Search Results (18)

The design and planning of Western-style constructions during the early Qing Dynasty in China constituted a significant multicultural encounter that fused technological advancement with aesthetic innovation. This cultural interplay is particularly evident in the imperial garden and pavilion projects commissioned by the Qing court, which served as physical and symbolic sites of cross-cultural dialogue. Influenced by the intellectual and artistic movements of the European Renaissance, Western architectural concepts gradually found their way into the spatial and visual language of Chinese architecture, especially within the royal gardens and aristocratic buildings of the time. These structures were not simply imitative but rather represented a selective adaptation of Western ideas to suit Chinese imperial tastes and principles. This article examines the architectural language that emerged from this encounter between Chinese and European cultures, analysing symbolic motifs, spatial design, ornamental aesthetics, the application of linear perspective, and the integration of foreign architectural forms. These elements collectively functioned as tools to construct a unique visual discourse that communicated both political authority and cultural hybridity. The findings underscore that this architectural phenomenon was not merely stylistic imitation, but rather a dynamic convergence of technological knowledge and artistic vision across cultural boundaries. Full article

This study presents a cross-cultural comparison of two fortified residences—Palazzo Farnese in Italy and Dong’s Fortified Compound in China—through a triadic analytical framework encompassing architectural form, symbolic ornamentation, and public perception. By combining field observation, iconographic interpretation, and digital ethnography, the research investigates how heritage meaning is constructed, encoded, and reinterpreted across distinct sociocultural contexts. Empirical materials include architectural documentation, decorative analysis, and a curated dataset of 4947 user-generated images and 1467 textual comments collected from Chinese and international platforms between 2020 and 2024. Methods such as CLIP-based visual clustering and BERTopic-enabled sentiment modelling were applied to extract patterns of perception and symbolic emphasis. The findings reveal contrasting representational logics: Palazzo Farnese encodes dynastic authority and Renaissance cosmology through geometric order and immersive frescoes, while Dong’s Compound conveys Confucian ethics and frontier identity via nested courtyards and traditional ornamentation. Digital responses diverge accordingly: international users highlight formal aesthetics and photogenic elements; Chinese users engage with symbolic motifs, family memory, and ritual significance. This study illustrates how historically fortified residences are reinterpreted through culturally specific digital practices, offering an interdisciplinary approach that bridges architectural history, symbolic analysis, and digital heritage studies. Full article

This study explores the sustainability of Islamic decorative arts by examining the symbolic, cultural, and spiritual dimensions of botanical decorations in Makkah’s architectural heritage. Grounded in Carl Jung’s theory of the collective unconscious and Lamya Al-Faruqi’s philosophy of Tawhid, the research uncovers the profound psychological and spiritual meanings embedded in these motifs. Employing a qualitative methodology, the study integrates symbolic analysis, cultural interpretation, and historical documentation, supported by digital design tools, to assess the relevance of these decorations in contemporary urban contexts. Findings reveal that botanical motifs, such as palm trees and pinecones, reflect universal archetypes of resilience and growth while symbolising divine unity through abstraction and harmony. The research highlights their integral role in architectural structures and their potential in cultural tourism and educational initiatives. However, challenges such as urbanisation necessitate urgent documentation and innovative preservation strategies. This study offers valuable insights into sustaining Makkah’s architectural identity by bridging psychological and philosophical perspectives. Its recommendations align with Saudi Vision 2030 and global sustainability goals, advocating for the revival and integration of these motifs into modern urban design to ensure the continued appreciation and recognition of Makkan architectural heritage. Full article

This study delves into the fascinating morphological diversity and population groups of the Crucifix crab (Charybdis feriatus), a species steeped in the cultural and spiritual significance of recreational fisheries across East and Southeast Asia. It is known in the West as the “Crucifix crab” due to the distinct cross pattern on its shell. In this research, we collected 759 specimens from seven estuarine locations: Kyushu (Japan), Shanghai, Xiamen, Hong Kong (China), Yilan, Kaohsiung (Taiwan), and Singapore. Using advanced statistical methods, including canonical variate analysis (CVA) and hierarchical clustering, we identified three distinct population groups: the Northeast Asian group (NAG), the Kuroshio tributary group (KTG), and the Southeast Asian group (SAG). Significant morphological differences were found between these populations, suggesting that the crab’s adaptation to varying sea environments is as unique as its symbolic cross-shaped marking. The canonical variate analysis revealed that the first two eigenvalues explained 88% of the total variance (61% and 27%, respectively) in females and 80% in males (62% and 18%, respectively). The key morphometric traits CP1 (frontal teeth) and CP4 (posterior margin) showed the highest variability (correlation coefficients ranging from 0.76 to 0.82, p < 0.001). Interestingly, the traits CP1 (frontal teeth) and CP4 (posterior margin) emerged as key drivers of allometric growth variation, further enriching our understanding of this species. Full article

Between March 2018 and May 2019, the archaeological team of the Xi’an Institute of Cultural Relics Protection and Archaeology excavated a Western Han tomb complex near Bailuyuan. This paper focuses on a bronze xuan with human-shaped feet discovered at tomb M21 of the complex, offering a foundation for further comparative analysis. According to the archaeological report, the Bailuyuan tomb complex, to which tomb M21 belongs, is of high status, indicating that the occupant of the main tomb held a rank no lower than a feudal lord, while the occupants of the other tombs were also likely members of the elite class. This tomb complex may belong to the accompanying tombs of the Ba Mausoleum, as it is located less than four kilometers from the mausoleum and the main tomb M1 within the complex yielded jade burial suit fragments and bronze chime bells. The central argument of this paper posits that the unusual human-shaped decoration on this xuan provides a new perspective on the significance of human-like imagery in bronzes from this and earlier periods. Such human-shaped decorations serve not only ornamental purposes but also carry symbolic meanings on cultural and religious levels, elevating them beyond mere functionality. Findings of this paper reflect that the unusual imagery in this xuan casts new light on the meaning of human-like figures in contemporaneous and even earlier bronzes. Full article

This study delves into the multifaceted realm of citrus fruits, exploring their significance and socioeconomic implications from their early introduction to Western Muslim and Renaissance gardens, tracing their journey throughout history. Employing a multidisciplinary approach, drawing from biological, archaeobotanical, iconographic, and textual sources, our study offers a comprehensive exploration of citrus symbolism and cultural significance, integrating historical, artistic, horticultural, and socioeconomic viewpoints. The genus Citrus (Rutaceae) comprises around thirty species and its natural habitat spans from the southern slopes of the Himalayas to China, Southeast Asia, nearby islands, and Queensland. Originating from only four of these species, humans have cultivated hundreds of hybrids and thousands of varieties, harnessing their culinary, medicinal, and ornamental potential worldwide. We delve into the symbolic value of citrus fruits, which have served as indicators of economic status and power. From their early presence in Mediterranean religious rituals to their depiction in opulent Roman art and mythical narratives like the Garden of the Hesperides, citrus fruits have epitomized luxury and desire. Christian lore intertwines them with the forbidden fruit of Eden, while Islamic and Sicilian gardens and Renaissance villas signify their prestige. We analyze diverse perspectives, from moralists to hedonists, and examine their role in shaping global agriculture, exemplified by rare varieties like aurantii foetiferi. Full article

Exploring the impact of landscape planning on visual and spatial perception is particularly significant for historical district tourism. The existing literature offers limited insight into which historical landscapes most effectively influence tourists’ visual and spatial perceptions. Our study investigates this relationship within the cultural heritage context of Laomendong, a historical district in Nanjing, China. Utilizing the Stimulus–Organism–Response (SOR) theoretical framework, this research explored how the stylistic, symbolic, and spatial dimensions of historical landscapes influence tourists’ visual and spatial perceptions. Structural equation modeling (SEM) was used to test hypotheses concerning the relationships between historical landscapes, visual perception, spatial perception, and individual predispositions. The findings revealed that stylistic factors (material, color, and ornament), symbolic factors (landmark, relic, and sign), and spatial factors (openness, scale, and layout) significantly enhance visual perception and subsequently spatial perception. Visual perception plays a mediating role in the influence of historical landscapes on spatial perception. Individual predispositions, like sensation-seeking, intensify spatial perception, while destination familiarity surprisingly shows a negative effect, suggesting that over-familiarity might diminish the novelty and excitement of a spatial experience. These insights provide practical implications for the sustainable development of landscape planning in historical district tourism. Full article

Cyprus with its rich cultural heritage has been the showcase of ornamentation throughout history with a rich variety of materials, details, and narratives. Integrating ornamentation with its body architecture can be seen as one of the storytellers of these narratives through design elements. After the mid-1990s when casinos had been banned in Turkey, five-star casino hotels became one of the main investment areas in North Cyprus. Together with this new building type and new users’ expectations with a new understanding of holidays, the 21st century brought the changing use of ornamentation in hotel interiors and, hence, decoration came to the fore more than before. Hotel lobbies welcoming the users to their second homes and introducing the hotels’ identities have always been seen as the most important area of hotels by investors, designers, and hotel managers. Sometimes the reception areas were perceived as the living room of the hotel customers where they feel attached culturally, socially, or economically, and sometimes it could be a place where they can feel themselves as one of the characters of ancient history, a king or a queen for a while. Hence, hotel interiors, in general, and hotel lobbies, in particular, acted as a cultural representative, a social status symbol, and a political image of the story told. The aim of this paper is to examine five-star hotel lobbies within the framework of ornamentation through a reading model created with the concepts used by theoreticians. Together with the site visits and visual recordings, the analysis conducted in this paper is based on qualitative data incorporated by a rich theoretical background on ornamentation. The paper tries to highlight the representational value of ornamentation that can help to understand and interpret the spatial transformation of hotel interiors. Full article

Personal ornaments play an important role in our understanding of human cultural and behavioral change during the Upper Paleolithic, providing insights into intangible aspects of human cultural behavior. Some ornament forms are better studied than others, and fox tooth ornaments, despite their frequent occurrence and broad spatiotemporal span, are relatively under-addressed. Here we present the first comprehensive study of 40 perforated fox teeth recovered from four cave sites in southwestern Germany. This region’s rich record of symbolic representations, as well as evidence of long-standing human–fox relationships, make the Swabian Jura an ideal case study for investigations of fox tooth ornaments. By applying a holistic approach, including geometric morphometrics and traceology coupled with experimental archaeology, we show that fox teeth were mostly perforated by bifacial scraping and grooving and were worn as ornaments. We discuss the role of foxes within human socio-symbolic and paleoenvironmental systems during the Upper Paleolithic of the Swabian Jura, and we contextualize our results within the broader context of sites across Europe during the Upper Paleolithic. The data we provide are in line with general trends observed across the continent and offer insight into the role of foxes during the Upper Paleolithic, especially regarding human subsistence, cultural expression, and ornament production. Full article

The study tracks the utilization of Ocimum basilicum L. (sweet basil)—a garden plant popular for its ritual and ornamental value in the past, that is currently applied in various forms and ways as medicine, food, insect repellent, etc.—in Bulgaria. Previous data for Bulgarian rural home gardens showed a significant number of preserved local landraces; however, it remained unclear how people perceive the large varietal diversity of this species and how the traditions related to its use are preserved. We combined a literature review on the cultural value of sweet basil and the breeding of local genetic resources with an online questionnaire, directed to adult laypeople, that sought to access different aspects of past (recalled) and present use and related knowledge. The identification skills of the participants were tested using images of local plant landraces and foreign varieties. Responses from 220 participants showed that potted “Genovese”-type individual was most frequently identified as sweet basil (89.9%), followed by two examples of local landraces in flower. Participants who grow sweet basil or used it in more varied ways had significantly better identification skills. Ocimum basilicum was most frequently reported as food, while ritual/symbolic use was preserved while devalued during the Communism regime (1945–1989). Food and religious uses were negatively associated in the past, but presently, the tendency is completely reversed. Preferences for the informal exchange of seeds and seed-saving practices were discussed. Full article

There are an increasing number of initiatives that recognize arable weed species as an important component of agricultural biodiversity. Such initiatives often focus on declining species that were once abundant and are still well known, but the ethnographic relevance of such species receives little recognition. We carried out an extensive literature review on the medicinal, ornamental, and cultural applications of three selected species, Papaver rhoeas, Centaurea cyanus, and Delphinium consolida, in the relevant Hungarian literature published between 1578 and 2021. We found a great diversity of medicinal usages. While P. rhoeas stands out with its sedative influence, D. consolida was mainly employed to stop bleeding, and C. cyanus was most frequently used to cure eye inflammation. The buds of P. rhoeas were sporadically eaten and its petals were used as a food dye. All species fulfilled ornamental purposes, either as garden plants or gathered in the wild for bouquets. They were essential elements of harvest festivals and religious festivities, particularly in Corpus Christi processions. P. rhoeas was also a part of several children’s games. These wildflowers were regularly depicted in traditional Hungarian folk art. In poetry, P. rhoeas was used as a symbol of burning love or impermanence; C. cyanus was frequently associated with tenderness and faithfulness; while D. consolida regularly emerged as a nostalgic remembrance of the disappearing rural lifestyle. These plants were also used as patriotic symbols in illustrations for faithfulness, loyalty, or homesickness. Our results highlight the deep and prevalent embeddedness of the three iconic weed species studied in the folk culture of the Carpathian Basin. The ethnobotanical and cultural embeddedness of arable weed species should also be considered when efforts and instruments for the conservation of arable weed communities are designed. Full article

The article will discuss works of art produced by Palestinian artists, in which the ornament functions as an intermediary for conveying signs, symbols, messages, and identities. In Muslim tradition, the ornament represented, and visually participated in, establishing the social order, and was also a signifier of a distinct theological, social, dogmatic, and gendered identity. The works at the heart of this article present the ornament as part of an aesthetic and ethical inquiry, a means of reenacting individual and collective history as well as preserving and deconstructing conventions, a method that is both poisonous and a remedy for social hierarchies, fixed identities, and oppressive power relations. I argue that the ornament represented in contemporary Palestinian artworks reflects a destructive or constructive urge, which Mark Wigley describes as an: “elaborate mechanism for concealing and preserving, if not constructing, identity.” Full article

Re-using Arabic inscriptions on the objects and monuments of the medieval Hispanic kingdoms (11th–15th centuries) bears witness to the valorization, selection, and reinterpretation of the al-Andalus heritage by the Christians. The aim of this article is to propose a methodological approach for a global study of these inscriptions, which will be based on the constitution of an exhaustive corpus on the scale of the peninsula. This will allow us to have an overview of these inscriptions, to identify a typology and the different stages of their evolution. Then, a comparison with the inscriptions of al-Andalus will highlight the heritage of the various traditions and the dynamics resulting from this appropriation. Finally, a focus on the actors as well as the different historical circumstances of the epigraphic production will lead to a better understanding of their symbolic value and the complex intention behind certain inscriptions. It will also help to better understand the mechanisms of their reception, in line with a reflection on the role and status of ornamental writing. Full article

Picrolite artefacts comprise some of the most distinctive material remains in the prehistory of the island of Cyprus, in the Eastern Mediterranean. Picrolite exploitation dates from at least 12,000 years ago for the manufacture of personal ornaments and items with a symbolic function. It is commonly assumed that picrolite nodules were collected in secondary deposits on an ad hoc basis. This narrative, however, ignores the fact that picrolite carriers can only be found in very specific locations on the island, discrete from each other. Here we report initial outcomes of the application of handheld portable X-ray fluorescence (HHpXRF) and synchrotron-based X-ray fluorescence spectroscopy (SR-μXRF) to the analysis of picrolite raw materials performed at the newly opened PUMA beamline of the SOLEIL Synchrotron Radiation Facility. Our work refines the basic characteristics of the elemental constituents of the picrolite raw material and highlights key micro-structural differences between two distinct source regions on the Troodos Massif in western Cyprus. Picrolite source characterisation is expected to contribute significant new knowledge to the study of rare raw material consumption, prehistoric social organisation, networking and possible long-distance exchange of this idiosyncratic raw material within and beyond the island’s geographic boundaries. Full article

Our research was conducted on a copper disc-butted axe, with a surface decoration made of a tin-based alloy, which was found east of the Carpathian Mountains in the Moldavian Plateau. This unique piece is thought to belong to the Middle Bronze Age in the Western Carpathians—Wietenberg, Suciu de Sus and Otomani–Füzesabony cultures. In order to evaluate the application process and the origin of the ores used, the surface and volume phase variation of the concentration of the metal components of the basic alloy (copper) and of the ornament was analysed using optical microscopy (OM), stereomicroscopy (SM) and SEM-EDX. The archaeometric features, formed both during its use and during its lying in the archaeological site, were identified and later used in archaeometallurgical evaluations and in determining the preservation condition of the two components (axe and ornament) on the surface, interface and in stratigraphic section. Experimental data revealed that, after its casting in porous silicon stone moulds, the object was coated with a thin film by immersion in an easily fusible tin alloy, which included copper as the major alloying component and arsenic and iron as minor components. After finishing the shiny white coat, a beautiful decoration was applied by incision and engraving. Used as a battle axe, it also had a rank function, as it belonged to the community leaders. The data prove the ability of ancient craftsmen to design and process copper alloys to obtain authentic extremely beautiful artefacts, which provide new possibilities to reveal the social and symbolic function of certain ancient bronze objects. Full article