Search Results (36)

This article examines the Buddhist artworks commissioned by Yŏm Sŭngik (廉承益, ?–1302), a powerful court official and ritual specialist active during the reign of King Ch’ungnyŏl in late Koryŏ. Focusing on three surviving works—a copied Lotus Sutra manuscript (1283), an Amitābha Tathāgata painting (1286), and a woodblock-printed Baoqieyin jing dhāraṇī (1292)—the study explores how Buddhist art functioned as a material expression of repentance, ritual healing, karmic eradication, and aspirations for Pure Land rebirth. Through analysis of votive inscriptions, painting inscriptions, and dhāraṇī texts, the article argues that the repeated four-line gāthā appearing in both the sutra manuscript and Amitābha painting is most plausibly understood within the devotional and ritual framework of the Yenyŏm mit’a toryang ch’ambŏp, rather than primarily through Huayan doctrinal interpretation, as previous scholarship has suggested. The article further situates Yŏm Sŭngik’s patronage within broader political and familial networks linking elite officials, Buddhist monks, and the religious culture of the Koryŏ and Yuan courts. Ultimately, it argues that Buddhist art in late Koryŏ operated not merely as devotional imagery, but as an active medium of ritual practice through which repentance, healing, and hopes for Pure Land rebirth were materially enacted. Full article

This study presents the results of an archaeometric investigation of white marble votive reliefs from the Roman city of Pautalia (modern Kyustendil, Bulgaria), with the aim of clarifying patterns of material selection, production, and connectivity within the eastern provinces of the Roman Empire. Although these votive monuments, primarily dated to the 2nd and 3rd centuries AD, have long been examined from stylistic, iconographic, and epigraphic perspectives, the provenance of the marble used in their manufacture has remained largely unexplored. A total of 27 votive reliefs from urban and extra-urban sanctuary contexts were analysed using a multi-method approach combining petrographic analysis, stable isotope ratios (δ¹³C and δ¹⁸O), and trace element analysis by ICP-MS, and compared against an extensive geological reference database of ancient marble quarries. The results indicate a clear predominance of local and regional marble sources, alongside a limited but meaningful presence of imported material. This distribution pattern supports the existence of local workshops operating in or near Pautalia, which relied primarily on nearby quarry sources while selectively incorporating imported marble, likely through the reuse of pre-existing blocks or workshop offcuts rather than through systematic long-distance supply. These findings underscore Pautalia’s role as a regional production centre and as a nodal point within wider networks connecting the Aegean world and the Balkan hinterland. Full article

This study presents the first metallurgical analysis of twenty-five votive statuettes of Hercules from the National Archaeological Museum of Campobasso, Molise, Italy. These artifacts, which have previously been unexamined from a metallurgical perspective, were analyzed to understand their composition, manufacturing techniques, and current state of preservation. All the samples were first analyzed in situ using X-ray fluorescence (XRF) and then were sampled to conduct microstructural analyses on polished cross-sections by optical and scanning electron microscopy. The statuettes revealed a ternary Cu-Sn-Pb alloy, consistent with historical alloying practices and manufacturing techniques typical of the period. The study highlights a homogeneous biphasic microstructure with dispersed lead nodules within the bronze matrix. The corrosion products on the surface have peculiar colors and textures due to both the finishing process and the alteration accord over centuries of abandonment, aiding the understanding of the material’s behavior over time. The compositional results confirm the usage of materials and techniques in line with other coeval artifacts. Full article

This article concerns nōsatsu, also known in Japanese as senjafuda and generally known as “votive slips” in English. Nōsatsu emerged in the 18th century out of popular practices related to pilgrimage in the city of Edo. Nōsatsu practitioners who visited Buddhist temples or Shinto shrines would paste votive slips on walls or other surfaces in the belief that the pasted slip would function as a proxy for the pilgrim, continuing in prayer vigil after the pilgrim had left. Practitioners persisted in their pasting activities in the face of opposition from temples and shrines. Later, nōsatsu evolved into full-color pictorial woodblock prints meant for exchanging and collecting, rather than pasting, but the early history of pilgrimage, proxy devotion, and institutional resistance remained in both the memories of the practitioners and the iconography of the slips themselves. Through close visual analysis of several slips depicting Buddhist themes, this article will describe the attitude of transgressive devotion that characterizes nōsatsu culture. Full article

The central image of Yakushi Nyorai in the Kondō of Yakushi-ji is a statue closely associated with the imperial household. This study centers on the iconography of the Four Directional Deities and grotesque figures on the pedestal of this statue, while drawing comparative references to related imagery from both China and Japan, in order to reassess the intended meaning behind the iconographic program and, by extension, the original purpose of the statue’s creation. The analysis suggests that the twelve grotesque figures, enclosed within bell-shaped niches on all four sides of the pedestal’s midsection, likely represent the Twelve Divine Generals, who collectively symbolize the Pure Land of Yakushi in conjunction with the Medicine Buddha above. The grotesque figures situated outside the niches on the north and south faces take on the posture of supportive yakṣa and additionally carry the iconographic attributes of beast-demons. Positioned at the lowest register, the Four Directional Deities are interpreted as forming a directional entourage of ascension—either to immortality or to rebirth in the Pure Land. Taken together, these visual elements strongly suggest that the central image of Yakushi Nyorai may have been created as a posthumous votive offering for the soul of Empress Jitō. Full article

This study presents the first systematic investigation of ancient Egyptian votive animal mummy wrappings, based on the analysis of an extensive dataset encompassing specimens from various museum collections and archaeological contexts. The research addresses the long-standing neglect and fragmented understanding of the wrapping chaîne opératoire and aims to establish a consistent terminology, as the different stages of the wrapping sequence, bundle shapes, and decorative patterns have often been described vaguely. Through an interdisciplinary methodology that integrates photogrammetry, colorant identification, textile analysis, and experimental archaeology, the study explores the complexity of wrapping practices across their different stages. This approach offers new insights into the structural logic, raw material selection, and design conventions behind this production. The analysis reveals that the bundles exhibit standardized shapes and decorative patterns grounded in well-established visual criteria and manufacturing sequences. These findings demonstrate that the wrappings reflect a codified visual language and a high level of technical knowledge, deeply rooted in Egyptian tradition. The study also emphasizes its economic implications: the wrapping significantly enhanced the perceived value of the offering, becoming the primary element influencing both its material and symbolic worth. Ultimately, this work provides an interpretative framework for understanding wrapping as an essential medium of ritual sacralization for votive animal mummies, allowing the individual prayer to be effectively conveyed to the intended deity. Consequently, this research marks a significant step forward in advancing the technical, aesthetic, and ritual insight of wrapping practices, which preserve a wealth of still-overlooked information. Full article

Radiography, favoured for its ability to provide a non-invasive insight into the contents of wrapped or coffined artefacts, has revolutionised the study of mummified human and animal remains. Despite this potential, the technology is limited by its capacity to realistically visualise the surface attributes of these often-complex artefacts. In this paper, photogrammetry—a technique widely used in archaeology and heritage applications—is applied to build upon the radiographic investigation of six ancient Egyptian votive artefacts from Manchester Museum; a study which combines the two techniques for the first time on votive material from the collection. The paper showcases the results gained through clinical radiography techniques (digital X-ray and computed tomography) on the internal contents of the artefacts, highlighting the problems encountered when viewing the outer surface. With a simple on-site photogrammetry protocol, improved visualisation was possible, providing photo-realistic renderings with important potential for both research, conservation and engagement. Full article

In 1906, Charles T. Currelly participated in excavations at Deir el-Bahri, Egypt, recovering votive offerings from the Temple of Hathor (Dynasty XVIII, reign of Hatshepsut, 1479–1458 BCE). These objects became part of the founding collection of the Royal Ontario Museum, where Currelly served as the first director. Among the offerings are several paintings on linen cloth. During examination of one painted textile, a border fringe with cream (suspected undyed), yellow and blue looped threads was sampled and analysed for dyes using gas chromatography–mass spectrometry. The yellow threads were found to contain a tannin-rich dyestuff, likely derived from Rhus spp., a common dye in ancient Egypt. Unexpectedly, the blue threads yielded brominated-indigoid marker compounds, indicating the use of a Murex-derived dye. While purple shellfish dye is rare due to the high cost of its complex production, blue shellfish dye is even more exceptional and has only been identified a handful of times on archaeological textiles. Calculated values of di-brominated to mono-brominated indigoid compounds suggests the dye originated from an indigotin-rich type of Hexaplex trunculus snail, a Mediterranean species. This finding represents a rare example of blue shellfish dye use in ancient Egypt and provides new insights into the dyeing technologies of Dynasty XVIII and the importance of this sky-blue colour in the worship of the goddess Hathor. Full article

Marble votive reliefs from rural sanctuary contexts have seldom undergone archaeometric investigation, despite their potential to illuminate regional trade and production networks. This study focuses on such reliefs from Philippopolis and its hinterland, with particular emphasis on cult sites in Roman Thrace. Using a stable isotope (δ¹³C and δ¹⁸O) and trace element analysis via ICP-MS, integrated with petrography, the provenance of marble used in these artefacts was determined. The results identify Asenovgrad marble—prevalent in the Rhodope Mountains—as the primary material, with a minority of examples sourced from Prokonnesos and the southeastern Rhodopes. The predominantly fine-to-medium-grained nature of Asenovgrad marble may have facilitated the execution of small, detailed iconography. The consistent use of this local stone across votive types and deities implies centralised production, likely by one or more local workshops. These findings contribute to our understanding of marble selection, workshop localisation, and regional connectivity during the Roman period. They also highlight the importance of combining geochemical and petrographic methods for reliable marble provenance. This research demonstrates that even modest sanctuaries can yield critical data on raw material distribution and artisanal practices within broader economic and cultural frameworks. Full article

Votive offerings are one of the most common devotional practices in Hindu temples of Kerala and are today resorted to by an ever-growing number of worshippers seeking divine help in times of need. As this article will show, these offerings are deeply embedded in the logics of the hyper-personalized and unmediated devotion that characterizes popular Hinduism in this part of India. They are also markers of the recent opening of religion to individual contribution and intervention, as well as active tools for the intimate worshipper–deity relationship. Ritual arts conducted as votive offerings allow us to dive even deeper into these considerations and open up new alleys of analysis, for they connect public and private worlds in specific ways and introduce unique aesthetic and transactional dimensions. This article draws on extensive ethnographic fieldwork conducted in the south Indian state of Kerala, with particular focus on the ritual performing art muṭiyēṯṯu’, which is mainly conducted as a votive offering in high-caste temples devoted to the goddess Bhadrakāḷi. It pulls together anthropology, performance, and religious studies to analyze the current grassroot-level realities of lived popular religion through the prism of votive offerings in general and of ritual performing arts conducted as votive offerings in particular. Full article

The ancient Roman town of Turris Libisonis was located on the northern coast of Sardinia and was known in the past as an important naval port. Located in the Gulf of Asinara, it was a Roman colony from the 1st century BCE and became one of the richest towns on the island. Among the archaeological finds in the area, the cippus exhibited in the Antiquarium Turritano is of great interest for its well-preserved traces of polychromy. The artefact dates back to the early Imperial Age and could have had a funerary or votive function. The artefact was first examined using a portable and non-invasive protocol involving multi-band imaging (MBI), portable X-ray fluorescence (p-XRF), portable FT-IR in external reflectance mode (ER FT-IR) and Raman spectroscopy. After this initial examination, a few microfragments were collected and investigated by optical microscopy (OM), X-ray powder diffraction (XRPD), Fourier-transform infrared spectroscopy in ATR mode (ATR FT-IR) and micro-ATR mode (μATR FT-IR) and Scanning Electron Microscopy/Energy Dispersive Spectroscopy (SEM-EDS) to improve our knowledge and characterize the materials and to determine their provenience. The results contribute to a better understanding of the provenance of materials and shed light on pigments on stone and their use outside the Italian peninsula and, in particular, Roman Sardinia. Full article

The Gubbio Revisited project, initiated to reinterpret the archaeological evidence collected during the 1980s Gubbio Project, primarily by a conversion from a paper to a digital record, has revealed significant insights into the evolving settlement patterns and religious expression in the Gubbio valley in Central Italy. This reanalysis of the survey evidence underscores the rhythms of settlement and ritual practice from the Neolithic through the Bronze and Iron Ages, into Roman times. Key excavations in the 1980s at Monte Ingino, Monte Ansciano, San Marco Romano, and San Marco Neolitico added details not only of settlement activity but also of embedded ritual, evidenced by material culture including pottery, faunal remains, and votive offerings. The foundation myth of indigenous religious practices, even amidst Roman influence, is documented through the Iguvine Tables alongside the introduction of new cults, showcasing a blend of local and imperial religiosity, a common feature in the Roman world. This research enriches the understanding of Gubbio’s historical and cultural landscape, emphasizing the demographic rhythms of the valley alongside the integral role of ritual in its societal evolution. Full article

One of the traditions observed in pre-Islāmic Arab society (Jāhiliyya) was the practice of child sacrifice. This practice drew strong condemnation and opposition in various passages of the Qur’ān. The underlying impetus behind the Jāhiliyya Arabs (pre-Islāmic Arabs) to engage in such acts, especially the sacrifice of their daughters, finds its explanation in the phrase khashya imlāq, “fear of poverty,” as stated in the applicable passages. Nonetheless, a careful examination of the narrations (riwāyāts) and passages pertaining to the subject reveals a fundamental relationship between the Arabs’ custom of child sacrifice and their votive rituals. This paper aims to scrutinize this intricate relationship. It commences with the identification of the riwāyāts linked to the Jāhiliyya society’s custom of presenting children as offerings to their deities. Subsequently, a comprehensive analysis will be presented on interpretations put forth by Muslim exegetes (mufassirūn) regarding Qur’ānic passages addressing the theme of child sacrifice. This paper argues that while the ostensible motivation for child sacrifice, particularly that of daughters, is often attributed to peniaphobia, an examination of the relevant passages, riwāyāts, and the exegetical interpretations leads to the conclusion that this practice is intertwined with the votive beliefs once held by the Jāhiliyya Arabs. Accordingly, it can be concluded that belief strongly influences the formation of customs and practices at the social and individual levels, even when forgotten over time. Thus, a notable example illustrates a close relationship between religion and culture. Moreover, the influence of religious motivation and beliefs in legitimizing brutal practices, such as the killing of a child, is highlighted. Full article

A multidisciplinary study, involving hydrogeological, geochemical, and mineralogical analyses, was conducted to define the evolution of thermal mineral springs in the Sabatini Volcanic District (SVD) (Central Italy) in a historic period. The outcomes were integrated with the archeological findings to improve the knowledge of the evolution of Veii, a settlement established since the Iron Age and later expanded by Etruscans and Romans. During the archeological excavations, water-related buildings were identified, especially at the Campetti Southwest site in the Veii settlement. Votive inscriptions also suggest the presence of buildings linked to sacred waters, even if a clear definition of the source and type of water is missing. In the SVD, some low-flow thermal mineral springs are present as a result of the mixing of thermal and CO₂-rich groundwater from the deep carbonate aquifer and the cold, shallow volcanic aquifer. Mineralogical and chemical analyses characterized the travertine and Fe-hydroxide deposits on Roman tanks and walls in Campetti Southwest and in a nearby ancient Roman bath along the Valchetta River. These deposits showed different relative concentrations of sedimentary and volcanic-related elements, testifying a geochemical evolution of the groundwater mixing and the presence of a paleothermal mineral spring in Campetti Southwest. Full article

The spread of the alphabet in Italy occurred between the 7th and the 6th centuries BC, resulting in the appearance of texts written in so many different languages and in such limited territorial space that one can hardly observe another similar event (Venetic, Raetic, Etruscan, Picenian, Faliscan, Latin, Umbrian, Oscan, Greek, etc.). In this paper, we analyzed inscriptions produced by the Veneti, the ancient inhabitants of a region located between the Adriatic Sea and the Alps, which has provided mainly short sepulchral and votive texts. After a careful analysis, some so far poorly understood texts revealed the development of symbols to represent numbers and the measurement of time. These features are connected with the experience of the Etruscans and show characteristics shared with neighboring Celtic populations. The inscriptions also highlight a focus on the supernatural and the underworld. Cultural influences from the east, especially from Egypt, which represent a prominent moment in the evolution of Greece in the 7th century BC, have left traces in figurative culture and, quite unexpectedly, even in language. Rigorous transliterations and original interpretations of the analyzed inscriptions support the proposed results. Full article