and lead sulfate. Some of the pigment layers can be seen in multiple layers, which indicates that over the history of the painted statues of the Sage Mother Hall, they have been subject to a series of repainting, with the more recent repainting time perhaps having taken place during the late Qing Dynasty and the following time period. Full article

This contribution focuses on the conservation of an Egyptian wooden sculpture (Inventory Number Cat. 745) belonging to the Museo Egizio of Torino in northwest Italy. A preliminary and interdisciplinary study of constituent painting materials and their layering is here provided. It was conducted by means of a multi-technique approach starting from non-invasive multispectral analysis on the whole object, and subsequently, on selected micro-samples. In particular, visible fluorescence induced by ultraviolet radiation (UVF), infrared reflectography (IRR) and visible--induced infrared luminescence were used on the whole object. The micro-samples were analysed by means of an optical microscope with visible and UV light sources, a scanning electron microscope (SEM) with an energy-dispersive X-ray spectrometer (EDX), Fourier transform infrared (FT-IR) spectrometer, pyrolysis-gas chromatography/mass spectrometer (Py-GC/MS) and micro-particle induced X-ray emission (PIXE). The characterization of the painting materials allowed the detection of Egyptian blue and Egyptian green, and also confirmed the pertinence of the top brown layer to the original materials, which is a key point to design a suitable surface treatment. In fact, due to the water sensitiveness of the original materials, only few options were available to perform cleaning operations on this artwork. To setup the cleaning procedure, we performed several preliminary tests on mockups using dry cleaning materials, commonly used to treat reactive surfaces, and innovative highly water retentive hydrogels, which can potentially limit the mechanical action on the original surface while proving excellent cleaning results. Overall, this study has proved fundamental to increase our knowledge on ancient Egyptian artistic techniques and contribute to hypothesize the possible provenance of the artefact. It also demonstrated that polyvinyl alcohol-based retentive gels allow for the safe and efficient cleaning of extremely water sensitive painted surfaces, as those typical of ancient Egyptian artefacts. Full article

The presented research examines 17th century distemper paint from the polychrome wooden interiors of two Norwegian stave churches: Eidsborg and Heddal. For the first time, the inorganic and organic components of specimens from Eidsborg and Heddal were identified using X-ray Diffraction (XRD), Environmental Scanning Electron Microscopy (ESEM)—Energy Dispersive X-ray Spectroscopy (EDS), Fourier-Transform Infrared (FT-IR) spectroscopy, Enzyme-Linked Immunosorbent Assay (ELISA), and Gas Chromatography-Mass Spectrometry (GC-MS) after derivatization. This multi-analytical approach allowed for the identification of red ochre as the main red pigment within the topcoat (with the possible addition of minium), confirmed that a chalk basecoat was used, and finally permitted the recognition of alteration phases. Markers of proteinaceous material attributed to the use of animal-based glues were detected throughout the stratigraphic layers of both churches, with the addition of linseed oil in some locations. Furthermore, the wood substrate showed markers characteristic of pine tree, with contamination of wood fractions being detected in some of the paint samples from Heddal and Eidsborg. This research has contributed to a better understanding of the current preservation state of Heddal and Eidsborg, and ultimately assisted in developing a deeper comprehension and awareness of materials used in Norwegian stave churches. Full article

A multi-approach study has been designed to evaluate the mannerist-style masterpiece of the Christ of the Expiration (Museum Brotherhood, Seville, Spain), a polychrome wooden paste sculpture of the 16th Century that was restored in the Andalusian Historical Heritage Institute (IAPH). During its intervention, a combination of two non-destructive prototypes were used to evaluate the different color in its feet regarding its legs and torso and its cause. A portable equipment that combined X-ray diffraction (XRD) and X-ray fluorescence (XRF) was employed to analyze chemical composition and mineralogical characterization of pigments. This equipment allowed obtaining simultaneously XRF and XRD at the same point without sampling. X-ray techniques identified cerussite, hydrocerussite and barite in different layers. The presence of zinc oxide from a recent restoration was also detected. Additionally, laser induced fluorescence (LIF) was employed to assess the presence of different fluorescent compounds on the surface. This technique showed the use of acrylic products in the feet, loincloth and torso of Christ from previous restoration and allowed to detect spectral difference on the feet and a high ration of the acrylic product on feet, both could be the cause of the differential degradation between the feet and torso. This multi-approach study based on portable and non-destructive techniques allowed restoration monitoring and helped restorers to take decisions without sampling. Full article