Search Results (14)

The Kitchen God has always been regarded as the protector of Chinese families and one of the most common and far-reaching gods in Chinese folk beliefs. The emergence and development of the Kitchen God are inseparable from the material carrier of the stove. The Han Dynasty was a critical period for the development and integration of stoves and the Kitchen God belief. Based on archaeological discoveries of cultural relics, characters and images, as well as relevant historical documents and records, this paper focuses on the interactive and symbiotic relationship between the spiritual belief in the Kitchen God and the material culture of kitchen stoves and its influence during the Han Dynasty. The Han Dynasty combined stoves with high cooking benches, large stove chambers, multiple burners, and functional designs that incorporated images of the Kitchen God, making them both practical and spiritual. The Kitchen God’s identity and functions were transformed from ancestor to household god, from giving food to monitoring merits and demerits, along with the renewal of stoves. These developments laid the foundation for the Chinese people’s earnest hope for a prosperous life and a peaceful and harmonious family. Full article

The She (社) organization is an ancient Chinese folk religious group that was formed to worship the god of the soil through various activities. In contemporary society, the She organization plays a non-mainstream but important role in increasing social cohesion in China’s rural communities. This case study concentrates on the She organization in Songyang County to examine how its practices contribute to the Han and Non-Han peoples’ continued social cohesion and separate identities through observations, in-depth interviews, and the reviewing of local documentation materials. The findings are as follows: Firstly, as forms of social capital, the normative rituals, values, and informal situational networks of the She organization constitute the mechanisms for building trust, which ultimately promotes social cohesion between the Han and Non-Han peoples. Secondly, the coexistence between She and other belief systems is conducive to establishing the extended social capital of the She organization and maintaining the Han and Non-Han peoples’ separate identities according to their ethnic features. Finally, from the perspective of state-society relations, the social cohesion and continuation of the She organization in contemporary civil society are further interpreted as the results of state systems and policies. Full article

With the processes of urbanization and population migration in China, local traditional folk beliefs are facing a crisis of inheritance, including the loss of believers and the decline of religious buildings. However, in the southeastern coastal areas of China, with the development of society and the advancement of science and technology, folk beliefs have shown a trend of modernization, gained widespread attention from young people, and shown a good trend of inheritance. This study focuses on the modernization of folk beliefs in the southeastern coastal areas of China, exploring how folk beliefs are adapted to contemporary life and the key role of information technology in the protection of religious buildings. The study found that the modernization of folk beliefs in China’s southeastern coastal areas is mainly reflected in the portrayal of gods in cartoonish images, the popularity of music, and the modernization of communication methods. By analyzing the modernization process of folk beliefs in the southeastern coastal areas of China, this study reveals the adaptation and development of folk beliefs in modern society. Based on the reality of contemporary Chinese society, this study also explores the future modernization trend of folk beliefs and discusses the possibilities and potential risks of the application of digital technology in folk belief inheritance. Full article

Wang Lingguan is a significant deity in Chinese Daoist beliefs and folk worship. His belief’s formation and proliferation are rooted in specific spatial contexts. This paper introduces a spatial perspective to provide a fresh interpretation of Wang Lingguan’s belief, examining it through the lenses of ritual, temple, and geography. In Daoist rituals that bridged sacred and secular spaces, Wang Lingguan emerged as Sa Shoujian’s protector, manifesting his divine power to devotees. For the purposes of ritual simplification and spatial solidification, believers constructed Daoist Temples as emblems of sacredness and reimagined Wang Lingguan as the protector of these temples in their design. The active involvement of the Ming royal family in building Daoist Temples significantly contributed to establishing regional belief centers for Wang Lingguan. During the Qing Dynasty, although Wang Lingguan’s royal patronage waned, his belief spread across most of China, becoming more localized and secularized. The dynamic interplay of ritual, temple, and geographical factors illuminates the establishment, dissemination, and evolution of Wang Lingguan’s belief throughout China. Full article

Tales of Times Now Past (Konjaku Monogatarishū 今昔物語集) is a Japanese setsuwa (anecdotes) collection dating from the early twelfth century. Originally contained in 31 volumes, it includes more than one thousand systematically arranged tales from India, China, and Japan. Despite the fact that Daoism was rejected by the Japanese imperial court as an organized religion, Daoist philosophies and practical systems found their ways into Japan, having a significant and profound influence over Japanese esoteric cosmology and folk beliefs. This article takes the Lord of Mount Tai (CN: Taishan Fujun; JP: Taizan Fukun 泰山府君) as the focus and examines two pertinent stories in Tales of Times Now Past. By placing the texts in a broader historical, religious, and comparative Japan–China perspective, I examine the reshaping of Daoist elements and traditional Chinese philosophical principles in these two stories and thus demonstrate how the Daoist fragments transmitted to Japan were transformed into an integral part of the orthodox structure by the time of the late Heian period in the pursuit of a more organized form of government. Full article

Although the influential factors of social trust have aroused heated discussion, the research on the influence of religious belief, especially Chinese folk belief, on social trust and the mechanism between the two is relatively insufficient. This study aims to explore the influence of folk beliefs on Chinese residents’ social trust and the mediating role of social support and the sense of identity. The empirical analysis of 23,823 Chinese residents shows that there is a significant positive correlation between folk belief and social trust. Social support and a sense of identity play a mediating role between folk beliefs and residents’ social trust. People with folk beliefs can significantly promote their social trust by improving their degree of social support and their sense of identity. In addition, the influence of folk belief on the social trust of residents in eastern, northern China and rural areas is more significant, showing regional and registered residence heterogeneity. Therefore, we should correctly interpret and popularize the core spirit and social and cultural significance of folk belief to form a bond of social trust. At the same time, folk beliefs can be returned to the people, which will help people find a sense of belonging and sense of identity and enhance their social trust. Full article

Xishen (喜神, the God of Happiness) is one of the folk beliefs widely known and believed by Chinese people. He has no clear image or specific birthday, and there is no place of worship dedicated to Him. Although He has no specific religious space, there are clear directions and time requirements for the worship of Xishen. The task of this article is not to present and explain the belief in Xishen comprehensively, but rather to analyze the practice of folk belief centered on the orientation of Him and people’s cognition formation process of the object of their belief. Taking the spatial study of religions as a standpoint and starting from a broad understanding of dynamic space, we compare and analyze materials from historical documents, folktales, and the practice of sacrificing to Xishen. We consider the relationship between religious, social, and cultural lives and try to prove that such folk beliefs still play an important role in our daily life. Full article

This is a quantitative study of Chinese temples in Johor using temple data to show the development of Chinese religion in the state. The study finds that Chinese temples in Johor are dominated by a fusion of Confucianism, Buddhism and Daoism, with only a minority of orthodox Buddhism in existence. The broad range of Buddhist and Daoist deities shows the diversity and inclusiveness of the religion. In addition, the number of newly created temples in the state is still on the rise, contradicting the perception that they, especially Daoist ones, are on the decline. The quantitative data collation and analysis of Chinese temples in Johor not only will reflect more accurately the development of religion and beliefs of the local Chinese community, but also is an attempt to construct Malaysia Historical Geographic Information System (MHGIS). We hope that in the future, we can make use of the convenience of the data humanities system to make a more macro and holistic exploration and development of the study of Chinese temples and beliefs in Malaysia. Full article

Building a harmonious relationship between human society and river ecosystems has attracted much attention from both government officials and the academy community. Based on the perspective of social-ecological systems (SES), taking the Carp Brook (located in northern Fujian Province, China) as an example, the construction and maintenance of a time-honored artificial river ecosystem was investigated, and its ecosystem services were analyzed. Findings show that the Carp Brook was constructed through a series of ecological engineering, including a transformation of the river channel, building a stable habitat, and breeding carps. The carps have been protected effectively by some folk customs, such as village regulations and folk belief. Meanwhile, the water quality has been maintained through some engineering and institutional measures, which were completed by the local government and villagers. Furthermore, some cultural elements with local characteristics have been formed during the long years of coexistence between human society and the Carp Brook. Based on a healthy ecosystem and abundant culture elements, the Carp Brook provided continuous ecosystem services to human society for more than 800 years, including regulation services (e.g., water purification and flood control) and cultural services (e.g., tourism, research and education, inspiration). Major enlightenments from the Carp Brook are: (a) the Chinese traditional view of nature is important for the construction and maintenance of an artificial ecosystem; (b) traditional folk customs have a strong binding force regarding the protection of the ecosystem; and (c) the choice between material and immaterial services should be made carefully. Full article

From the perspective of production technology, the god image usually has two manifestations: paintings and sculptures, while there are two main forms of paintings: murals and prints. In this paper, the engravings of gods named “Guan-yin-ma-lian” (觀音媽聯) were taken as the research object. The origin of “Guan-yin-ma-lian” is traced back. The form of plane composition of this type of engraving is analyzed from the perspective of iconology. The image of Mazu (媽祖) and its implied meaning in “Guan-yin-ma-lian” are discussed from the perspective of folk beliefs. As one of the plane images of Mazu, “Guan-yin-ma-lian” is not only a very important religious art in folk culture, but also an important link closely connecting Mazu belief circles at home and abroad. It is also an important cultural asset of Chinese people who worship Mazu. Full article

This paper focuses on the Jidu 濟瀆 (i.e., the Ji River 濟水), one of the four waterways (sidu 四瀆) in imperial China. Even though it vanished a long time ago, the Jidu had always been a part of the traditional Chinese ritual system of mountain- and water-directed state sacrifices. From the Western Han dynasty to the Qing dynasty, it continuously received regular state sacrifices. However, Western scholars have failed to notice it. Some modern Chinese and Japanese scholars have studied the development of the Jidu sacrifice, but its embodied political and religious significances for the state and local society were largely ignored. To remedy this neglect, I provide here, with new discoveries and conclusions, the first comprehensive study of the Jidu sacrifice in imperial China. Surrounding this coherent theme, this paper draws several original arguments from its four sections. The first section is a brief history of the state sacrifice to the Jidu. In the second section, I analyze the ideas of state authority, political legitimacy, religious belief, and cosmology, as these underlie the ritual performance concerning the Jidu. I argue that the Jidu was not only tightly associated with controlling water but was also a symbol and mechanism of political legitimacy. Relying on concrete official and local records, in the third section I further investigate the role that the Jidu God played in local society. I argue that after the Song dynasty, the Jidu God was transformed into a regional protector of local society and savior of local people in addition to an official water god. In the fourth section, I, for the first time, examine the interaction between the Jidu cult and other religious traditions including Daoism, Buddhism, and folk religion. Full article

The sacrificial ritual to Mount Yi (Yishan 沂山) or the Eastern Stronghold (Dongzhen 東鎮) was included in the traditional Chinese state ritual system to mountain and water gods, and therefore, originally, it was a Confucian ritual. The Eastern Stronghold Temple was operated by officers and clerks appointed by the government. However, during the late imperial period, the situation changed and the Eastern Stronghold Temple became virtually operated by Daoism, mainly because of the government’s difficulty in maintaining the temple, the growth and power of Daoism, especially the Complete Perfection Daoism popular in northern China, and the further integration of Confucianism, Daoism, and folk beliefs. Daoist priests, who were named “temple guardians”, took responsibilities for guarding temple property, coordinating central and local government’s sacrificial rituals, administrating the daily operation of the temple, conducting reconstruction projects, and incorporating local people’s beliefs. As a result, the temple not only served as an official place of worship but also gained the functions and identity of a Daoist abbey and folk temple. As the first article discussing the Eastern Stronghold Temple in a western language, this study mainly applies the rediscovered source of stone inscriptions preserved in the temple to describe Daoism’s contributions to this religious–political–cultural symbolic site and the complicated relationship between governmental officials, Daoist priests, and local people. Full article

Narratives of willow trees in Yuan zaju 雜劇, or variety play, largely come in three types, namely, the ritual performance of shooting willows; the deliverance of willow spirits by Lü Dongbin, one of the Eight Immortals of Daoism; and the use of the word willow to refer to women. The willow shooting ritual depicted in Yuan zaju was highly reminiscent of the willow shooting ritual popular throughout the Song (960–1279), Liao (916–1125), Jin (1115–1234), and Yuan (1271–1368) dynasties, with its conceptual origins traceable to the ancient shamanic belief in the willow as a sacred tree prevalent among the Khitans and Jurchens who lived in what is now northeastern China. The legend of Lü Dongbin delivering a willow spirit to immortality is a recurring motif in Han Chinese folklore and Daoist hagiography, which also finds expression in the iconic image of Guanyin Pusa or Bodhisattva Avalokitesvara holding a willow branch with which they cure diseases for people and bring fulfillment to their wishes. The frequent use of “willow leaf-shaped eyebrows” (liumei 柳眉) and “willow-like waist” (liuyao 柳腰) in Yuan zaju as metaphorical references to women can be seen as a continuation of the great literary tradition of Shijing 詩經 (The Book of Songs) and also as a dramatic enactment of the fertility cult of the willow and women in Chinese folk religion. Evidence abounds that the narratives about the willow in Yuan zaju were not a new creation but an artistic manifestation of centuries-old folk belief and literary tradition. Full article

Cheng 誠 (sincerity) is one of the primary concepts in the Confucian tradition as well as Chinese intellectual history. Its rich implications involve dimensions of religion, ritual, folk belief, ethics, psychology, cosmology, metaphysics, aesthetics, and literature. In the Confucian classics, cheng is described as the “Dao of heaven”; humans through cultivation can reach the mysterious state of “the utmost sincerity functioning as spirits” and thus can “assist the transforming and generating power of heaven and earth.” Because of cheng’s rich, sacred, and mysterious implications, it has been regarded as the most difficult and perplexing of Chinese concepts. Scholars have long studied cheng mainly from the perspective of philosophy to analyze its ideological conceptions in the Confucian classics, resulting in fruitful and inspiring interpretations. However, because they have not traced the origin of cheng to its rich religious, ritual, and literary sources, their interpretations have been unable to answer the question: why is cheng covered with such a mysterious veil? In recent decades, some scholars have started exploring cheng’s relationship with ancient religious beliefs and rituals, but so far a comprehensive examination of the religious-ritual origin of this significant concept remains lacking. To discover cheng’s mysterious origins, we must apply a synthetic approach of etymological, religious, philosophical, and literary studies. Drawing upon both transmitted and excavated texts, this essay first analyzes the graphic-phonetic structure and semantic implications of the character cheng 成 (completion), which was the character cheng’s 誠 early form. It then examines the rich meanings implied in both characters related to sacrificial-divinatory rituals, including invoking the spirits with sincere writings, emotions, and oblations, in order to seduce them to descend and enjoy the offerings, as well as perfectively completing the human-spirit communication. Finally, the essay discusses how those religious beliefs and ritual ceremonies evolved into Confucian ethical values and aesthetic concepts, thus lifting the mysterious veil from cheng. Full article