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Article

Connection: Digitally Representing Australian Aboriginal Art through the Immersive Virtual Museum Exhibition

UniSA Creative, University of South Australia, Adelaide, SA 5000, Australia
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Author to whom correspondence should be addressed.
Submission received: 27 July 2023 / Revised: 4 December 2023 / Accepted: 25 December 2023 / Published: 27 December 2023
(This article belongs to the Special Issue Framing the Virtual: New Technologies and Immersive Exhibitions)

Abstract

In 2022, the National Museum of Australia launched an immersive virtual exhibition of Australian Aboriginal art: Connection: Songlines from Australia’s First Peoples, which was created and produced by Grande Experiences, the same team that produced the multisensory experience Van Gogh Alive. The exhibition employs large-scale projections and cutting-edge light and sound technology to offer a mesmerizing glimpse into the intricate network of Australian Aboriginal art, which is an ancient pathway of knowledge that traverses the continent. Serving as the gateway to the Songlines universe, the exhibition invites visitors to delve into the profound spiritual connections with the earth, water, and sky, immersing them in a compellingly rich and thoroughly captivating narrative with a vivid symphony of sound, light, and color. This article examines Connection as a digital storytelling platform by exploring the Grande Experiences company’s approach to the digital replication of Australian Aboriginal art, with a focus on the connection between humans and nature in immersive exhibition spaces.
Keywords: Australian Aboriginal art; digital representation; immersive virtual exhibition; museum Australian Aboriginal art; digital representation; immersive virtual exhibition; museum

Share and Cite

MDPI and ACS Style

Zhang, R.; Peng, F. Connection: Digitally Representing Australian Aboriginal Art through the Immersive Virtual Museum Exhibition. Arts 2024, 13, 9. https://doi.org/10.3390/arts13010009

AMA Style

Zhang R, Peng F. Connection: Digitally Representing Australian Aboriginal Art through the Immersive Virtual Museum Exhibition. Arts. 2024; 13(1):9. https://doi.org/10.3390/arts13010009

Chicago/Turabian Style

Zhang, Rui, and Fanke Peng. 2024. "Connection: Digitally Representing Australian Aboriginal Art through the Immersive Virtual Museum Exhibition" Arts 13, no. 1: 9. https://doi.org/10.3390/arts13010009

APA Style

Zhang, R., & Peng, F. (2024). Connection: Digitally Representing Australian Aboriginal Art through the Immersive Virtual Museum Exhibition. Arts, 13(1), 9. https://doi.org/10.3390/arts13010009

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