Search Results (14)

This study examines two proximate yet theologically and spatially disparate religious spaces in Seoul: the Jeoldusan Martyrs’ Shrine (Korean: 절두산 순교 성지; hereafter “Jeoldusan Martyrs’ Shrine”) and the Yanghwajin Protestant Cemetery (Korean: 양화진 묘원; hereafter “Yanghwajin Cemetery”). We propose the concept of isomorphic heterotopias and discuss the logic of intersecting memories. Drawing on Foucault’s concept of heterotopia and cultural memory theory, the study finds that the Jeoldusan Martyrs’ Shrine, through architectural enclosure, the exhibition of relics, and pilgrimage rituals, foregrounds the vertical redemption of martyrs’ flesh and faith, reinforcing ecclesiastical discourse and collective salvation narratives. In contrast, at Yanghwajin Cemetery, through dispersed tombstone layouts, egalitarian epitaph inscriptions, and public commemorative activities, the study finds that the site presents the dialectic of the martyr spirit within a secular spiritual space and individual testimonies. Despite their spatial heterogeneity, their geographic proximity generates a dialogical memory field: the vertical sacrality of the shrine is refracted through the cemetery’s horizontality, while the cemetery’s public spirit resonates with the shrine’s liturgical framework. This dialogical memory field, shaped by shared physical environments and common public narrative platforms—generates a long-term coexistence without convergence, producing a spatial relationship of “non-integrative entanglement” born of antagonism. At the same time, these sites are not isolated spatial fragments; rather, through urban governance, they are woven into the same memory politics network, forming an “isomorphic heterotopia.” Through politically inflected discursive narratives, both sites facilitate multidirectional flows of memory, preserving their respective “canons” while re-contextualizing each other within the same urban memory network. In doing so, they engage in an ongoing process of mutual rereading and co-construction, producing a re-contextualization of spatial memory and shaping a “composite historical sensibility” that, in turn, contributes to the city’s character. Full article

This article analyzes the role of parish churches, erected after 1945, in shaping the urban and social structures of the Szczecin housing estates, examining their importance and impact on the surrounding space. This research focused on three groups of churches as spatial landmarks and symbols of young heritage, analyzing their location, form, and social significance. The objective of the present research was to determine how contemporary churches perform a dominant function in space and how they affect the social identity of residents, to determine whether these churches can be considered objects of young cultural heritage. This work used field research, spatial and photographic analysis, and typological classification. Six selected churches were subjected to comparative analysis. The results indicate a clear impact of sacred architecture on public spaces and the need to formulate new monument protection strategies for contemporary sacred objects as elements of urban cultural heritage. This article fits into the current discussions on the creation of criteria for evaluating post-war architecture and its place in the structure of a developing city. We noticed the lack of tools and directions for the protection of young heritage, and suggested directions for the sustainable protection of contemporary buildings. Full article

Through an interdisciplinary study of the work of Jesuit Athanasius Kircher (1602–1680), the authors investigate the relationship between the cultural policies of the Roman Curia, the Jesuit order, religious diversity, and the aesthetic–spatial configuration of Rome during the early modern age. This paper shares in-depth observations of the recovery of ancient culture and its reworking in a post-reformist Christian age through architectural and spatial elements adopted to endorse the continuity of the ancient past and the Catholic reformistic universalistic aspirations. In this context, Kircher worked to decipher hieroglyphics on obelisks of the Imperial age but from Egyptian times. These defined a specific topography of space as a visual convergence of points: an urban geography of sacral and historical–political value and a connection with the memories of the Roman Empire and the most ancient religions of the ancient times. Full article

Częstochowa is a city known as the “spiritual capital of Poland”. The reason behind this name is the sanctuary of Our Lady—”Jasna Góra” monastery—around which a settlement was established, giving rise to the city today. The first parish was established in the 14th century. The next two parishes in Częstochowa were only established at the turn of the 19th and 20th centuries: St Barbara’s in 1891 and St Joseph’s in 1910. Today, Częstochowa has a population of almost 200,000, is an industrial and academic center, and has 53 parish churches. In comparison, Warsaw, Poland’s capital, with a population of 1,861,599, has 86 parishes. The vast majority of Częstochowa’s churches were built in the 1980s and 1990s. This paper presents a short history of the city’s development with particular reference to its sacred architecture. It also attempts to present the influence of church buildings on the urban layout and religious atmosphere of the city. The paper is an attempt to present the phenomenon of Częstochowa, which attracts hundreds of thousands of pilgrims from Poland and all over the world every year. Full article

The venous anatomy of the two-toed sloth (Choloepus didactylus) remains poorly understood, particularly in living specimens due to the limitations of traditional cadaveric studies. This study aims to describe the unique venous structures of Choloepus didactylus using computed tomography, enhancing our understanding of this species in a live setting. Three living Choloepus didactylus underwent CT scans as part of routine clinical assessments. The images were reconstructed using 3D Slicer software (version 5.6.2), focusing on the caudal vena cava anatomy. The reconstructions confirmed the presence of a significant intravertebral vein, showing complex venous connections through the ventral sacral foramen and vertebral foramina. These findings highlight notable anatomical variations and challenge existing literature on the species’ venous architecture. By employing modern imaging technologies, this research provides new insights into the venous anatomy of Choloepus didactylus, demonstrating the value of non-invasive techniques in studying the anatomical features of live animals, thereby offering a foundation for further comparative and evolutionary studies. Full article

The reflection on sacred places continues to assume significant relevance today in urban space production. The public value of sacred buildings has consolidated over time an aggregating sense of community, representing spaces for meeting and sharing. Their historical relevance as spaces for meditation represents for mankind places of personal reflection, while they have always played an important role in the city and in its symbolic and spatial structure. Thus, starting from the hypothesis that the sacred space is affirmed as an interface, because it welcomes the individual and serves the community, we examine the architectural features that enhance this ambivalence, exposing transition systems between private and collective spaces, seeking to systematize essential composition matrices for new urban spaces for public use. Assuming Lisbon as a framework, this article proposes a comparative reading between two paradigmatic buildings—Sagrado Coração de Jesus Church and the New Mosque of Lisbon—with similar goals according to the relationship between architecture, place sacrality, and the urban public space. Methodologically, drawing is used as an interpretative tool and, through formal decomposition, this article tries to demonstrate that these buildings are the result of a reflection deeply determined by the value of the place’s identity in the city’s public space system. According to these case studies, sacred buildings are conceived based on formal and spatial links that are rooted in Lisbon’s urban layout. It is sacred buildings that are at the origin of urban places for public use. Each one of these buildings share an idea of architecture with an urban and public role which integrates the objects with the shape of the city and contradicts the tendency for the dissociation between urban elements. In a way, they can be considered paradigmatic examples of architecture with an urban vocation. Full article

The article presents selected results of research related to the use of outdoor lighting, mainly street lighting, in the design of facility illumination. The indicated subject matter primarily concerns architectural structures that are located in urbanized city spaces and in the strict centers of old cities. It is in these areas that there is usually a significant saturation of historic secular and sacred buildings with significant tourist values. At the same time, the immediate surroundings of the structures are usually wrapped by a dense network of street lighting infrastructure. This illumination can be a major setback in the process of illumination planning. Therefore, it is necessary to take into account the extent of this impact on the planned illumination work, related to the selection, mounting, and direction of illumination equipment. This is related to the distance of the street luminaires from the facade, the height of their installation, the distance of the poles from each other, the power of the street luminaires, and the luminous flux distribution of the luminaires used. The purpose of the work undertaken was to analyze the extent to which outdoor lighting influences the planned illumination of an architectural structure and to explore the possibility of its potential use as a component of illumination. Analytical work was conducted at two levels of detail using advanced graphical computer applications. After general considerations and the derivation of conclusions, an example of illumination of a large sacral building was realized successfully using the element of street lighting as a component of illumination. Full article

Senile trees in historic church gardens have natural, aesthetic, historical, and cultural value. Cutting them down too hastily annihilates the achievements of entire generations. We should try to preserve the greenery surrounding historic churches and integrate it into a clear compositional arrangement with the sacral architecture. The primary purpose of the paper was to describe the process of inventorying 200-year-old trees and to present the revalorization project for the garden around the historic Orthodox church in Horostyta, located in the Lublin Voivodeship, in southeastern Poland. The church complex consists of a wooden 18th-century building, bell tower, garden, and cemetery. Within the church garden’s boundaries, there are 15 trees, with two predominant species: Acer pseudoplatanus L. and Tilia cordata Mill. These trees are of varying ages and health conditions. We used acoustic tomography to perform tree health diagnostics. Three trees, for which the initial visual assessment was disturbing, were examined thanks to detailed tomography tests. Then, through a project adapting the church garden to the health conditions of the ancient trees, they were separated from users by flowerbeds and no small architectural objects were placed around them. The presented development concept forms a compromise between tradition and the modern user’s needs. In 2007, a general renovation of the temple building was completed. Currently, the presented project for the church garden is being implemented. Full article

Three dimensional digitization of cultural heritage resources gains a lot of attention from the European Union and the United Nations, which is clearly revealed in current strategic goals and financing perspectives. Existing methodological approaches to 3D scanning in a prevailing number of cases assume that the procedure of scanning is performed in places that are closed to tourists, at least for the time of scanning. However, closing an exhibition for tourists or moving an artifact to be scanned is not always possible. Thanks to the long-term experience of the authors with 3D scanning of cultural heritage, the special procedure was designed for small and medium size objects to overcome difficulties expected in such cases. The procedure has been successfully implemented during 3D scanning of objects exhibited in the Silk Road region (on the territory of modern Uzbekistan), as well as objects being parts of wooden sacral architecture of the Maramures region (in Romania). It was revealed that the proposed procedure was successfully allowed to counteract organizational problems during 3D scanning of heritage objects being under continuous display, and that the achieved results of scanning were nevertheless of good quality. Full article

Socialist realism was more than just a trend in art. It was also, and perhaps predominantly, a method of educating the new post-revolutionary society in the Union of Soviet Socialist Republics. In socialism, the state became the commissioner, consumer, and critic of art, treating it as a major propaganda tool. It is thus not surprising that the socialist realism patterns were imposed on artists working in those countries which found themselves in the Soviet sphere of influence after the end of the Second World War. In Poland, which was the Soviet Union’s closest neighbour and one of the larger countries in the post-war “Eastern Bloc”, socialist realism was the only permitted creative method in the years 1949–1956. The ideologists of the new art assigned a special role to sculpture, which, next to posters and murals, was considered the most socially accessible form of artistic expression due to the possibility of placing it in public space. Monuments as material carriers of ideology were used as an expression of power, but they also marked the places of strengthening collective identity. During the period of socialist realism in Poland, sculptural activity followed the main three directions: heroic, portrait, and architectural–decorative. Therefore, this paper aims to present theoretical and ideological assumptions relating to socialist sculpture and their confrontation with realisations in Poland during the period of the Soviet artistic doctrine. The paper also presents the aesthetic paradigms of socialist sculptures and their relationships with the canons of European art, and, for Poland, also with the native art, mainly sacral. Full article

The study attempts to analyze the post-war sacral architecture in Poland based on the example of churches built after 1945 in the area of the present archdiocese of Częstochowa. It presents the history of sacral architecture, with particular emphasis on the years 1945–1989. It further discusses issues concerning the style of churches and problems related to structures with very large areas and cubature. Problems related to churches erected as “catechetical centers” and smaller filial churches are also mentioned. The presented issues concerning the chosen archdiocese may constitute a representative example of sacral architecture in Poland. Full article

The subject of this work is the monumental art of Jerzy Nowosielski (1923–2011), one of the most outstanding contemporary Polish painters, who combined modernity with the orthodox icon aesthetics. This work discusses the monumental realizations of Nowosielski, especially the architectural polychromes made by the artist in Catholic and Orthodox churches in Poland in the years 1950–1999. The aim of the inquiry is to present his work theoretically and place it in a broader artistic context. The research shows that Nowosielski’s monumental works results from a strongly defined artistic concept aimed at ‘mystagogy of space’. Nowosielski’s work is an original synthesis of the modernist avant-garde and traditional canons of religious art. The analysis of the problem was carried out in two areas: (1) analysis of the artist’s theoretical statements; (2) analysis of the artistic form with particular emphasis on the color aspect, based on the example of selected churches in Wesoła, Tychy, and Biały Bór. The work uses comparative references to the ideas of Wassily Kandinsky, Kazimir Malevich, Piet Mondrian, and Le Corbusier. Full article

The Cistercian order is of acoustic interest because previous research has hypothesized that Cistercian architectural structures were designed for longer reverberation times in order to reinforce Gregorian chants. The presented study focused on an archaeoacacoustics analysis of the Cistercian Beaulieu Abbey (Hampshire, England, UK), using Geometrical Acoustics (GA) to recreate and investigate the acoustical properties of the original structure. To construct an acoustic model of the Abbey, the building’s dimensions and layout were retrieved from published archaeology research and comparison with equivalent structures. Absorption and scattering coefficients were assigned to emulate the original room surface materials’ acoustics properties. CATT-Acoustics was then used to perform the acoustics analysis of the simplified building structure. Shorter reverberation time (RTs) was generally observed at higher frequencies for all the simulated scenarios. Low speech intelligibility index (STI) and speech clarity (C50) values were observed across Abbey’s nave section. Despite limitations given by the impossibility to calibrate the model according to in situ measurements conducted in the original structure, the simulated acoustics performance suggested how the Abbey could have been designed to promote sacral music and chants, rather than preserve high speech intelligibility. Full article

Polish Góra św. Anny (Saint Anne Mountain), previously German Annaberg, is one of the few places in the world where art was utilized to promote two regimes—fascist and communist. With the use of art, the refuge of pagan gods and then, Christian Saint John’s Mountain with Saint Ann’s church and a calvary site were transformed into a mausoleum of the victims of uprisings and wars—those placed by politics on opposite sides of the barricade. The “sacred” character of the mountain was appropriated in the 1930s by the fascist Thingstätte under the form of an open-air theatre with a mausoleum, erected to commemorate fallen German soldiers in the Third Silesian Uprising. After the Second World War, the same place was “sacralized” by the Monument of the Insurgents’ Deed, which replaced the German object. The aim of both of them was to commemorate those who had perished in the same armed conflicts—uprisings from the years 1919–1921, when the Poles opposed German administration of Upper Silesia. According to the assumptions of both national socialism as well as communism, the commemorative significance of both monuments was subjected to ideological messages. Both monuments were supposed to constitute not only the most important element of the place where patriotic manifestations were intended to be held, but also a kind of counterbalance for the local pilgrims’ center dedicated to the cult of Saint Anne. The aim of the paper is to present the process of transforming a Nazi monument into its communist counterpart, at the same time explaining the significance of both monuments in the context of changing political reality. This paper has not been based on one exclusive research method—historical and field studies have been conducted, together with iconographical and iconological analyses of the monuments viewed from their comparative perspective. The text relies on archive materials—documents, press releases, and projects, including architectural drawings of the monument staffage—discovered by the authors and never published before. They would connect the structure not only to the surrounding landscape but, paradoxically, to the fascist Thingstätte. Full article