Search Results (29)

In 1913, the Fabergé workshops in St Petersburg produced the most expensive of their famed Imperial egg commissions, the so-called “Winter Egg,” designed by Alma Pihl. Fashioned from translucent rock crystal and decked in a glittering array of gemstones, the egg followed several other designs on winter themes by the highly respected jeweller. In this article, Fabergé’s winter-themed creations are the starting point for an exploration of how ice, frost, and snow were portrayed by Russian artists of the late imperial period. Such works both reflected and realised many of the shifts in the art world from the mid-nineteenth century onwards, for example, the renewed focus on making art “national,” the rise of artistic opportunities for women, the erasure of boundaries between fine and applied art, the influx of such European movements as Impressionism and Symbolism, and the development of modernist approaches to content and style. The principal focus is on works by artists associated with the Abramtsevo artistic circle (Abramtsevskii khudozhestvennyi kruzhok). How did representations of ice, snow, and frost participate in the emerging dynamic between the national idea and the decorative, which in turn fed into the move towards abstraction? Why did these subjects appear frequently in art by women? Why was winter often presented through the lens of the imagined and the ludic? These works evidence a new subjectivity that arose from Abramtsevo artists’ greater freedom to render lived experience. The paths open to them when working outside the Academic system permitted creativity to range freely in the forging of a national modern style. Full article

This study presents the guideline and preliminary results of a randomized controlled community trial of group-based nutrition interventions for obesity management in Brazilian Primary Health Care (PHC), occurring between 2022 and 2023. Belo Horizonte PHC units were randomly sampled and allocated to the control (CG) or intervention group (IG). Participants were those in preparation with high self-efficacy, action, or maintenance stages of change for weight reduction who were willing to participate in groups. CG participants received usual care, while IG participants were allocated into two therapeutic groups (TGs): non-severe (TG1) or severe obesity (TG2). We analyzed demographics data, stages of change and self-efficacy for weight reduction, and intervention adherence. The six-month theory-based interventions included face-to-face groups (TG1:7; TG2:9) and phone messages and postcards delivered (TG1:4; TG2:5). There were 1120 participants. Most were women, with a median age of 61.4 years; 45.4% were in the maintenance stage of change for weight reduction, and 76.1% had high self-efficacy. A total of 350 groups were held, 13,473 phone calls made, and 1973 postcards delivered. The median adherence was 52.4%. The reach and adherence to groups demonstrate their viability and scalable potential for the treatment of obesity in Brazilian PHC, contributing to the strengthening of chronic disease management actions. Full article

This study investigates reformulation in a substandard variety of Italian, italiano popolare, from the early 20th Century, focusing on a collection of letters and postcards from semi-literate Sicilian peasants during World War I. The analysis identifies three reformulation markers: cioè, anzi, and vuol dire. These markers are affected by hypercorrection, interference, and structural simplification, reflecting the sociolinguistic dynamics of italiano popolare. Additionally, the study of these markers sheds light on the relationships between reformulation and related discourse functions, namely paraphrase, correction, addition, and motivation. By positioning occurrences of reformulation along a continuum between the spoken and written mode, the findings suggest that this discourse function is employed more as a rhetorical strategy that characterizes planned written texts, rather than as a feature of disfluency that is typical of unplanned speech. Ultimately, examining reformulation in italiano popolare provides valuable insights into the relationship between sociolinguistic variation and language change in the beginning of the 20th Century, a key phase in the spread of Italian as a national language. Full article

This article looks at the ways in which satirical postcards provided political commentary at a pivotal moment in the Franco-Russian alliance. Often overlooked as a medium of communication, turn-of-the-20th-century postcards reflected contemporary cultural values and were an important art form. Here, the focus is on postcards created by Orens and Mille, two of the best caricaturists of the day, as their work offered scathing critiques of Russia’s constant need for financial assistance from its ally and point to the ways in which the public was growing weary of these demands. Closely examining some of their postcards shows how such sentiments were expressed in visual form while also revealing the power of ephemeral materials as historical sources. Full article

Understanding long-term coastal evolution requires historical data, yet accessing reliable information becomes increasingly challenging for extended periods. While vertical aerial imagery has been extensively used in coastal studies since the mid-20th century, and satellite-derived shoreline measurements are now revolutionizing shoreline change studies, ground-based images, such as historical photographs and picture postcards, provide an alternative source of shoreline data for earlier periods when other datasets are scarce. Despite their frequent use for documenting qualitative morphological changes, these valuable historical data sources have rarely supported quantitative assessments of coastal evolution. This study demonstrates the potential of historical ground-oblique images for quantitatively assessing shoreline position and long-term change. Using Conceição-Duquesa Beach (Cascais, Portugal) as a case study, we analyze shoreline evolution over 92 years by applying a novel methodology to historical photographs and postcards. The approach combines image registration, shoreline detection, coordinate transformation, and rectification while accounting for positional uncertainty. Results reveal a significant counterclockwise rotation of the shoreline between the 20th and 21st centuries, exceeding estimated uncertainty thresholds. This study highlights the feasibility of using historical ground-based imagery to reconstruct shoreline positions and quantify long-term coastal change. The methodology is straightforward, adaptable, and offers a promising avenue for extending the temporal range of shoreline datasets, advancing our understanding of coastal evolution. Full article

Increasingly, growing older is something we do alongside technologies. Often, through mobile media, our everyday practices of informal caring are being digitally mediated and mediatised. From apps such as Whatsapp to iOS Health, how digital technology is used to provide informal care in later life is poorly understood. Care operates intergenerationally and bilaterally—older adults often caring for young children as well as adult children caring for older adults with declining capacity. Mobile media technology has become an integral part of these informal care practices. Understanding what older people do with technology is important to map different media literacies, possibilities, and limitations in practice. In this paper, which draws on a larger study, we explore older adults’ informal digital practices through creative practice workshops in Victoria, Australia. In what we called ‘playshops’, we deployed playful and creative methods such as postcard prompts and mapping exercises to explore informal care practices used by older adults, many of which are so mundane that they remain invisible and are potentially missed in research. We performed this to map uses, barriers, and possibilities of mobile technologies in providing and receiving care. Based on these playshops, we argue that when digital media is used in everyday ways, it can lead to greater social connection and informal care for, with, and through older people. These everyday acts of care give voice and visibility to the diverse ways older people use technology to facilitate informal care practises. Full article

The case study of the monumental complex of San Francesco le Moniche, built in the ancient Norman county Aversa, in northern Campania (Italy), is analyzed here. The cultural heritage of the complex and the additional value associated with geoheritage (building stones and underground extraction cavities) have been highlighted. The building stratification of the complex was reconstructed based on documentary sources, including historical cartography and photographic documentation of postcards from the early 1900s. It began around 1200 and ended in the 20th century; part of the original citadel was dismantled and incorporated into the urban fabric in the Fascist era. The building stratification of the complex was also read from the distribution and architecture of the existing underground cavities from which the building stones were extracted. The subsoil, reconstructed on the basis of geological and geophysical data, is made up of a tuff substrate, starting from approximately 5–6 m from the ground level, which represents the main building stone as well as being an important testimony to the long volcanological history of northern Campania. Laser scanner surveys of the known and accessible cavities were carried out to obtain a three-dimensional view of the entire monumental complex and its underground spaces. The results provide a clear example of a geoheritage–cultural heritage interface which reminds us of the importance of an integrated approach in their valorization, specifically in urban areas. Additionally, the results of the study allowed us to improve the knowledge of the complex and the site, and provide useful tools for the planning of future targeted investigations. Full article

Modernism has emerged as the preeminent iconic representation of Barcelona. However, the process through which this peculiar style has attained its iconic status is an arduous and multifaceted endeavor. This paper examines the challenges inherent in the categorization and periodization of Modernisme, followed by a succinct review of its initial filmic representations, culminating in a comprehensive analysis of two films in which Modernisme assumes a pivotal role: All About My Mother (Pedro Almodóvar 1999) and Vicky Cristina Barcelona (Woody Allen 2008). We conclude that Modernisme’s transformation into a cultural brand is largely attributable to the erosion of its ideological component in favor of a touristic and globalizing gaze. Full article

Many aspects of intangible cultural heritage have associated objects of material culture that augment or enable aspects of intangible heritage to be exercised or emphasized. Christmas markets have been publicized as the quintessential event in Germany leading up to Christmas, with the over 2000 locations attracting large numbers of local, domestic, and international visitors. From their origins as mercantile venues during the medieval period, Christmas markets have evolved into multisensory social and experiential events, where the acquisition of Christmas decorations or gifts has been supplanted by the consumption of mulled wine in a social setting. Christmas markets represent intangible cultural heritage staged in ephemeral surroundings. While the abundance of material culture in Christmas markets is widely understood, this focuses on the objects offered for sale at the markets, rather than the objects that characterize a Christmas market and enable its functioning. This paper provides the first comprehensive assessment of the portable material culture associated with the German Christmas markets, covering objects as diverse as payment tokens, lapel pins, special postmarks, beer mats, and commemorative cups issued for the consumption of mulled wine. These objects, as well as numerous other manifestations of material culture, are discussed in the wider framing of the materiality of the markets, examining their ontological qualities within the multiple spheres in which these objects attain meaning (i.e., personal, event, social, and public spheres). It demonstrates that the wide range of alienable material culture associated with German Christmas markets has different manifestations of materiality, depending on the viewpoint of the user (i.e., participant, vendor, organizer), and these manifestations have different expressions of representativeness. On this foundation, this paper examines the various groups of portable and alienable material culture and discusses them in terms of their authenticity and to what extent these are representative of German Christmas markets. While all items have a connection with Christmas markets and function as symbolic shorthand souvenirs, commemorative cups issued for the consumption of hot drinks as well as the deposit tokens associated with these are both genuine and authentic and are also representative of the conceptual, social, and experiential dimensions of the event. Full article

Interventions are needed to increase low HPV vaccination rates within rural areas in the United States, particularly in the state of Florida, which has the seventh highest number of HPV-related cancers. Florida also ranks low compared to other states in terms of HPV vaccination. Rural-residing parents may benefit from two evidence-based strategies to increase vaccination rates: reminder messages informing and prompting vaccination appointments and mobile clinics to reduce transportation barriers. We sought to identify parental attitudes towards (1) message features that promote rural-residing parents’ receptivity to HPV vaccination; (2) parents’ acceptability of three reminder message modalities (text, postcard, phone); and (3) implementation factors that promote parents’ acceptability of using a mobile clinic for vaccination. We recruited 28 rural-residing parents of 9- to 12-year-old children (unvaccinated for HPV) for focus group and individual interviews and thematically analyzed transcripts. Three features promoted parents’ receptivity to HPV vaccination messages: source credibility, specific information coverage, and personalization (name and birthday wishes). Parents most preferred text messages and identified three factors promoting parents’ mobile clinic use: convenience and feasibility, trustworthiness, and detailed information. The findings indicate rural-residing parents’ acceptability of reminder messages and mobile clinics as well as the importance of trust and feasibility when implementing these evidence-based strategies for rural-residing parents. Full article

During the Holocaust, poets went to extraordinary lengths to write their poems and transmit them. Poems that were written during those years were often buried in the ground, stitched into clothing, smuggled out of prisons, or graffitied onto walls. These object documents carried more than facts about these events; they carried the feeling of living through these events. This research explores the last poems of four Holocaust poets, Władysław Szlengel, Selma Meerbaum-Eisinger, Hannah Szenes, and Abramek Koplowicz, investigating not only the poems but their object-ness and their stories of transference. These poems, like urgent postcards, deliver messages to a family, to a community, to the world. They ask―what does it mean to write a poem as a last will and testament? Full article

The practice of promoting an image of the city using architectural objects, and the need to identify or create architectural icons in urban spaces, outlined in this article, occurs in many cities worldwide. The city of Szczecin in Poland, the subject of this research, is no exception. The turbulent history of the city, which for years remained within the borders of Germany, makes it particularly worth analyzing in these terms because it shows the shifting popularity of architectural objects in the context of changing political, cultural, and economic conditions. The research presented here aims to identify iconic objects commonly exploited to build an image of Szczecin, assess their prominent features, and analyze changes over time in their popularity and use for these purposes. The historical and interpretive research was based on a detailed analysis of old and contemporary architectural objects of Szczecin depicted in postcards from the last hundred years, from the period spanning 1920 to 2023. The analysis covered several digital databases containing archival and contemporary postcards. This analysis enables the identification of the most popular objects, suggests the key characteristics of iconic buildings, and identifies four basic types of buildings, which are distinct in terms of purpose, message, and the specific image of the city to which each contributes. The duration of each type as a popular object, the strength of its impact on the city’s image, and its importance for the urban landscape are also identified. The research revealed that: architecturally iconic buildings are created concerning political, economic, and social conditions and the need to promote a specific image of the city, certain features contribute to a building’s potential as an architectural icon, and the strength of the building’s impact, its importance for the city landscape, and the possibility of creating a specific image depending on its iconic type. Full article

Photographic postcards featuring farmer culture on the American Great Plains hold a tangled relationship to the concept of home. As both personal and tactile keepsakes to be taken home after travel and souvenirs directed to loved ones, the postcard bridges spaces of home, travel, and migration. Furthermore, postcards are significant vehicles in storytelling and community building. In the early twentieth century, a peculiar type of photographic postcard became popular in the Midwest and Great Plains regions depicting farmers with outrageously oversized crops and livestock. This article explores photographic postcards by William H. Martin (1865–1940) that equivocally glorify white farmer culture and their presumed economic productivity. It posits that through an elaborate act of photomontage, these photographic cards demonstrate the boundaries of home and convey ‘homeland’ as an ambiguous landscape. Full article

During World War I the soldiers’ life at and behind the frontline was captured by personal photography. While heavily regulated and censored on the allied side, conditions were more relaxed for German soldiers, and for German officers, in particular. Drawing on a large sample set of images of the same subject matter, a French church bell with a patriotic, anti-German inscription, this paper surveys the private production of picture postcards by German soldiers. Initially photographed by a range of individuals, some images were eventually produced as printed lithographed postcards by regional German publishers. The processes and limitations of the personal versus commercial production of picture postcards are discussed. Full article

This article is focused on the use of photography to characterize land-cover and land-use changes in a 7.59 km² study area centered on Hotel do Garbe, in the village of Armação de Pêra, Algarve, Portugal. Orthorectified vertical aerial, oblique aerial and ground-level photographs were the main data sources required to carry out the analysis. In a preliminary approach, a conventional research design was adopted. Based on the available orthorectified vertical aerial photographs, a sixty-year time series, with four homogeneously distributed steps (1958, 1978, 1997 and 2018), was constructed, and maps were produced to support the description of the changes that have taken place. To deepen the analysis, photographs from fourteen picture postcards were recognized as a useful source of information, and the authors of these photographs were considered “involuntary or accidental photo-geographers” whose work was relevant to feed a case study in which human geography and landscape biography sciences are the main narrative axes. The final result proved to be richer than the interpretation only based on the orthorectified vertical aerial photographs, and the importance of combining photographs taken from different points of view, with different aims and for different recipients is highlighted. Full article