2.1. Patterns of Sequences and Constructions That They Head
The complex sequences examined in this study can be grouped into three patterns:
de tal {forma/modo/manera/suerte} que,
de {forma/modo/manera/suerte} que, and
de {forma/modo/manera/suerte} de. In this section, we will study the first two. The initial observation that may be made is the alternation of four synonymous nouns:
forma,
modo,
manera, and
suerte. In Old Spanish, the noun
guisa was also utilized, a usage that has since fallen out of favor in the contemporary language. However, it will be invoked on occasion when examining certain diachronic data.
4The aforementioned alternation raises the question of whether, in cases where these sequences constitute complex, or phrasal, conjunctions or prepositions, we should understand that each of these nouns gives rise to a different complex unit, or whether we can consider each type of sequence to be a phraseological unit with “empty slots”. In other words, each one of the three patterns of sequences could be a
locución con casillas vacías (‘phrase with empty slots’) (
Montoro del Arco, 2008), a phraseological unit with a fixed or semi-fixed syntactic structure that includes variable elements, or “empty slots,” in its composition. This seems to be the case with the sequences in question, but we will not delve deeper into this issue; we will simply refer to them as phrasal conjunctions or phrasal prepositions.
We can distinguish three types of consecutive constructions introduced by
de tal {forma/modo/manera/suerte} que, or
de {forma/modo/manera/suerte} que:
5We will refer to those introduced by de tal {forma/modo/manera/suerte} que as intensity–manner consecutive constructions. These constructions are integrated into the predicate of the main clause, functioning as an adjunct of manner:
| (3) | a. El filósofo Fernando Savater lo dice de tal modo que no queda más que citarlo textualmente (S. Venturo Schultz, Contrajuventud: ensayos sobre juventud y participación política; CORPES XXI, n.d.) |
| | ‘The philosopher Fernando Savater puts it so well that there is nothing left to do but quote him verbatim’ |
| | b. El ama, al oír tales despropósitos, palideció de tal suerte que el cochero volvió la cabeza al sentir el relumbre (J. Riosalido, La casa del Ñandú; CORPES XXI, n.d.) |
| | ‘The mistress, upon hearing such nonsense, turned so pale that the coachman turned his head when he felt the glare’ |
The sequences that introduce the second type, consecutive constructions of manner, do not include the determiner tal, although the constructions they head, as in the case of the first type, are integrated into the predicate of the main clause as adjuncts of manner or result:
| (4) | a. Y no te preocupes, que lo vamos a dejar de forma que nadie se va a dar cuenta de que hemos tocado nada (M. Lejarza y F. Rueda, Yo confieso. 45 años de espía; CORPES XXI, n.d.) |
| | ‘And don’t worry, we’ll leave it in such a way that no one will notice we’ve touched anything’ |
| | b. Se reformó el escalafón municipal de manera que todos los funcionarios subieron de categoría («EDITORIAL. A prepararse y a prepararnos». El País digital. Montevideo: elpais.com.uy; CORPES XXI, n.d.) |
| | ‘The municipal hierarchy was reformed in such a way that all civil servants were promoted’ |
The semantic distinction between these constructions and the preceding ones is subtle: while the latter merely encode a causal relationship, the former also foreground the magnitude or intensity of the cause. Consequently, example (4b) indicates that the manner of execution yielded a specific outcome, whereas in (3a), the qualitative degree of the action’s manner is focalized.
The constructions of the third type express the consequence of what is stated in another clause. However, they appear in a different clause, separated from it by a pause. In the Spanish grammatical tradition they have been called oraciones ilativas (lit. illative sentences). These types of clauses can also be introduced by de {forma/modo/manera/suerte} que:
| (5) | a. Pero no lo sabía, de manera que me senté en uno de los confortables sillones de cuero que había en la habitación y esperé (R. Bolaño, Putas asesinas; CORPES XXI, n.d.) |
| | ‘But I didn’t know that, so I sat down in one of the comfortable leather armchairs in the room and waited’ |
| | b. Los DD. HH. forman una unidad, […] de suerte que no es admisible que se desconozcan unos derechos so pretexto de salvaguardar otros (L. Díaz Gamboa, Constitucionalismo social: hacia un nuevo estado social, democrático de derecho; CORPES XXI, n.d.) |
| | ‘Human rights form a single entity, […] so that it is not permissible to disregard some rights on the pretext of safeguarding others’ |
2.2. The Nouns on Which These Sequences Are Based
The sequences introducing the consecutive constructions discussed in the previous section are derived from the nouns
forma,
manera,
modo, and
suerte. As noted by authors such as
Amaral and Delicado Cantero (
2022), the inherent properties of nouns largely determine the diachronic evolution of the constructions based upon them; therefore, this section will briefly review these characteristics. From their earliest attestations in pre-classical Spanish,
forma,
manera, and
modo have exhibited the modal or manner-related meaning with which they are employed in consecutive sequences—a meaning that, moreover, is preserved in contemporary Spanish. According to
Corominas and Pascual (
1980, s.v. forma), the noun
forma is first documented in the works of Berceo; the earliest example identified in the CORDE database dates to 1391 (6a). In examples (6b,c), we observe the use of the noun
manera with a similar meaning as early as the 12th century, while example (6d) provides an occurrence of
modo from the 13th century. Regarding
suerte, whose original meaning refers to destiny or to the portion assigned to an individual in a distribution, it began to acquire the meaning of ‘form’ or ‘manner’ during the Late Middle Ages, eventually consolidating this sense in the 15th century (6e):
| (6) | a. el jurado de aquella parroquia con el procurador o procuradors de aquella mediant jura por ellos publicament prestada alli en la forma dessuso dita esleyan los ditos hueyto sufficientes mas o menos de aquella parroquia (Anonymous, Ordinación dada a la ciudad de Zaragoza por el rey don Juan I, 1391; CORDE, n.d.) |
| | ‘The jury of that parish, together with its representative(s), having taken a public oath on the spot in the manner described above, elected the eight (or approximately eight) competent members of that parish’ |
| | b. é quien los rescibiere en tal manera, sea tenudo á la nuestra voz á pena de cient maravedís (Anonymous, Ordenamiento de unas cortes de León, p. 1188; CORDE, n.d.) |
| | ‘And anyone who receives them in this manner shall be bound by our authority, on pain of a fine of one hundred maravedis’ |
| | c. Et daquella misma manera parta con los dela segunda & dent adelant con los de la tercera et con los de quantas mugieres ouiere. (Anonymous, Fuero de Soria, c 1196; CORDE, n.d.) |
| | ‘And in the same way, divide the inheritance among the [children] of the second [wife], and so on, among the [children] of the third and of any other wives he may have had’ |
| | d. las adeujnanças de las cosas & las voluntades sobre los males dubdosos sienpre aduzen tristes cuidados en los coraçones de los omnes & en el modo de la dubda en pena andaua el suenno del que teme & sienpre veye cornelia en suennos a tesalia (Alfonso X, General Estoria. Quinta parte, a 1284; CORDE, n.d.) |
| | ‘Speculations about the future and fears of impending misfortune always bring sorrowful worries to people’s hearts; and, in the form of doubt, the sleep of the fearful was filled with torment, and Cornelia always saw Thessaly in her dreams’ |
| | e. la piedra en vexiga se cura en la suerte que auemos curado la piedra pasada (Francisco López de Villalobos, Sumario de la medicina con un compendio sobre las pestíferas bubas, 1498; CORDE, n.d.) |
| | ‘A bladder stone is treated in the same way as we treated the previous stone’ |
As demonstrated in the preceding examples, the nouns
forma,
manera,
modo, and
suerte may be modified by various types of constituents: articles (6a, d, e), demonstratives (6b, c), adjectives (6c), participles (6a), relative clauses (6e), and complements headed by the preposition
de (6d). Furthermore, they can function as manner adjuncts within prepositional phrases, headed by the prepositions
en (6a, b, d, e) or
de (6c). Their behavior is, therefore, analogous to that observed in contemporary Spanish, where they can be modified by the same classes of determiners and complements. However, in modern usage, the use of the preposition
de (7a–d) to head manner complements with these nouns clearly predominates over the use of the preposition
en (7e):
| (7) | a. Le tomó juramento de la forma antes descrita. |
| | ‘He swore him in in the manner described above’ |
| | b. Nadie entendía por qué se había enfadado de tal manera. |
| | ‘No one could understand why he had got so angry’ |
| | c. Lo escribió del modo que le habían enseñado. |
| | ‘He wrote it the way he had been taught’ |
| | d. Bernal Díaz del Castillo, por su parte, ofrece su versión del mismo asunto -también en glosa de Alfonso Reyes- de esta suerte (P. Del Valle, Comer y beber en Honduras. Honduras, 2002; CORPES XXI, n.d.) |
| | ‘Bernal Díaz del Castillo, for his part, offers his own account of the same matter—also in a commentary by Alfonso Reyes—as follows’ |
| | e. En esa manera el precio es menor para ambas partes (El Diario de Hoy, El Salvador, 2006; CORPES XXI, n.d.) |
| | ‘In that way, the price is lower for both partners’ |
2.3. Analyzability and Grammaticalization of the Sequences de (tal) {forma/modo/manera/suerte} que
In intensity–manner consecutives,
tal (‘such’) is a qualifying or intensive determiner that forms a quantitative phrase with the noun. The conjunction
que heads a subordinate clause that expresses consequence (
RAE-ASALE, 2025, §45.14d-h). Therefore, in these constructions, the sequences
de tal {forma/modo/manera/suerte} que can be analyzed as described in (8): they are part of a PP headed by the preposition
de; the object of this preposition (OP) is the consecutive construction, which is formed by a quantitative phrase (QP) and a subordinate clause (SC).
| (8) | [PP de [OP [QP tal {forma/modo/manera/suerte}] [SC que…]]] |
Parodi (
2014) points out that sequences
de tal {forma/modo/manera/suerte} que are grammaticalized, since in them, “
tal pierde su significado equivalente al de un demostrativo anafórico ‘eso’, como en:
¿por qué dices tales cosas?/¿por qué dices esas cosas?” (
Parodi, 2014, p. 4107) (‘
tal loses its meaning equivalent to the anaphoric demonstrative ‘that’, as in
why do you say such things?/why do you say those things?’).
However, the sequence’s analyzability is demonstrated by the possibility of its members appearing separately, as occurs in focalization constructions of type (9a). Likewise, the determiner
tal can appear after the noun, as in (9b).
| (9) | a. Cuentas de tal manera las cosas que apenas se entienden (Ex. from Parodi, 2014, p. 4107) |
| | Lit. You tell in such a way things that it’s hard to understand them |
| | b. Cuentas las cosas de manera tal que apenas se entienden (Ex. from Parodi, 2014, p. 4108) |
| | Lit. You tell the things in a way such that it’s hard to understand them. |
In consecutive constructions of manner, sequences headed by
de {forma/modo/manera/suerte} que function as an adjunct of manner to the main verb.
Álvarez (
1999, §58.3.1) suggests that the clause headed by
que is a relative clause, since it can be replaced by an adjective, as shown in (10):
| (10) | a. Y no te preocupes, que lo vamos a dejar de forma cuidadosa |
| | ‘And don’t worry, we’ll leave it in a careful way’ |
| | b. Se reformó el escalafón municipal de manera radical |
| | ‘The municipal hierarchy was reformed in a radical way’ |
However, the possibility of paraphrasing with an adjective does not imply that the subordinate clause is a relative clause. In fact, the particle
que can be understood as a relative pronoun in some of these sequences, but not in others. Therefore, in (11a), the relative pronoun
que, whose antecedent is
manera, functions as the subject in the subordinate clause, which can be reasonably interpreted as ‘the way of organizing the classroom is what allows participation and cooperation among students.’ However, other sequences similar to these are ambiguous. For instance, in (11b), it is possible to understand that the relative pronoun
que has
modo as its antecedent and functions as the subject of the subordinate clause. This construction would indicate that the manner in which the arch is constructed will allow the Latin phrase to be revealed. However, it could also be interpreted that the subject of the subordinate verb is co-referential with the noun phrase (NP)
este arco, meaning that it is the arch itself that will allow the phrase to be revealed. In such a case, the supposed relative would have no syntactic function in the subordinate clause, and, therefore, it must be understood that we are actually dealing with the subordinating conjunction
que, which is homonymous with the relative.
6 Consequently, the structure is analogous to that of (6). This is the sole viable analysis for sequences such as those depicted in (7a,b) above.
7| (11) | a. Estas pueden ser atendidas adecuadamente […] a través de una serie de acciones que todo educador utiliza habitualmente para dar respuesta a la diversidad: organizar el aula de manera que permita la participación y cooperación entre los alumnos […] (M. P. Godoy lenz, Guía de apoyo técnico-pedagógico: necesidades educativas especiales en el nivel de educación parvularia. Chile, 2007; CORPES XXI, n.d.) |
| | ‘These can be adequately addressed through a series of actions that all educators routinely use to respond to diversity: organising the classroom in a way that allows for participation and cooperation among students’ |
| | b. ¿Puedes construir este arco de modo que revele una frase latina oculta cuando esté de pie? (https://www.reddit.com/r/latin/comments/1ep3w82/arch_anagram_can_you_build_this_arch_so_that_it/?tl=es-es; accessed on 16 June 2026) |
| | ‘Can you construct this arch so that it reveals a hidden Latin phrase when standing upright?’ |
Parodi (
2014) notes the existence of sequences ambiguous between an interpretation as a consecutive of manner and as a consecutive of intensity–manner with the omission of the determiner
tal. The example provided by the author is (12a). However, despite the fact that this construction lends itself to both interpretations from a semantic perspective, an examination of the syntactic structure reveals that they are not structurally equivalent. As previously mentioned, the presence of the intensifier
tal enables the left-dislocation of the sequence formed with
manera (12b), a phenomenon that does not occur in the absence of the intensifier, as demonstrated by the ungrammaticality of (12c).
8| (12) | a. Ana recitó el poema de manera que conmovió al público (Ex. from Parodi, 2014, p. 4108) |
| | ‘Ana recited the poem in a way that moved the audience’ |
| | b. De tal manera recitó Ana el poema que conmovió al público |
| | Lit. In such a way recited Ana the poem that moved the audience |
| | c. *De manera recitó Ana el poema que conmovió al público |
| | Lit. In (a) way recited Ana the poem that moved the audience |
In medieval Spanish, some consecutive constructions of manner are documented in which the members of these phrases, or others equivalent to them, such as
de guisa de, appear separated (13). However,
Narbona Jiménez (
1978, §2.2.8) has noted that from the 14th century onward, this type of discontinuous sequence became less prevalent, and by the time of
La Celestina, it had fallen into disuse.
| (13) | de guisa irán por ellas que a gran ondra verrán (Cid 1280; Ex. from Narbona Jiménez, 1978, p. 217) |
| | Lit. in a way they will go for them that they will come to great honour |
As demonstrated above, it can be concluded that the sequences
de {forma/modo/manera/suerte} que are grammaticalized expressions that reject the separation of their components. This phenomenon can also be observed in
illative sentences, where they also lose their sense of mode or manner (see (14a,b)). This particular type of clause has been documented since the 13th century, with the elements of the sequences fixed:
| (14) | a. Liuiana es mucho. & ligera de quebrantar; de manera que quiebra apretandola entre los dedos (Alfonso X, Lapidario, c. 1250; CORDE, n.d.) |
| | ‘It is very fragile and easy to break; so it breaks when squeezed between the fingers’ |
| | b. con todo esso passa el sennorio dello al que lo recibe. de guisa que no gelo pueden despues demandar (Alfonso X, Primera Partida, 1256–1263; CORDE, n.d.) |
| | ‘With all that, the ownership of it passes to the one who receives it. So that they cannot then demand it back’ |
When the consequence is presented as the result of a future action, or is regarded as something desired or required, the meaning of these constructions incorporates the idea of purpose. In this case, the sequences
de (tal) {forma/modo/manera/suerte} que, since their first documentation in the 13th century (15), are followed by the subjunctive, which is generally required since the main clause contains a future tense (15a), an imperative (15b), or some other exhortative formula (15c). Also in modern Spanish, as illustrated in (16), the employment of the subjunctive is linked to this purpose or purpose-consecutive interpretation, irrespective of whether the meaning of manner is preserved, as depicted in (16a), or not, as evidenced in (16b).
| (15) | a. Cortarás todos tus pecados con la penitencia en9 manera que non quede ninguno (Casts. E docs. BAE, 151b-3; Ex. from Narbona Jiménez, 1978, p. 241) |
| | ‘You shall cut off all your sins with penance so that none remain’ |
| | b. echad todos las manos en él et prendetle et recabdable en guisa que non uos salga de mano (Cron. Gen. 350b-30; Ex. from Narbona Jiménez, 1978, p. 240) |
| | ‘All of you lay your hands on him and seize him, and keep him securely so that he does not escape’ |
| | c. Amigos, ha mester de consejo tomar,/de guisa que podamos tal fuerça (recundar) (F. Glez. 297c; Ex. from Narbona Jiménez, 1978, pp. 240–241) |
| | ‘Friends, we need to take advice, so that we may (¿regain?) such strength’ |
| (16) | a. El instrumento debe estar suspendido a la altura del hombro, de manera que permita observar tanto a la partitura como al director (Ministerio de Cultura, Guía de iniciación a la percusión, Venezuela, 2003; CORPES XXI, n.d.) |
| | ‘The instrument should be suspended at shoulder height, allowing the musician to see both the score and the conductor’ |
| | b. Porque vengo de la tierra de los hielos. Por eso. De modo que da igual adónde vaya porque la sobriedad y el frío están dentro de mí (C. Sánchez-Andrade, Bueyes y rosas dormían. España, 2001; CORPES XXI, n.d.) |
In summary, in this section, we have verified the existence of the following variants in modern Spanish:
De tal {forma/modo/manera/suerte} que is an analyzable sequence that constitutes a part of a syntactic structure, in which its various elements correspond to different constituents.
De {forma/modo/manera/suerte} que can correspond to two distinct structures:
- (a)
A semi-grammaticalized sequence that remains analyzable, in which the element que is a pronoun that heads a relative subordinate clause, and whose antecedent is the noun that expresses mode or manner.
- (b)
A grammaticalized sequence, that is, a phrasal conjunction that introduces consecutive clauses of manner or illative sentences.
In all cases, the employment of the subjunctive mode serves to redirect the semantic orientation of the construction toward a purpose meaning.