Search Results (30)

Radiography, favoured for its ability to provide a non-invasive insight into the contents of wrapped or coffined artefacts, has revolutionised the study of mummified human and animal remains. Despite this potential, the technology is limited by its capacity to realistically visualise the surface attributes of these often-complex artefacts. In this paper, photogrammetry—a technique widely used in archaeology and heritage applications—is applied to build upon the radiographic investigation of six ancient Egyptian votive artefacts from Manchester Museum; a study which combines the two techniques for the first time on votive material from the collection. The paper showcases the results gained through clinical radiography techniques (digital X-ray and computed tomography) on the internal contents of the artefacts, highlighting the problems encountered when viewing the outer surface. With a simple on-site photogrammetry protocol, improved visualisation was possible, providing photo-realistic renderings with important potential for both research, conservation and engagement. Full article

In 1906, Charles T. Currelly participated in excavations at Deir el-Bahri, Egypt, recovering votive offerings from the Temple of Hathor (Dynasty XVIII, reign of Hatshepsut, 1479–1458 BCE). These objects became part of the founding collection of the Royal Ontario Museum, where Currelly served as the first director. Among the offerings are several paintings on linen cloth. During examination of one painted textile, a border fringe with cream (suspected undyed), yellow and blue looped threads was sampled and analysed for dyes using gas chromatography–mass spectrometry. The yellow threads were found to contain a tannin-rich dyestuff, likely derived from Rhus spp., a common dye in ancient Egypt. Unexpectedly, the blue threads yielded brominated-indigoid marker compounds, indicating the use of a Murex-derived dye. While purple shellfish dye is rare due to the high cost of its complex production, blue shellfish dye is even more exceptional and has only been identified a handful of times on archaeological textiles. Calculated values of di-brominated to mono-brominated indigoid compounds suggests the dye originated from an indigotin-rich type of Hexaplex trunculus snail, a Mediterranean species. This finding represents a rare example of blue shellfish dye use in ancient Egypt and provides new insights into the dyeing technologies of Dynasty XVIII and the importance of this sky-blue colour in the worship of the goddess Hathor. Full article

Marble votive reliefs from rural sanctuary contexts have seldom undergone archaeometric investigation, despite their potential to illuminate regional trade and production networks. This study focuses on such reliefs from Philippopolis and its hinterland, with particular emphasis on cult sites in Roman Thrace. Using a stable isotope (δ¹³C and δ¹⁸O) and trace element analysis via ICP-MS, integrated with petrography, the provenance of marble used in these artefacts was determined. The results identify Asenovgrad marble—prevalent in the Rhodope Mountains—as the primary material, with a minority of examples sourced from Prokonnesos and the southeastern Rhodopes. The predominantly fine-to-medium-grained nature of Asenovgrad marble may have facilitated the execution of small, detailed iconography. The consistent use of this local stone across votive types and deities implies centralised production, likely by one or more local workshops. These findings contribute to our understanding of marble selection, workshop localisation, and regional connectivity during the Roman period. They also highlight the importance of combining geochemical and petrographic methods for reliable marble provenance. This research demonstrates that even modest sanctuaries can yield critical data on raw material distribution and artisanal practices within broader economic and cultural frameworks. Full article

Votive offerings are one of the most common devotional practices in Hindu temples of Kerala and are today resorted to by an ever-growing number of worshippers seeking divine help in times of need. As this article will show, these offerings are deeply embedded in the logics of the hyper-personalized and unmediated devotion that characterizes popular Hinduism in this part of India. They are also markers of the recent opening of religion to individual contribution and intervention, as well as active tools for the intimate worshipper–deity relationship. Ritual arts conducted as votive offerings allow us to dive even deeper into these considerations and open up new alleys of analysis, for they connect public and private worlds in specific ways and introduce unique aesthetic and transactional dimensions. This article draws on extensive ethnographic fieldwork conducted in the south Indian state of Kerala, with particular focus on the ritual performing art muṭiyēṯṯu’, which is mainly conducted as a votive offering in high-caste temples devoted to the goddess Bhadrakāḷi. It pulls together anthropology, performance, and religious studies to analyze the current grassroot-level realities of lived popular religion through the prism of votive offerings in general and of ritual performing arts conducted as votive offerings in particular. Full article

The ancient Roman town of Turris Libisonis was located on the northern coast of Sardinia and was known in the past as an important naval port. Located in the Gulf of Asinara, it was a Roman colony from the 1st century BCE and became one of the richest towns on the island. Among the archaeological finds in the area, the cippus exhibited in the Antiquarium Turritano is of great interest for its well-preserved traces of polychromy. The artefact dates back to the early Imperial Age and could have had a funerary or votive function. The artefact was first examined using a portable and non-invasive protocol involving multi-band imaging (MBI), portable X-ray fluorescence (p-XRF), portable FT-IR in external reflectance mode (ER FT-IR) and Raman spectroscopy. After this initial examination, a few microfragments were collected and investigated by optical microscopy (OM), X-ray powder diffraction (XRPD), Fourier-transform infrared spectroscopy in ATR mode (ATR FT-IR) and micro-ATR mode (μATR FT-IR) and Scanning Electron Microscopy/Energy Dispersive Spectroscopy (SEM-EDS) to improve our knowledge and characterize the materials and to determine their provenience. The results contribute to a better understanding of the provenance of materials and shed light on pigments on stone and their use outside the Italian peninsula and, in particular, Roman Sardinia. Full article

The Gubbio Revisited project, initiated to reinterpret the archaeological evidence collected during the 1980s Gubbio Project, primarily by a conversion from a paper to a digital record, has revealed significant insights into the evolving settlement patterns and religious expression in the Gubbio valley in Central Italy. This reanalysis of the survey evidence underscores the rhythms of settlement and ritual practice from the Neolithic through the Bronze and Iron Ages, into Roman times. Key excavations in the 1980s at Monte Ingino, Monte Ansciano, San Marco Romano, and San Marco Neolitico added details not only of settlement activity but also of embedded ritual, evidenced by material culture including pottery, faunal remains, and votive offerings. The foundation myth of indigenous religious practices, even amidst Roman influence, is documented through the Iguvine Tables alongside the introduction of new cults, showcasing a blend of local and imperial religiosity, a common feature in the Roman world. This research enriches the understanding of Gubbio’s historical and cultural landscape, emphasizing the demographic rhythms of the valley alongside the integral role of ritual in its societal evolution. Full article

One of the traditions observed in pre-Islāmic Arab society (Jāhiliyya) was the practice of child sacrifice. This practice drew strong condemnation and opposition in various passages of the Qur’ān. The underlying impetus behind the Jāhiliyya Arabs (pre-Islāmic Arabs) to engage in such acts, especially the sacrifice of their daughters, finds its explanation in the phrase khashya imlāq, “fear of poverty,” as stated in the applicable passages. Nonetheless, a careful examination of the narrations (riwāyāts) and passages pertaining to the subject reveals a fundamental relationship between the Arabs’ custom of child sacrifice and their votive rituals. This paper aims to scrutinize this intricate relationship. It commences with the identification of the riwāyāts linked to the Jāhiliyya society’s custom of presenting children as offerings to their deities. Subsequently, a comprehensive analysis will be presented on interpretations put forth by Muslim exegetes (mufassirūn) regarding Qur’ānic passages addressing the theme of child sacrifice. This paper argues that while the ostensible motivation for child sacrifice, particularly that of daughters, is often attributed to peniaphobia, an examination of the relevant passages, riwāyāts, and the exegetical interpretations leads to the conclusion that this practice is intertwined with the votive beliefs once held by the Jāhiliyya Arabs. Accordingly, it can be concluded that belief strongly influences the formation of customs and practices at the social and individual levels, even when forgotten over time. Thus, a notable example illustrates a close relationship between religion and culture. Moreover, the influence of religious motivation and beliefs in legitimizing brutal practices, such as the killing of a child, is highlighted. Full article

A multidisciplinary study, involving hydrogeological, geochemical, and mineralogical analyses, was conducted to define the evolution of thermal mineral springs in the Sabatini Volcanic District (SVD) (Central Italy) in a historic period. The outcomes were integrated with the archeological findings to improve the knowledge of the evolution of Veii, a settlement established since the Iron Age and later expanded by Etruscans and Romans. During the archeological excavations, water-related buildings were identified, especially at the Campetti Southwest site in the Veii settlement. Votive inscriptions also suggest the presence of buildings linked to sacred waters, even if a clear definition of the source and type of water is missing. In the SVD, some low-flow thermal mineral springs are present as a result of the mixing of thermal and CO₂-rich groundwater from the deep carbonate aquifer and the cold, shallow volcanic aquifer. Mineralogical and chemical analyses characterized the travertine and Fe-hydroxide deposits on Roman tanks and walls in Campetti Southwest and in a nearby ancient Roman bath along the Valchetta River. These deposits showed different relative concentrations of sedimentary and volcanic-related elements, testifying a geochemical evolution of the groundwater mixing and the presence of a paleothermal mineral spring in Campetti Southwest. Full article

The spread of the alphabet in Italy occurred between the 7th and the 6th centuries BC, resulting in the appearance of texts written in so many different languages and in such limited territorial space that one can hardly observe another similar event (Venetic, Raetic, Etruscan, Picenian, Faliscan, Latin, Umbrian, Oscan, Greek, etc.). In this paper, we analyzed inscriptions produced by the Veneti, the ancient inhabitants of a region located between the Adriatic Sea and the Alps, which has provided mainly short sepulchral and votive texts. After a careful analysis, some so far poorly understood texts revealed the development of symbols to represent numbers and the measurement of time. These features are connected with the experience of the Etruscans and show characteristics shared with neighboring Celtic populations. The inscriptions also highlight a focus on the supernatural and the underworld. Cultural influences from the east, especially from Egypt, which represent a prominent moment in the evolution of Greece in the 7th century BC, have left traces in figurative culture and, quite unexpectedly, even in language. Rigorous transliterations and original interpretations of the analyzed inscriptions support the proposed results. Full article

In 1882, the lavishly decorated golden regalia of a steppe nomad warrior prince, which was crafted in the late sixth century BCE in a “bilingual” Scythian–Milesian workshop on the Black Sea coast, was found on the edge of a Lusatian swamp 120 km southeast of Berlin. Its discovery and the ongoing findings of steppe nomad armaments—arrows, battle axes, and swords—in central Europe have led to a lively debate about the nature of Scythian–Indigenous interaction in the Early Iron Age, ranging from benign visions of long-term acculturation to violent scenarios of short-term raiding. In this article, I argue that an analysis of the iconography of the Witaszkowo hoard and new information from excavations at its find spot make it likely that it was sent as a diplomatic gift by Scythian elites to an indigenous leader and deposited by the local community as a votive hoard. An affirmation of the compact chronological range of Scythian artefacts found in the west, growing evidence for the destruction of indigenous strongholds by horse-borne archers, and concurrent evidence for the drastic depopulation of vast landscapes in the second half of the sixth century BCE allow us to envisage the gifting of this hoard as an episode of a fierce and destructive altercation. It is posited that this onslaught was a facet of the western thrust of the Lydian and Persian Empires, and that its extirpative impact was the result of systematic, commercially driven slaving triggered by the concurrent monetisation of the economies of the Black Sea coast. The effects of these raids on Eastern Central Europe’s later prehistoric communities are made manifest by analogies to the disastrous ramifications of the transatlantic slave trade on societies of 16th-to-18th-century West Africa. Full article

Hoard finds from the Bronze Age have appeared all over Europe, prompting questions about their functions (either as raw materials for recycling or votive objects). The hoard trove of raw materials from Przybysław in Greater Poland is an interesting example of a discovery that is related to the foundry activities of Late Bronze Age and Early Iron Age communities (c. 600 BC). The deposit consists of fragments of raw materials that were damaged end products intended for smelting. The research included the characterisation of the material in terms of the variety of the raw materials that were used. The individual elements of the hoard were characterised in terms of their chemical compositions, microstructures, and properties. A range of modern instrumental research methods were used: metallographic macroscopic and microscopic observations by optical microscopy (OM), scanning electron microscopy (SEM), chemical-composition analysis by X-ray fluorescence spectroscopy (ED-XRF), X-ray microanalysis (EDS), and detailed crystallisation analysis by electron microscopy with an emphasis on electron backscatter diffraction (EBSD). As part of this study, model alloys were also prepared for two of the selected chemical compositions, (i.e., CuPbSn and CuPb). These alloys were analysed for their mechanical and technological properties. This research of the hoard from Przybysław (Jarocin district, Greater Poland) has contributed to the recognition and interpretation of the function and nature of the hoard by using modern research and modelling methods as a cultic raw material deposit. Full article

In the collections of the Harvard Art Museums there is an icon of the Virgin and Child with Saints John the Baptist and Roch. Although a typical product of Cretan icon painting of the turn of the sixteenth century, the icon stands out from similar contemporary artworks due to its unusual subject matter and materiality. The iconographic analysis of the icon places it at the intersection of the Latin and Byzantine traditions and suggests that it was intended as a votive offering against the plague, featuring one of the earliest depictions of the anti-plague saint, Roch of Montpellier in Eastern Orthodox art. Examination of the verso of the icon further underscores the Western European associations of the panel. The presence of an elaborate incised design on the back side of the icon suggests that the wooden panel originated from a reused piece of furniture, in all probability, a fifteenth-century Italian chest. With this case study as a point of reference, this article discusses the commercial, artistic, and cross-confessional exchanges that took place in the ethnically and culturally pluralistic societies of Venice and its Mediterranean colonies, including the trans-confessional spread of cults, the dissemination of artistic trends, as well as the mutual transfer of artworks and objects of prestige, such as icons and chests. Full article

Axes were rare among the Scythians but are occasionally found in Scythian kurgans. Like other weapons, axes had practical as well as social and religious roles. The Scythians not only placed axes in burials as burial gifts, but also used them at various stages of the funeral ritual. This article considers several hitherto unknown, highly unusual archaeological contexts featuring axes. These contexts show that axes were used in the ritual preceding the excavation of the grave; they completed the ritual before the filling of the grave; and they were included in the final sealing of the burial. In addition to the ritual implications of Scythian axes found in kurgan burials, this article considers the meaning of the representations of related artifacts on Scythian metalwork, as well as on the coins of Kerkinitis and Olbia. A bronze votive axe similar to the one from L’vovo Kurgan 18, Burial 2 is shown on Olbian Borysthenes coins, indicating a permanent relationship between the city and the Scythians, perhaps in the form of paying tribute (“gifts”) to the Scythians. The dating of Olbian Borysthenes coinage is also discussed. Full article

The Sāgaramatiparipṛcchā, “Questions of the Oceanic Intelligence,” is the fifth chapter of the Mahāsaṃnipāta, “Great Collection,” and is a canonical work belonging to the tradition of Mahāyāna sūtra literature. This sūtra is highly valued in the long history of Mahāyāna Buddhism for its thematic and metaphorical richness, as it personifies the ocean (Skt. sāgara) to represent core aspects of the Mahāyāna doctrinal system. This paper presents two small Sanskrit fragments of the Sāgaramatiparipṛcchā recently identified in the Schøyen Collection, with transliteration and annotated translation. In order to provide a fuller picture of the textual history of the Sāgaramatiparipṛcchā, a quotation from the text on votive tablets from Kedah, Malaysia, is also discussed. These materials are employed as a case study within the context of tangible and intangible heritage. On the basis of the UNESCO declaration of 2003, it is argued that these two kinds of heritage are intrinsically interlinked, and that the categories and their pertaining definitions can be broadened so as to be relevant to more traditions and their heritage. Full article

The collective ritual of building one-day votive churches (obydennye khramy) was practiced in the European north of Russia between the late 14th and 17th centuries. The product of a syncretism between Orthodox Christianity and native folklore, the ritual’s purpose was to deliver the community from epidemic disease. One-day churches were built of freshly cut logs, on virgin ground, in a prominent place, such as a town square or crossroads. According to local belief, votive objects made from natural materials were simultaneously temporary and eternal; this paper interrogates how one-day churches fit this model. Obydennye khramy were ephemeral structurally, processually, and circumstantially. These were simple, rudimentary votive structures, not built to last nor substitute established churches. By condensing into a single day all of the traditional steps of church-building, the ritual prevented the church from growing old before completion, ensuring its purity through its newness. Built under threat of pestilence, obydennye khramy had the function of realigning the progression of time, putting an end to the period of disease, and thereby allowing humans to fleetingly triumph over natural forces. Obydennye khramy were enduring as objects of intercession, as governance instruments, and in their subsequent representations in the written word and urban topography. Votive churches were spatial icons, mediating between humans and the cosmos and returning to nature as they decayed. The ritual itself, led by religious and secular authorities, performatively reinforced social hierarchies. Obydennye khramy were immortalised in chronicle narratives and occasionally replaced with stone churches, some of which survive today. Full article