Generative AI and Cultural Heritage: Opportunities, Challenges, and Ethical Frontiers

A special issue of Heritage (ISSN 2571-9408). This special issue belongs to the section "Digital Heritage".

Deadline for manuscript submissions: 30 November 2026 | Viewed by 2745

Special Issue Editors

School of Animation and Digital Arts, Communication University of China, Beijing 100024, China
Interests: digital heritage design; human-computer interaction

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Guest Editor
Department of Asian Studies, Faculty of Arts, The University of British Columbia, Vancouver, BC V6T 1Z4, Canada
Interests: digital media; digital cultural heritage

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Guest Editor
School of Interactive Arts and Technology, Simon Fraser University, Surrey, BC V3T 0A3, Canada
Interests: artificial intelligence; human–computer Interaction; cognitive science

Special Issue Information

Dear Colleagues,

The relationship between technology and cultural heritage is undergoing a profound and accelerated evolution. For decades, digital tools have been applied to tasks of preservation, analysis, and classification. However, the recent and rapid proliferation of advanced technologies, most notably generative artificial intelligence (AI) such as Large Language Models (LLMs) and diffusion models, represents a fundamental paradigm shift. This is not merely about processing heritage data but is also about creating new forms of digital media, enabling novel designs, and shaping new modes of human–computer interaction (HCI). This development is fundamentally altering how digital heritage is perceived, interpreted, and experienced by professionals and global audiences alike.

This Special Issue seeks to foster a multidisciplinary dialogue to explore these revolutionary changes. We invite researchers and practitioners from fields including, but not limited to, human–computer interaction (HCI), digital design, digital media, heritage studies, archaeology, computer science, and education. We aim to bring together pioneering work that critically examines the transformative potential and inherent risks of applying new digital technologies to our shared cultural heritage, helping to shape a responsible, impactful, and human-centred future.

Contributions may cover, but are not limited to, the following topics:

  • Design, development, and evaluation of novel digital applications (including, but not limited to, generative AI) for cultural heritage;
  • The role of digital media and transmedia storytelling in interpreting and co-creating cultural narratives.;
  • Human–computer interaction (HCI) research focused on how users perceive, collaborate with, and experience digital heritage systems;
  • Ethical frameworks for the use of advanced digital technologies, addressing issues of authenticity, data sovereignty, and algorithmic bias in the heritage context;
  • Technological advancements and novel methodologies for the creation, visualisation, or analysis of heritage data.
  • Critical evaluation of the impact of digital technologies on cultural heritage learning, audience engagement, and human perception. 

Dr. Min Fan
Dr. Aynur Kadir
Dr. Özge Nilay Yalçın
Guest Editors

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 250 words) can be sent to the Editorial Office for assessment.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a single-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Heritage is an international peer-reviewed open access monthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1800 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

Keywords

  • cultural heritage preservation
  • archaeology and AI
  • museum studies
  • authenticity and ethics in heritage
  • digital heritage application design
  • generative AI
  • digital media
  • user experience

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Published Papers (1 paper)

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Research

20 pages, 793 KB  
Article
Hands and Algorithms: Hybrid Intelligence for Posthuman Craft Ecologies
by Beatrice Bianco and Marinella Ferrara
Heritage 2026, 9(2), 42; https://doi.org/10.3390/heritage9020042 - 23 Jan 2026
Viewed by 1314
Abstract
This paper examines the role of generative AI in contemporary craft ecologies, with a focus on Italy’s artisanal and design ecosystems. Rather than framing AI as a threat to heritage or merely a tool for efficiency, we propose that AI can be a [...] Read more.
This paper examines the role of generative AI in contemporary craft ecologies, with a focus on Italy’s artisanal and design ecosystems. Rather than framing AI as a threat to heritage or merely a tool for efficiency, we propose that AI can be a collaborator within hybrid intelligences that extend craftsmanship, rather than replace it. Drawing on posthumanist and more-than-human design perspectives, we conceptualize hybrid intelligence as a relational infrastructure for co-design among humans, materials, and computational systems. Through a literature review and ten expert interviews with designers, artisans, curators, engineers, and scholars, we identify tensions around authorship, authenticity, standardization, ethics, craft heritage, and data cultures. Speculative scenarios project hesitant futures, balancing risks of homogenization with opportunities for resilience. The contribution of this paper is threefold. First, it proposes a conceptual map of hybrid intelligence for craft and heritage contexts. Second, it offers situated insights into Italian craft imaginaries based on expert perspectives. Third, it demonstrates a methodological approach that combines thematic analysis with speculative futuring. Full article
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