Search Results (180)

Contemporary muralism has gained increasing cultural and social relevance in recent years, becoming a prominent form of urban artistic expression. However, its outdoor exposure makes it highly vulnerable to environmental degradation, raising significant challenges for long-term preservation. While solar radiation is widely recognized as a main agent of deterioration, the impact of rainfall has received comparatively little attention. This study addresses this gap by evaluating the durability of commercial protective coatings applied to modern paints (alkyd, acrylic, and styrene-acrylic) under simulated rain exposure. The ageing protocol replicates approximately 10 years of cumulative rainfall in Central-Southern Europe. A key innovation of this research is the use of a custom-built rain chamber, uniquely designed to expose a large number of samples simultaneously under highly uniform and controlled rain conditions. The system ensures reproducible exposure through a precision-controlled moving platform and programmable rain delivery. A comprehensive set of analytical techniques was employed to assess morphological, chemical, and functional changes in the coatings and paints before and after ageing. Results highlight the limited performance of current protective materials and the need for more effective solutions for the conservation of contemporary outdoor artworks. Full article

Barite, a mineral composed of barium sulphate, holds global significance due to its wide range of industrial applications. It plays a crucial role as a weighting agent in drilling fluids for the oil and gas industry, in radiation shielding, and as a filler in paints and plastics. Although there are significant deposits of the mineral in commercial quantities in Nigeria, the use of barite of Nigerian origin has been low in the industry due to challenges that require further research and development. This research employed nanoindentation experiments using a model Ti950 Tribo indenter instrument equipped with a diamond Berkovich tip. Using scanning electron microscopy (SEM) and energy-dispersive X-ray spectroscopy (EDX), we gained information about the structure and elements in the samples. The load–displacement curves were examined to determine the hardness and reduced elastic modulus of the barite samples. The SEM images showed that barite grains have a typical grainy shape, with clear splitting lines and sizes. XRD and EDX analysis confirmed that the main components are chlorite, albite, barium, and oxygen, along with small impurities like silicon and calcium from quartz and calcite. The average hardness of the IB3 and IB4 samples was 1.88 GPa and 1.18 GPa, respectively, meaning that the IB3 sample will need more energy to crush because its hardness is within the usual barite hardness range of 1.7 GPa to 2.0 GPa. The findings suggest further beneficiation processes to enhance the material’s suitability for drilling and other applications. Full article

The use of pressure-sensitive paints (PSPs), an optical oxygen sensing technique, to visualise and measure the surface pressure on vehicle models in wind tunnel testing is becoming increasingly prevalent. Porphyrins have long been the standard luminophore for PSP formulations, with the majority employing the red-emitting platinum(II)-5,10,15,20-tetrakis-(2,3,4,5,6-pentafluorphenyl)-porphyrin. nIR-emitting luminophores, such as Pt(II) tetraphenyl tetrabenzoporphyrins, possess distinct advantages over visible emitting luminophores. In particular, they have wider spectrally useful ‘windows’, facilitating the insertion of a secondary visible emitting temperature-sensitive luminophore to be used for internal calibration without spectral crosstalk that detrimentally impacts PSP performance. In this work, we explore the effect of changing the loading quantity of an nIR-emitting para-CF₃ Pt(II) benzoporphyrin luminophore on the performance of PSP formulations. An optimal luminophore loading of 1.28% wt/wt benzoporphyrin luminophore to polystyrene binder was identified, resulting in a low temperature sensitivity at 100 kPa of 0.61%/K and a large pressure sensitivity at 293 K of 0.740%/kPa. These strong performance metrics, for a polystyrene-based PSP, demonstrate the efficacy of benzoporphyrin luminophores as an attractive luminophore option for the development of a new generation of high-performance PSP formulations that outperform current commercially available ones. Full article

Lime plaster has historically been a key material in the preservation of architectural heritage in Peru; however, its availability has been restricted by state regulations that limit its production and commercialization. This study evaluates the performance of paints formulated with inorganic pigments extracted from soils in the Cusco valley, combined with natural and synthetic binders, as a sustainable alternative for the protection of heritage buildings in this Andean region characterized by high altitude, wide thermal variations, and high solar radiation. Adhesion, hardness, drying time, and weather resistance tests were conducted according to applicable ASTM standards for architectural coatings. The results show that these formulations exhibit good adhesion to historic surfaces and greater durability against extreme environmental conditions compared to traditional lime plaster. Their potential compatibility with historic substrates and lower environmental impact suggest that these paints represent a viable alternative in sustainable conservation strategies; however, further studies are needed to more accurately characterize the mineralogical composition of the pigments used. Full article

This study focuses on investigating the stability of modern and contemporary paints based on manganese violet pigment PV16 (NH₄MnP₂O₇) when exposed to atmospheric pollutants, specifically sulfur dioxide (SO₂) in the presence of high relative humidity. In particular, this study aims to investigate the role of PV16 in increasing the degradation processes of various modern binders. Therefore, the objectives of this research can be divided into (i) evaluating the chemical modifications involving PV16, (ii) investigating the degradation processes that occur in different organic matrices (i.e., drying oil, alkyd resin, and acrylic and styrene–acrylic emulsions), and (iii) comparing the chemical stability of model and commercial paints. The paints were analyzed by 3D Optical Microscopy, Attenuated total Reflection–Fourier-Transform Infrared spectroscopy (ATR-FTIR) and μ-Raman Spectroscopy, Scanning Electron Microscope coupled with Energy Dispersive X-Ray spectroscopy (SEM-EDX), X-Ray Powder Diffraction (XRPD), Fiber Optic Reflectance Spectroscopy (FORS), Pyrolysis–Gas Chromatography–Mass Spectrometry (Py-GC/MS), and Thermally assisted Hydrolysis and Methylation (THM) of Py-GC/MS (THM-Py-GC/MS). The results show that when exposed to high relative humidity and SO₂, PV16 presents a colorimetric change from violet to grey; several compounds crystallize on the surface; and, depending on the binder, various degradation reactions occur. This study highlights the susceptibility of manganese violet pigment PV16 under certain environmental conditions, which may be considered to define adequate conservation strategies for works of art containing this specific pigment. Additionally, the results obtained within this investigation point out the need to expand the chemical knowledge of this material for engineering, sensing, and industrial applications. Full article

This article presents our work-in-progress game Sea of Paint, aimed at exploring concerns around contemporary machine-learning-based AI technologies. It is a narrative-driven game with dialogues and a custom-made text-to-image system as its core mechanics. We identify our design approach as non-ludo-centric, as in, de-emphasizing the importance of mechanical interactions. We argue that contemporary game design language has largely been ludo-centric, where audiovisual and narrative aspects are framed as having somewhat static and complementary roles to rules and mechanics: as context, content, or smoothening and juicing up interactions. Although we do not believe that game design writ large has been ludo-centric, given the diversities of games in both commercial and experimental spaces, we still argue that the entanglement of design decisions across a game’s different aspects have been under-discussed. By presenting our project, we demonstrate how the interrelations across mechanical, narrative and visual aspects help us communicate our critical AI themes more effectively, and explore their potentials more thoroughly. Full article

TiO₂ nanoparticles are found as pigments in coatings and paints and are, therefore, released into the environment through runoff. To assess their environmental impact, comprehensive fate and ecotoxicity studies necessitate particles closely resembling those released into the environment. In response, we developed a method designed to isolate TiO₂ particles from commercial paints. Using six contrasting paints alongside a pure TiO₂ pigment, we evaluated two extraction methods in terms of recovery, purification rate, and preservation of both inorganic and organic particle coatings. The paints and extracts were characterized using cryogenic-TEM, ICP-OES, thermogravimetry, and infrared spectroscopy. In contrast to the alkaline-based extraction method, the extraction with acetic acid facilitated the retention of both inorganic and organic coatings and ensured good removal of organic polymers. Recovery rates exceeded 70% for all paints and extraction methods, yet the complete removal of SiO₂, when present, was not achieved. CaCO₃ removal was effective with both extraction methods. Our developed extraction method enables the isolation of TiO₂-particles similar to those aged within paints. However, we recommend using silicate-free paints when SiO₂ interference is of concern for the study design. Furthermore, this method could be interesting for pigment recycling, offering a gentler alternative to existing techniques which compromise particle coatings. Full article

Alkyd resins are still one of the most important classes of binders for paint systems. They are outstanding in terms of their versatility of formulations and applications, cost-effectiveness, and durability. Traditionally, they are synthesized using phthalic anhydride, polyalcohols with three or four functional groups (pentaerythritol, glycerol, and trimethylolpropane), and fatty acids or oils. In this study, new bio-alkyd resins were synthesized with the objective of increasing the bio-based content by substituting phthalic anhydride, thereby also enhancing the biodegradability of coatings. The newly synthesized alkyd resins, formulated with azelaic acid, were used to develop coatings incorporating additives while avoiding cobalt-based driers. Additional agents such as leveling, wetting, and anti-skinning agents, were also included. Paints were applied to wood substrates and dried at room temperature. The resulting films were characterized by pendulum hardness, transparency, and color by colorimetry, cross-cut test, contact angle, and gloss. Thermal properties were analyzed by Differential Scanning Calorimetry (DSC), and Total Organic Carbon (TOC) content and aerobic biodegradation were also evaluated. The resulting coating films exhibited good mechanical performance, with hardness values ranging from 132 to 148 Persoz oscillations and strong adhesion to wood substrates (smooth cross-cut edges, Class 0). Significant biodegradability (70% in less than 90 days) was demonstrated under composting conditions, which was considerably higher than that of a commercial reference alkyd coating (34.7%) under the same conditions. These findings suggest that the developed bio-alkyd coatings formulated with azelaic acid and DCO-FA without cobalt-based driers represent a promising alternative to conventional phthalic acid-based alkyds. These novel coatings move closer to fully bio-based formulations and offer enhanced biodegradability, making them a more sustainable option for coating applications. Full article

Contemporary muralism is a constantly expanding form of urban art, whose preservation is highly debated and for which no specific preventive conservation measures have been defined. The degradation of painting materials remains a dramatic issue as mural paintings undergo rapid and inevitable chemical–physical reactions, leading to their aesthetic decay and chemical–mechanical disintegration. This work started with interviews with, and questionnaires given to experts in the field from which various needs emerged, including defining a testing protocol for the study of the compatibility and effectiveness of organic coatings to protect street art painted surfaces. Five protective formulations available on the market were selected and applied on mock-ups realized with three different types of paintings (alkyd, acrylic, and styrenic). The efficacy and affinity of the five protective treatments in relation to the different underlying painting layers were investigated. The adopted testing protocol enabled understanding the protection efficacy and compatibility of the different tested formulations in relation to the type of painting and wall preparation. The typology of the underlying paint mainly influences the final aesthetic result, while the application of the primer may play a relevant role in terms of the protection effectiveness, confirming the importance of pre-treating the substrate before painting. The results clearly show that there is still no specific and effective protection system that is appropriate for all commercial paints used by street artists. Full article

Inorganic materials used in passive radiative cooling have achieved a commendable level of performance through synthesis, yet they lack sustainability and environmental friendliness as they do not incorporate recycling. This study developed a novel passive radiative cooling (PRC) film utilizing calcium carbonate extracted from discarded oyster shells (D-CaCO₃) and polyurethane (PU) as the matrix. This sustainable approach leverages the unique properties of CaCO₃, such as high solar reflectance and strong infrared emissivity, to achieve significant cooling effects. The PU/D-CaCO₃ film absorbs only 22% of total solar light and exhibits a high emissivity of 95% in the atmospheric window, achieving temperatures up to 7 °C lower than the surrounding environment under 650 W/m² solar irradiance. Furthermore, field tests were conducted to verify the implementation of our optical strategy by analyzing the optical properties and FDTD simulations. Consequently, the PU/D-CaCO3 film outperformed conventional white paint and pure PU, demonstrating a maximum temperature difference of 7 °C. Additionally, the passive radiative cooling efficiency of the film was verified through theoretical calculations. The oyster-shell-derived CaCO₃ utilizes waste and contributes to carbon sequestration, aligning with sustainable and eco-friendly goals. This research demonstrates the potential of using marine-derived materials in passive cooling technologies, offering a path to reduce energy consumption and greenhouse gas emissions in cooling applications. The findings highlight the commercial viability and environmental benefits of PU/D-CaCO₃ films, marking significant progress in passive radiative cooling. Full article

Pigment production has a substantial negative impact on the environment, since mining for natural pigments causes ecosystem degradation, while synthetic pigments, derived from petrochemicals, generate toxic by-products that accumulate and persist in aquatic systems due to their resistance to biodegradation. Despite these challenges, pigments remain essential across numerous industries, including the cosmetic, textile, food, automotive, paints and coatings, plastics, and packaging industries. In response to growing consumer demand for sustainable options, there is increasing interest in eco-friendly alternatives, particularly bio-based pigments derived from algae, fungi, and actinomycetes. This shift is largely driven by consumer demand for sustainable options. For bio-pigments, actinomycetes, particularly from the Streptomyces genus, have emerged as a promising green source, aligning with global sustainability goals due to their renewability and biodegradability. Scale-up of production and yield optimization challenges have been circumvented with the aid of biotechnology advancements, including genetic engineering and innovative fermentation and extraction methods, which have enhanced these bio-pigments’ viability and cost-competitiveness. Actinomycete-derived pigments have successfully transitioned from laboratory research to commercialization, showcasing their potential as sustainable and eco-friendly alternatives to synthetic dyes. With the global pigment market valued at approximately USD 24.28 billion in 2023, which is projected to reach USD 36.58 billion by 2030, the economic potential for actinomycete pigments is extensive. This review explores the environmental advantages of actinomycete pigments, their role in modern industry, and the regulatory and commercialization challenges they face, highlighting the importance of these pigments as promising solutions to reduce our reliance on conventional toxic pigments. The successful commercialization of actinomycete pigments can drive an industry-wide transition to environmentally responsible alternatives, offering substantial benefits for human health, safety, and environmental sustainability. Full article

Microbial deterioration poses a significant threat to built heritage, particularly mural paintings, where traditional synthetic biocides can have adverse environmental and material impacts. This study evaluates the effectiveness of essential oils derived from four aromatic plants—thyme (Thymus mastichina L.), fennel (Foeniculum vulgare Mill.), pennyroyal (Mentha pulegium L.), and green lavender (Lavandula viridis L’Hér.)—as natural biocides against microorganisms isolated from mural paintings in the House of Moscadim, an 18th-century manor house in Portugal. The antimicrobial activity of the essential oils was assessed using both direct contact and micro-atmosphere methods. Four microorganisms were isolated, including two bacteria, Bacillus wiedmannii and Bacillus mobilis, and two fungi, Penicillium brevicompactum and Cladosporium cladosporioides. Fennel essential oil exhibited the strongest antifungal activity against both fungal species, surpassing the efficacy of the commercial biocide Biotin T^® in some cases. Pennyroyal and lavender essential oils also showed significant inhibitory effects. The micro-atmosphere method demonstrated the potential for noninvasive application of essential oils while preserving the integrity of delicate mural surfaces. These findings suggest that essential oils, particularly fennel oil, constitute a promising natural alternative to synthetic biocides for the sustainable conservation of cultural heritage. Further research is recommended to explore their long-term effects and to optimize application techniques. Full article

Portugal’s architecture reflects a rich history influenced by Roman, Moorish, Neoclassical and Romantic styles, with the 20th century marked by Art Deco and colonial influences. Regional styles vary, with white-painted buildings commonly experiencing color changes due to biofilm formation. Visually striking are the red-colored biological patinascommon in the coastal areas. A survey of 120 historical buildings affected by bio-colonization helps to understand the reasons for the patinas’ growing, which beyond natural factors, is often linked to construction defects. A characterization of four samples utilizes Next-Generation Sequencing (NGS) to identify the microorganisms composing the red biofilm, while the SEM-EDS, FTIR-ATR and XRD techniques provide further insights into the biofilm and substrate features. The comprehensive data of biochemical characterization indicate a wide variety of microorganisms, including bacteria and fungi, some of which exhibit potential as producers of a UV-tolerant red/yellow pigment (carotenoid) responsible for the macroscopic coloration of bio-colonization. Full article

The formation of metal soaps or carboxylates in oil paintings is a widely studied topic. Expanding upon the extant research on the subject, this work investigates the formation of metal soaps as pertaining to alkyd-based media. Especially popular in modern and contemporary art, alkyd paints are complex commercial formulations mainly containing a polyester backbone obtained by the condensation of glycerol and phthalic acids, where the third free alcoholic function is esterified with a blend of saturated and unsaturated fatty acids. The formulation may also contain cross-linking agents, dries, and catalysts. Compared to drying oils, alkyd systems have different stability and mobility, likely prompting different kinetics in the formation of metal soaps. This work explores the formation of metal carboxylates in mock-up paints prepared as mixtures of an alkyd binder with potassium hydroxide and three commonly used pigments (smalt, zinc white, and lead white) at ambient conditions and upon artificial aging. As a second step, samples from two contemporary works by Italian artists Franco Garelli and Luciano Minguzzi were investigated for comparison. The results confirm the formation of metal soaps in both mock-up and real paints, paving the way for future research, with significant implications especially for the conservation of modern and contemporary artworks. Full article

In this study, a hybrid energy harvesting system based on a conventional solar cell combined with 3D-printed metasurface units is studied. Millimeter-scale metasurface units were fabricated via the stereolithography technique, and then they were covered with conductive silver paint, in order to achieve high electric conductivity. The performance of single, as well as two-unit metasurface harvesters, was thoroughly investigated. It was found that both of them produced voltage, which peaks at their resonance frequency, demonstrating efficient energy harvesting behavior in the microwave regime. Then, the metasurface units were connected with a commercially available photovoltaic panel and the performance of the hybrid system was examined under different environmental conditions, modifying the light intensity (i.e., light, dark and shadow). It was shown that the proposed hybrid harvesting system produces a sizable voltage output, which persists, even in the case when one of the components does not contribute. Furthermore, the performance of the hybrid harvester is found to be adequate enough, although optimization of the harvesting circuit is required in order to achieve high efficiency levels. All in all, the presented experimental evidence clearly indicates the realization of a rather promising hybrid energy harvesting system, exploiting two distinct ambient energy sources, namely light and microwaves. Full article