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Culture

Culture is an international, peer-reviewed, open access journal on cultural practices, cultural theory, and cultural policy, published quarterly online by MDPI.

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All Articles (10)

The dialectical relationship between national culture and civic culture has become central to understanding the cultural foundations of modern nation-states. Under conditions of globalization and intensified international competition, culture operates not only as a marker of collective identity but also as a crucial source of national soft power and social cohesion. Engaging with ongoing theoretical debates on cultural construction, this study examines the dynamics interplay between top-down cultural frameworks and bottom-up cultural practices. It combines perspectives from cultural hegemony, cultural consumption, and cultural psychology to analyze the two-way processes through which national culture shapes civic practice via ideology, law, and cultural production, while civic culture simultaneously reshapes national culture through consumer behavior, subcultural formations, and shared mental dispositions. Drawing on case analyses of contemporary Chinese cultural practices in the digital era, the study shows that this interaction generates both tensions and new possibilities. The findings indicate that the vitality of national culture depends less on unilateral imposition than on sustained negotiation with lived cultural practices. Strengthening this constructive interaction therefore offers an important pathway for fostering cultural confidence in the twenty-first century.

5 March 2026

Mechanism Diagram of the Interaction Between National Culture and Civic Culture. (Created by the authors).

Beykoz Leather and Shoe Factory is an important industrial heritage site in Istanbul because of its cultural, social, historical, and symbolic value. Reusing it as a filming location has created a long-running controversy about its suitability. Therefore, the purpose of this paper is to evaluate the compatibility of adaptive reuse of this industrial heritage site in the context of assigning an alternative use compared to its original function. This paper originally proposed a three-charter rubric system, which uses the three international heritage frameworks, turned into rubrics, to gauge how appropriately (or not) the transformation of this site is handled. The process identified a critical juncture and two phases of progressive transformation. The first stage of adaptive reuse limited the site primarily to filmmaking, successfully preventing abandonment through minimal intervention but offering restricted public access. After 2020, a second stage expanded public accessibility and introduced new functions, creating a more vibrant cultural and creative hub besides demonstrating a more effective adaptive reuse approach. The findings of this study suggest that reuse is an appropriate option for extending the lifespan of abandoned buildings. However, it should be highlighted that physical maintenance simply prevents demolition, whereas offering engaging activities promotes the vitality and longevity of the structures. In a complex industrial heritage site, quasi-public use is a short-term strategy. However, proposing public uses and activities helps prolong the life and vitality of industrial heritage sites that may no longer be used for production purposes. It has been revealed that a holistic strategy for reuse should involve the incorporation of various stakeholders in the process, while considering the sociocultural history and needs of the community, ultimately resulting in a positive impact on the vitality of this important industrial heritage site. The study concludes that the rubric-based application of the three heritage charters—the Burra Charter (BC), the Dublin Principles (DP), and the Nizhny Tagil Charter (NT)—provides an effective framework for assessing the appropriateness of new uses. This approach reveals the impacts of adaptive reuse by rating individual buildings according to their degree of compliance with heritage principles, thereby demonstrating how reuse decisions influence the long-term lifespan of industrial buildings on the site as well as their effects on community engagement.

5 February 2026

View of Beykoz Leather and Shoe Factory in 1842 from Bosphorus, and map illustrating its location in İstanbul [19,20].

In globalized markets, traditional Chinese furniture must strike a balance between cultural authenticity and modern consumer appeal. This study introduced the first comprehensive scale to measure Confucian–Daoist value expressions in Ming-style chair design for marketing applications. Through surveys conducted across 31 Chinese provinces (pilot sample size = 85; formal sample size = 440) and extensive literature analysis, six key cultural dimensions influencing consumer preferences were identified: respect for tradition, face, familism, respect for authority, the doctrine of the mean, and the nature/non-action. Building on these findings, this study proposes the first multidimensional framework for assessing Confucian and Daoist values in Ming-style chair design, offering an 18-item scale as a quantifiable tool to support the sustainable innovation of cultural heritage. The scale enables marketers and designers to detect regional and historical variations in cultural value preferences, thereby facilitating targeted positioning strategies that preserve authentic cultural expression while resonating with specific consumer segments.

4 January 2026

Research theoretical framework.

Deindustrialization has left many industrial buildings inactive, raising questions about their role in contemporary urban life. This article explores how semiotics and psychogeography can reframe such structures as dynamic architectural happenings, shifting emphasis from preservation toward social value and collective experience. This research focuses on Komotini, Greece, where the Technical Chamber Square is reinterpreted through references to the adjacent Tobacco Warehouse. By integrating architectural traces of the past into new recreational and sporting functions, this study demonstrates how heritage can be embedded into everyday practices. Methodologically, this research employs qualitative approaches, including demographic and historical analysis of Komotini’s urban and industrial development, alongside psychogeographic drifting walks. Twenty interviews were conducted with local business owners, residents, and visitors, as well as psychogeographic walks, generating insights into how communities interact with industrial heritage. The findings indicate that semiotics and psychogeography are effective tools for activating public spaces near former industrial sites, enabling the built environment to be understood as a layered record of successive interventions. The study concludes that adaptive redesign offers designers a methodology that can embed industrial fragments into vibrant public realms that sustain diverse communities, catalyze local economies, and honor historical identity through lived practices.

4 January 2026

Cover of the book The Naked City by Guy Debord. The red arrows connect the different fractures of Paris. Source: [20], ©Demelzadesign.com.

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Culture - ISSN 3042-8165