Classical Arabic Texts and the Pre-Modern Islamic Rhetorical Tradition: Rethinking the Qur’an and Early Arabic Poetry as Cultural Foundations

A special issue of Religions (ISSN 2077-1444).

Deadline for manuscript submissions: closed (30 June 2025) | Viewed by 1431

Special Issue Editor


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Guest Editor
Department of Arabic Language and Literature, University of Haifa, 199 Abba Khoushy Ave., Mount Carmel, P.O. Box 338, Haifa 3103301, Israel
Interests: classical Arabic poetry, particularly pre-Islamic poetry; classical Arabic rhetoric and its development within classical Arabic poetry; humor in classical Arabic poetry; the interrelationship between scriptures and classical literature

Special Issue Information

Dear Colleagues,

The dominant linguistic, literary, and cultural context into which the Qur’an emerged in the early seventh century CE was that of classical Arabic poetry. Early Arabic poetry is, therefore, an indispensable source for a comprehensive study of the Qur’an in its historical setting. Conversely, the centrality of the Qur’anic revelation and its canonical authority in the Arabic language have profoundly influenced post-Qur’anic Arabic poetry, especially in the evolution of Arabic rhetoric.

This Special Issue of Religions explores the rhetoric of these two foundational sources of Arabic culture: the Qur’an and pre- and early Islamic poetry, up to the end of the Umayyad era (132 AH / 750 CE). By examining the linguistic, thematic, and stylistic elements of these sources, this issue aims to reveal the rhetorical strategies that shaped classical Arabic thought, religious doctrine, and poetic expression. Scholars will investigate how Qur’anic language and poetic forms intersect and diverge and how pre- and early Islamic values reshaped literary norms. Through a multidisciplinary approach, this Special Issue seeks to provide new insights into how the Qur’an and early poetry informed each other, forging a linguistic and cultural legacy central to Arabic identity and scholarship.

Original research articles are welcome for this Special Issue. Here are the suggested topics and research questions for contributors to consider; researchers may also propose other topics aligned with this Special Issue’s scope:

  1. How do the rhetorical elements and structures in the Qur’an compare with those in pre-Islamic poetry, and what insights do these similarities and differences provide into the communicative strategies of early Arabic culture?
  2. In what ways did pre-Islamic poetic style influence the Qur’anic mode of expression, and how did Qur’anic rhetoric, in turn, reshape the stylistic conventions of post-Islamic Arabic poetry?
  3. How are themes of community and division addressed rhetorically in the Qur’an versus pre-Islamic poetry, and what does this reveal about early Islamic society’s response to pre-Islamic values?
  4. How does the use of natural imagery—such as places, animals, clouds and storms—differ between the Qur’an and pre-Islamic poetry, and what rhetorical purposes do these images serve in each context?
  5. How was eloquence perceived as a source of authority in pre-Islamic poetry, and how did the Qur’an transform the role of rhetorical eloquence in its religious and moral teachings?
  6. What is the rhetorical significance of gender portrayal in the Qur’an and pre-Islamic poetry, and how are female figures represented differently in these sources?
  7. How do the narrative techniques in Qur’anic stories compare with those in pre-Islamic poetic narratives, and what insights do these structural choices offer about early Arab rhetorical culture?
  8. How are ethical and social issues such as justice, loyalty, and vengeance framed in pre-Islamic poetry and the Qur’an?
  9. What rhetorical adaptations were necessary as pre-Islamic poetry transitioned from an oral to a written tradition in later periods, and how did the Qur’an’s rhetorical strategies influence this shift?
  10. How do specific word choices and semantic nuances differ between the Qur’an and pre-Islamic poetry, and how did these lexical choices influence the evolving Arabic lexicon?

Although comparative analyses of topics across both corpora are especially welcome, researchers are also encouraged to submit articles on other topics related to rhetoric, focusing exclusively on one of these two sources: either the Qur’an or classical Arabic (pre- and early Islamic) poetry.

Prior to submitting a manuscript, interested authors should initially submit a proposed title and an abstract of 200–300 words summarizing their intended contribution. Please send it to the Guest Editor, Prof. Ali Ahmad Hussein (ahussein@univ.haifa.ac.il), and CC the Assistant Editor, Margaret Liu (margaret.liu@mdpi.com) of Religions. Abstracts will be reviewed by the Guest Editor for the purposes of ensuring proper fit within the scope of the Special Issue. Full manuscripts will undergo double-blind peer review.

We look forward to receiving your contributions.

Tentative timeline:
Deadline for abstract submission: February 27th, 2025.
Deadline for full manuscript submission: June 30th, 2025.

Prof. Dr. Ali Ahmad Hussein
Guest Editor

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Religions is an international peer-reviewed open access monthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1800 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • Qur’an
  • pre-Islamic poetry
  • Umayyad poetry
  • classical Arabic poetry
  • Qur’anic rhetoric
  • rhetoric of pre-and early Islamic poetry
  • Arabic cultural heritage
  • comparative literary analysis
  • classical Arabic lexicon
  • interrelationship between Qur’anic and classical literary texts

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Published Papers (2 papers)

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22 pages, 619 KB  
Article
Rhetorical Transformation in the Qurʾān and Pre-Islamic Poetry: A Comparative Analysis of Space, Animal, and Natural Figures
by Samed Yazar and İslam Batur
Religions 2025, 16(9), 1186; https://doi.org/10.3390/rel16091186 - 15 Sep 2025
Abstract
This study examines how selected place names, animal figures, and natural elements are used rhetorically in the Qurʾān and pre-Islamic Arabic poetry. It explores the rhetorical strategies associated with these elements, their frequency in pre-Islamic poetry, and their transformation within Qurʾānic discourse. Particular [...] Read more.
This study examines how selected place names, animal figures, and natural elements are used rhetorically in the Qurʾān and pre-Islamic Arabic poetry. It explores the rhetorical strategies associated with these elements, their frequency in pre-Islamic poetry, and their transformation within Qurʾānic discourse. Particular attention is given to how the Qurʾān reinterprets such figures, whether it assigns them new semantic layers, and what depth of meaning these usages convey. The study focuses on the Qurʾān and the Mu’allaqāt—the most prominent collection of pre-Islamic odes—and identifies semantic differences rooted in rhetorical style between the two traditions. While the Qurʾān employs a metaphor- and simile-rich narrative style, pre-Islamic poetry tends toward a direct, descriptive mode of expression. The symbolic function of landscape, animal, and cosmic imagery is analyzed in this context. Pre-Islamic poetry typically portrays the world as it is, often grounding meaning in the immediacy of the desert environment. In contrast, the Qurʾān embeds similar elements within a broader metaphysical framework, imbuing them with theological significance. The central aim is to investigate how the Qurʾān engages with and transforms the literary legacy of pre-Islamic poetry, and what rhetorical mechanisms it employs in this process. Thus, the study contributes to understanding the Qurʾān’s rhetorical structure and narrative method considering its linguistic and cultural context. Full article
28 pages, 1010 KB  
Article
Figurative Imagery and Religious Discourse in Al-Mufaḍḍaliyyāt
by Ula Aweida
Religions 2025, 16(9), 1165; https://doi.org/10.3390/rel16091165 - 10 Sep 2025
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Abstract
This study examines al-Mufaḍḍaliyyāt anthology as a foundational corpus wherein pre-Islamic and early Islamic Arabic poetry emerged not only as a cultural artifact but as a generative locus for theological reflection. Through a close reading of selected poems and nuanced engagement with the [...] Read more.
This study examines al-Mufaḍḍaliyyāt anthology as a foundational corpus wherein pre-Islamic and early Islamic Arabic poetry emerged not only as a cultural artifact but as a generative locus for theological reflection. Through a close reading of selected poems and nuanced engagement with the figurative language specifically metaphor, personification, and symbolic narrative, the research situates poetry as a mode of epistemic inquiry that articulates religious meaning alongside Qurʾānic revelation. Drawing on ʿAbd al-Qāhir al-Jurjānī’s theory of semantic structure and metaphor, in dialogue with Paul Ricoeur’s conception of metaphor as imaginative cognition, the study proposes that poetic discourse operates as a site of “imaginative theology”, i.e., a space wherein the abstract is rendered sensorially legible and metaphysical concepts are dramatized in affective and embodied terms. The analysis reveals how key Qurʾānic themes including divine will, mortality, ethical restraint are anticipated, echoed, and reconfigured through poetic imagery. Thus, al-Mufaḍḍaliyyāt is not merely a literary corpus vis-à-vis Islamic scripture but also functions as an active interlocutor in the formation of early Islamic moral and theological imagination. This interdisciplinary inquiry contributes to broader discussions on the interpenetration of poetics and theology as well as on the cognitive capacities of literature to shape religious consciousness. Full article
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