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Keywords = Pride and Prejudice

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8 pages, 240 KB  
Proceeding Paper
Tracert-Retrieval-Augmented Generation: Boosting Multi-Hop Retrieval-Augmented Generation with Direction-Aware Graph Traversal
by Siu-Him Zhang and Jhe-Wei Lin
Eng. Proc. 2025, 120(1), 47; https://doi.org/10.3390/engproc2025120047 - 5 Feb 2026
Viewed by 932
Abstract
Tracert-retrieval-augmented generation (RAG) is a novel retrieval-augmented framework designed for efficient, document-level multi-hop reasoning. Unlike conventional RAG systems that retrieve top-k text segments based solely on dense similarity, Tracert-RAG predicts a semantic goal vector from the user query, constructs a local semantic [...] Read more.
Tracert-retrieval-augmented generation (RAG) is a novel retrieval-augmented framework designed for efficient, document-level multi-hop reasoning. Unlike conventional RAG systems that retrieve top-k text segments based solely on dense similarity, Tracert-RAG predicts a semantic goal vector from the user query, constructs a local semantic graph from the document embeddings, and employs a direction-aware greedy traversal to identify reasoning paths toward the goal. This system eliminates the inflexibility of symbolic graph traversal and the inefficiency of manual query reformulation. On literary analysis tasks from Pride and Prejudice, Tracert-RAG outperforms standard RAG and graph RAG baselines in answer quality, inference speed, and interpretability. Specifically, it achieves the highest average answer quality (8.05 out of 10) while reducing indexing time by a factor of 80 compared to graph RAG methods. Full article
(This article belongs to the Proceedings of 8th International Conference on Knowledge Innovation and Invention)
24 pages, 1185 KB  
Article
Narcissism and Anti-Immigrant Attitudes: A Tale of Pride and Prejudice?
by Virgil Zeigler-Hill, Angelina Toma, Emily Thomas and Avi Besser
Behav. Sci. 2025, 15(4), 451; https://doi.org/10.3390/bs15040451 - 1 Apr 2025
Cited by 1 | Viewed by 2614
Abstract
Narcissism has been linked to negative attitudes toward certain outgroups. The present studies examined the associations that narcissistic traits—extraverted narcissism, antagonistic narcissism, and neurotic narcissism—had with anti-immigrant attitudes. More specifically, we were interested in the possibility that these associations may be mediated by [...] Read more.
Narcissism has been linked to negative attitudes toward certain outgroups. The present studies examined the associations that narcissistic traits—extraverted narcissism, antagonistic narcissism, and neurotic narcissism—had with anti-immigrant attitudes. More specifically, we were interested in the possibility that these associations may be mediated by social worldviews and ideological attitudes. Across three studies, the results indicated that extraverted and antagonistic narcissism had positive indirect associations with anti-immigrant attitudes through the competitive social worldview via the ideological attitudes of Right-Wing Authoritarianism and Social Dominance Orientation. In contrast, neurotic narcissism was negatively associated with anti-immigrant attitudes, though this relationship was not consistently mediated by social worldviews or ideological attitudes. These findings suggest that individuals with high levels of extraverted and antagonistic narcissism may endorse a competitive worldview, which aligns with negative attitudes toward immigrants who may be perceived as threats to their social status. This underscores the role of narcissism, social worldviews, and ideological attitudes in potentially shaping anti-immigrant sentiment. Full article
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18 pages, 282 KB  
Article
Bloody Petticoats: Performative Monstrosity of the Female Slayer in Seth Grahame-Smith’s Pride and Prejudice and Zombies
by Michelle L. Rushefsky
Humanities 2024, 13(2), 52; https://doi.org/10.3390/h13020052 - 14 Mar 2024
Cited by 1 | Viewed by 3865
Abstract
In 2009, Seth Grahame-Smith published Pride and Prejudice and Zombies, sparking a subgenre that situates itself within multiple genres. I draw from the rebellious nature of nineteenth-century proto-feminists who tried to reclaim the female monster as an initial methodology to analyze Grahame-Smith’s [...] Read more.
In 2009, Seth Grahame-Smith published Pride and Prejudice and Zombies, sparking a subgenre that situates itself within multiple genres. I draw from the rebellious nature of nineteenth-century proto-feminists who tried to reclaim the female monster as an initial methodology to analyze Grahame-Smith’s Elizabeth Bennet. I argue that the (white) women in this horror rewriting inadvertently become the oppressors alongside contextualized zombie theory. This article also explores Grahame-Smith’s Charlotte Lucas as a complex female monster, as she is bitten and turned into a zombie, which reflects in part Jane Austen’s Charlotte’s social status and (potential) spinsterdom. It is the mythos of the zombie that makes Grahame-Smith’s Elizabeth Bennet’s feminist subversion less remarkable. And it is Charlotte’s embodiment of both the rhetorical and the religio-mythic monster that merges two narratives: the Americanized appropriated zombie and the oppressed woman. Grahame-Smith’s characters try to embody the resistance of twenty-first feminist sensibilities but fail due to the racial undertones of the zombie tangentially present in Pride and Prejudice and Zombies. Full article
(This article belongs to the Special Issue Re-imagining Classical Monsters)
21 pages, 374 KB  
Article
‘& Not the Least Wit’: Jane Austen’s Use of ‘Wit’
by Octavia Cox
Humanities 2022, 11(6), 132; https://doi.org/10.3390/h11060132 - 26 Oct 2022
Cited by 1 | Viewed by 9311
Abstract
Jane Austen is celebrated for her wit and wittiness. She famously defended novels in Northanger Abbey, for example, on the basis that they display ‘the liveliest effusions of wit’. Critics have long been occupied with detailing the implications of Austen’s wit, but [...] Read more.
Jane Austen is celebrated for her wit and wittiness. She famously defended novels in Northanger Abbey, for example, on the basis that they display ‘the liveliest effusions of wit’. Critics have long been occupied with detailing the implications of Austen’s wit, but without due attention to Austen’s own explicit deployment of the word within her writing. Offering a re-evaluation of Austen’s use of ‘wit’, this article provides a much-needed examination of how the term is implemented by Austen in her fiction (from her juvenilia, and through her six major novels), contextualises wit’s meaning through its seventeenth-, eighteenth-, and nineteenth-century senses, and reveals that ‘wit’ did not necessarily have the positive connotations often presumed in modern suppositions. It transpires that, seemingly paradoxically, Austen routinely adopts the label ‘wit’ ironically to expose an absence of true wit, whilst concurrently avoiding the application of the word in moments displaying true wit. This article argues for the need to understand the crucial distinction between wit and true wit in Austen’s fiction. Full article
(This article belongs to the Special Issue Jane Austen: Work, Life, Legacy)
14 pages, 525 KB  
Article
‘OMG JANE AUSTEN’: Austen and Memes in the Post-#MeToo Era
by Katerina Kitsi-Mitakou, Maria Vara and Georgios Chatziavgerinos
Humanities 2022, 11(5), 112; https://doi.org/10.3390/h11050112 - 2 Sep 2022
Cited by 2 | Viewed by 10176
Abstract
This essay will focus on the central position that Jane Austen holds in the growing culture of memes in the Social Web and examine how these present-day cameo artefacts are both transforming the way Austen is perceived and appropriated today, and exploiting her [...] Read more.
This essay will focus on the central position that Jane Austen holds in the growing culture of memes in the Social Web and examine how these present-day cameo artefacts are both transforming the way Austen is perceived and appropriated today, and exploiting her work as a source of inspiration for contemporary debates on genre, gender, and sexuality. It will first trace the origins of memes, these cultural replicators that discharge mini portions of irony, in Northanger Abbey—a novel depending on the reader’s active participation—and argue that the literary landscape of the 1790s popular culture (as reflected in Austen) is a foreshadowing of post-millennial memes. Furthermore, through a close reading of a plethora of memes based on stills from screen adaptations of Pride and Prejudice, the essay will study how Austen’s renowned Mr. Darcy—filtered through the famous impersonations by Collin Firth and Matthew Macfadyen—has activated new re-imaginings of masculinity and heterosexuality in the post-#MeToo epoch. As some memes suggest, Mr. Darcy, a reformed hero who has learned how to match hegemony with sensibility, is the perfect antidote to the anathema of toxic masculinity and the perfect catch to the crowds of female Janeites. At the same time, however, a large number of memes indicate that, to an expanding male fandom that steers away from a nostalgic reactionary return to Austen, Mr. Darcy is celebrated for the queer potential of his conflicting features. Full article
(This article belongs to the Special Issue Jane Austen: Work, Life, Legacy)
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12 pages, 264 KB  
Article
The Reception of Jane Austen in Early Modern China: A Canonical Perspective
by Helong Zhang
Humanities 2022, 11(4), 90; https://doi.org/10.3390/h11040090 - 19 Jul 2022
Cited by 2 | Viewed by 5122
Abstract
In China, Jane Austen has undergone an amazing metamorphosis from an obscure foreign writer disregarded or disapproved of for a long period to a great novelist highly acclaimed and fully acknowledged. Only recent years have seen the publication of a few scholarly articles [...] Read more.
In China, Jane Austen has undergone an amazing metamorphosis from an obscure foreign writer disregarded or disapproved of for a long period to a great novelist highly acclaimed and fully acknowledged. Only recent years have seen the publication of a few scholarly articles on the reception trajectories of Austen in the Chinese academic world. This article revisits the issue, particularly the reception of Austen in early modern China from a canonical perspective. During the first major wave of literary translation, Austen was absent in the translation projects of dominant male translators, especially in Lin Shu’s choice. It was not because of their gender discrimination as generally considered, but because of their lack of canon consciousness. The literary light of Austen, too bright and too sparkling to ignore, was finally shed upon the Chinese land, but her canonical place was not instantly recognized. The wartime translators’ efforts to render Pride and Prejudice into Chinese reflect the difficulty in the making of a canonical Austen under very different historical circumstances. Full article
(This article belongs to the Special Issue Jane Austen: Work, Life, Legacy)
11 pages, 259 KB  
Article
What Happened to the ‘Truth Universally Acknowledged’? Translation as Reception of Jane Austen in France
by Isabelle Bour
Humanities 2022, 11(4), 77; https://doi.org/10.3390/h11040077 - 23 Jun 2022
Viewed by 3705
Abstract
There are now, in 2022, sixteen French translations of Jane Austen’s Pride and Prejudice. The incipit includes one of the most famous statements in the English language, as well as a modal auxiliary, the rendering of which constitutes a minor challenge for [...] Read more.
There are now, in 2022, sixteen French translations of Jane Austen’s Pride and Prejudice. The incipit includes one of the most famous statements in the English language, as well as a modal auxiliary, the rendering of which constitutes a minor challenge for any translator. This essay will analyse all translations of the incipit, relating translation choices to historical circumstances, the contemporary status of British literature and attitudes to the translation of fiction as well as to the state of the book market. Full article
(This article belongs to the Special Issue Jane Austen: Work, Life, Legacy)
11 pages, 289 KB  
Article
Pride and Prejudice in Brazil’s Popular Culture: A Photonovel and a Soap Opera
by Maria Clara Pivato Biajoli
Humanities 2022, 11(4), 75; https://doi.org/10.3390/h11040075 - 21 Jun 2022
Viewed by 3876
Abstract
Soap operas are an integral part of Brazilian popular culture and the daily lives of Brazil’s people. In 2018, the biggest TV channel in the country, Globo, broadcast a six-month-long soap opera called ‘Pride and Passion’, centered on the story of the Benedito [...] Read more.
Soap operas are an integral part of Brazilian popular culture and the daily lives of Brazil’s people. In 2018, the biggest TV channel in the country, Globo, broadcast a six-month-long soap opera called ‘Pride and Passion’, centered on the story of the Benedito family and their five unmarried daughters, who live in the small village of ‘Vale do Café’ (‘Coffee Valley’) around the 1910s, surrounded by the rural aristocracy and its coffee plantations. The obvious inspiration is Austen’s Pride and Prejudice, and its choice is an indication of Austen’s growing popularity outside English-speaking countries. This adaptation, which incorporates characters from her other novels as well, is the quintessential amalgamation of cultures and media, combining a canonical author of the English language with a Brazilian TV genre commonly seen as ‘lowbrow’. It was not, however, Austen’s first incursion in Brazil’s popular culture. During the 1960s and 1970s, photonovels were an extremely popular genre there, usually translated into Portuguese from Italian productions, as was the case of the 1965 Pride and Prejudice photonovel, sold as a literary supplement to a widely circulated women’s magazine. This essay analyses both cases of different, although connected, adaptations of Austen, arguing that Austen’s presence in Brazil was always mediated by the expectations and appropriation of new media, while showing that the dialogue with popular culture can only enhance our understanding of the ‘global Austen’ phenomenon and her appeal across time and cultures. Full article
(This article belongs to the Special Issue Jane Austen: Work, Life, Legacy)
13 pages, 269 KB  
Article
Jane Austen: The Musician as Author
by Gillian Dooley
Humanities 2022, 11(3), 73; https://doi.org/10.3390/h11030073 - 14 Jun 2022
Cited by 2 | Viewed by 4557
Abstract
Jane Austen was a practising musician, and my intention in this paper is to investigate the significance of that fact for her writing practice. Beginning with the comparison between Elizabeth and Mary Bennet in Pride and Prejudice, I will consider contemporary attitudes [...] Read more.
Jane Austen was a practising musician, and my intention in this paper is to investigate the significance of that fact for her writing practice. Beginning with the comparison between Elizabeth and Mary Bennet in Pride and Prejudice, I will consider contemporary attitudes to virtuosity and aesthetics in an attempt to understand the implications in Austen’s fiction of the distinction between ‘playing well’ and ‘being listened to with pleasure’. My recently completed project of cataloguing in detail each piece of playable music in the Austen Family Music Books facilitates the study of Austen’s personal musical taste in the context of her extended family and, more broadly, of English musical culture in the late Georgian era. I attempt to bring together Austen the musician with Austen the writer, both in her knowledge of the musical repertoire of the time and the language of music more generally. Full article
(This article belongs to the Special Issue Jane Austen: Work, Life, Legacy)
16 pages, 430 KB  
Review
Peritoneal Dialysis for Potential Kidney Transplant Recipients: Pride or Prejudice?
by Luca Nardelli, Antonio Scalamogna, Piergiorgio Messa, Maurizio Gallieni, Roberto Cacciola, Federica Tripodi, Giuseppe Castellano and Evaldo Favi
Medicina 2022, 58(2), 214; https://doi.org/10.3390/medicina58020214 - 1 Feb 2022
Cited by 19 | Viewed by 6875
Abstract
Kidney transplantation (KT) is recognized as the gold-standard of treatment for patients with end-stage renal disease. Additionally, it has been demonstrated that receiving a pre-emptive KT ensures the best recipient and graft survivals. However, due to an overwhelming discrepancy between the organs available [...] Read more.
Kidney transplantation (KT) is recognized as the gold-standard of treatment for patients with end-stage renal disease. Additionally, it has been demonstrated that receiving a pre-emptive KT ensures the best recipient and graft survivals. However, due to an overwhelming discrepancy between the organs available and the patients on the transplant waiting list, the vast majority of transplant candidates require prolonged periods of dialysis before being transplanted. For many years, peritoneal dialysis (PD) and hemodialysis (HD) have been considered competitive renal replacement therapies (RRT). This dualistic vision has recently been questioned by evidence suggesting that an individualized and flexible approach may be more appropriate. In fact, tailored and cleverly planned changes between different RRT modalities, according to the patient’s needs and characteristics, are often needed in order to achieve the best results. While home HD is still under scrutiny in this particular setting, current data seems to favor the use of PD over in-center HD in patients awaiting a KT. In this specific population, the demonstrated advantages of PD are superior quality of life, longer preservation of residual renal function, lower incidence of delayed graft function, better recipient survival, and reduced cost. Full article
(This article belongs to the Special Issue Kidney Transplantation—Clinical and Surgical Challenges)
14 pages, 247 KB  
Article
A Comparative Study of Islam and Buddhism: A Multicultural Society Perspective
by Wong Chin Yew, Abd Hair Awang, Sivapalan Selvadurai, Mansor Mohd Noor and Peng Kee Chang
Religions 2021, 12(12), 1098; https://doi.org/10.3390/rel12121098 - 11 Dec 2021
Cited by 9 | Viewed by 30718
Abstract
In this article, two great world religions, Islam and Buddhism, are compared. The purpose is to highlight similarities and differences between the two religions. Additionally, this article aims to project elements and teachings that are deemed important by their followers. A neutral stance [...] Read more.
In this article, two great world religions, Islam and Buddhism, are compared. The purpose is to highlight similarities and differences between the two religions. Additionally, this article aims to project elements and teachings that are deemed important by their followers. A neutral stance on their beliefs is especially important in a multicultural society. The study was conducted to promote the harmony and betterment of Malaysian society, and the nation at large; a value process of understanding of each religion is recommended, which can then lead to acceptance, respect and tolerance among the population, and form the basis for developing a paradigmatic Malaysian society that has unity in diversity. This study adopted document analysis as the research method for data collection and data analysis. The conclusions drawn are that, although the two religions appear rather different in terms of principles and practices, the core values of avoiding evil and doing good are similar. In addition, the study proposes that without prejudice and pride, the basics of all commonly practiced religions in Malaysia should be introduced to all Malaysians, with the objective of all understanding, but not necessarily embracing, each other’s religion. Full article
(This article belongs to the Special Issue The Role of Religions in a Pluralistic Society)
24 pages, 706 KB  
Article
Of Pride and Prejudice—A Cross-National Exploration of Atheists’ National Pride
by Insa Bechert
Religions 2021, 12(8), 648; https://doi.org/10.3390/rel12080648 - 16 Aug 2021
Cited by 6 | Viewed by 6942
Abstract
This paper explores how atheism relates to national pride. Previous research reports the strong positive relationship between religiosity and national pride. Inversely, it can be assumed that atheists feel less national pride. Whether this assumption holds true and whether the perceived relevance of [...] Read more.
This paper explores how atheism relates to national pride. Previous research reports the strong positive relationship between religiosity and national pride. Inversely, it can be assumed that atheists feel less national pride. Whether this assumption holds true and whether the perceived relevance of religiosity for values perceived as fundamental for national pride is a national-specific or a global phenomenon will be investigated here by examining attitudes towards atheists and assessing cross-nationally how proud atheists truly are of their countries. The data reveals cross-country differences in both respects. In highly religious countries, prejudice against atheists is pronounced, while atheists’ feelings of national pride indeed tend to be weaker. But what exactly predicts atheists’ feelings of national pride? For a Multilevel Analysis of this question, this article uses the ONBound database offering cumulated and harmonized data from international survey programs as well as linked country-level data on national identities and religion. Results identify countries’ ideological background as one of the crucial country-level predictors for national pride among atheists. In highly religious countries, people who deny religion also seem to possess ambivalent feelings towards their country. In turn, if the state ideology opposes religion, atheists tend to support the combination of anti-religiousness and patriotism. Full article
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17 pages, 760 KB  
Communication
Short and Long-Term Innovations on Dietary Behavior Assessment and Coaching: Present Efforts and Vision of the Pride and Prejudice Consortium
by Desiree A. Lucassen, Marlou P. Lasschuijt, Guido Camps, Ellen J. Van Loo, Arnout R. H. Fischer, Roelof A. J. de Vries, Juliet A. M. Haarman, Monique Simons, Emely de Vet, Marina Bos-de Vos, Sibo Pan, Xipei Ren, Kees de Graaf, Yuan Lu, Edith J. M. Feskens and Elske M. Brouwer-Brolsma
Int. J. Environ. Res. Public Health 2021, 18(15), 7877; https://doi.org/10.3390/ijerph18157877 - 25 Jul 2021
Cited by 11 | Viewed by 8600
Abstract
Overweight, obesity and cardiometabolic diseases are major global health concerns. Lifestyle factors, including diet, have been acknowledged to play a key role in the solution of these health risks. However, as shown by numerous studies, and in clinical practice, it is extremely challenging [...] Read more.
Overweight, obesity and cardiometabolic diseases are major global health concerns. Lifestyle factors, including diet, have been acknowledged to play a key role in the solution of these health risks. However, as shown by numerous studies, and in clinical practice, it is extremely challenging to quantify dietary behaviors as well as influencing them via dietary interventions. As shown by the limited success of ‘one-size-fits-all’ nutritional campaigns catered to an entire population or subpopulation, the need for more personalized coaching approaches is evident. New technology-based innovations provide opportunities to further improve the accuracy of dietary assessment and develop approaches to coach individuals towards healthier dietary behaviors. Pride & Prejudice (P&P) is a unique multi-disciplinary consortium consisting of researchers in life, nutrition, ICT, design, behavioral and social sciences from all four Dutch Universities of Technology. P&P focuses on the development and integration of innovative technological techniques such as artificial intelligence (AI), machine learning, conversational agents, behavior change theory and personalized coaching to improve current practices and establish lasting dietary behavior change. Full article
(This article belongs to the Special Issue Digital Health Tools: A Critical Assessment of Long-Term Engagement)
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14 pages, 212 KB  
Article
“A Fourfold Vision: Nature Religion and the Wages of Scientism in Ursula K. Le Guin’s ‘Newton’s Sleep’”
by Catherine L. Newell
Religions 2018, 9(9), 279; https://doi.org/10.3390/rel9090279 - 15 Sep 2018
Viewed by 6967
Abstract
Ursula K. Le Guin’s 1991 short story ‘Newton’s Sleep’ begins in a utopic society that escaped the environmental and social calamity of a near-future Earth and created an enlightened culture on a space station. The group, led by a scientific elite, pride themselves [...] Read more.
Ursula K. Le Guin’s 1991 short story ‘Newton’s Sleep’ begins in a utopic society that escaped the environmental and social calamity of a near-future Earth and created an enlightened culture on a space station. The group, led by a scientific elite, pride themselves on eradicating the irrational prejudices and unempirical mentality that hamstringed Earth; but chaos blossoms as the society struggles with the reappearance of religious intolerance, and becomes confused by an outbreak of mass hallucinations of the Earth they left behind. This narrative trope of the necessity of nature for the survival of humanity—physically, mentally, and spiritually—represents a new and relatively common allegory in contemporary science fiction in an era distinguished by separation from the natural world. Full article
(This article belongs to the Special Issue So Say We All: Religion and Society in Science Fiction)
13 pages, 227 KB  
Article
Pride, Paternalism, Prejudice—Images of the Working Class
by Ove Skarpenes and Rune Sakslind
Soc. Sci. 2018, 7(1), 10; https://doi.org/10.3390/socsci7010010 - 10 Jan 2018
Viewed by 6212
Abstract
What has happened with the image of the working class? The hero in the construction of the Nordic Model was the labor movement (and the working class). For a long time, this was the dominant picture of the Norwegian working class. However, the [...] Read more.
What has happened with the image of the working class? The hero in the construction of the Nordic Model was the labor movement (and the working class). For a long time, this was the dominant picture of the Norwegian working class. However, the societal trends of the past decades have, in a peculiar way, given the working class a central place in political discussions and in the public sphere, but now, a more ambivalent image emerges. In a somewhat paternalistic way, the worker image in political and academic debates as well as in part of the public sphere is typically that of a person unsuccessful in the educational system. Even a third image is identifiable in the public sphere—a prejudice imagery—in which the class is labelled as unhealthy, abusing the welfare system, culturally unsophisticated, and politically dangerous, moving toward right-wing populism. The ambition of the paper is to present these different images of the working class. Full article
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