Cities’ and Landscapes’ Graphic Language

A special issue of Architecture (ISSN 2673-8945).

Deadline for manuscript submissions: closed (31 August 2023) | Viewed by 2517

Special Issue Editor


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Guest Editor
Architecture-Polytechnic School, University of Genoa, Genoa, Italy
Interests: survey and representation of architecture and the environment; drawing for the landscape; visual culture and communication
Special Issues, Collections and Topics in MDPI journals

Special Issue Information

Dear Colleagues,

In this complex and difficult historical period, the role of architects and artists is fundamental in defining and in awareness of the narration of cities and landscapes, urban and otherwise, for a better future.

The choice of the theme is linked to the conception of the city and landscapes as cultural documents that can teach us to understand the past and the future. Each city and landscape can therefore be considered a cultural document.

Document understood in its broadest literal meaning includes any means, especially graphic, that proves the existence of a fact, the accuracy or truth of an assertion, and any material object that can be used for study, research, for consultation, either in its original or reproduced state or written, work or any other testimony that illustrates and makes known the political, literary, artistic history, ideas, and customs of a people, but in ancient times also teaching.

The term cultural contemplates the practical adoption of a system of life, of a custom, of a behavior, or, even, the attribution of a particular value to certain conceptions or realities, and the acquisition of a collective sensitivity and awareness in the face of human and social problems that cannot be ignored or overlooked.

Possible subthemes:

  • the drawing of the city
  • image and communication
  • colors
  • art and society
  • continuity and discontinuity in the urban form development
  • landscape design
  • the iconographic history of cities and landscapes

Dr. Giulia Pellegri
Guest Editor

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Keywords

  • drawing
  • graphic language
  • survey
  • landscape
  • design
  • visual communication

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Published Papers (1 paper)

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Research

20 pages, 26696 KiB  
Article
Borromini, the Casa dei Filippini and the Two-Way Relationship between Representation and Architectural Form
by Fabio Colonnese and Marco Carpiceci
Architecture 2023, 3(3), 528-547; https://doi.org/10.3390/architecture3030029 - 15 Sep 2023
Cited by 1 | Viewed by 1768
Abstract
The stratified relationship and mutual influence between the representation of the project and the form of built architecture manifest above all in the facade design by virtue of its natural rhetorical vocation. This is the case of the Casa dei Filippini, designed by [...] Read more.
The stratified relationship and mutual influence between the representation of the project and the form of built architecture manifest above all in the facade design by virtue of its natural rhetorical vocation. This is the case of the Casa dei Filippini, designed by Francesco Borromini in the second quarter of the 17th century in Rome. The perspective niche in its façade appears to be a literal three-dimensional transcription of a graphic convention adopted in the presentation drawings. To understand the context and the reasons for this “translation”, this article historically frames the theme of the facade intended as a mask and its implicit representational qualities, which can configure it as an autonomous work from the building itself; it frames the interferences between architecture and its image in the era of the advent of pseudo-projective representation and the resistance it finds; it focuses on the facade of the Casa dei Filippini and its perspective niche, here surveyed and photo-modeled to determine the size and relationship between the actual and the perceived shape. Through these methodological and operational premises, the article reconstructs the original center of the façade deformation and analyzes the fictitious value of the facade, as testified by Borromini’s attempt to orient its perception through the drawings of his Opus Architectonicum and those derived from them, eventually confirming the two-way relationship between form and representation. Full article
(This article belongs to the Special Issue Cities’ and Landscapes’ Graphic Language)
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