Search Results (21)

Debates about archaeological heritage in Egypt are commonly focused on the spectacular monuments of the Pharaonic, Greek, and Roman periods. In contrast, landscapes and the long prehistory of Northeast Africa receive far more limited attention. The Cologne Summer School (CSS), ‘Environmental archaeology: dealing with cultural and natural heritage’, organised in Dakhla Oasis (Egypt) in September 2023, brought Egyptian and German students, archaeologists and heritage professionals together to discuss how heritage management, the protection of the landscape and archaeological fieldwork can be integrated meaningfully in the region. This paper summarises the results of the discussions of the summer school, set against an outline of current site-based heritage practises in Egypt and archaeological research in and around Dakhla Oasis. A major outcome of the discussions is the realisation that a distinct narrative needs to be developed for Dakhla Oasis and the surrounding desert landscape to provide an encompassing strategy for the management and protection of its archaeological heritage, from prehistoric times through Pharaonic Egypt to the recent past. Full article

Traditional models of interaction in northern Sudan have innate Egyptological, elite, and urban biases which have relegated certain areas to mere peripheries of more ‘established’ and ‘central’ sites. In order to reach a higher resolution understanding of cultural dynamics and diversity of ancient Nilotic groups, the DiverseNile project has established the bespoke concept of Contact Space Biography which we present in the following article. We challenge existing approaches to cultural contact in the region by adopting a bottom-up approach which moves away from well-established categorisation of sites in our study area. In particular by reconstructing landscape biographies of the Bronze Age in the Middle Nile beyond established cultural categories in order to provide new insights into the ancient dynamics of social spaces, which include landscape features and non-human activities. In the following we instead consider such areas as complex social spaces intertwined with, an often changing, landscape by presenting our findings from the study of cemetery and settlement sites. Overall, the concept of Contact Space Biography effectively combines models of contact spaces, the idiosyncrasies of a changing landscape and the technological and industrial prerogatives of those living in and accessing this region. Full article

Much of the fascination surrounding Egyptian civilization is linked to the practice of mummification. In fact, to ensure the preservation of the body, the ancient Egyptians mummified both human and animal subjects. However, mummified animal remains are less well studied, although they represent a significant part of the material culture and history of ancient Egypt. The introduction of non-invasive imaging methods has allowed researchers to study the material hidden within the wrappings of mummies. In this article, the cat mummy currently exhibited at the Museo Etnologico Missionario di San Francesco di Fiesole (Florence, Italy), originating from Luxor and legally acquired during an expedition in the 20th century, was analyzed using computed tomography (CT). The CT enabled the identification of the casing content, showing the presence of an entire cat skeleton. The cat had several fractures, some of which were identified in the cervical region, possibly related to the cause of death. Furthermore, the zooarcheological analysis allowed the identification of the age at death of the cat, providing further information about the story of the mummy. This research provides a further contribution to the analysis of mummies, with a case study of a cat mummy that emphasizes the importance of CT scans in humanistic studies and museum environments. Full article

Birds were observed in divinatory rituals in antiquity. This was the most significant process that regularly involved looking closely at birds. At the same time, birds were intimately connected to human perceptions of the natural world and, through their capacity to ascend skywards, with the supernatural world. By studying two neighbouring areas connected by the myth of Orpheus and divinatory birds, we can begin to appreciate the role of birds (and bird-like beings) in the culture of Macedonia and Thrace. Birds played a central role in prophecy (ornithomancy). Literary, archaeological and zooarchaeological data from the 6th to 4th centuries BCE provide the means of uniting different types of evidence. The literary and archaeological evidence provides a broad perspective for understanding the still-limited zooarchaeological data. Birds of prey were among the key divinatory creatures regularly observed, while cranes and a variety of lacustrine and meadow birds were among those most regularly observed and hunted. Winged creatures (human–animal hybrids) form some of the most important creations of the human imagination in southern Europe, with distinctive local variants in Macedonia and Thrace. Full article

In the 7th century BCE, the Kushite king Tanwetamani commissioned his “Dream Stela”, which was to be erected in the Amun Temple of Jebel Barkal. The lunette of the stela features a dualistic artistic motif whose composition, meaning, and significance are understudied despite their potential to illuminate important aspects of royal Kushite ideology. On the lunette, there are two back-to-back offering scenes that appear at first glance to be nearly symmetrical, but that closer inspection reveals to differ in subtle but significant ways. Analysis of the iconographic and textual features of the motif reveals its rhetorical function in this royal context. The two strikingly similar but meaningfully different offering scenes represented the two halves of a Kushite “Double Kingdom” that considered Kush and Egypt together as a complementary geographic dual, with Tanwetamani presiding as king of both. This “Mirrored Motif” encapsulated the duality present in the Kushite ideology of kingship during the Twenty-Fifth Dynasty, which allowed Tanwetamani to reconcile the present imperial expansion of Kush with the history of Egyptian activity in Nubia. The lunette of the Dream Stela is therefore political art that serves to advance the Kushite imperial agenda. Full article

The close conceptual links between symbolic death, rebirth, and pilgrimage are widely known to modern sociologists and anthropologists and can be observed in several modern pilgrimage traditions. This study argues that the same connections can already be detected in Aristides’ Hieroi Logoi, “the earliest detailed first-person account of pilgrimage that survives from antiquity”. In terms of methodology, this article follows recent scholarly work on ancient lived religion perspectives and religiously motivated mobility that favours a broader understanding of the notion of pilgrimage in the Greek-speaking world. Rutherford, in particular, has produced a plethora of pioneering studies on all aspects of ‘sacred tourism’ experience in various media including documentary papyri, inscriptions, and graffiti. This chapter builds further on Rutherford’s work and focuses on Aristides’ accounts of his visits to smaller, less-well known healing centres. The main aim is to demonstrate how Aristides’ pilgrimage experience to the healing temple of Asclepius at Poimanenos or Poimanenon (a town of ancient Mysia near Cyzicus) is wholly recast and presented in terms of travelling to the sacred site of Eleusis, one of the most important cultural and religious centres of the Roman Empire in the Antonine Era. Thus, Aristides’ pilgrimage experience to Poimanenos is successfully reframed as a mystic initiation that marks the death of the previous ill self and the birth of the new, enlightened, and healthy self. Full article

Whenever twentieth-century modern art or new contemporary artworks are included amongst displays of ancient Egypt, press statements often assert that such juxtapositions are ‘surprising’, ‘innovative’, and ‘fresh’, celebrating the external perspective they bring to such collections. But contemporary art’s relationship with museums and other disciplines needs to be understood in a longer-term perspective. Pairings of twentieth- and twenty-first-century artistic works with objects of antiquity is an activity that has been undertaken for more than a century in what has been a relatively long period of mutually reinforcing influences between modern/contemporary art, museum display, the art market, and Egyptian heritage. Together, they have decontextualised ancient Egyptian culture and shaped the language and perspectives of scholars, curators, and artists. In this paper, rather than considering how artists have been inspired by ancient Egypt, I will give a few examples of how more recent art practices from the late nineteenth century onwards have impacted the language and discourse of Egyptology and its museum representation. Then, using more recent artist engagements with the British Museum, I argue for greater interdisciplinary dialogues between artists and Egyptologists, as both take more critical stances towards research that recontextualises the power and agency of collections, representation, and knowledge production. Full article

Millet is a highly adaptable plant whose cultivation dramatically altered ancient economies in northern Asia. The adoption of millet is associated with increased subsistence reliability in semi-arid settings and perceived as a cultigen compatible with pastoralism. Here, we examine the pace of millet’s transmission and locales of adoption by compiling stable carbon isotope data from humans and fauna, then comparing them to environmental variables. The Bayesian modelling of isotope data allows for the assessment of changes in dietary intake over time and space. Our results suggest variability in the pace of adoption and intensification of millet production across northern Asia. Full article

The land, ‘things’/objects, and memory in the form of narratives and metaphors are intricately bound together. They all constitute the iconography of a shared set of ideas, beliefs, feelings, values, practices, and performances that objectify collective identities. Respectively, these complex entangled tangible and spiritual/invisible indices of identities situated in places deserve special archaeological devotion. However, since African archaeology and history remains trapped in Eurocentric colonial metanarratives, indigenous epistemologies and ontologies have somehow remained on the margins of knowledge production processes. This deliberate erasure and silencing continues to impede archaeology’s capacity to explore hidden meanings and values that people imbue to places and landscapes through time. Owing to this setback, multiple precolonial group identities in parts of Zimbabwe, South Africa, Botswana, and Mozambique such as Torwa, Twamamba, Rozvi, Singo, and Venda, among others, remain vague and subjectively tied to the archaeology of Butua/Torwa (AD 1400–1644) and Rozvi (AD 1685–1830) state systems. The failure to read the landscape as both a repository of memory and an agent for collective identities continues to compound our archaeological challenges. Against this background, Rozvi oral narratives and the Insiza cluster Khami-phase sites in southwestern Zimbabwe are subjected to renewed scrutiny. Following a critical review of colonial archives and Rozvi traditions, it turned out that instead of contradicting ‘science’, oral traditions actually amplify our reading of the archaeological record, only if handled properly. Full article

When modern (Western) viewers look at ancient art, the first feature of the image that is often assessed is its relationship to ‘reality’. How ‘real’ the image looks is inextricably linked to its evaluation and therefore the viewer’s estimation of its quality. The more ‘realistic’ an image is deemed, the more it is appreciated for its historic and aesthetic value. This fixation on reality has often affected the assessment of ancient imagery. It can create a bias that limits the researcher’s ability to analyse and interpret the image(s) to their full potential. When studying ancient images, the viewer should always keep in mind its original purpose. Rather than looking for reality through the notion of resemblance, the degree of reality should instead be assessed through the way the subject is being conveyed as the image’s purpose dictates its appearance. This article will use depictions of the horse in ancient Egyptian and Greek art to highlight some of the challenges one encounters when studying ancient images’ relationship with reality. It will show why it is important for scholars to focus on the image/object’s purpose, their resemblance to their subject, and their meaning in terms of the message(s) they are meant to convey. Full article

The COVID-19 pandemic had serious effects on the delivery of commercial archaeology in the United Kingdom during 2020 and 2021. This article presents a contemporary history of two years of practice and political developments. Because of commercial archaeology’s place within the broader construction sector, it became a ‘protected’ industry, resulting in a massive increase in the amount of work undertaken. Archaeology adapted remarkably well to the difficult and dangerous conditions of the pandemic, while encountering new challenges in staff recruitment. Full article

St. Patrick’s Roman Catholic Church and churchyard, Toxteth, Liverpool, UK, is the focus of community efforts to research and conserve the heritage asset, and archaeologists at the University of Liverpool were invited to contribute their expertise to co-produce new understandings of this locally significant place. Roman Catholic vault burial in Britain has not previously been archaeologically investigated, and the use of rock-cut burial pits, visible in the churchyard, appeared to be a response to the massive demand for urban burial during the nineteenth century. The project has combined local knowledge with surface survey and recording memorials in the churchyard, mapping the crypt and recording the interior of the four vaults at the western end of the crypt after they had been temporarily opened by the community volunteers. This enabled standard and photogrammetric recording, and PXRF analysis of the in-situ coffin fittings. No human remains were revealed. Interviews with volunteers and key stakeholders at the church provided the community’s voice, presented here. This project demonstrates how collaboration enables the skills and abilities of specialists, students and the local community to combine to create new knowledge and enhance public understanding of local heritage, with academically important and locally empowering results. Full article

The Museo Egizio’s collection contains 200 precious and unique leather artifacts belonging to different historical periods. The materials used during the tanning and curing procedures affect the chemical and elemental composition of the surface of the samples as well as their preservation status, specifically through the hydration level within the bulk. Here we provide an experimental characterization of a series of samples from Museo Egizio that document an extensive denaturation phenomenon (gelatinization), by combining non-destructive techniques including surface probes (X-ray fluorescence, Raman scattering, and scanning electron microscopy enhanced by X-ray energy spectroscopy) and neutron-based bulk techniques (inelastic and deep-inelastic neutron scattering). Results show partial dehydration of the samples in the bulk, affecting the morphology of their surface, the presence of potassium alum, and iron oxides, as well as phosphates and hydroxides related to the tanning and curing procedures. Finally, we briefly discuss the need for a versatile and adaptable software package that is capable of combining quantitative analyses with complementary techniques including morphological, elemental, and chemical composition. Full article

We trace the history of the endangered Northern Bald Ibis through different epochs to the present. A particular focus is placed on its life in and disappearance from ancient Egypt, where the bird attained great cultural and religious significance, and on the modern endeavour to re-wild the species. Due to the characteristic appearance, behaviour and habitat of the species as well as its need for open foraging areas, a close mutualistic relationship between humans and the birds was formed in ancient Egypt, as in other cultures. A clear benefit for the Northern Bald Ibis was the availability of feeding habitats, which were cleared by humans for farming or grazing. The benefit to people was rather cultural because the bird attracted religious veneration or symbolic meanings from ancient Egypt to medieval Europe. The proximity to humans, however, carried a high risk as well. We discuss various types of impact (including human impacts as well as climate change) as triggers for the extinction of the species. The evidence for a triple disappearance of the Northern Bald Ibis (around 2000 BCE, around 1600 CE and in modern time) represents a unique basis for studying both the bird’s habitat preferences and its vulnerability. This is because different, mainly anthropogenic, causes stood behind these three historical disappearances, although the disappearances in all three epochs occurred during a period of climate change. Full article

The contemporary trend of research projects and works are presented on selective issues of archaeometry, archaeology and Egyptology. The current status in research in the area of SE Mediterranean on cultural heritage and archaeological/historical reflections alone and/or coupled with archaeological sciences of eleven papers are placed within an updated frame. The results concern a variety of selected topics critically presented. The topics touch on the cultural astronomy, the ancient textiles and masonries and the physico-chemical and biological investigations, the socio-political issues of Egyptian Ramesside era, revisiting the inscription of an Egyptian statuette, and the valuable information extracted from rock graffiti in north Kharga, Egypt. Full article