Search Results (43)

This study examines the complex process of Islam’s localization in Sudan, focusing on how hospitality, Sufi dhikr, and Mawlid celebrations integrate with Islamic practices. Drawing on three years of qualitative fieldwork, it demonstrates how Sudan’s geography, ethnic diversity, and historical heritage enable the blending of core religious principles with local customs. Sufi brotherhoods—particularly Qādiriyya, Tījāniyya, Shādhiliyya, and Khatmiyya—play a pivotal role in local culture by incorporating traditional musical, choreographic, and narrative art forms into their rituals, resulting in highly dynamic worship and social interaction. In Sudan, hospitality emerges as a near-sovereign social norm, reflecting the Islamic ethics of charity and mutual assistance while remaining deeply intertwined with local traditions. Islam’s adaptability toward local customs is further illustrated by the vibrant drumming, chanting, and dancing that enhance large-scale Mawlid al-Nabi celebrations, uniting Muslims under a religious identity that goes beyond dogmatic definitions. Beyond their spiritual meanings, these Sufi practices and networks also serve as tools for social cohesion, often functioning as support systems in regions with minimal state presence. They help prevent disputes and foster unity, demonstrating the positive impact of a flexible Islam—one that draws on both scripture and local traditions—on peacebuilding in Sudan. While highlighting the country’s social realities, this study offers insights into how Islam can function as a transformative force within society. Full article

This study examines the architectural ceramic corpus—comprising azulejos (tiles) and alicatados (tiling mosaics)—preserved in the Alhambra Museum, with the aim of elucidating its historical, artistic, and technical significance. Through a systematic methodology combining visual analysis, documentary research, and typological classification, a representative selection of ceramic artefacts was assessed. This article explores the artistic characteristics and technological principles of pieces produced using painted, relief, metallic lustre, incrustación, alicatado, cuerda seca, and arista techniques and reconstructs the historical trajectory of these decorative practices, tracing their origins in the pre-Islamic world to their adaptation within the Alhambra Palatine City. This diachronic perspective contextualises the innovations observed in the citadel, where production strategies reflect both inherited traditions and local adaptations across different historical phases. The findings highlight the richness and diversity of the Nasrid (mediaeval era) and Christian (modern era) ceramic legacy in the Alhambra and contribute to a more nuanced understanding of manufacturing processes and conservation challenges associated with these architectural elements. This preliminary characterisation establishes a basis for future material analysis and supports broader initiatives in documentation and heritage management. Full article

This study explores the sustainability of Islamic decorative arts by examining the symbolic, cultural, and spiritual dimensions of botanical decorations in Makkah’s architectural heritage. Grounded in Carl Jung’s theory of the collective unconscious and Lamya Al-Faruqi’s philosophy of Tawhid, the research uncovers the profound psychological and spiritual meanings embedded in these motifs. Employing a qualitative methodology, the study integrates symbolic analysis, cultural interpretation, and historical documentation, supported by digital design tools, to assess the relevance of these decorations in contemporary urban contexts. Findings reveal that botanical motifs, such as palm trees and pinecones, reflect universal archetypes of resilience and growth while symbolising divine unity through abstraction and harmony. The research highlights their integral role in architectural structures and their potential in cultural tourism and educational initiatives. However, challenges such as urbanisation necessitate urgent documentation and innovative preservation strategies. This study offers valuable insights into sustaining Makkah’s architectural identity by bridging psychological and philosophical perspectives. Its recommendations align with Saudi Vision 2030 and global sustainability goals, advocating for the revival and integration of these motifs into modern urban design to ensure the continued appreciation and recognition of Makkan architectural heritage. Full article

(1) Objective: As light propagates through water, it undergoes significant attenuation and scattering, causing underwater images to experience color distortion and exhibit a bluish or greenish tint. Additionally, suspended particles in the water further degrade image quality. This paper proposes an improved U-Net network model for underwater image enhancement to generate high-quality images. (2) Method: Instead of incorporating additional complex modules into enhancement networks, we opted to simplify the classic U-Net architecture. Specifically, we replaced the standard convolutions in U-Net with our self-designed efficient basic block, which integrates a simplified channel attention mechanism. Moreover, we employed Layer Normalization to enhance the capability of training with a small number of samples and used the GELU activation function to achieve additional benefits in image denoising. Furthermore, we introduced the SK fusion module into the network to aggregate feature information, replacing traditional concatenation operations. In the experimental section, we used the “Underwater ImageNet” dataset from “Enhancing Underwater Visual Perception (EUVP)” for training and testing. EUVP, established by Islam et al., is a large-scale dataset comprising paired images (high-quality clear images and low-quality blurry images) as well as unpaired underwater images. (3) Results: We compared our proposed method with several high-performing traditional algorithms and deep learning-based methods. The traditional algorithms include He, UDCP, ICM, and ULAP, while the deep learning-based methods include CycleGAN, UGAN, UGAN-P, and FUnIEGAN. The results demonstrate that our algorithm exhibits outstanding competitiveness on the underwater imagenet-dataset. Compared to the currently optimal lightweight model, FUnIE-GAN, our method reduces the number of parameters by 0.969 times and decreases Floating-Point Operations Per Second (FLOPS) by more than half. In terms of image quality, our approach achieves a minimal UCIQE reduction of only 0.008 while improving the NIQE by 0.019 compared to state-of-the-art (SOTA) methods. Finally, extensive ablation experiments validate the feasibility of our designed network. (4) Conclusions: The underwater image enhancement algorithm proposed in this paper significantly reduces model size and accelerates inference speed while maintaining high processing performance, demonstrating strong potential for practical applications. Full article

Old Cairo, also known as Islamic Cairo, is a UNESCO World Heritage Site representing a rich tapestry of history and culture. Today, among various significant aspects, its cultural heritage necessitates the elaboration of a proactive conservation strategy, which should take advantage of the intrinsic support provided by the efforts documented in the literature that have been made in several scientific fields, disciplines, and directions over the years. Most historic religious monumental buildings in Old Cairo, in particular, not only face the effects of local seismic hazards, which are emphasized by damage by past earthquakes, but also suffer the consequences of several influencing parameters that are unique to the Cairo city context. In this sense, it is known that the structural retrofitting of these monumental buildings requires sound knowledge of technical details and criticalities, based on inspections, numerical simulations, the in-field integration of technologies, and laboratory tests. Many other gaps should also be addressed, and a sound conservation strategy should be elaborated on the basis of a multi-target approach, which could account for the structural engineering perspective but also contextualize the retrofit within the state of the art and the evolution of past events. This is the target of the contemporary “Particular Relevance” bilateral Italy–Egypt “CoReng” project, seeking to define a multidisciplinary strategy for conserving Old Cairo’s cultural heritage and focusing primarily on the case study of the Religions Complex. To this end, a review analysis of major oversights and challenges relating to historic monuments in Old Cairo is presented in this paper. Learning from past accidents and experiences is, in fact, the primary supporting basis for elaborating new operational steps and efficient approaches to mitigating challenges and minimizing the consequences of emergency events. As such, this review contribution specifically focuses on the structural vulnerability of historic monumental buildings in Old Cairo, reporting on past efforts, past strategy proposals, research experiences, and trends. Full article

Adopting a transdisciplinary approach, with specific emphasis on the post-Jungian transpersonal psychological theories on the ‘Spectrum of Human Consciousness’, this paper introduces a transpersonal psychological thread of understanding of ‘Mystical Consciousness’ through an interreligious field of comparative religious approaches to action, contemplation and non-action. This paper draws on Merton’s interreligious contemplative thinking in relation to three major world religious mystical traditions of Buddhism, Hinduism and mystical Islam/Sufism and elucidates comparative insights with the Christian mystical–contemplative tradition, akin to the ‘mystical contemplation’ of Evelyn Underhill. This paper introduces and applies the transpersonal perspective to the scholarly field of mysticism. The reader is invited to consider how Merton may have responded or written about interreligious contemplative depth mysticism in terms of his own writings on ‘pure consciousness’, had he had the benefit of the language of the transpersonal models of consciousness. Finally, the reader is left with a contemplative question at the ‘heart’ of mysticism—does the ancient sculpture of the Sleeping Hermaphrodite helpfully represent an art–theological symbolic analogy for the inner repose of an illumined soul, one with God’s Unity, in whose awakened consciousness through depth mystical contemplation, action occurs as an extended manifestation, a total gestalt of contemplative solitudinous action? Full article

The silver-gilt container discovered in 1964 in the vicinity of Albarracin is currently housed in the Teruel Museum in Spain and represents a pinnacle of Taifa sumptuary arts. It was commissioned by the second monarch of the Kingdom of Albarracin, ‘Abd al-Malik ibn Khalaf (r. 1045-?), as a gift to his wife Zahr. The object’s elevated technical sophistication, coupled with its bespoke commemorative inscription, lends credence to the notion that it was crafted in the royal workshops responsible for the production of luxury items. The vessel’s functionality, which has fluctuated between its traditional consideration as a perfume bottle and the more recent identification as a canteen, has been adequately postulated but not sufficiently examined. The aim of this paper is to discuss the primary function of the object in question, particularly in relation to its distinctive flattened spherical shape. To achieve this, the study will delve into the close and well-established historical association between the morphology and function of objects, which tends to endure and perpetuate within the same cultural context over the centuries. By employing this methodology, we can establish a connection between the studied piece and the flasks used for the storage of sacred water (zamzam) that pilgrims brought back from Mecca after performing the Ḥajj. This typology can be traced back to the pre-Islamic period and persisted through the Ottoman matara model. Full article

This study stems from a collection of autobiographical narrations collected during a seminar held in February 2018 involving a small group of adults, representing the three major monotheistic religions: Catholicism, Judaism, and Islam. The seminar was organized by the University of Bologna (Department of Arts) in collaboration with the Association for Interreligious Dialogue “Abramo e Pace”. The aim of this paper is to re-examine the autobiographical narratives that emerged from the seminar, with a particular focus on the characteristics of female religious experiences in these religions, in order to identify distinctive trans-religious and transcultural signs. For this analysis, a sub-group of participants were selected, consisting of nine women, three Catholics, three Jews, and three Muslims, mainly between the ages of 35 and 45. The methodology used is a content analysis, which allows for a detailed examination of the narratives shared. From the narratives obtained, the religious education received in childhood and early adolescence emerges as a resource and support for the construction of personal identity regardless of the subsequent life paths taken by the individual. An additional pedagogical/educational theme of interest is represented by the intertwining of transformations of personal religiosity and dynamics of adult transformation, which is present in these narrations. Although the results do not aim for statistical representativeness, it is expected that the analysis will reveal certain constants that could inform subsequent, more systematic research efforts. In particular, it is expected that marriage, motherhood, and the education of children will emerge as moments of reactivation or revitalization of personal religiosity. Full article

This study delves into the multifaceted realm of citrus fruits, exploring their significance and socioeconomic implications from their early introduction to Western Muslim and Renaissance gardens, tracing their journey throughout history. Employing a multidisciplinary approach, drawing from biological, archaeobotanical, iconographic, and textual sources, our study offers a comprehensive exploration of citrus symbolism and cultural significance, integrating historical, artistic, horticultural, and socioeconomic viewpoints. The genus Citrus (Rutaceae) comprises around thirty species and its natural habitat spans from the southern slopes of the Himalayas to China, Southeast Asia, nearby islands, and Queensland. Originating from only four of these species, humans have cultivated hundreds of hybrids and thousands of varieties, harnessing their culinary, medicinal, and ornamental potential worldwide. We delve into the symbolic value of citrus fruits, which have served as indicators of economic status and power. From their early presence in Mediterranean religious rituals to their depiction in opulent Roman art and mythical narratives like the Garden of the Hesperides, citrus fruits have epitomized luxury and desire. Christian lore intertwines them with the forbidden fruit of Eden, while Islamic and Sicilian gardens and Renaissance villas signify their prestige. We analyze diverse perspectives, from moralists to hedonists, and examine their role in shaping global agriculture, exemplified by rare varieties like aurantii foetiferi. Full article

Culture consists of material and spiritual values and tools that a nation has accumulated in the historical process. In addition to the most basic contexts such as language and religion, contexts such as sporting activities, art, public medicine, and the public calendar are also important environments that reveal their own cultural elements. Among these contexts, religion is very effective in shaping the daily life of the individual and, thus, society through the rules it enjoins. Religion does not dominate only the world of belief of the individual. Through the world of belief, it also directs their relations with the social institutions they are involved in. Sport is one of the most important activities and social institutions that stand out with various functions in daily life, with wrestling being one of the branches of sports that have emerged as a result of the imitation of the struggle of human beings with nature and other creatures with which they share nature. In particular, those involved in the nomadic way of life had to hunt in order not to starve and fight in order to survive. Wrestling, which emerged as a result of these obligations, held an important place among all Turks in the world for a period of time, especially in the transition periods of life, such as birth, marriage, and death. One of the conditions set forth by women as a condition of marriage was that their suitor defeated them in wrestling. Examples of this condition are also observed in literary texts belonging to different periods when Turks were not yet acquainted with Islam and the concepts of halal and haram, which entered their lives together with Islam. According to the provisions of the Holy Qur’an, right/unprohibited thoughts and actions are associated with the words good and halal, while wrong/prohibited thoughts and actions are associated with the words sin and haram. In this study, the social and cultural phases of wrestling as a sports branch among Turks in the historical process will be evaluated on the basis of the history of religions and religious references, in addition to the literary texts belonging to historical periods when Turks were members of different religions, in the context of two events that have been experienced and reported in the news. The study was carried out using the method of document analysis, a method of qualitative research, and the data obtained by this method were evaluated using content analysis. The narratives of Alıp Manaş, Alpamış, Alpamıs, Alıpmenşen, and Bamsı Beyrek, which are evaluated in this context, belong to the periods when the Turks had not been introduced to Islam or had only recently been introduced to it. Alıp Manaş was collated from different Turkic tribes such as the Altais, Alpamış from the Uzbeks, Alpamıs the Kazakhs/Karakalpaks, Alıpmenşen the Bashkirs/Tatars, and Bamsı Beyrek the Oghuz Turks. The narratives of Kirmanshah, Köse Kenan-Dânâ Hanım, Bey Böyrek, Shah Ismail, and Yaralı Mahmut, which are evaluated in the study, belong to the periods when the Turks became Muslim en masse, and are related only among the Oghuz Turks. These narratives are included in the study because they are similar to Alıp Manaş, Alpamış, Alpamıs, Alıpmenşen, and Bamsı Beyrek and they belong to the period when Islam was largely established among the Turkish masses in Anatolia. The effect of the new religion on wrestling, which is a branch of sport, will be revealed through these narratives belonging to different tribes and religious periods. Once more, an event that occurred in recent history, and was the subject of the news, was subjected to document analysis, and content analysis was carried out through the text of the news and evaluated in the context of the study. This study aims to explain the effect of religious rules on sports branches with theological, folkloric, and sociological references based on ancient literary texts belonging to the Turks and two incidents which were experienced. Full article

Increasingly, educators committed to the vision of Islamic schooling are expressing sentiments of moral dissonance. On the one hand, they choose Islamic schools because they aspire to affect hearts, nurture whole human beings, and grow spiritually while impacting their learners’ sense of higher purpose. On the other hand, they are up against an era of globalised educational reform, characterised by neoliberal-engendered market forces and neoliberal policy logic that promote performativity and efficiency. This narrows what counts as learning, technicises the art of teaching, and assumes all learning that counts is visible and measurable. The teacher education and ongoing professional learning that educators working in Islamic schools have access to remains bifurcated. It is unable to address how an educator committed to tarbiya as “soul-making” ought to navigate aspirations with realities. This paper serves as the introduction to a special issue (SI) dedicated to conceptualising why Islamically grounded teacher education is needed and what it may entail. This SI will also offer empirical studies related to existing Islamic teacher education and professional learning programmes that capture essential reflections for a burgeoning subfield of Islamic Education Studies. In this introduction specifically, the co-editors and a co-author colleague make three big moves to lay the foundations for Islamic teacher education, including (1) establishing urgency for why Islamic teacher education is needed, (2) conceptualising what makes teacher education “Islamic”, and (3) providing an example of one Islamic teacher education programme’s attempt to advance a coherent professional learning journey for Islamic school educators. Together, these three moves serve as an attempt to redress bifurcation and advance a contextually relevant in-road to teacher education that is rooted in an Islamic paradigm and worldview while conversant with contemporary debates in education. Full article

Ajami, a technique of painted wood paneling, was popular in the Ottoman Empire from the 17th to the late 18th centuries. Ajami art became prominent in Syria after the decline of tile production, and it rose to a sophisticated level of art in both local and global markets. Today, however, Ajami art has become almost forgotten and unknown by the modern generation, due to being an exclusive art that can be seen only in palaces, museums, and historical houses. This study investigates the traditional method and techniques of making Ajami, with a focus on the work of a renowned Syrian Ajami art master artisan named Mr. Abdulraouf. The study aims to identify and document the traditional method of Ajami production and determine the materials and techniques used for making Ajami. The study found that Ajami art consists of natural elements that are utilized in four main stages; foundation, design, painting, and finishing. The artisans have a strong preference for floral and geometric designs, influenced by Islamic religious beliefs. The findings of this study could serve as an educational guide to preserve heritage and make it presentable for the present and future generations. Full article

This paper investigates the oil on canvas painting Boat scene (1974) by Liu Kang (1911–2004), belonging to the National Gallery Singapore (NGS). The focus is on disfiguring paint protrusions in a specific area and colour in the composition. Moreover, in search of the possible factors responsible for the creation of the protrusions, the structure and composition of the paint layers were determined. Three possible reasons were put forward to explain this phenomenon: deliberate textural effects, the expansion of metal soaps and unintentional paint contamination during the artistic process. Investigative techniques such as technical photography, digital microscopy, optical microscopy (OM), polarised light microscopy (PLM), field emission scanning electron microscope (FE-SEM-EDS) and attenuated total reflectance micro-Fourier transform infrared spectroscopy (ATR μ-FTIR) were employed to analyse paint layers, including protrusion samples. The analyses revealed that the protrusions resulted from an unintentional contamination of the oil paint during the artistic process by dry fragments of different pigment mixtures bound in drying oil. Zinc soaps were found in significant concentrations within the protrusions and other parts of the painted scene. Nevertheless, the metal soaps do not pose a direct risk to the integrity of the paint layers at the time of this research. The analyses highlight the potential challenges caused by the protrusions that conservators may face while caring for the painting. The research contributes to our ongoing comprehension of the artist’s working process. Full article

The present work will try to delve into some emotional aspects expressed by the community of believers about a section of the Mosque of Córdoba: the maqsūra of al-Ḥakam II. It is important to observe this maqsūra from the point of view of the emotions that it generates during its use as an active sacred space. The maqṣūra of al-Ḥakam II is a space for communication between the political and religious powers within the religious community who attended the Prayer on Friday (Ṣalat al-Jumu’a). This article reviews and expands some hypotheses raised by Professor Ruiz Souza in 2001, where he pointed out the importance of the point of view of the community of worshippers to understand the main functions of the maqṣūra. The worshippers attended the ceremonial and could observe part of the maqṣūra from the shadows of the naves of the old mosque. What did they perceive from a space that was hidden from their gaze? What was this luminous place where the Prince of Believers was located, trying to make them feel? To answer these questions, new methodologies from the History of Art have been used, combined with Anthropology of Religion, the Archeology of Emotions, Color Symbology, Neuroscience and Psychology. Full article

Sufism has played a critical role, particularly in the past millennium, as one of the most significant cultural components in the history of Iran. And approximately all cultural factors, including arts, politics, economics, and the educational and training system, have been directly and indirectly influenced by the Sufi culture. One such factor is music, which has been uninterruptedly intertwined with Sufism for years. The present paper strives to investigate the extent to which and the ways in which Sufism has influenced contemporary Iranian music. The answer to this research inquiry is crucial for understanding the impacts of Sufism in the contemporary era and dissecting Iranian music, most specifically the Persian modal system (dastgāh). Despite the significant factors that contribute to the Persian musical system, the literature on the topic remains scarce. This research uses historical and research analysis, as well as the results of a field study conducted over the past two decades in the educational atmosphere of the Iranian musical system, to answer the research questions. The findings suggest that contemporary Iranian music has derived considerable influence from Sufi subjects, concepts, and teachings, and evolved thereafter, with dramatic impacts in two epochs: (1) throughout the thirties and forties HS; and (2) in the wake of the Islamic revolution. Full article