Search Results (80)

Black crusts and biological colonisation are among the most common types of ‘diseases’, with diverse aetiologies and presentations, affecting masonry architectural heritage. Over the past decades, there has been an increase in the incidence of this degradation phenomena due to the increase in pollution and climate change, especially on the urban walls of ancient cities. In particular, the present research examines the state of conservation of the city walls of Perugia, which are divided into two main city walls dating back to the Etruscan and Medieval periods and are recognised as historical heritage of high identity and cultural value. The degradation reflects, in the mentioned cases, on the liminal public and green areas. A view is also reflected in local journalism and social media, where residents and visitors have framed the spontaneous growth of herbs and medicinal shrubs within the stone joints of historic walls as an apparently benign and aesthetically pleasing occurrence. This misleading interpretation, while rooted in a superficial aesthetic appreciation, nevertheless draws attention to a real and urgent issue: the pressing need for systematic maintenance and intervention strategies—coordinated between academics, students, designers and stakeholders—which are able to reposition the city walls as central agents of urban and cultural regeneration, rather than peripheral remnants of the past. Full article

For the first time, the numerous scattered data on birds (wild and domestic) have been collected based on their medieval bone remains discovered on the modern territory of the Republic of Bulgaria. The collected information is about a total of 37 medieval settlements from the time of the First and Second Bulgarian Empires. Among the settlements studied are both the two medieval Bulgarian capitals (Pliska and Veliki Preslav), as well as other cities, smaller settlements, military fortresses, monasteries, and inhabited caves. The data refer to a total of 48 species of wild birds and 6 forms of domestic birds of 11 avian orders: Accipitriformes, Anseriformes, Ciconiiformes, Columbiformes, Falconiformes, Galliformes, Gruiformes, Otidiformes, Passeriformes, Pelecaniformes, and Strigiformes. The established composition of wild birds amounts to over one tenth (to 11.5%) of the modern avifauna in the country. Five of the established species (10.4%) have disappeared from the modern nesting avifauna of the country—the bearded vulture, the great bustard, the little bustard, the gray crane, and the saker falcon (the latter two species have reappeared as nesters in the past few years). First Bulgarian Empire (681–1018): Investigated settlements—22. Period covered—five centuries (7th to 11th c.). Found in total: at least 44 species/forms of birds, of which 39 species of wild birds and 5 forms of poultry. Second Bulgarian Empire (1185–1396): Investigated settlements—15. Period covered—3 centuries (12th to 14th c.). Found in total: at least 39 species/forms of birds, of which 33 species of wild birds and 6 forms of poultry. The groups of raptors, water, woodland, openland, synanthropic and domestic birds were analyzed separately. The conclusion was made that during the two periods of the Middle Ages, birds had an important role in the material and spiritual life of the population of the Bulgarian lands. Birds were mainly used for food (domestic birds), although some were objects of hunting. No traces of processing were found on the bones. Birds were subjects of works of applied and monumental art. Their images decorated jewelry, tableware, walls of buildings and other structures. Full article

This paper outlines a methodology for creating an educational and informative communication system for non-specialised audiences in order to preserve and pass on the heritage of ideas and practices adopted in the medieval political and administrative sphere. Through the combined use of digital technologies (such as GISs, 3D modelling and virtual tours), historical sources can potentially reveal how political and administrative aspects affected different areas within the medieval city, not just the main seats of power. Bologna, a prestigious medieval university metropolis, is chosen as a case study because of the remarkable wealth of documentation in its archives from the city’s political culture in the Middle Ages. Written historical sources, including documentary and narrative texts, are among the primary tools employed in the study of European medieval urban communities in general. Documentary sources help us understand and reconstruct the complexities of civic administration, urban policies and the economy, as well as how citizens experience them daily. The involvement of citizens in the political and administrative life of late medieval cities is explored through the management and digital processing of historical documentation. Digital humanities tools can facilitate this analysis, offering a perspective that sheds light on the formation of the pre-modern state. Although digital databases and repositories have significantly contributed to preserving and digitally archiving historical sources, these are often aimed exclusively at the academic level and remain underutilised as privileged didactic and educational tools for a broad audience. Full article

This article explores the challenge of developing a sustainable cultural brand for cities that are primarily perceived as tourist destinations. While major urban hubs like Berlin (DE), Edinburgh (UK), and Lisbon (PT) have successfully transitioned from being known mainly for tourism to becoming recognized cultural destinations, the process behind this transformation remains underexplored, especially when it comes to mid-sized cities. How does a town move beyond its touristic image to build a lasting cultural identity? What strategies enable this shift, and what role do different stakeholders play? Focusing on the Romanian city of Brașov, a scenic destination in Transylvania mostly known for its natural environment and medieval architecture, the paper addresses this gap by investigating how a cultural brand can be developed through strategic marketing efforts. Using an integrated approach that combines two qualitative studies and one quantitative analysis, the research provides new insights into (i) cultural marketing strategies that can enhance Brașov’s city brand; (ii) stakeholder perspectives on developing Brașov’s cultural identity; and (iii) the role of Generation Z, whose influence on urban cultural branding has, so far, been minimally researched, in shaping the cultural future of cities, particularly Brașov. Some of the findings highlight key areas for developing Brașov’s cultural brand, including expanding nightlife activities, introducing more contemporary and year-round themed festivals, and tailoring promotional efforts to the short attention spans of the “TikTok generation”. Participants emphasized the need for a more diverse range of cultural events, including experimental and niche performances, alongside stronger educational initiatives to encourage long-term engagement by involving schools and universities. The results offer actionable insights for policymakers, urban planners, and cultural leaders seeking to develop a city brand centered around culture, focusing on long-term identity and community engagement rather than solely on tourism. Full article

This article examines the intertextuality and shared origins of two prominent narratives in classical Arabic literature: the story of Solomon’s Copper Carafes and the tale of The City of Brass. Both narratives, which later appeared in combined form in Alf Laylah wa-Laylah (One Thousand and One Nights), are laden with religious and mythological motifs that reflect broader cultural and theological concerns in the medieval Islamic world. This study attempts to answer the following question: “What are the common motives and ideas between the stories of Solomon’s Copper Carafes and The City of Brass in ancient Arabic literature?” By analyzing these stories as they appear in key sources of classical Arabic prose, this study investigates their shared themes and explores their potential common origins predating their Arabic textual forms. This study analyzes selected classical Arabic sources to demonstrate the narrative relationship between The City of Brass and Solomon’s Copper Carafes. It argues that both stories share a common origin predating their Arabic textual transmission. From a literary perspective, the tales of The City of Brass and Solomon’s Copper Carafes are prime examples of Islamic religious fiction, skillfully employing narrative devices to spread Islamic principles and beliefs. The stories are consistent with the core beliefs of Islam since they emphasize austerity, the certainty of death, and the primacy of monotheism. From a religious perspective, the intertwined stories of The City of Copper and Solomon’s Copper Carafes in Alf Laylah wa-Laylah provide a powerful example of how Islamic stories are inherently consistent with Islamic morality and beliefs. Full article

Medieval writers designated Siena as a “new city”. Seemingly confirming this assessment, the Sienese Church possessed no hagiographic tradition of early bishops that would prove that their urban settlement was a true civitas in late antiquity. As part of their effort to verify that their city had not only Roman but also early Christian origins, the Sienese, primarily spearheaded by lay officials, refashioned the image of their martyr-saint, Ansanus (d. 296). By the thirteenth century, the implication that the lay martyr had baptized the citizens was added to his second Latin passion narrative. Yet, only beginning in the fifteenth century do vernacular passions and images of Ansanus baptizing the Sienese appear, revealing that the baptismal event emerged as a defining point in the sacred history of the city and was communicated to citizens both textually and visually. These were produced at the behest of lay institutions, such as the Opera del Duomo and the communal government. By performing the sacrament of baptism, Ansanus fulfilled a crucial function of a proto-bishop, namely the transformation of the pagan Sienese into a true community of the baptized. Though some Sienese humanists sought to identify the earliest bishops, no episcopal cult was ever established. Considering that the default for other major cities in Italy was to identify and venerate their early bishops, Ansanus’s transformation into “the Baptizer” presents a case study of how saints could be adapted in unconventional ways to fix a problematic civic past. Full article

In the city of Valencia (Spain), there existed from the Middle Ages until the mid-nineteenth century a building that fulfilled a municipal strategic function: The “new flour-weighing house”. Its purpose was to distribute food to the population and collect the corresponding indirect municipal taxes. Today, the existence of this building is not remembered, neither by scientists nor by citizens, and its importance, location and appearance are unknown. The building investigated, behind which the medieval façade of the “flour-weighing house” is hidden, is the Colomina Palace. In the investigation, its growth phases have been detected, and an idea of its structural organisation has been obtained. Research and investigation have been carried out by consulting historical, cartographic and archival material, together with advanced geomatics techniques, including close-range photogrammetry, terrestrial laser scanning and thermography. The fuse of colour and thermal imagery, together with point clouds and 3D models, help to visualise and check the different spatial transformations of the current “Colomina Palace”, adapting the sequence from medieval times into present. The methodology proposed in this study avoids the need to carry out destructive tests and the processing of permits, which speeds up decision-making and historical architectural reconstruction. Full article

Kris Martin: Altar/Altering Perspectives Flemish artist Kris Martin’s work exists in relationship to the city of Ghent and his reflection on that city’s medieval past. His pieces that implicitly engage with the Ghent Altarpiece by Hubert and Jan van Eyck question the position of human beings in both physical and subjective relationships to works of art. They invite viewers, particularly residents of Ghent, to participate in a new narrative of Ghent, one that is framed, sometimes literally, by the layers of Romanesque and Gothic art and architecture and the symbolism and visual language of Flemish Christianity. They reveal his baroque interest in bringing together tradition and a contemporary conceptual ideology and fall somewhere between the theatricality of the carnival and the artificiality of the spectacle. While a few pieces pointedly reference a Flemish Catholic ideology, the medieval manipulation of the public and the direct iconography are missing. Through his manipulation of scale and placement in non-traditional locations, the pieces are open to new readings beyond the emotive and didactic. But, much in the tradition of the Northern Renaissance, they engage the viewer intellectually and ask for introspection. Full article

Given that spatial accessibility to tourist resources is crucial for tourism development, this study analyzes the role of the distance between tourists and archaeological sites in the Dobrogea region of Romania. This study highlights the impact of road distance in the valorization of the main archaeological sites in the chosen area, the results obtained providing information on the main parameters of archaeological resources in achieving tourism success. These data will be important clues in the future design of plans for the valorization of those archaeological sites not yet valorized from the tourist point of view. Spatial data modeling was performed using specific Geographic Information Systems tools, which allowed us to extract the necessary information. By corroborating the results of the geospatial analysis with the statistical ones, we were able to draw conclusions regarding the tourist behavior in the region and the decision factors of tourists in visiting the ancient or medieval ruins in Dobrogea. Our analysis shows a significant correlation between the road accessibility of archaeological sites and their tourist attractiveness, with a particular influence of their location in relation to the main tourist areas of interest in the region. The study area has a rich history that has left behind a high density of ancient fortresses, citadels, and cities, which are relatively underutilized for tourism. Heritage tourism has thus lagged behind coastal tourism, which attracts the highest number of tourists in the country. A better knowledge of the factors that favor the development of heritage tourism is needed in order to expand the region’s tourist offer. Our recommendations aim to improve the accessibility and attractiveness of these archaeological sites by investing in essential infrastructure, developing sustainable transportation policies and specific tourism facilities, and implementing a regional strategy to enhance and protect them, which will ultimately increase their contribution to local economies. Full article

This study aimed to find out the distribution, destructions, developments, transformations, and processes of changes of mosques after WWII in Herat Old City, which is a medieval city still preserved and standing. One hundred and eight mosques were constructed, 2 of them were demolished, and 106 still exist. Twenty-eight are modern mosques, and 80 are traditional. Twenty-two out of 80 are preserved, 56 have been transformed, and 2 were damaged, or demolished. Modern mosques are mainly located in the second and fourth quarters, while traditional mosques are distributed in all four quarters. The transformation started in the 1950s after WWII, continued in the 1970s, 1990s, and 2000s, and has occurred in all four quarters, slightly higher in the second and fourth quarters. Through a field survey, data were collected, findings were combined, unified, and plotted on the map, and the mosques were categorized based on building material. Full article

Building on the observation of gaps in current research, this study provides a comprehensive analysis of the spatial patterns of heritage sites along the Silk Road, focusing on how historical trade routes shaped what are now recognized as heritage sites. Using data from the United Nations Educational, Scientific and Cultural Organization (UNESCO) World Heritage List, the research examines heritage sites across Eurasia and North Africa, with a specific emphasis on the Silk Road corridors. This study employs a spatiotemporal approach, categorizing sites into northern overland routes and southern maritime routes to highlight regional variations in network development. The key findings of this study reveal the significant influence of historical trade routes on the development of settlements, cities, and cultural landmarks along the Silk Road. These findings identify clear trends in the Silk Road network’s evolution over time, illustrating a shift in its spatial focus across different historical periods. Initially, the network was centered in the eastern Mediterranean during the Classical Period. In the medieval period, this focus expanded to include a dual core area in both the eastern Mediterranean and Central Asia. By the late Medieval period, the network had shifted again, with a new core emerging in Europe. This chronological and spatial analysis allows for a detailed examination of the Silk Road network’s heritage landscape evolution. The study underscores the interconnectedness of heritage sites across these regions, contributing to a deeper understanding of how landscape connectivity and trade network dynamics evolved over time. Furthermore, by identifying patterns of network development and shifts in centrality and density, this research offers valuable insights for the conservation and management of heritage landscapes. These findings are particularly crucial for preserving the historical and cultural integrity of Silk Road heritage sites. Full article

The present study, which is part of a wider inter-disciplinary research project on Medieval Rome funded by the Swiss National Science Foundation, focuses on the archaeometric characterisation of glass tesserae from the apse mosaic of the church of S. Agnese fuori le mura, dated to the 7th century AD and never analysed until now. The main aims of the study are the identification of chemical compositions of glassy matrices and colouring/opacifying techniques by means of the combination of micro-textural, chemical, and mineralogical data. In S. Agnese tesserae, the results show the presence of glassy matrices and opacifiers/pigments, typical of both Roman and Late Antique/Early Medieval periods. The technological features identified (in particular, glassy matrices and opacifiers/pigments) allow us to discriminate not only new-production tesserae, i.e., those probably produced in the 7th century for the realisation of the S. Agnese mosaic, but also those obtained from recycling or re-using previous glass. This testifies to a quite complex “puzzle”, unusual in other glass mosaics from the same city and coeval with S. Agnese, supporting further the potentiality of archaeometric studies on glass to uncover the technical and socio-cultural knowledge that underpins its manufacturing, use, re-use, and recycling in the Early Medieval Rome. Full article

Texts recounting the careers of saints were foundational to Christian worship and historical construction in medieval Europe. They were also fluid, living works that evolved over time as individual saints’ stories were revised, adapted, and retold. These texts changed in response to changing contexts in which they were used and understood. This article undertakes a case study to see how the evolution of one urban saint’s legend reflects the history of that saint’s city. Specifically, it analyzes the numerous Latin and vernacular texts produced between the mid-fifth and late twelfth centuries that recount the deeds of Saint Trophimus, first bishop of Arles. It argues that shifts in the saint’s story reflect broad changes in the political, religious, and social life of Arles. It also demonstrates that the number of parties recounting the legend multiplied over time, and that dissonances within the story arose as these groups adapted the tale to their own interests. Full article

Ceramic sherds from approximately 20 samples of lead-glazed tableware, recovered from diverse archaeological sites, including three repurposed storage pits transformed into dumpsters within the medieval city of Santarém (13th–14th century), underwent a meticulous examination. This investigation utilised techniques such as micro-Raman, ground-state diffuse reflectance absorption, and X-ray fluorescence spectroscopies, in addition to X-ray diffraction and stereomicroscopy. A parallel study was conducted on contemporaneous European ceramics (glazed sherds) sourced from archaeological sites dating back to the 13th–15th centuries in Saintonge (France), Ardenne, Zomergem, and Bruges (Belgium), as well as Surrey–Hampshire, Kingston, and Cheam (England). The first premise for comparing the Santarem samples with European production locations was their frequent commercial relations with Portugal and the frequency of these productions being found in Portugal. The colour of the ceramic bodies is predominantly white or whitish, with a few exhibiting a vivid red hue. Analyses of the fabric, mineralogical, and elemental composition of the sherds suggest that the majority of Santarém’s glazed ceramics were locally or regionally produced, potentially derived from a Pliocene kaolin-rich sand formation. However, this conclusion is not supported by the absence of discovered lead glaze kilns or workshops in Santarém for the late Middle Ages. Full article

As global warming and heat waves are becoming more frequent and severe, cities, with their different morphological districts, must be at the forefront of environmental challenges. Notably, many Mediterranean towns maintain the original medieval urban fabric and the regular one. The research focuses on the development of a methodology with the application of high-resolution 3D modelling software ENVI-met V5.1 to analyze the microclimatic effects of mitigation and adaptation strategies derived from the study of medieval and regular urban fabric. The aim is to address contemporary challenges such as heat waves and urban heat island (UHI) effects in modern cities. By studying outdoor energy behavior in a southern Italian city (Bari), the research proposes scenarios for urban settlements in the face of climate change. This approach provides recommendations for creating more climate-resilient urban environments both in the historic and modern city. The use of trees with large crowns and tall shrubs and the inclusion of fountain jets are strategies to achieve sky view factor and air temperatures in the modern city similar to those in the historical fabric. Increasing albedo values and the use of green roofs prove to be further strategies for improving outdoor climatic conditions. Full article