Classical Arabic Texts and the Pre-Modern Islamic Rhetorical Tradition: Rethinking the Qur’an and Early Arabic Poetry as Cultural Foundations

A special issue of Religions (ISSN 2077-1444).

Deadline for manuscript submissions: closed (30 November 2025) | Viewed by 14796

Special Issue Editor


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Guest Editor
Department of Arabic Language and Literature, University of Haifa, 199 Abba Khoushy Ave., Mount Carmel, P.O. Box 338, Haifa 3103301, Israel
Interests: classical Arabic poetry, particularly pre-Islamic poetry; classical Arabic rhetoric and its development within classical Arabic poetry; humor in classical Arabic poetry; the interrelationship between scriptures and classical literature

Special Issue Information

Dear Colleagues,

The dominant linguistic, literary, and cultural context into which the Qur’an emerged in the early seventh century CE was that of classical Arabic poetry. Early Arabic poetry is, therefore, an indispensable source for a comprehensive study of the Qur’an in its historical setting. Conversely, the centrality of the Qur’anic revelation and its canonical authority in the Arabic language have profoundly influenced post-Qur’anic Arabic poetry, especially in the evolution of Arabic rhetoric.

This Special Issue of Religions explores the rhetoric of these two foundational sources of Arabic culture: the Qur’an and pre- and early Islamic poetry, up to the end of the Umayyad era (132 AH / 750 CE). By examining the linguistic, thematic, and stylistic elements of these sources, this issue aims to reveal the rhetorical strategies that shaped classical Arabic thought, religious doctrine, and poetic expression. Scholars will investigate how Qur’anic language and poetic forms intersect and diverge and how pre- and early Islamic values reshaped literary norms. Through a multidisciplinary approach, this Special Issue seeks to provide new insights into how the Qur’an and early poetry informed each other, forging a linguistic and cultural legacy central to Arabic identity and scholarship.

Original research articles are welcome for this Special Issue. Here are the suggested topics and research questions for contributors to consider; researchers may also propose other topics aligned with this Special Issue’s scope:

  1. How do the rhetorical elements and structures in the Qur’an compare with those in pre-Islamic poetry, and what insights do these similarities and differences provide into the communicative strategies of early Arabic culture?
  2. In what ways did pre-Islamic poetic style influence the Qur’anic mode of expression, and how did Qur’anic rhetoric, in turn, reshape the stylistic conventions of post-Islamic Arabic poetry?
  3. How are themes of community and division addressed rhetorically in the Qur’an versus pre-Islamic poetry, and what does this reveal about early Islamic society’s response to pre-Islamic values?
  4. How does the use of natural imagery—such as places, animals, clouds and storms—differ between the Qur’an and pre-Islamic poetry, and what rhetorical purposes do these images serve in each context?
  5. How was eloquence perceived as a source of authority in pre-Islamic poetry, and how did the Qur’an transform the role of rhetorical eloquence in its religious and moral teachings?
  6. What is the rhetorical significance of gender portrayal in the Qur’an and pre-Islamic poetry, and how are female figures represented differently in these sources?
  7. How do the narrative techniques in Qur’anic stories compare with those in pre-Islamic poetic narratives, and what insights do these structural choices offer about early Arab rhetorical culture?
  8. How are ethical and social issues such as justice, loyalty, and vengeance framed in pre-Islamic poetry and the Qur’an?
  9. What rhetorical adaptations were necessary as pre-Islamic poetry transitioned from an oral to a written tradition in later periods, and how did the Qur’an’s rhetorical strategies influence this shift?
  10. How do specific word choices and semantic nuances differ between the Qur’an and pre-Islamic poetry, and how did these lexical choices influence the evolving Arabic lexicon?

Although comparative analyses of topics across both corpora are especially welcome, researchers are also encouraged to submit articles on other topics related to rhetoric, focusing exclusively on one of these two sources: either the Qur’an or classical Arabic (pre- and early Islamic) poetry.

Prior to submitting a manuscript, interested authors should initially submit a proposed title and an abstract of 200–300 words summarizing their intended contribution. Please send it to the Guest Editor, Prof. Ali Ahmad Hussein (ahussein@univ.haifa.ac.il), and CC the Assistant Editor, Margaret Liu (margaret.liu@mdpi.com) of Religions. Abstracts will be reviewed by the Guest Editor for the purposes of ensuring proper fit within the scope of the Special Issue. Full manuscripts will undergo double-blind peer review.

We look forward to receiving your contributions.

Tentative timeline:
Deadline for abstract submission: February 27th, 2025.
Deadline for full manuscript submission: June 30th, 2025.

Prof. Dr. Ali Ahmad Hussein
Guest Editor

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 250 words) can be sent to the Editorial Office for assessment.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Religions is an international peer-reviewed open access monthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1800 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • Qur’an
  • pre-Islamic poetry
  • Umayyad poetry
  • classical Arabic poetry
  • Qur’anic rhetoric
  • rhetoric of pre-and early Islamic poetry
  • Arabic cultural heritage
  • comparative literary analysis
  • classical Arabic lexicon
  • interrelationship between Qur’anic and classical literary texts

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Published Papers (9 papers)

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Research

36 pages, 38753 KB  
Article
Negated Antithesis as Reflected in the Qurʾān and in Pre-Qurʾānic Arabic Poetry
by Ali Ahmad Hussein
Religions 2026, 17(4), 490; https://doi.org/10.3390/rel17040490 - 17 Apr 2026
Viewed by 407
Abstract
This article presents a comparative analysis of the negated antithesis (ṭibāq salb) in pre-Islamic poetry and the Qurʾān using data generated by the Rhetorical Element Identifier (REI), a computational tool capable of automatically detecting this device across both corpora. Drawing on [...] Read more.
This article presents a comparative analysis of the negated antithesis (ṭibāq salb) in pre-Islamic poetry and the Qurʾān using data generated by the Rhetorical Element Identifier (REI), a computational tool capable of automatically detecting this device across both corpora. Drawing on a dataset of 1908 pre-Islamic poems and the full Qurʾānic text, the study explores how shared rhetorical patterns reflect a broader stylistic continuum between the two earliest Arabic literary traditions. While the Qurʾān employs structures attested in the poetic corpus, it frequently reconfigures them—shifting antithetical elements from verse-final to mid-verse positions, creating new syntactic configurations, and deploying the device for didactic and theological aims. The analysis also identifies thirty-three shared verbal roots that appear in comparable grammatical settings across both corpora, underscoring a common semantic foundation. By isolating a single rhetorical feature, the study highlights how the Qurʾān both inherits and reshapes earlier poetic strategies, offering fresh insight into the evolution of early Arabic rhetoric. Full article
10 pages, 282 KB  
Article
From Poetic Vision to Religious Witness: The Qurʾānic Transformation of Poetic Travel
by Hannelies Koloska
Religions 2026, 17(4), 444; https://doi.org/10.3390/rel17040444 - 3 Apr 2026
Viewed by 238
Abstract
This article explores the Qurʾānic transformation of poetic travel, situating it within the broader cultural and religious context of Late Antiquity. By examining the Qurʾān’s repeated injunctions to travel and observe the landscape, the study reveals how travel is reconfigured from a poetic [...] Read more.
This article explores the Qurʾānic transformation of poetic travel, situating it within the broader cultural and religious context of Late Antiquity. By examining the Qurʾān’s repeated injunctions to travel and observe the landscape, the study reveals how travel is reconfigured from a poetic act of nostalgic vision into a religious epistemic practice of witnessing divine truth. It compares pre-Islamic Arabic poetic traditions, particularly the qasīda, with Late Antique Christian pilgrimage practices to demonstrate how the Qurʾān synthesizes and reshapes these modes of journeying into a vision-centered theology of travel. Full article
13 pages, 271 KB  
Article
The Beautiful Prophet: A Literary and Thematic Analysis of Sūrat Yūsuf
by Luis Serrano Lora
Religions 2026, 17(2), 226; https://doi.org/10.3390/rel17020226 - 12 Feb 2026
Viewed by 559
Abstract
This article proposes a literary and semantic analysis of Surah 12, Yūsuf, centred on the concept of iḥsān (virtue, goodness, or beauty), which reveals the intimate connection between the Qur’ān’s aesthetic value and the veracity of its contents. A close reading of [...] Read more.
This article proposes a literary and semantic analysis of Surah 12, Yūsuf, centred on the concept of iḥsān (virtue, goodness, or beauty), which reveals the intimate connection between the Qur’ān’s aesthetic value and the veracity of its contents. A close reading of the surah reveals that iḥsān encompasses dream interpretation, wisdom, forbearance, moral excellence, and other prophetic qualities bestowed by God and displayed by Yūsuf throughout the story. Likewise, iḥsān is presented as structurally antithetical to the intrigues (kuyūd, sing. kayd) plotted by the characters of the story, such as Yūsuf’s brothers, or the mistress of the house. These intrigues are explicitly associated with falsehood and deceit, which explains their ultimate failure against Yūsuf, the bearer of iḥsān and the knowledge of truth, and the Divine Decree. This story presents an ethical model which transcends the boundaries of the narrative and is constantly appropriated by the Qur’ān at the metalevel to demonstrate its veracity and its divine origin. Qur’ānic claims such as being the most beautiful of the stories (aḥsan al-qaṣaṣ) are not simply declarations of its unparalleled eloquence, but rhetorical devices that confirm the text’s contents and its authority by constructing a nexus between iḥsān and truth. Full article
23 pages, 476 KB  
Article
The Thematic and Rhetorical Transformation of ‘Aṣabiyya in Early Islamic Poetry
by Ramazan Aslan and Ismail Araz
Religions 2026, 17(2), 140; https://doi.org/10.3390/rel17020140 - 27 Jan 2026
Viewed by 856
Abstract
Classical Arabic poetry played a powerful social role in Arab society, particularly during the Jāhiliyya (pre-Islamic) period, due to its high level of eloquence (faṣāḥa) and balāgha. Within this poetic tradition—shaped around themes such as heroism (ḥamāsah), boasting (fakhr), satire (hijā’), and love [...] Read more.
Classical Arabic poetry played a powerful social role in Arab society, particularly during the Jāhiliyya (pre-Islamic) period, due to its high level of eloquence (faṣāḥa) and balāgha. Within this poetic tradition—shaped around themes such as heroism (ḥamāsah), boasting (fakhr), satire (hijā’), and love (tashbīb)—‘aṣabiyya occupied a central position as a means of constructing and preserving tribal identity through language. Poets exalted their own tribes and disparaged rival ones by employing persuasive and emotionally charged expression. With the revelation of the Qur’an in 610 CE, this literary and cultural heritage, grounded in aesthetic and expressive power, was reconfigured within a new religious framework. The Qur’an’s challenge-oriented discourse entered into direct interaction with existing poetic sensibilities. Against this background, the present study examines the transformation of ‘aṣabiyya in classical Arabic poetry during the early Islamic period. It offers a comparative analysis of lineage-centered ‘aṣabiyya in Jāhiliyya poetry and the emergence of an ummah-centered discourse of unity in Islamic poetry, drawing on poems by different poets from both periods. Using content analysis, rhetorical text analysis, and inductive methods, the study demonstrates that the Qur’an’s influence on Arabic poetry was neither uniform nor one-dimensional but significantly shaped poetic themes and authorial attitudes. By focusing on ‘aṣabiyya, the article aims to contribute to a renewed understanding of the Qur’an–poetry relationship in early Islam. Full article
27 pages, 478 KB  
Article
A Comparative Analysis of Woman Imagery in Imruʾ al-Qays’ Muʿallaqa and the Qurʾānic Depiction of al-Ḥūr al-ʿĪn
by Ahmed Ali Hussein Al-Ezzi, Soner Aksoy and Sakin Taş
Religions 2026, 17(1), 22; https://doi.org/10.3390/rel17010022 - 25 Dec 2025
Viewed by 1142
Abstract
This study explores the Qurʾānic portrayal of al-ḥūr al-ʿīn in relation to pre-Islamic poetic traditions, with a particular focus on Imruʾ al-Qays’s Muʿallaqa—a foundational text in Arabic love poetry. It aims to examine how the Qurʾān reconfigures familiar expressions of female beauty—such [...] Read more.
This study explores the Qurʾānic portrayal of al-ḥūr al-ʿīn in relation to pre-Islamic poetic traditions, with a particular focus on Imruʾ al-Qays’s Muʿallaqa—a foundational text in Arabic love poetry. It aims to examine how the Qurʾān reconfigures familiar expressions of female beauty—such as al-luʾluʾ al-maknūn, qāṣirātu al-ṭarf, kawāʿib atrāban, ʿuruban, and abkāran—within a spiritual and eschatological framework. The research problem centers on understanding the rhetorical and semantic shift from the sensual, body-centered depictions of women found in Imruʾ al-Qays’s couplet to the morally elevated and symbolically charged representations presented in the Qurʾān. Using a comparative textual analysis method, the study draws on classical tafsīr literature and selected passages from Muʿallaqa to trace the semantic transformation of key terms and metaphors. The findings demonstrate that while the Qurʾān retains the linguistic forms and imagery familiar to its audience—including poetic conventions of beauty from Imruʾ al-Qays—it redirects them toward a higher moral and theological purpose. Female beauty becomes not a site of fleeting desire, but a symbol of divine reward, integrating physical perfection with spiritual purity. Ultimately, the research argues that the Qurʾān does not reject the aesthetic legacy of pre-Islamic poetry, but absorbs and elevates it, establishing a new rhetorical paradigm grounded in revelation and ethical transcendence. This study encourages further comparative research between Qurʾānic discourse and early Arabic poetry to illuminate the cultural and expressive transformations shaped by Islam. Full article
42 pages, 677 KB  
Article
Word Pairs as Rhetorical Elements in the Qurʾān: In Memoriam Alexander Sima (1969–2004)
by Kathrin Müller
Religions 2026, 17(1), 19; https://doi.org/10.3390/rel17010019 - 24 Dec 2025
Viewed by 679
Abstract
Anyone who starts reading the Qurʾān out of linguistic and literary interest—whether in the original language or in a translation—very quickly becomes aware of the strong rhetorical effect of the text in its forcefulness and intensity. But by what means is this effect [...] Read more.
Anyone who starts reading the Qurʾān out of linguistic and literary interest—whether in the original language or in a translation—very quickly becomes aware of the strong rhetorical effect of the text in its forcefulness and intensity. But by what means is this effect achieved? One means is duality, which, in Arabic, is already inherent in thought through the existence of the dual between singular and plural and is therefore of particular importance. The constantly repeated mention of God’s attributes in the Qurʾān—usually two terms of similar meaning, such as ġafūrun raḥīmun “All-forgiving, All-compassionate” (Arberry) or ʿalīmun ḥakīmun “All-knowing, All-wise” (Arberry)—determines the text as caesuras, and a second term is also often added to other terms in order to emphasise and intensify the statement, such as mā la-hū min waliyyin wa-lā naṣīrin “to have neither protector nor helper.” The phenomenon of merism—the totality ‘everything,’ ‘everywhere,’ and ‘always’ expressed by two opposing terms—is also used in the Qurʾān, for example, in ẓāhirun/bāṭinun “inward/outward,” meaning ‘all.’ Full article
33 pages, 1303 KB  
Article
Doomed Power and Eternal Wisdom in Late Antiquity: Intertwining Representations of Luqmān in Light of the Qurʾānic Tradition
by Maxim Yosefi
Religions 2025, 16(10), 1301; https://doi.org/10.3390/rel16101301 - 13 Oct 2025
Viewed by 1071
Abstract
This article explores the underlying ideas conveyed by the literary representations associated with Luqmān b. ʿĀd and Luqmān the Sage in classical Arabic sources. It avoids conflating them or collapsing all portrayals of Luqmān b. ʿĀd into a single composite figure. At the [...] Read more.
This article explores the underlying ideas conveyed by the literary representations associated with Luqmān b. ʿĀd and Luqmān the Sage in classical Arabic sources. It avoids conflating them or collapsing all portrayals of Luqmān b. ʿĀd into a single composite figure. At the same time, it resists imposing a rigid dichotomy between these representations, instead examining possible mutual influences and conceptual continuities. To assess the range of divergent Luqmān images in light of the Qurʾānic tradition, the article treats them as manifestations of diverse local and regional narrative currents, woven together within a broader pan-Arabic reservoir of motifs. Full article
22 pages, 619 KB  
Article
Rhetorical Transformation in the Qurʾān and Pre-Islamic Poetry: A Comparative Analysis of Space, Animal, and Natural Figures
by Samed Yazar and İslam Batur
Religions 2025, 16(9), 1186; https://doi.org/10.3390/rel16091186 - 15 Sep 2025
Viewed by 4082
Abstract
This study examines how selected place names, animal figures, and natural elements are used rhetorically in the Qurʾān and pre-Islamic Arabic poetry. It explores the rhetorical strategies associated with these elements, their frequency in pre-Islamic poetry, and their transformation within Qurʾānic discourse. Particular [...] Read more.
This study examines how selected place names, animal figures, and natural elements are used rhetorically in the Qurʾān and pre-Islamic Arabic poetry. It explores the rhetorical strategies associated with these elements, their frequency in pre-Islamic poetry, and their transformation within Qurʾānic discourse. Particular attention is given to how the Qurʾān reinterprets such figures, whether it assigns them new semantic layers, and what depth of meaning these usages convey. The study focuses on the Qurʾān and the Mu’allaqāt—the most prominent collection of pre-Islamic odes—and identifies semantic differences rooted in rhetorical style between the two traditions. While the Qurʾān employs a metaphor- and simile-rich narrative style, pre-Islamic poetry tends toward a direct, descriptive mode of expression. The symbolic function of landscape, animal, and cosmic imagery is analyzed in this context. Pre-Islamic poetry typically portrays the world as it is, often grounding meaning in the immediacy of the desert environment. In contrast, the Qurʾān embeds similar elements within a broader metaphysical framework, imbuing them with theological significance. The central aim is to investigate how the Qurʾān engages with and transforms the literary legacy of pre-Islamic poetry, and what rhetorical mechanisms it employs in this process. Thus, the study contributes to understanding the Qurʾān’s rhetorical structure and narrative method considering its linguistic and cultural context. Full article
28 pages, 1010 KB  
Article
Figurative Imagery and Religious Discourse in Al-Mufaḍḍaliyyāt
by Ula Aweida
Religions 2025, 16(9), 1165; https://doi.org/10.3390/rel16091165 - 10 Sep 2025
Viewed by 2445
Abstract
This study examines al-Mufaḍḍaliyyāt anthology as a foundational corpus wherein pre-Islamic and early Islamic Arabic poetry emerged not only as a cultural artifact but as a generative locus for theological reflection. Through a close reading of selected poems and nuanced engagement with the [...] Read more.
This study examines al-Mufaḍḍaliyyāt anthology as a foundational corpus wherein pre-Islamic and early Islamic Arabic poetry emerged not only as a cultural artifact but as a generative locus for theological reflection. Through a close reading of selected poems and nuanced engagement with the figurative language specifically metaphor, personification, and symbolic narrative, the research situates poetry as a mode of epistemic inquiry that articulates religious meaning alongside Qurʾānic revelation. Drawing on ʿAbd al-Qāhir al-Jurjānī’s theory of semantic structure and metaphor, in dialogue with Paul Ricoeur’s conception of metaphor as imaginative cognition, the study proposes that poetic discourse operates as a site of “imaginative theology”, i.e., a space wherein the abstract is rendered sensorially legible and metaphysical concepts are dramatized in affective and embodied terms. The analysis reveals how key Qurʾānic themes including divine will, mortality, ethical restraint are anticipated, echoed, and reconfigured through poetic imagery. Thus, al-Mufaḍḍaliyyāt is not merely a literary corpus vis-à-vis Islamic scripture but also functions as an active interlocutor in the formation of early Islamic moral and theological imagination. This interdisciplinary inquiry contributes to broader discussions on the interpenetration of poetics and theology as well as on the cognitive capacities of literature to shape religious consciousness. Full article
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