Search Results (37)

The essay offers an expansive and multi-stratified investigation into the role of esoteric traditions within the development of Russian modernity, reframing occultism not as an eccentric deviation but as a foundational epistemological regime integral to Russia’s aesthetic, philosophical, and political evolution. By analyzing the arc from Petrine-era alchemical statecraft to the techno-theurgical aspirations of Russian Cosmism and the esoteric visual regimes of the avant-garde, this essay discloses the deep ontological entanglement between sacral knowledge and modernist radical experimentation. The work foregrounds figures such as Jacob Bruce, Wassily Kandinsky, and Kazimir Malevich, situating them within broader transnational currents of Hermeticism, Theosophy, and Rosicrucianism, while interrogating the role of occult infrastructures in both late-imperial and Soviet paradigms. Drawing on recent theoretical frameworks in the global history of esotericism and modernist studies, the long-read article elucidates the metaphysical substrata animating Russian Symbolism, Abstraction, Malevich’s non-Euclidian Suprematism and Moscow Conceptualism. This study contends that esotericism in Russia—far from marginal—served as a generative matrix for radical aesthetic innovation and ideological reconfiguration. It proposes a reconceptualization of Russian cultural history as a palimpsest of submerged sacral structures, where utopia and apocalypse, magic and technology, converge in a distinctively Russian cosmopoietic horizon. Ultimately, this essay reframes Russian and European occultism as an alternate technology of cognition and a performative semiotic universe shaping not only artistic modernism but also the very grammar of Russian historical imagination. Full article

This paper presents a conceptual and methodological framework for using Geographical Information Systems (GIS) to “deep map” cultural heritage sites along Ireland’s Wild Atlantic Way, with a focus on the 1588 Spanish Armada wrecks in County Kerry and archaeological landscapes in County Sligo’s “Yeats Country.” Drawing on interdisciplinary dialogues from the humanities, social sciences, and geospatial sciences, it illustrates how digital spatial technologies can excavate, preserve, and sustain intangible cultural knowledge embedded within such palimpsestic landscapes. Using MAXQDA 24 software to mine and code historical, literary, folkloric, and environmental texts, the study constructed bespoke GIS attribute tables and visualizations integrated with elevation models and open-source archaeological data. The result is a richly layered cartographic method that reveals the spectral and affective dimensions of heritage landscapes through climate, memory, literature, and spatial storytelling. By engaging with “deep mapping” and theories such as “Spectral Geography,” the research offers new avenues for sustainable heritage conservation, cultural tourism, and public education that are sensitive to both ecological and cultural resilience in the West of Ireland. Full article

This paper introduces a novel adversarial learning framework for reconstructing hidden layers in historical palimpsests. Recovering text hidden in historical palimpsests is complicated by various artifacts, such as ink diffusion, degradation of the writing substrate, and interference between overlapping layers. To address these challenges, the authors of this paper combine a synthetic data generator grounded in physical modeling with three generative architectures: a baseline VAE, an improved variant with stronger regularization, and a U-Net-based GAN that incorporates residual pathways and a mixed loss strategy. The synthetic data engine aims to emulate key degradation effects—such as ink bleeding, the irregularity of parchment fibers, and multispectral layer interactions—using stochastic approximations of underlying physical processes. The quantitative results suggest that the U-Net-based GAN architecture outperforms the VAE-based models by a notable margin, particularly in scenarios with heavy degradation or overlapping ink layers. By relying on synthetic training data, the proposed method facilitates the non-invasive recovery of lost text in culturally important documents, and does so without requiring costly or specialized imaging setups. Full article

Oral narratives play a crucial role in shaping the historical consciousness of Indigenous communities in Northeast India, where history writing is a relatively recent phenomenon. Among the Mizos, Nagas, Khasis, Kuki-Chins, and other Indigenous tribes of Northeast India, including the Bodos, the Garos, the Dimasas, or the Karbis of Assam, much of what is considered written history emerged during British colonial rule. Native historians later continued it in postcolonial India. However, written history, especially when based on fragmented colonial records, includes interpretive gaps. In such contexts, oral traditions provide complementary, and frequently, more authoritative frameworks rooted in cultural memory and collective transmission. Oral narratives, including ritual poetry, folk songs, myths, and folktales, serve as vital mediums for reconstructing the past. Scholars such as Jan Vansina view oral narratives as essential for understanding the histories of societies without written records, while Paul Thompson sees them as both a discovery and a recovery of cultural memory. Romila Thapar argues that narratives become indicative of perspectives and conditions in societies of the past, functioning as a palimpsest with multiple layers of meaning accruing over generations as they are recreated or reiterated over time. The folk narratives of the Mizos and Angami Nagas not only recount their origins and historical migrations, but also map significant geographical and cultural landmarks, such as Khezakheno and Lungterok in Nagaland, Rounglevaisuo in Manipur, and Chhinlung or Rih Dil on the Mizoram–Myanmar border. These narratives constitute a cultural understanding of the past, aligning with Greg Dening’s concept of “public knowledge of the past,” which is “culturally shared.” Additionally, as Linda Tuhiwai Smith posits, such stories, as embodiments of the past, and of socio-cultural practices of communities, create spaces of resistance and reappropriation of Indigenous identities even as they reiterate the marginalization of these communities. This paper deploys these ideas to examine how oral narratives can be used to decolonize grand narratives of history, enabling Indigenous peoples, such as the Mizos and the Angamis in North East India, to reaffirm their positionalities within the postcolonial nation. Full article

The possibility of collecting new archaeological elements useful in reconstructing the dynamics of population, production and commercial activities in the Bronze Age at the edge of the central-southern Venice Lagoon was provided between 2023 and 2024 thanks to an intervention of rescue archaeology planned during some water restoration works in the Giare–Mira area. Three small excavations revealed, approximately one meter below the current surface and covered by alluvial sediments, a rather complex palimpsest dated to the late Recent and the early Final Bronze Age. Three large circular pits containing exclusively purified grey/blue clay and very rare inclusions of vegetable fibres, and many large, fired clay vessels’ bases, walls and rims clustered in concentrated assemblages and random deposits point to potential on-site production. Two pyro-technological structures, one characterised by a sub-circular combustion chamber and a long inlet channel/praefurnium, and the second one with a sub-rectangular shape with arched niches along its southern side, complete the exceptional context here discovered. To analyse the relationship between the site and the natural sedimentary succession and to evaluate the possible extension of this site, three electrical resistivity tomography (ERT) and low-frequency electromagnetic (FDEM) measurements were collected. Several manual core drillings associated with remote sensing integrated the geophysical data in the analysis of the geomorphological evolution of this area, clearly related to different phases of fluvial activity, in a framework of continuous relative sea level rise. The typology and chronology of the archaeological structures and materials, currently undergoing further analyses, support the interpretation of the site as a late Recent/early Final Bronze Age productive site. Geophysical and geomorphological data provide information on the palaeoenvironmental setting, suggesting that the site was located on a fine-grained, stable alluvial plain at a distance of a few kilometres from the lagoon shore to the south-east and the course of the Brenta River to the north. The archaeological site was buried by fine-grained floodplain deposits attributed to the Brenta River. The good preservation of the archaeological structures buried by fluvial sediments suggests that the site was abandoned soon before sedimentation started. Full article

This study examines the potential of urban landscape transformation to generate and develop new heritage and the role of heritage urbanism in an industrial city. It explores whether the changeover of urban heritage districts in Pittsburgh (PA, USA) can give rise to a novel type of urban heritage. Pittsburgh experienced urban development primarily driven by the presence and accessibility of natural resources, rather than favorable geographical conditions: topography characterized by rugged hills, rock formations, rivers, and stream valleys. The integration of the American-style grid within this unique natural environment resulted in intriguing juxtapositions. Consequently, elements such as bridges, viaducts, stairs, tunnels, and historical inclines gained paramount importance in shaping the urban fabric. The city’s remaining preserved or transformed urban heritage is protected through historic districts designated by the Department of City Planning, which enforces specific planning and design guidelines. The study employs a multi-faceted approach combining the concepts of historic stratification (urban palimpsest), integrated urban morphology, space syntax (integration analysis), and heritage urbanism. During the personally conducted long-term fieldwork, the selected case studies described herein (historic districts, university campus, and traditional neighborhood) proved to be the most suitable for demonstrating urban heritage formation through urban landscape transformation. Full article

This study unpacks the Buddhist assimilation of Namsan (South Mountain) in Kyŏngju through the creation and aggregation of Buddhist sculptures and structures on its slopes during the seventh to tenth centuries. Though steeped in native lore regarding nature deities and efficacious rocks, auspicious geological features such as Namsan were recast as part of a Buddhist landscape filled with manifestations of the Buddha and his attendants. These images served to demarcate claims of Buddhism’s place in the peninsula and were situated within sites that were previously marked and claimed by indigenous systems of belief. Employing an approach that draws parallels with David Harvey’s concept of urban environments as palimpsests, this paper reveals that Namsan was a multifaceted site, with military fortifications, temples, and rock-carved sculptures augmenting its spiritual and political significance. The repeated installation of Buddhist imagery ‘recovered’ the mountain, subsuming indigenous beliefs under Buddhist practices. This research finds that Namsan’s landscape was purposefully layered, reflecting the dialectical relationship between various communities and their religious and social practices over time. Analyzing Namsan as a palimpsest underscores the strategic appropriation of the mountain’s materiality and sacrality to establish a Buddhist territory deeply intertwined with the Silla elite’s politics and ideologies. Full article

This study examines the transformation of the urban fabric by analyzing changes in both structural and numerical parameters of spatial organization, with a particular emphasis on the hierarchical relationships between streets, blocks, and buildings. The research utilizes Bursa, the former Ottoman capital in Turkey, as a case study to explore these dynamics. The elements of streets, blocks, and buildings are posited as fundamental components in conceptualizing cities as layered palimpsests, where successive historical layers coexist within the urban fabric. The research establishes a conceptual parallel between the methodologies and analytical tools of urban morphology, particularly through the shared notion of the palimpsest. In the case of Bursa, the architectural remains and urban form of the Early, Classical, and Late Ottoman periods and of the Republican period are superimposed. In particular, the late Ottoman reform era, the Tanzimat period of the 19th century, brought great change. Historical maps from this era serve as primary sources for comprehending the evolving character and spatial configuration of the city. This research presents a novel methodological contribution by extending the analytical framework of urban morphology to integrate both qualitative and quantitative data. It employs Geographic Information Systems (GISs) and statistical methods to quantify changes in the urban fabric, assessing both pre-modernization and post-modernization phases. Historical maps from the 19th century are utilized as primary sources to trace and compare transformations within the urban fabric, with clustering techniques further aiding this analysis. The findings provide a deeper understanding of the dynamic processes that shape the historic structure of cities, offering a dual approach to urban transformation that harmonizes historical continuity with modern development. Full article

Friedrich Hölderlin’s late hymns Patmos (first version) and Mnemosyne (early draft) create an intriguing tension between the “solid letter” that must be deciphered faithfully and the evocation of a “sounding script” that, together with an equally enigmatic “echo”, refuses direct hermeneutic understanding. At the point where the reader’s interpretive desire threatens to fail, musical settings like Peter Ruzicka’s MNEMOSYNE: Remembrance and Forgetting can be listened to as an attempt to actualize what Hölderlin’s original writing must leave unrealizable: the presence of real sound. In this audio-hermeneutic transfer, the act of listening opens up possibilities of the audible that are promised by the literary text without being actualized. The present essay interrogates this intermedial translatability between letter and sound by isolating a few selected passages from the facsimile reproduction of Hölderlin’s palimpsestic manuscript of multiple revisions, as provided by the Frankfurter Ausgabe. Mindful of the discontinuities and gaps in the original poems, my own analysis foregrounds its own fragmentary mode of reading Hölderlin’s poetry and listening to Ruzicka’s music. Full article

Digital technologies are reshaping traditional static urban typologies, as the museum, urging a rethinking of how Cultural Heritage (CH) is experienced. The work presents the PALIMPSEST Project, an Interreg V-A Greece–Italy funded project, which proposes a dynamic, interactive, participatory, and personalized museum experience in the urban context of Ioannina, Greece, establishing an open-air, immaterial, immersive museum route in the city. The project’s innovative approach involved three methodological stages. In the first stage, a collection of past stories of the city was achieved through transgenerational collaboration of students and older generations. In the second stage, the collected material was organized to create an interactive mobile app, allowing users to access existing and add new stories, fostering bottom-up development. In the last stage, a museum experience was built around interactive installations from selected stories through co-creation processes and dispersed throughout the city’s public space, activated by the visitors via the app. PALIMPSEST established a hybrid, open-air museum route, connecting the ICH with the urban landscape, and creating personalized and unexpected experiences of the city. The project offers a novel way to reconceptualize the museum by integrating digital technologies, arts, storytelling, and active participation, bringing the museum into the open urban space. Full article

This article focuses on the formation of identity as a stratified discourse between the singular and the collective, and how that exchange is expressed as a visual palimpsest by the artists Annette Cords, G Farrell Kellum, and Njideka Akunyili Crosby. Through their artworks, each artist explores their own identity formation, but also identity formation of those living amid the Postmodern condition of the Western world in the late stages of capitalism. All three artists explore how the collective is manifested in their singular identities by weaving in the personal, intimate, and everyday vernacular into their artworks while also including remnants of wider cultural influences. In the contemporary moment, the dynamic process of identity formation remains betwixt any sort of settled or concretized state. This unresolved status is also reflected in the conceptualization and construction of the artworks by Cords, Kellum, and Akunyili Crosby. The messy interplay between the singular and collective is presented in their artworks as unexpected juxtapositions of diverse information, images, materials, and mark-making. Full article

In the 2019 adaptation Motherless Brooklyn, the story is transposed from the 90s to the America of the 50s. These changes were made because of star and director Edward Norton’s desire to have a less ‘ironic’ rendering of the characters present in the text written by Jonathan Lethem. What it results in is a shift in the context that changes the story altogether; not only that but the lack of parody alters the relationship to genre, and the portrayal of disability functions as a performance. This article argues that there are multiple levels of adaptation here: the adaptation of the text, of the present to the past, and an adaptation of disability to fit the understanding of genre and medium. These layers illuminate both societal understandings of masculinity and disability, and Norton’s own, through Hutcheon’s notion of adaptation as palimpsest. Full article

The spatial footprint of energy infrastructures requires a re-evaluation of design and planning processes, especially in relation to the sustainable development goals enshrined in the United Nations 2030 Agenda. This study investigates the Ravenna area (Italy)’s transition potential towards renewable energy sources, considering their spatial interaction with the landscape and the environment. The primary objective is to identify the opportunities and limitations associated with each type of renewable energy production and provide indications for the strategic actions needed to achieve total emissions reduction by 2050. The methodology applied involves several steps to compare both the efficiency and the spatial arrangements of alternative mono-energy scenarios over time. In order to manage the uncertainty inherent in technological development and the variability of territorial policies, the study puts forward the hypothesis of a mixed strategy capable of structuring the energy transition on the specificities of the local landscape palimpsest by identifying location criteria and related impacts. The research demonstrates how site-specific assessments are important to inform resilient strategic choices, and provide decision-makers and stakeholders with data and spatialized representations of future scenarios to discuss and share. Full article

The relict (palimpsest and lowstand) deposits of the Cilento continental shelf were analyzed based on the geological interpretation of Sub-Bottom Chirp sections, calibrated with core data. A progradational unit, which is overlying the acoustic basement, is interpreted as the beach deposits of the isotopic stages 4 and 5. This unit is overlain by a seismo-stratigraphic unit, which is composed of coarse-grained organogenic sands and interpreted as relict sands. This unit consists of sandy ridges, occurring at water depths ranging between 130 and 140 m, and was interpreted as an example of submerged beach deposits, genetically related to the marine isotopic stage 2 (Last Glacial Maximum; starting date 29 ky B.P.). Full article

LiDAR and its derived elevation models have revolutionized archaeological research in forested areas around the globe. Almost a third of Switzerland is covered in forests. The number of archaeological sites recorded in forests in Switzerland is, however, limited. Given these circumstances, it is surprising how underutilized LiDAR data are in archaeological research in the country. As the Federal Office of Topography swisstopo is finalizing the acquisition of new LiDAR datasets, increasing the covered area and allowing for limited time series analyses, these data should be used to the fullest extent. This article describes the open access datasets and elaborates on their potential for archaeological research and cultural heritage management. By employing LiDAR data on a large scale, Swiss archaeological research would likely substantially increase the number of recorded heritage sites. Additionally, this will have the effect of complementing the palimpsests of past anthropogenic activity throughout the landscape while reducing survey biases in the archaeological record. Full article