The Perceptual and Aesthetic Aspects of the Music-Paintings Congruence
Laboratory for Experimental Psychology, University of Belgrade, 11000 Belgrade, Serbia
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Vision 2019, 3(4), 65; https://doi.org/10.3390/vision3040065
Received: 1 October 2019 / Revised: 30 October 2019 / Accepted: 15 November 2019 / Published: 20 November 2019
(This article belongs to the Special Issue Selected Papers from the Triestine 2018 Visual Science of Art Conference)
The purpose of the present study is to investigate the effect of congruence between music and paintings on the aesthetic preference of paintings. Congruence was specified as the similarity in perceived regularity and the complexity of jazz compositions and abstract paintings (the ratings of regularity and complexity in both sets of stimuli were obtained in the pilot study). In the main experiment, 32 participants rated the aesthetic pleasantness of paintings with congruent, incongruent, and no music background. In addition, they rated the music-paintings matching (how well the music goes with the painting). The results show no effect of congruence on aesthetic pleasantness ratings. The effect on the perceived matching was significant; matching is higher in the congruent compared to the incongruent condition. These findings suggest that congruency has a strong effect on the perceptual aspect of the music-paintings compatibility (visuo-auditory similarity) and no effect on the aesthetic aspect (liking).
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Keywords:
abstract paintings; music; aesthetic preference; congruence; regularity; complexity
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MDPI and ACS Style
Rančić, K.; Marković, S. The Perceptual and Aesthetic Aspects of the Music-Paintings Congruence. Vision 2019, 3, 65. https://doi.org/10.3390/vision3040065
AMA Style
Rančić K, Marković S. The Perceptual and Aesthetic Aspects of the Music-Paintings Congruence. Vision. 2019; 3(4):65. https://doi.org/10.3390/vision3040065
Chicago/Turabian StyleRančić, Katarina; Marković, Slobodan. 2019. "The Perceptual and Aesthetic Aspects of the Music-Paintings Congruence" Vision 3, no. 4: 65. https://doi.org/10.3390/vision3040065
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